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Kristy H (1252 KP) rated To Tell You The Truth in Books
Oct 8, 2020
A twisty thriller with a disappointing ending
Lucy Harper is a famous writer, known for her crime fiction stories featuring her beloved character, Eliza. Her work has made her wealthy, something that particularly pleases her husband, Dan, a once aspiring writer who now "manages" Lucy's career and money. Lucy and Dan's life and marriage look perfect from the outside, but they are anything but. Then Dan suddenly goes missing. His disappearance reminds Lucy of another time someone vanished from her life: her younger brother, Teddy, who was lost in the woods very near the house Lucy and Dan now live in. Soon Lucy finds herself reminded more and more of her past, which seems to be quickly and dangerously colliding with her present.
"After all, what kind of person creates a character who walks right out of their books and into their life? He would think I'd lost my mind."
I absolutely adore Gilly Macmillan and her books, but this was not one of my all-time favorites. It's still good, though, and twisty, and I will admit that I didn't guess the (rather bizarre) outcome. However, the ending leaves much to be desired and does not wrap everything up, which left me frustrated. (And seemed to kick off a trend in my recent thrillers, where things end with plot pieces left hanging--I'm not okay with this.)
Lucy is an unreliable narrator extraordinaire--ever since she was small, she's had a best friend named Eliza. Why yes, Eliza happens to be the name of her fictional character, as well. Lucy talks to her imaginary friend, who seems to have untold power over her. If this sounds weird and creepy, it is, and Macmillan does a good job with the eerie oddity of it all and allowing us to wonder if we can trust anything that Lucy--or Eliza--say. Knowing who and what to believe is certainly a central theme here.
Dan, meanwhile, is absolutely despicable, and I was not too sad when he disappeared, honestly. The story alternates between present-day, with Lucy's point of view, and the past, around the time Teddy disappeared. It's certainly compelling. All in all, I would have probably rated this 4-stars if there had been a better ending, versus one that felt rushed and forced, without tying up all the loose ends. This is still a good, atmospheric thriller, with plenty of twists. 3.5 stars. And if you want to read more from Macmillan, I highly recommend The Perfect Girl or her Jim Clemo series--all books that I adore.
"After all, what kind of person creates a character who walks right out of their books and into their life? He would think I'd lost my mind."
I absolutely adore Gilly Macmillan and her books, but this was not one of my all-time favorites. It's still good, though, and twisty, and I will admit that I didn't guess the (rather bizarre) outcome. However, the ending leaves much to be desired and does not wrap everything up, which left me frustrated. (And seemed to kick off a trend in my recent thrillers, where things end with plot pieces left hanging--I'm not okay with this.)
Lucy is an unreliable narrator extraordinaire--ever since she was small, she's had a best friend named Eliza. Why yes, Eliza happens to be the name of her fictional character, as well. Lucy talks to her imaginary friend, who seems to have untold power over her. If this sounds weird and creepy, it is, and Macmillan does a good job with the eerie oddity of it all and allowing us to wonder if we can trust anything that Lucy--or Eliza--say. Knowing who and what to believe is certainly a central theme here.
Dan, meanwhile, is absolutely despicable, and I was not too sad when he disappeared, honestly. The story alternates between present-day, with Lucy's point of view, and the past, around the time Teddy disappeared. It's certainly compelling. All in all, I would have probably rated this 4-stars if there had been a better ending, versus one that felt rushed and forced, without tying up all the loose ends. This is still a good, atmospheric thriller, with plenty of twists. 3.5 stars. And if you want to read more from Macmillan, I highly recommend The Perfect Girl or her Jim Clemo series--all books that I adore.
Kristy H (1252 KP) rated Last Woman Standing in Books
Apr 8, 2019
Crazy but exciting read
Dana Diaz is an aspiring comedian trying to make it in Austin, TX--with the ultimate goal of making it back to L.A. someday. She once lived there with her best friend, Jason, but left in a bit of disgrace. While performing in L.A., she meets Amanda Dorn, a computer programmer who applauds during her set and catches Dana's eye. The two bond over being women in a man's world and soon learn that both have had similar struggles with harassment. But then Amanda proposes a plan: they'll each seek revenge on a man that has harmed the other. Dana quickly finds herself pulled into Amanda's revenge schemes. She also finds herself unable to trust anyone--even her friends.
I really loved Amy Gentry's GOOD AS GONE, so I was so excited to read this one. It didn't appeal to me as much as GOOD, but I enjoyed pieces of it. This was a weird but also interesting book that certainly capitalized on the momentum of the #metoo movement and did a good job of highlighting the aftermath of sexual assault and violence against women.
Dana is an intriguing character; I liked that she was a comedian, because that's not a character you usually see in books! She's also a minority and a fairly strong female--all pluses. No one expects her to be a comic or funny. It's also heartbreaking and eye-opening to see how much she's been through: as we learn about her experiences, we see how often she's had to endure sexual harassment, sexual violence, assault, and more during her career and life.
"It was true that my appearance--short and brownskinned and shaped like my mother minus the control-top pantyhouse--did not prepare most people for my extracurricular activities."
Even worse, so many of the women in the book seem to take this behavior as par for the course. To get ahead, they must endure being harassed, or they see this sexual assault as part of life. For instance, maybe it's just part of the acting business, Dana rationalizes.
"Maybe I really was the only one who couldn't take the joke."
The plot of this book was a little complicated for me; it seemed to struggle to find itself between fiction (a struggling comic attempting to find herself) and thriller (revenge scheme gone horribly wrong). For me, it really took off when it became more of a thriller. There were lots of twists and turns, most of which were quite surprising. Some of them were bizarre. Amanda and Dana's plans are a little crazy and things sort of spiral from there.
Still, I liked Dana overall, even if she made some questionable decisions. I appreciated how her character highlighted the plight of violence of women. As the book went on, it became more exciting and interesting, even some parts were a little crazy.
I received a copy of this book from the publisher and Netgalley in return for an unbiased review.
I really loved Amy Gentry's GOOD AS GONE, so I was so excited to read this one. It didn't appeal to me as much as GOOD, but I enjoyed pieces of it. This was a weird but also interesting book that certainly capitalized on the momentum of the #metoo movement and did a good job of highlighting the aftermath of sexual assault and violence against women.
Dana is an intriguing character; I liked that she was a comedian, because that's not a character you usually see in books! She's also a minority and a fairly strong female--all pluses. No one expects her to be a comic or funny. It's also heartbreaking and eye-opening to see how much she's been through: as we learn about her experiences, we see how often she's had to endure sexual harassment, sexual violence, assault, and more during her career and life.
"It was true that my appearance--short and brownskinned and shaped like my mother minus the control-top pantyhouse--did not prepare most people for my extracurricular activities."
Even worse, so many of the women in the book seem to take this behavior as par for the course. To get ahead, they must endure being harassed, or they see this sexual assault as part of life. For instance, maybe it's just part of the acting business, Dana rationalizes.
"Maybe I really was the only one who couldn't take the joke."
The plot of this book was a little complicated for me; it seemed to struggle to find itself between fiction (a struggling comic attempting to find herself) and thriller (revenge scheme gone horribly wrong). For me, it really took off when it became more of a thriller. There were lots of twists and turns, most of which were quite surprising. Some of them were bizarre. Amanda and Dana's plans are a little crazy and things sort of spiral from there.
Still, I liked Dana overall, even if she made some questionable decisions. I appreciated how her character highlighted the plight of violence of women. As the book went on, it became more exciting and interesting, even some parts were a little crazy.
I received a copy of this book from the publisher and Netgalley in return for an unbiased review.
Louise (64 KP) rated Furiously Happy in Books
Jul 2, 2018
So! where do I start! hmmmm....
This a non-fiction memoir about a woman, Jenny Lawson who suffers from mental illness, but not just one she has a whole mixed bag of mental health problems, Jenny suffers from depression, anxiety, insomnia, ADD and others.
This is her memoir of how she copes with mental health and what is like to live with these debilitating illnesses. The book is told in several short stories of Jenny's life, there are also pictures added in several of the chapters.(proof that these things really happened).
Her husband Victor is a saint that's all I can say, Jenny is crazy but in a good way crazy, she just talks about the most random things ever, but this a symptom of anxiety you over think things and you can tell by her writing.
This book is very funny, and Jenny isn't bothered about the stigma that is still attached to mental health, she is just being herself which is so refreshing.
I never heard of Jenny Lawson when I requested this book, I was more drawn to the synopsis and the amazing raccoon on the front cover. Jenny is a taxidermist's daughter and has a lot of love for stuffed animals which is clear in the book and shown with pictures.
I really could relate to Jenny as I suffer from depression and anxiety, I knew where she was coming from and when she was explaining they symptoms, I was like yes, I get that too! The book is very funny in places, but there are parts which I think are just silly!
My favourite part of the book has to be when she is trying to convinve Victor to get another cat so she can call it the 'President', her ideas are very witty and weird - i mean who thinks of stuff like this.
Whilst this book was good and funny, I was wanting her to be a bit more serious in some parts. I wanted to know how she really felt without trying to make it humorous. And yeah I know it's a serious topic and she is trying to make it light-hearted but I feel that maybe she is still holding back on what she really wants to say.
There is a trigger warning for this book, it does discuss self harm and suicide, so if you are easily offended I would not suggest it for you. Also there is a lot of swearing/cussing.
This is Jenny's second book, first being Let's pretend this never happened and also she has her own blog called the bloggess which I will be following.
I would recommend this book for anyone suffering from mental illness or has a family member/friends that does.
I rated this book 3.5 stars out of 5.
For more of my reviews please check out www.louiselovesbooks.wordpress.com
This a non-fiction memoir about a woman, Jenny Lawson who suffers from mental illness, but not just one she has a whole mixed bag of mental health problems, Jenny suffers from depression, anxiety, insomnia, ADD and others.
This is her memoir of how she copes with mental health and what is like to live with these debilitating illnesses. The book is told in several short stories of Jenny's life, there are also pictures added in several of the chapters.(proof that these things really happened).
Her husband Victor is a saint that's all I can say, Jenny is crazy but in a good way crazy, she just talks about the most random things ever, but this a symptom of anxiety you over think things and you can tell by her writing.
This book is very funny, and Jenny isn't bothered about the stigma that is still attached to mental health, she is just being herself which is so refreshing.
I never heard of Jenny Lawson when I requested this book, I was more drawn to the synopsis and the amazing raccoon on the front cover. Jenny is a taxidermist's daughter and has a lot of love for stuffed animals which is clear in the book and shown with pictures.
I really could relate to Jenny as I suffer from depression and anxiety, I knew where she was coming from and when she was explaining they symptoms, I was like yes, I get that too! The book is very funny in places, but there are parts which I think are just silly!
My favourite part of the book has to be when she is trying to convinve Victor to get another cat so she can call it the 'President', her ideas are very witty and weird - i mean who thinks of stuff like this.
Whilst this book was good and funny, I was wanting her to be a bit more serious in some parts. I wanted to know how she really felt without trying to make it humorous. And yeah I know it's a serious topic and she is trying to make it light-hearted but I feel that maybe she is still holding back on what she really wants to say.
There is a trigger warning for this book, it does discuss self harm and suicide, so if you are easily offended I would not suggest it for you. Also there is a lot of swearing/cussing.
This is Jenny's second book, first being Let's pretend this never happened and also she has her own blog called the bloggess which I will be following.
I would recommend this book for anyone suffering from mental illness or has a family member/friends that does.
I rated this book 3.5 stars out of 5.
For more of my reviews please check out www.louiselovesbooks.wordpress.com
Phil Leader (619 KP) rated Liberator (The Liberators #1) in Books
Nov 19, 2019
Fast. Loud. Violent. Fun. All good adjectives to use in relation to this book. This is the summer blockbuster of science fiction novels.
It is the far future. Corporate business rules and takeovers and mergers are often done facing down the barrel of a gun - or the threat of destruction from orbit from a massive spaceship.
When Skye Pennington is kidnapped by a rival company in order to gain business advantage, her friend Orlanda Nixon tries to rescue her. After her initial attempt is thwarted, she turns to the only place she can, the old mercenary unit she and Skye were both part of. The Liberators.
However, the former large and fearsome force is now a tattered remnant after one battle too far, kept alive only by their leader, JJ Tristan and a few final loyal members who have nowhere else to go. Tristan must gather as much of the team as he can muster at short notice and get his mighty - and badly damaged - ship back in action. It's a tall order for a disparate group who don't always get on with each other.
In the end the plot is not of any particular consequence. It is a very handy hook to hang the story off of, the initial stirring battles introducing Orlanda and Skye, the introduction and gathering of the Liberators after Orlanda's plea and the adrenaline fuelled fight sequences as they attempt to recapture Skye. There is also some sneaking around by the team's deadly assassin and flashbacks to show the glory days of the team, and some of the history between the characters.
The result is a terrific ensemble piece, the Liberators may be battered and dog-eared, old and tired but they have an instinct for survival and fighting that is only matched by their ability to cause destruction and mayhem. The pace runs fast through most of the book - it does slow in the middle as the characters are introduced but is never dull and certainly never predictable.
Every character is well thought out and at first glance some appear to be simplistic ciphers - the cyborg, the tech specialist with the weird sense of humour, the grizzled commander - but once they start interacting and (most importantly) fighting each comes entirely into their own.
This book doesn't take itself too seriously - it exists for the excellent set pieces rather than for any detailed introspection on future society - and the scenes of the good guys running around in big armour with even bigger guns will bring a smile to your face. In particular the sequence when their ship takes off is a total tour de force and one of the best action scenes I have seen in print.
This is a terrific introduction to what will hopefully be a series of novels. Certainly what happens next to the Liberators will be of interest. Any Hollywood producers looking for the next great summer blockbuster could do worse as well.
Rating: Lots of violence. Then some more. And some bad language
It is the far future. Corporate business rules and takeovers and mergers are often done facing down the barrel of a gun - or the threat of destruction from orbit from a massive spaceship.
When Skye Pennington is kidnapped by a rival company in order to gain business advantage, her friend Orlanda Nixon tries to rescue her. After her initial attempt is thwarted, she turns to the only place she can, the old mercenary unit she and Skye were both part of. The Liberators.
However, the former large and fearsome force is now a tattered remnant after one battle too far, kept alive only by their leader, JJ Tristan and a few final loyal members who have nowhere else to go. Tristan must gather as much of the team as he can muster at short notice and get his mighty - and badly damaged - ship back in action. It's a tall order for a disparate group who don't always get on with each other.
In the end the plot is not of any particular consequence. It is a very handy hook to hang the story off of, the initial stirring battles introducing Orlanda and Skye, the introduction and gathering of the Liberators after Orlanda's plea and the adrenaline fuelled fight sequences as they attempt to recapture Skye. There is also some sneaking around by the team's deadly assassin and flashbacks to show the glory days of the team, and some of the history between the characters.
The result is a terrific ensemble piece, the Liberators may be battered and dog-eared, old and tired but they have an instinct for survival and fighting that is only matched by their ability to cause destruction and mayhem. The pace runs fast through most of the book - it does slow in the middle as the characters are introduced but is never dull and certainly never predictable.
Every character is well thought out and at first glance some appear to be simplistic ciphers - the cyborg, the tech specialist with the weird sense of humour, the grizzled commander - but once they start interacting and (most importantly) fighting each comes entirely into their own.
This book doesn't take itself too seriously - it exists for the excellent set pieces rather than for any detailed introspection on future society - and the scenes of the good guys running around in big armour with even bigger guns will bring a smile to your face. In particular the sequence when their ship takes off is a total tour de force and one of the best action scenes I have seen in print.
This is a terrific introduction to what will hopefully be a series of novels. Certainly what happens next to the Liberators will be of interest. Any Hollywood producers looking for the next great summer blockbuster could do worse as well.
Rating: Lots of violence. Then some more. And some bad language
Erratic.
To begin with I should point out that I listened to this rather than read it, and I have to say that I found (not for the first time with American audiobooks) that the narrator detracted from the story. They chose a woman with a very slow, drawling delivery which in some ways, I imagine, was intended to emphasise the sunny, laid-back easy-going stereotype of the late 60's hippy movement. Unfortunately the actual effect was to make the book drag.
Beyond that the content of the book itself was a mixed bag of the pleasurable and the pointless.
Where Cline excelles in this book is in her portrayal of a normal adolescent female trying to fit the role society has dictated for her. It's important to note that Evie is normal - she's not in the small group of incredibly popular, socially adept, fashionably en point and appropriately presented girls of the moment, nor is she so far away from the 'norm' that she is considered especially weird. She falls firmly within the parameters of 'normal' girls who are just struggling with the 'project of their girlhood'. Nor is it just girls that Cline succeeds in painting an accurate picture of - the tribulations of Evie's mother (newley divorced and struggling to realise the relevance and attraction that society expects from her again) speak to the ongoing and endless demands of a civilisation that puts endless pressure on it's female members to adhere to a very narrow and sharply defined criteria in order to be 'acceptable'. This pressure is something I imagine most female readers of this book will relate to, regardless of age, because, of course, it is still very much a daily aspect of most girls' and womens' lives; some possibly even recognising individual situations in which they have been at some stage in their life.
Understanding and empathising with Evie then, it is disconcerting to follow her absorption into the cult; her fascination with the older girls, the ones she later reflects upon as barely more than children themselves; the ease with which she is manipulated through her desire to please her new friends and to defy her mother; the lies sher emotional side is sold and accepts, even as her more rational mind recognises that they are lies...
These are the things Cline excelles in. I can honestly say I have never read an more accurate depiction of clumsy, normal female adolescence.
Unfortunately interspersed through these parts are large tracts of pointless and incredibly, horribly flowery waffle that don't really add anything else to the story other than to repeat, endlessly the message that 'the girl who was part of the cult' had a sad and unfulfilling life afterwards.The message that she screwed up could have been delivered successfully at the beginning and reinforced at the end - it didn't need that kind of repetition.
Overall I would say that for fans of general fiction (which I'm not), and teen readers (which I am also not), this is probably a good read, just expect it to drag at times. It's not one I shall be revisiting.
Beyond that the content of the book itself was a mixed bag of the pleasurable and the pointless.
Where Cline excelles in this book is in her portrayal of a normal adolescent female trying to fit the role society has dictated for her. It's important to note that Evie is normal - she's not in the small group of incredibly popular, socially adept, fashionably en point and appropriately presented girls of the moment, nor is she so far away from the 'norm' that she is considered especially weird. She falls firmly within the parameters of 'normal' girls who are just struggling with the 'project of their girlhood'. Nor is it just girls that Cline succeeds in painting an accurate picture of - the tribulations of Evie's mother (newley divorced and struggling to realise the relevance and attraction that society expects from her again) speak to the ongoing and endless demands of a civilisation that puts endless pressure on it's female members to adhere to a very narrow and sharply defined criteria in order to be 'acceptable'. This pressure is something I imagine most female readers of this book will relate to, regardless of age, because, of course, it is still very much a daily aspect of most girls' and womens' lives; some possibly even recognising individual situations in which they have been at some stage in their life.
Understanding and empathising with Evie then, it is disconcerting to follow her absorption into the cult; her fascination with the older girls, the ones she later reflects upon as barely more than children themselves; the ease with which she is manipulated through her desire to please her new friends and to defy her mother; the lies sher emotional side is sold and accepts, even as her more rational mind recognises that they are lies...
These are the things Cline excelles in. I can honestly say I have never read an more accurate depiction of clumsy, normal female adolescence.
Unfortunately interspersed through these parts are large tracts of pointless and incredibly, horribly flowery waffle that don't really add anything else to the story other than to repeat, endlessly the message that 'the girl who was part of the cult' had a sad and unfulfilling life afterwards.The message that she screwed up could have been delivered successfully at the beginning and reinforced at the end - it didn't need that kind of repetition.
Overall I would say that for fans of general fiction (which I'm not), and teen readers (which I am also not), this is probably a good read, just expect it to drag at times. It's not one I shall be revisiting.
Kristy H (1252 KP) rated Plain Bad Heroines in Books
Dec 17, 2020
Plain Bad Heroines was one of my most anticipated reads of the year. I am a sucker for a lesbian tale. Add in a Gothic New England boarding school for girls? Sold.
The story centers around two time periods. The first, 1902, at the Brookhants School for Girls, run by Libbie Brookhants. A book by a young writer, Mary MacLane has come out--one that's incredibly scandalous for the times. Two Brookhants girls, Flo and Clara, are obsessed with it and establish The Plain Bad Heroine Society. The two are in love, meeting in secret--until they are attacked by yellow jackets at their hiding spot, a copy of the book found with them. A few years later the school closes, but not until after more scandal and death. Now, our second period, over a hundred years later, where Merritt Emmons, a young writer, publishes a book about Flo and Clara's story. It inspires a horror film starring Harper Harper, a famous lesbian actress. Harper will be playing Flo and B-list actress Audrey Wells, Clara. Filming on-site at the abandoned Brookhants site, the three women converge. But soon, weird things start happening, and the curse of Brookhants seems back to haunt the set--and our three modern-day heroines.
This book is absolutely enthralling at times. I flew through these 619 pages, that's for sure. My notes state "very lesbian," which is, of course, a major plus for me. Believe me, we don't get a lot of books starring ourselves. And you know, where we are killed off by swarms of yellow jackets. I honestly found both storylines compelling. It's hard not to fall a bit in love with Harper Harper, the charismatic celebrity (out!) lesbian. And 1902 isn't just about Clara and Flo, but Libbie Brookhants and her life trying to run a cursed school in the early 1900s. Honestly, the pages really flew by most of the time. Though, there are certainly moments where I felt some of the story could have been cut.
And yes, the narrative style is different, though it really adds to the uniqueness of the book. It's basically told by an omnipresent narrator, talking directly to the reader. There are footnotes, often humorous ones, and the end result is something you don't often find. For the most part, I felt like Danforth pulled it off, too. I do think Libbie was a little more fully developed than Merritt, Harper, and Audrey, but that also may have been because that trio could come across as a bit spoiled at times.
Probably my two biggest issues with this book (regretfully): for a Gothic horror novel, it's not really that scary. There are a few creepy and eerie moments, especially in the beginning, but it never really builds up to that terrifying moment that you're expecting. And, somewhat related, the ending. We read and stick with our various tales for the entire time and then... poof! Everything just fizzles out. I was so bummed. The ending was such a disappointment after all I'd read and kept this from being a full-fledged 4 or 4.5-star read. I couldn't believe it after what we'd been through. It was like even the author was tired.
So, overall, this is an original and fascinating read. I'm certainly still advising you to read it (especially if you're queer or enjoy reading queer fiction). Just be prepared that the ending may not have that big scary moment you're expecting. 3.5 stars.
The story centers around two time periods. The first, 1902, at the Brookhants School for Girls, run by Libbie Brookhants. A book by a young writer, Mary MacLane has come out--one that's incredibly scandalous for the times. Two Brookhants girls, Flo and Clara, are obsessed with it and establish The Plain Bad Heroine Society. The two are in love, meeting in secret--until they are attacked by yellow jackets at their hiding spot, a copy of the book found with them. A few years later the school closes, but not until after more scandal and death. Now, our second period, over a hundred years later, where Merritt Emmons, a young writer, publishes a book about Flo and Clara's story. It inspires a horror film starring Harper Harper, a famous lesbian actress. Harper will be playing Flo and B-list actress Audrey Wells, Clara. Filming on-site at the abandoned Brookhants site, the three women converge. But soon, weird things start happening, and the curse of Brookhants seems back to haunt the set--and our three modern-day heroines.
This book is absolutely enthralling at times. I flew through these 619 pages, that's for sure. My notes state "very lesbian," which is, of course, a major plus for me. Believe me, we don't get a lot of books starring ourselves. And you know, where we are killed off by swarms of yellow jackets. I honestly found both storylines compelling. It's hard not to fall a bit in love with Harper Harper, the charismatic celebrity (out!) lesbian. And 1902 isn't just about Clara and Flo, but Libbie Brookhants and her life trying to run a cursed school in the early 1900s. Honestly, the pages really flew by most of the time. Though, there are certainly moments where I felt some of the story could have been cut.
And yes, the narrative style is different, though it really adds to the uniqueness of the book. It's basically told by an omnipresent narrator, talking directly to the reader. There are footnotes, often humorous ones, and the end result is something you don't often find. For the most part, I felt like Danforth pulled it off, too. I do think Libbie was a little more fully developed than Merritt, Harper, and Audrey, but that also may have been because that trio could come across as a bit spoiled at times.
Probably my two biggest issues with this book (regretfully): for a Gothic horror novel, it's not really that scary. There are a few creepy and eerie moments, especially in the beginning, but it never really builds up to that terrifying moment that you're expecting. And, somewhat related, the ending. We read and stick with our various tales for the entire time and then... poof! Everything just fizzles out. I was so bummed. The ending was such a disappointment after all I'd read and kept this from being a full-fledged 4 or 4.5-star read. I couldn't believe it after what we'd been through. It was like even the author was tired.
So, overall, this is an original and fascinating read. I'm certainly still advising you to read it (especially if you're queer or enjoy reading queer fiction). Just be prepared that the ending may not have that big scary moment you're expecting. 3.5 stars.
Andy K (10823 KP) rated The Blair Witch Project (1999) in Movies
Oct 18, 2019
While this film is credited as being the first "found footage" film ever made, it is not true. I found several websites even saying the same thing. Not true. That award goes to Cannibal Holocaust (I am pretty sure) which was release almost two decades earlier (1980 vs. 1999).
The film begins with sort of standard documentary fare showing interviews with the Maryland locals discussing if they have heard of the legend of the Blair Witch. For those that had, they recalled their own memories of the stories they had heard from others or from their childhood. Eventually, the documentary filmmakers meet the odd-looking Mary Brown who details her first hand experience with the demon recalling its weird hairy appearance.
Heather, Josh and Michael then decide to go for an outdoor wooded adventure in an attempt to locate and document evidence of the existence of the local legend themselves, not knowing what lies ahead for them. The journey starts out pretty normal with Heather doing most of the onscreen explanations, the other two mostly relegated to replying to her whims or arguing with her about various topics.
Eventually, a few bad thing start to happen including the loss of their woodland map and hearing strange sounds during the blackness of night. They now wander the woods becoming increasingly agitated with each other and their situation when it is revealed they may be walking in circles and are no closer to completing their quest or finding their way out. They see various various stick and rock formations which are not naturally occurring which means someone else is out there with them.
I remember sitting in a darkened theatre in 1999 hearing about this film briefly before its release. Not much was known at the time, and I recall this being one of the first films to have significant internet buzz beforehand. The internet was only a few years old at the time, so this was also a relatively new concept. Modern audiences are spoiled with so much content for every film available online, that everyone almost loses the feeling of being completely surprised by a film you knew virtually nothing about going in.
For Blair Witch, the added element of the "found footage" style was foreign to pretty much everyone which added to the hype and box office success of the film. Virtually the entire viewing public were not completely sure if what they were watching actually happened or this was fiction. It helped that writer/directors Daniel Myrick and Eduardo Sánchez used an unknown cast so seeing someone they recognized onscreen would not ruin the experience of believing its authenticity.
I am down on sloppy modern moviemakers most of the time these days relying so heavily on CGI and making movies look like pretty perfection rather than focusing on the most important thing for a horror film (or any film) a good screenplay and implied tension. For Blair Witch, it has been said some scenes were improvised or given a general direction but not a full script; however, that doesn't detract from the authentic nature of the situation.
The 2nd half of the film has some truly terrifying moments which happen in the background or off-screen showing you don't need to spend all your money on a CGI monster, just make it scary. The scene and keyart for the film showing the top half of Heather's head which she speaks into the camera explaining her terror and anguish is so believable and mesmerizing it send chills down my spine every time I watch it.
The film also get bagged for the ending which might be considered too short or anti-climactic; however, I think it's perfect and really the only way the movie could have gone.
The film begins with sort of standard documentary fare showing interviews with the Maryland locals discussing if they have heard of the legend of the Blair Witch. For those that had, they recalled their own memories of the stories they had heard from others or from their childhood. Eventually, the documentary filmmakers meet the odd-looking Mary Brown who details her first hand experience with the demon recalling its weird hairy appearance.
Heather, Josh and Michael then decide to go for an outdoor wooded adventure in an attempt to locate and document evidence of the existence of the local legend themselves, not knowing what lies ahead for them. The journey starts out pretty normal with Heather doing most of the onscreen explanations, the other two mostly relegated to replying to her whims or arguing with her about various topics.
Eventually, a few bad thing start to happen including the loss of their woodland map and hearing strange sounds during the blackness of night. They now wander the woods becoming increasingly agitated with each other and their situation when it is revealed they may be walking in circles and are no closer to completing their quest or finding their way out. They see various various stick and rock formations which are not naturally occurring which means someone else is out there with them.
I remember sitting in a darkened theatre in 1999 hearing about this film briefly before its release. Not much was known at the time, and I recall this being one of the first films to have significant internet buzz beforehand. The internet was only a few years old at the time, so this was also a relatively new concept. Modern audiences are spoiled with so much content for every film available online, that everyone almost loses the feeling of being completely surprised by a film you knew virtually nothing about going in.
For Blair Witch, the added element of the "found footage" style was foreign to pretty much everyone which added to the hype and box office success of the film. Virtually the entire viewing public were not completely sure if what they were watching actually happened or this was fiction. It helped that writer/directors Daniel Myrick and Eduardo Sánchez used an unknown cast so seeing someone they recognized onscreen would not ruin the experience of believing its authenticity.
I am down on sloppy modern moviemakers most of the time these days relying so heavily on CGI and making movies look like pretty perfection rather than focusing on the most important thing for a horror film (or any film) a good screenplay and implied tension. For Blair Witch, it has been said some scenes were improvised or given a general direction but not a full script; however, that doesn't detract from the authentic nature of the situation.
The 2nd half of the film has some truly terrifying moments which happen in the background or off-screen showing you don't need to spend all your money on a CGI monster, just make it scary. The scene and keyart for the film showing the top half of Heather's head which she speaks into the camera explaining her terror and anguish is so believable and mesmerizing it send chills down my spine every time I watch it.
The film also get bagged for the ending which might be considered too short or anti-climactic; however, I think it's perfect and really the only way the movie could have gone.
Gareth von Kallenbach (980 KP) rated Slender: The Arrival in Video Games
Jul 4, 2019
An Awful Experience All Around
A brief history for those who are not aware (courtesy of Wikipedia):
“The Slender Man (also known as Slenderman) is a fictional supernatural character that originated as a creepypasta internet meme… Stories of Slender Man commonly feature him stalking, abducting or traumatizing people, particularly children. The Slender Man is no confined to a single narrative, but appears in many works of fiction, typically composed online.”
Slender: The Arrival (which we’ll just refer to as The Arrival moving forward) is the official video game adaptation of Slender Man. Blue Isle studios developed the game to bring us improved visuals, great replay value, and a brand new storyline. These should combine into survival horror at its best. But sadly, it does not. The Arrival encourages exploration and the philosophy of scaring the living daylights out of you. It just doesn’t. Now, truth be told this genre is not typically my bread and butter, but I came into this game with hopeful expectations, but soon found myself wanting more than the game could offer.
First, you are thrown into the game without any instruction or opening. Just head down the road, though. It seems easy enough. I did appreciate the way they worked credits into this opening sequence though, as you are shown the developers and the team that worked on the game. Once you get through this, you come upon a house where you will explore the rooms to find notes scattered throughout the house giving you more information on your back story. Sparing spoilers, essentially the story revolves around a shared trauma from your youth. Once you leave the house, you press on, turning on some generators along your path.
You’ll come across the second house after crossing a river, where I encountered some of the strangeness I assume is part of the experience. Glitching visuals, weird creatures that seemed to disappear when you shine your flashlight upon them, that sort of thing. It could have been a bug, or bugs, but doing a little digging online it seems I was not the only one to experience the same. There wasn’t really any action to be had. A little disheartening.
There’s not much challenge with The Arrival. You will, at some point, encounter the Slender Man in the game. I went straight toward him, and nothing really happened. Unfortunately, it’s a bad byproduct of these games. If it doesn’t scare you, even in the slightest, you’re just left with a stagnant experience while you are running from point to point to read lore.
It took me nearly 2 hours to finish the game, though I suspect those without toddler twins may get through it a bit faster. Suffice it to say, I wish I had those 2 hours back. I never really felt the tension that would cause fear or even nervousness. The shaky cam visual of the game certainly didn’t help. Essentially, you are playing through the eyes of the camera you are holding, complete with “recording” indicator and battery level (you can turn this off). As you walk the camera bobs back and forth a little bit, and as you run it does so a little faster. I understand what they were trying to accomplish here, but it was executed so poorly. I found myself constantly trying to correct this with the joycon thinking it was simply drift. It was super distracting.
Slender: The Arrival failed to give a complete game worthy of the price tag, even at its current price tag of $9.99 on the eShop. That’s not to say you won’t enjoy it, especially if you scare VERY easily or are just a fan of the Slender Man himself. It’s just that combine a wonky control system, very little instruction, and no real tension building moments, and you have a dud of game in my book.
1 out of 5
http://sknr.net/2019/06/28/slender-the-arrival-for-nintendo-switch/
“The Slender Man (also known as Slenderman) is a fictional supernatural character that originated as a creepypasta internet meme… Stories of Slender Man commonly feature him stalking, abducting or traumatizing people, particularly children. The Slender Man is no confined to a single narrative, but appears in many works of fiction, typically composed online.”
Slender: The Arrival (which we’ll just refer to as The Arrival moving forward) is the official video game adaptation of Slender Man. Blue Isle studios developed the game to bring us improved visuals, great replay value, and a brand new storyline. These should combine into survival horror at its best. But sadly, it does not. The Arrival encourages exploration and the philosophy of scaring the living daylights out of you. It just doesn’t. Now, truth be told this genre is not typically my bread and butter, but I came into this game with hopeful expectations, but soon found myself wanting more than the game could offer.
First, you are thrown into the game without any instruction or opening. Just head down the road, though. It seems easy enough. I did appreciate the way they worked credits into this opening sequence though, as you are shown the developers and the team that worked on the game. Once you get through this, you come upon a house where you will explore the rooms to find notes scattered throughout the house giving you more information on your back story. Sparing spoilers, essentially the story revolves around a shared trauma from your youth. Once you leave the house, you press on, turning on some generators along your path.
You’ll come across the second house after crossing a river, where I encountered some of the strangeness I assume is part of the experience. Glitching visuals, weird creatures that seemed to disappear when you shine your flashlight upon them, that sort of thing. It could have been a bug, or bugs, but doing a little digging online it seems I was not the only one to experience the same. There wasn’t really any action to be had. A little disheartening.
There’s not much challenge with The Arrival. You will, at some point, encounter the Slender Man in the game. I went straight toward him, and nothing really happened. Unfortunately, it’s a bad byproduct of these games. If it doesn’t scare you, even in the slightest, you’re just left with a stagnant experience while you are running from point to point to read lore.
It took me nearly 2 hours to finish the game, though I suspect those without toddler twins may get through it a bit faster. Suffice it to say, I wish I had those 2 hours back. I never really felt the tension that would cause fear or even nervousness. The shaky cam visual of the game certainly didn’t help. Essentially, you are playing through the eyes of the camera you are holding, complete with “recording” indicator and battery level (you can turn this off). As you walk the camera bobs back and forth a little bit, and as you run it does so a little faster. I understand what they were trying to accomplish here, but it was executed so poorly. I found myself constantly trying to correct this with the joycon thinking it was simply drift. It was super distracting.
Slender: The Arrival failed to give a complete game worthy of the price tag, even at its current price tag of $9.99 on the eShop. That’s not to say you won’t enjoy it, especially if you scare VERY easily or are just a fan of the Slender Man himself. It’s just that combine a wonky control system, very little instruction, and no real tension building moments, and you have a dud of game in my book.
1 out of 5
http://sknr.net/2019/06/28/slender-the-arrival-for-nintendo-switch/
What can I say about <i>Revenger</i>?
It was my first ever Space Opera and it has opened my eyes to a whole new genre.
It was my first ever Space Opera and it has primed my taste-buds for more.
It was my first ever Alastair Reynolds and now I want more.
Revenger itself was amazingly well written. As mentioned above this was my first book from Alastair Reynolds and it was just the kind of book I could get into again and again; the writing style flowed with a shocking ease and the plot line was very Firefly-esque with a hint more action and a smidge more ‘oh-shit’ factor.
Revenger follows the story of Adrana and Arafura Ness – two sisters from Mazarile whose sick father had made some very poor choices in business – as they embark on a journey into space to end all journeys.
It begins with Adrana convincing her younger sister Arafura to escape into Neural Alley for a reading by Madam Granity. There’s aliens, robots and weird looking men with bad attitudes and then there’s Captain Rackamore. Pol Rackamore is the captain of the Monetta’s Mourn – a sunjammer spaceship – and he’s in need of a new Boney on his ship as his current one is getting too old to ‘read the bones’ and I mean that in the literal sense of the word.
Adrana convinces Cap’n Rack to take both her and Arafura on board the Monetta in the position of new Bone Readers (with the aide of Cazaray the current Boney) and that is where the story really begins. We’re introduced to the rest of the crew and the Monetta sails off into the Empty in search of baubles. As they sail towards their first bauble Arafura becomes a lot closer to the rest of the crew while I feel that Adrana is doing her best to stay away from them all even though she’s front and center.
Story progresses and little hints are dropped about Bosa Sennen and Cap’n Rack’s long lost daughter. There’s several shocking deaths, a mad woman, a kidnapping or two and a young girl bent on revenge.
Around the mid way mark Arafura changes, subtly at first and then a lot more drastic and she becomes Just Fura. This is where the story becomes a lot darker and a lot less like Firefly and a lot more like the Firefly from hell; the second half of this book is based around Fura getting Revenger on Bosa Sennen for what she did and the things that Fura puts herself through to get where she needs to be? She started off as a little timid and shy but after the 50% mark she changed completely and became hard and unyielding.
You know how they say that the future is bright? That brightness is swallowed by the Empty and the future is dark and full of terrors (oh yeah I went there) there’s a doctor with a God complex, a father with a total lack of regard for his daughters, a totally bad ass soldier robot with logic barricades and all sorts of other people.
I think I loved the world building the most about Revenger it was such a smooth transition from place to place and from time to time that it was almost seamless; my second favourite thing was the characters – hands down they were some of the best characters I’ve ever read and I’d love to see if AR takes this book any further as it was seemingly left open for another book but we shall see.
The book gave off a distinctly pirate feeling but with the space element it felt more like Firefly than it did Pirates of the Caribbean which as a fan of both was saying something. Pirates sailing the high skies rather than the high seas! Some of the characters left much to be desired – Bosa, Adrana and Dr Moonface I’m looking at y’all – but the likes of Rack, Prozor and Paladin more than made up for them.
The dialogue was great and the story wasn’t overly scientific which sometimes can be an issue for me, I like my books to be a little less science fact and a bit more science fiction but with Revenger, I felt like AR was giving us regular folk an explanation without going overboard on the description.
It was my first ever Space Opera and it has opened my eyes to a whole new genre.
It was my first ever Space Opera and it has primed my taste-buds for more.
It was my first ever Alastair Reynolds and now I want more.
Revenger itself was amazingly well written. As mentioned above this was my first book from Alastair Reynolds and it was just the kind of book I could get into again and again; the writing style flowed with a shocking ease and the plot line was very Firefly-esque with a hint more action and a smidge more ‘oh-shit’ factor.
Revenger follows the story of Adrana and Arafura Ness – two sisters from Mazarile whose sick father had made some very poor choices in business – as they embark on a journey into space to end all journeys.
It begins with Adrana convincing her younger sister Arafura to escape into Neural Alley for a reading by Madam Granity. There’s aliens, robots and weird looking men with bad attitudes and then there’s Captain Rackamore. Pol Rackamore is the captain of the Monetta’s Mourn – a sunjammer spaceship – and he’s in need of a new Boney on his ship as his current one is getting too old to ‘read the bones’ and I mean that in the literal sense of the word.
Adrana convinces Cap’n Rack to take both her and Arafura on board the Monetta in the position of new Bone Readers (with the aide of Cazaray the current Boney) and that is where the story really begins. We’re introduced to the rest of the crew and the Monetta sails off into the Empty in search of baubles. As they sail towards their first bauble Arafura becomes a lot closer to the rest of the crew while I feel that Adrana is doing her best to stay away from them all even though she’s front and center.
Story progresses and little hints are dropped about Bosa Sennen and Cap’n Rack’s long lost daughter. There’s several shocking deaths, a mad woman, a kidnapping or two and a young girl bent on revenge.
Around the mid way mark Arafura changes, subtly at first and then a lot more drastic and she becomes Just Fura. This is where the story becomes a lot darker and a lot less like Firefly and a lot more like the Firefly from hell; the second half of this book is based around Fura getting Revenger on Bosa Sennen for what she did and the things that Fura puts herself through to get where she needs to be? She started off as a little timid and shy but after the 50% mark she changed completely and became hard and unyielding.
You know how they say that the future is bright? That brightness is swallowed by the Empty and the future is dark and full of terrors (oh yeah I went there) there’s a doctor with a God complex, a father with a total lack of regard for his daughters, a totally bad ass soldier robot with logic barricades and all sorts of other people.
I think I loved the world building the most about Revenger it was such a smooth transition from place to place and from time to time that it was almost seamless; my second favourite thing was the characters – hands down they were some of the best characters I’ve ever read and I’d love to see if AR takes this book any further as it was seemingly left open for another book but we shall see.
The book gave off a distinctly pirate feeling but with the space element it felt more like Firefly than it did Pirates of the Caribbean which as a fan of both was saying something. Pirates sailing the high skies rather than the high seas! Some of the characters left much to be desired – Bosa, Adrana and Dr Moonface I’m looking at y’all – but the likes of Rack, Prozor and Paladin more than made up for them.
The dialogue was great and the story wasn’t overly scientific which sometimes can be an issue for me, I like my books to be a little less science fact and a bit more science fiction but with Revenger, I felt like AR was giving us regular folk an explanation without going overboard on the description.