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Daniel Boyd (1066 KP) rated The Umbrella Academy in TV
Mar 7, 2019 (Updated Mar 7, 2019)
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One For A Rainy Day
A few years ago when I heard the guy from My Chemical Romance had wrote a graphic novel, it peaked my interest, but after reading up on some reviews of the book, it just sounded like a rip-off of other properties like Watchmen and X-Men and to be honest I wasn't a huge fan of the obscure character designs and bizarre artwork. I never got around to reading it after this as I was kind of put off by the accusations of unoriginality and the weird art.
Then late last year, I read that there was a Netflix adaption of the show being released and my curiosity was once again peaked. After reading some of the early glowing reviews from critics, I knew that I had found my next binge.
This show is fantastic, which for the most part is owed to it's well written and well acted characters. The members of the Umbrella Academy and their various odd relationships with one another, as well as the outsiders that have interaction with them throughout the show, make the character dynamics of this show as a whole pretty unique and exciting. The cast are all brilliant, with Robert Sheehan's Klaus being the clear stand-out. He gets all of the best lines and nails the American accent that he speaks with in the show.
It is cool to get an insight into the world that the show-runners have crafted, which is as odd as it is charming. It is similar to our own world, with a few pretty drastic changes that change the dynamic of the universe in a oddly interesting way. There were points while watching the show that I was reminded of other superhero stories like Watchmen and X-Men, but instead of Umbrella Academy blatantly ripping off these other stories, it instead takes some of the best parts from its respective influences and adapts them to suit the narrative that is unfolding. It comes off as more of a wink and a nod than just a lazy copy/paste job.
I also feel like the amazing CGI work on Pogo the chimp, - who is highly intelligent and serves as the family's butler, - deserves a shout-out. It is quite possibly the best CGI that I have ever seen in a TV show and is almost on the same level as the CGI on Caesar in the Planet Of The Apes movies.
Overall, The Umbrella Academy is a stellar example of what happens when a show embraces it's influences and presents them in a coherent way in collaboration with the original story that the show itself is telling. It is not the greatest superhero story ever filmed, but it is an extremely entertaining and satisfying ride that the show takes you on over its 10 episodes and it is well worth your time.
Then late last year, I read that there was a Netflix adaption of the show being released and my curiosity was once again peaked. After reading some of the early glowing reviews from critics, I knew that I had found my next binge.
This show is fantastic, which for the most part is owed to it's well written and well acted characters. The members of the Umbrella Academy and their various odd relationships with one another, as well as the outsiders that have interaction with them throughout the show, make the character dynamics of this show as a whole pretty unique and exciting. The cast are all brilliant, with Robert Sheehan's Klaus being the clear stand-out. He gets all of the best lines and nails the American accent that he speaks with in the show.
It is cool to get an insight into the world that the show-runners have crafted, which is as odd as it is charming. It is similar to our own world, with a few pretty drastic changes that change the dynamic of the universe in a oddly interesting way. There were points while watching the show that I was reminded of other superhero stories like Watchmen and X-Men, but instead of Umbrella Academy blatantly ripping off these other stories, it instead takes some of the best parts from its respective influences and adapts them to suit the narrative that is unfolding. It comes off as more of a wink and a nod than just a lazy copy/paste job.
I also feel like the amazing CGI work on Pogo the chimp, - who is highly intelligent and serves as the family's butler, - deserves a shout-out. It is quite possibly the best CGI that I have ever seen in a TV show and is almost on the same level as the CGI on Caesar in the Planet Of The Apes movies.
Overall, The Umbrella Academy is a stellar example of what happens when a show embraces it's influences and presents them in a coherent way in collaboration with the original story that the show itself is telling. It is not the greatest superhero story ever filmed, but it is an extremely entertaining and satisfying ride that the show takes you on over its 10 episodes and it is well worth your time.
Gosky 10x42 Binoculars for Adults, Compact HD Professional Binoculars for Bird Watching Travel Stargazing Hunting Concerts Sports-BAK4 Prism FMC Lens-With Phone Mount Strap Carrying Bag
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COMPACT ROOF PRISM 10X42 BINOCULAR -- 10X power magnification and 307ft/1000yds large field of view,...
JT (287 KP) rated Sucker Punch (2011) in Movies
Mar 10, 2020
Sucker Punch will pack just that, a massive visual punch, so hard you’ll be doubled over by the stunning action sequences the film has to offer. Using a number of different scenarios from an alternative reality concocted in the mind of Baby Doll (Emily Browning), she plots a daring escape with the help of her fellow sexy inmates, and I do mean sexy.
This group include Blondie (Vanessa Hudgens), Amber (Jamie Chung ) and sisters Sweet Pea (Abbie Cornish) and Rocket (Jena Malone). They teach Baby to retreat into increasingly ridiculous fantasies to escape the sinister fate that awaits her. During a number of daring missions in which they tackle everything from Nazis, mechanical robots and fire breathing dragons they must acquire a selection of different items along the way each aiding them in their quest. All the time guided through by the Wise Man (Scott Glenn).
There is no denying that Snyder is one of the most exciting action directors about although some would say that his storytelling is not as strong. He leaves the backstory to be played out in the opening credits. Personally I don’t see anything wrong with that, in fact I think it is done very well.
It’s clear though from the limited and brief interlude of a back story that Snyder was only thinking about making these dream sequences as elaborate as he possibly and he certainly achieved that! The girls battle through in next to nothing, short skirts, knee high socks and push up bras. Titillating, it’s close to a peep show with guns.
Given that this is Snyder’s own original screenplay I think he has done enough to hold his own. While not as engaging as 300 or Watchmen it’s a definite A for effort with a soundtrack that is not a bad listen either.
This group include Blondie (Vanessa Hudgens), Amber (Jamie Chung ) and sisters Sweet Pea (Abbie Cornish) and Rocket (Jena Malone). They teach Baby to retreat into increasingly ridiculous fantasies to escape the sinister fate that awaits her. During a number of daring missions in which they tackle everything from Nazis, mechanical robots and fire breathing dragons they must acquire a selection of different items along the way each aiding them in their quest. All the time guided through by the Wise Man (Scott Glenn).
There is no denying that Snyder is one of the most exciting action directors about although some would say that his storytelling is not as strong. He leaves the backstory to be played out in the opening credits. Personally I don’t see anything wrong with that, in fact I think it is done very well.
It’s clear though from the limited and brief interlude of a back story that Snyder was only thinking about making these dream sequences as elaborate as he possibly and he certainly achieved that! The girls battle through in next to nothing, short skirts, knee high socks and push up bras. Titillating, it’s close to a peep show with guns.
Given that this is Snyder’s own original screenplay I think he has done enough to hold his own. While not as engaging as 300 or Watchmen it’s a definite A for effort with a soundtrack that is not a bad listen either.
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Kirk Bage (1775 KP) rated Rusty Brown in Books
Aug 6, 2020
Just look at what a beautiful object this book is! It gets better on the inside, too. The detail and creativity is immense; the dust cover unfolds into a gorgeous mosaic, with puzzles, and even the copyright notes have a little Easter egg snuck in there. Every satisfyingly thick page of it is dense with ideas and art of admirable quality. It’s heavy and well made. Simply, one of the nicest books aesthetically I’ve ever owned.
I don’t have a big history of reading graphic novels. In fact I can count them on one hand: this one, Watchmen, V for Vendetta and Persepolis. But what I see I like. There is something extra on the storytelling that is the best of both a book and a film – like a film unravelling at the pace of a book, with your imagination made into still images. I love the possibilities of them! There really isn’t anything you couldn’t do with it given enough imagination. I must try a few more as I go through life.
Rusty Brown, by Chris Ware is rich, melancholy, sometimes downright sad, but always truthful. Nothing is exaggerated, only presented, as we see snapshots of all the children and teachers that live in a small American town. They are dealing with regret, nostalgia, self-esteem, bullying and secret Joys, but in a mundane way as the routine of life plays out around them. Yet it manages never to seem bleak or hopeless, as enough moments of beauty keep everyone afloat.
There is a hint of subversive politics going on under the surface, but no more than issue flitting through Chris Ware’s mind; there’s no agenda or propaganda going on. He’s basically showing us a place he knows and saying, huh, what do you think of this. It made me laugh out loud many times, and cry at least twice. Remarkable work.
Both this artist and graphic novels in general are now very much something on my radar to learn more about and enjoy. If you haven’t ever really tried, I recommend Rusty Brown Chris Ware whole-heartedly as a starting place.
I don’t have a big history of reading graphic novels. In fact I can count them on one hand: this one, Watchmen, V for Vendetta and Persepolis. But what I see I like. There is something extra on the storytelling that is the best of both a book and a film – like a film unravelling at the pace of a book, with your imagination made into still images. I love the possibilities of them! There really isn’t anything you couldn’t do with it given enough imagination. I must try a few more as I go through life.
Rusty Brown, by Chris Ware is rich, melancholy, sometimes downright sad, but always truthful. Nothing is exaggerated, only presented, as we see snapshots of all the children and teachers that live in a small American town. They are dealing with regret, nostalgia, self-esteem, bullying and secret Joys, but in a mundane way as the routine of life plays out around them. Yet it manages never to seem bleak or hopeless, as enough moments of beauty keep everyone afloat.
There is a hint of subversive politics going on under the surface, but no more than issue flitting through Chris Ware’s mind; there’s no agenda or propaganda going on. He’s basically showing us a place he knows and saying, huh, what do you think of this. It made me laugh out loud many times, and cry at least twice. Remarkable work.
Both this artist and graphic novels in general are now very much something on my radar to learn more about and enjoy. If you haven’t ever really tried, I recommend Rusty Brown Chris Ware whole-heartedly as a starting place.
RəX Regent (349 KP) rated V for Vendetta (2005) in Movies
Mar 7, 2019
Missed the point... Ponderously
Contains spoilers, click to show
"BOLLOCKS!" This is the standard British insult which is banded about by the stereotypical characters as perceived by our American cousins. Or is this a succinct review of the film? Alan Moore, more famously known for Watchmen, was the original author of the graphic novel of the same name, which was published between 1982 and '85 and then later reprinted in full by DC comics, had his name removed during production. The Brothers Wachowski, of The Matrix fame, a seminal film, penned the adaptation and did so without truly understanding the source.
We ended up with a dull, overly bombastic and ponderous take on a much more subversive novel, with stereotypical fascist villains, shown to have taken power by releasing a virus upon the country's population, rather than the comic's thesis on the apathetic voters, legitimately electing them.
This is Hollywood does Britain, and as usual, they got it wrong. This is a sci-fi fantasy, where the hero/terrorist dons a Guy Fawkes mask and romantically spreads revolution across the country. But Hugo Weaving's ranting, good though he always is, is just boring and overblown. He is a Nutter and not in the good sense. I don't understand what gives him the right to blow up Parliament for us? I think that he's the other side of the same coin; a dictator in his own right. Is this the point? Maybe, but that point is lost when the film is trying to walk the fine line between epic political film-making with an edge, and a major comic book adaptation by the creators of the revolutionary Matrix. Though, the ill-conceived sequels should have served as a warning to us all as to what to expect from this project.
When I first watched this, I thought it was okay, but on repeat viewings it just continues to fall further and further down in my estimation. Boring, contrived, and misconceived. The Brothers Grimm Wachowski need to rethink their strategy and their role in the business and they are in no way, shape or form serious filmmakers. They have a fantastic and they did have a revolutionary view of cinematography, but as for being deep and meaningful writers... more ponderous and self absorbed than anything else.
We ended up with a dull, overly bombastic and ponderous take on a much more subversive novel, with stereotypical fascist villains, shown to have taken power by releasing a virus upon the country's population, rather than the comic's thesis on the apathetic voters, legitimately electing them.
This is Hollywood does Britain, and as usual, they got it wrong. This is a sci-fi fantasy, where the hero/terrorist dons a Guy Fawkes mask and romantically spreads revolution across the country. But Hugo Weaving's ranting, good though he always is, is just boring and overblown. He is a Nutter and not in the good sense. I don't understand what gives him the right to blow up Parliament for us? I think that he's the other side of the same coin; a dictator in his own right. Is this the point? Maybe, but that point is lost when the film is trying to walk the fine line between epic political film-making with an edge, and a major comic book adaptation by the creators of the revolutionary Matrix. Though, the ill-conceived sequels should have served as a warning to us all as to what to expect from this project.
When I first watched this, I thought it was okay, but on repeat viewings it just continues to fall further and further down in my estimation. Boring, contrived, and misconceived. The Brothers Grimm Wachowski need to rethink their strategy and their role in the business and they are in no way, shape or form serious filmmakers. They have a fantastic and they did have a revolutionary view of cinematography, but as for being deep and meaningful writers... more ponderous and self absorbed than anything else.
Joe Goodhart (27 KP) rated Swamp Thing, Vol. 4: A Murder of Crows in Books
Nov 30, 2020
Earlier this year I had finished Vol. 3 and was ready to start on Vol. 4, but I just wasn't feeling it. The timing just wasn't right. So, I put off my re-visitation of Alan Moore's <b>EFFING BRILLIANT</b> SWAMP THING run...until the other night, when the "timing" returned and I devoured it two nights! Now, with that out of the way, onto my review...
In my reviews for the first three volumes, I mentioned that this was a re-visitation of sorts. It was always something I had intended, returning to a series I had not read since it first came out in the 80s, but it wasn't until going the digital route that I felt the time was due.
This is the volume that introduces that ol' bastard John Constantine, and for that alone, this volume is worth the price of admission! However, it was the path that Constantine sets Swampy on, and the tense and unforgettable finale that culminates in Issue 50, the last part of this volume! For that turns it all the way up to Eleven! Yeah, no Spoilers, despite it's age, but it is intense as a comic could be and then some!
Moore has become, in my eyes, some of a pain in the ass over the last few years. However, with SWAMP THING, as well as WATCHMEN and THE DARK KNIGHT RETURNS, he was totally on his game! There was not one issue in this volume that had me thinking, <i>"Yeah, this was good, but that one story was just absolute rubbish!"</i>. It was pure gold!
Now let it be said that I think the artwork of Jock is about as good as it gets as far as stirring horror images that stay with you long after the story is finished! However, after seeing the art of Stephen R. Bissette and John Tottleben, I was reminded of being scared reading this the first time out, and even now, on the re-read! Man, what I wouldn't give to seem them do another Swampy run, maybe even a guest spot on JUSTICE LEAGUE DARK! Oh, I am excited just imagining how frikkin' <b>AWESOME</b> that would be!
Look, there are a ton of great reviews out there, wherein the writer takes and analyzes everything of importance in this volume. And a number of those great reviews are right here on Goodreads! But, I can't add much to what has already been said! All I can add is this: You soooooo need to read this series! That's all I'm gonna say!
In my reviews for the first three volumes, I mentioned that this was a re-visitation of sorts. It was always something I had intended, returning to a series I had not read since it first came out in the 80s, but it wasn't until going the digital route that I felt the time was due.
This is the volume that introduces that ol' bastard John Constantine, and for that alone, this volume is worth the price of admission! However, it was the path that Constantine sets Swampy on, and the tense and unforgettable finale that culminates in Issue 50, the last part of this volume! For that turns it all the way up to Eleven! Yeah, no Spoilers, despite it's age, but it is intense as a comic could be and then some!
Moore has become, in my eyes, some of a pain in the ass over the last few years. However, with SWAMP THING, as well as WATCHMEN and THE DARK KNIGHT RETURNS, he was totally on his game! There was not one issue in this volume that had me thinking, <i>"Yeah, this was good, but that one story was just absolute rubbish!"</i>. It was pure gold!
Now let it be said that I think the artwork of Jock is about as good as it gets as far as stirring horror images that stay with you long after the story is finished! However, after seeing the art of Stephen R. Bissette and John Tottleben, I was reminded of being scared reading this the first time out, and even now, on the re-read! Man, what I wouldn't give to seem them do another Swampy run, maybe even a guest spot on JUSTICE LEAGUE DARK! Oh, I am excited just imagining how frikkin' <b>AWESOME</b> that would be!
Look, there are a ton of great reviews out there, wherein the writer takes and analyzes everything of importance in this volume. And a number of those great reviews are right here on Goodreads! But, I can't add much to what has already been said! All I can add is this: You soooooo need to read this series! That's all I'm gonna say!
Joe Goodhart (27 KP) rated The Batman Who Laughs in Books
Nov 30, 2020
I am really eating up DC's books of late, especially the Scott Snyder and James Tynion IV! Yes, there are some hiccups along the way, as true for even the best of publishers, but the overall good output far outshines the bad/MEH output! I am quite liking this whole "Rebirth" thing and the way it ties into WATCHMEN, can't wait to see it all wrapped with DOOMSDAY CLOCK #12. <i>*ahem*</i> Let's not get ahead of ourselves then, eh? Onto my thoughts on TBWL..
I liked it quite a bit! Yes, it probably could easily have been a 5-issue mini, but I don't feel the story suffered by the added length. It allowed for the crazy roller coaster ride that it was to be even crazier, helped to spread just a bit more darkness in Gotham! Oh, and it showed how Alfred truly is the necessary light in Batman/Bruce's life, something B-Man totally needs, far more than Selina (sorry, Tom King, but I don't think the romance between the two works. Jus' sayin' is all!).
I know a lot of folks absolutely <b>abhor</b> DARK NIGHTS: METAL and anything relating to it, including the Batman Who Laughs! Me? I am enjoying it to no great end! It reminds me of some of the best things about the 90's, just turned up to 11! I think it's an interesting concept, bringing some clever creepiness into DC's "Rebirth"! And besides, it is at least something fresh and different (unlike the umpteenth X-deaths/reboots over at Marvel!)!
One aspect of the mini that really drove it all home was the art by Jock. I loved what he did in the WYTCHES (also with Snyder), and here it is just as good, if not better. The use of shadows and angles brings the creepiness all up and about, leaving with you long after the lights have gone out and sleep comes over you!
I already mentioned it, and several others have as well in their reviews, but Alfred was clearly the MVP here! He was totally on board, taking being a butler to a whole new level beyond 100%! I think sometimes he is under-utilized, but here he definitely got some much needed appreciation and respect! Kudos to you, Scott Snyder, for giving Alfred his due!
And lastly, that ending, the last couple panels? Ewwwww... chills!! Now, I can not wait to read Joshua Williamson's BATMAN/SUPERMAN #1! No spoilers, tho', promise!
So, yes, I was super-impressed with THE BATMAN WHO LAUGHS, just as I was with Snyder's DARK NIGHTS: METAL. If you didn't like METAL, then, well, chances are pretty likely you won't like this one!
I liked it quite a bit! Yes, it probably could easily have been a 5-issue mini, but I don't feel the story suffered by the added length. It allowed for the crazy roller coaster ride that it was to be even crazier, helped to spread just a bit more darkness in Gotham! Oh, and it showed how Alfred truly is the necessary light in Batman/Bruce's life, something B-Man totally needs, far more than Selina (sorry, Tom King, but I don't think the romance between the two works. Jus' sayin' is all!).
I know a lot of folks absolutely <b>abhor</b> DARK NIGHTS: METAL and anything relating to it, including the Batman Who Laughs! Me? I am enjoying it to no great end! It reminds me of some of the best things about the 90's, just turned up to 11! I think it's an interesting concept, bringing some clever creepiness into DC's "Rebirth"! And besides, it is at least something fresh and different (unlike the umpteenth X-deaths/reboots over at Marvel!)!
One aspect of the mini that really drove it all home was the art by Jock. I loved what he did in the WYTCHES (also with Snyder), and here it is just as good, if not better. The use of shadows and angles brings the creepiness all up and about, leaving with you long after the lights have gone out and sleep comes over you!
I already mentioned it, and several others have as well in their reviews, but Alfred was clearly the MVP here! He was totally on board, taking being a butler to a whole new level beyond 100%! I think sometimes he is under-utilized, but here he definitely got some much needed appreciation and respect! Kudos to you, Scott Snyder, for giving Alfred his due!
And lastly, that ending, the last couple panels? Ewwwww... chills!! Now, I can not wait to read Joshua Williamson's BATMAN/SUPERMAN #1! No spoilers, tho', promise!
So, yes, I was super-impressed with THE BATMAN WHO LAUGHS, just as I was with Snyder's DARK NIGHTS: METAL. If you didn't like METAL, then, well, chances are pretty likely you won't like this one!