"My family, we only watch scary movies together. We do not watch comedy – anything – we just watch scary movies. The only other times that I have seen scary movies is when I’m watching Netflix in my room. And I think I’ve probably watched The Conjuring 100 times. I’m not exaggerating: I’ve watched The Conjuring a hundred times. I could recite the movie. A lot of scary movies usually just [feature] a bunch of pop-ups, which is pretty scary, but I don’t really think it’s that scary – it catches you off guard and you’re just shocked. But with The Conjuring it’s actually creepy stuff. And they have a lot of things that I have phobias of. It all piles up. It’s not just like, “Ooh that was scary for a second!” It’s like “Oh my God, that’s so scary!” and then it keeps adding on. It’s not a pop-up and then in another 20 minutes it’s going to be another pop-up. It’s: “Why is she still walking towards me? And why is it still getting more intense?”"

"The last one I picked was another Lugosi film, so yeah, he is in every film I picked. That’s funny. I didn’t even realize it. It’s White Zombie from ’32, which is shortly after Dracula. It’s an amazing movie. I’m pretty sure it’s the first movie to ever use the word “zombie” — to use that in a movie. It takes place in Haiti, and Lugosi runs this sugar mill and the zombies are his workers and stuff. Again, he’s amazing, but the film is — only really bad versions of it existed for so long, so every time you’d watch it, you go like, “Wow, the quality of this movie is horrible. It looks like a cheap movie.” Then later, when people have restored things and find them, it’s a really incredible-looking movie. Again, it seems very primitive, but it looks amazing, and he’s great as always. If you watch some of the leads and you just watch their scenes, you go, “What is this, like a cute little musical comedy?” Then he comes in. Again, not f—ing around."