"If I put Casablanca on I’ll sound like AFI, right? [laughs] Here’s the thing: there are all the choices you can make that you know sound really good and then there’re the ones that you really watch, like a hundred times. Like Paulie, the film with the parrot — but if I put that on my list I’m gonna look like an idiot. [laughs] You must see Paulie! I know you think I’m crazy. I love Paulie. I have these films that my younger brother’s like, “Amy, you’re gonna love this — you have to watch this film.” He introduced me to Paulie. There’s a whole bunch of people in Paulie: there’s Gena Rowlands, Jay Mohr, Cheech; the guy from Monk, Tony Shalhoub, who’s one of my favorites. It’s such a touching story. I hope I haven’t built it up too much. [laughs]"

"This is the movie, above all others, that I can watch time and time again and have the same fun as the first time. It’s the sense of wonder and heightened stakes that make this work so well. Michael J. Fox, of course, makes this work: I as a viewer can see the struggle, fun, joy, and pain Marty experiences without doing anything; [Fox] fully embraces and embodies the journey. I like movies that save the day…go figure, and this one delivers. Also, my parents didn’t let me see this in the theaters when it first came out. My older sister got to go see it with my older brother and I was forced to watch Cocoon with my parents. I had nightmares for months of the the cocoons opening and the old people crawling out of them."

"The one that, if I’m sitting on the couch and it comes on, I can’t turn away — The Bourne movies. I will watch them a million times, and any time they’re on, which is often [laughs], I gotta watch them. I just loved that character. I thought it was so fascinating and, honestly, that’s the kind of part that I would love to play one day. So, I love watching it and watching the way Matt Damon played it. It’s just so exciting, to me. I don’t know why, but I can’t get enough of it. I think there is a little bit of… just the escapism of it all – running through the streets of Germany or all the different cities that he went to and trying to figure out who you are is really cool. It’s just a cool conceit."

"Charles Laughton plays an English butler whose British lord loses him in a poker game to a cowboy from Red Gap, Washington. Ruggles is the butler, a manservant, and he’s forced to move to America, and this cowboy doesn’t [Heaton goes into cowboy twang] feel comfortable having a manservant because it’s ‘Merica and every man is his own man and we have freedom. He tries to help Ruggles become a free man and Ruggles’ family’s whole tradition was being menservants to people. He finds it very hard to embrace American freedom. It has really funny, terrific, and moving performances, and not very many people watch it — or have even seen it or heard of it. I make my boys watch it every Thanksgiving. I’m like, “Boys, it’s that tiiiime!” and they’re like, “Noooooooo, not Ruggles.” but I think they’ll come to appreciate it."