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Gareth von Kallenbach (971 KP) rated A Nightmare on Elm Street (2010) in Movies
Aug 8, 2019
Back in the 80’s, razor-fingered Freddy Krueger (Robert Englund) became an iconic figure of horror and mainstream pop culture with the film “A Nightmare on Elm Street”. Thanks to great special effects, macabre humor, and the charismatic Freddy, audience flocked to theaters and launched a highly successful series that spanned several films. Eventually the series ran its course, but the title character remained a mainstay of horror fans everywhere. Last seen in “Freddy Vs. Jason”, the terror of teenagers’ dreams has returned in a new take on the film from the Platinum Dunes production team, the same team behind the successful relaunch of the “Friday the 13th Series”.
The new film stars Jackie Earl Haley as the title character, and once again he is dispatching the teens of Elm Street in all manner of bizzare and grisly fashions in their dreams. Soon the town is full of dead teens and their insomniac peers anxious for an answer to the madman. Their parents are no help as they are quick to downplay any questions about Freddy and quickly disregard any concerns raised by their kids, even when the body count continues to rise. As their numbers dwindle, a group of friends starts to uncover the reason behind the unresloved deaths and band together to solve the mystery of Freddy Krueger and survive.
Freddy is only able to menace the teens in their sleep, so they take all manner of precautions in an attempt to stay awake and plot a defense, but sleep is something one can only postpone, never fully avoid, which means Freddy is always lurking, just waiting for his chance to strike.
What follows is a fairly by-the-numbers horror film that is sadly is lacking much suspense and horror. I was a big fan of the series and I found myself wanting to watch the original Wes Craven classic rather than what was unfolding on the screen. Haley does a great job as Krueger, blending menace with gallows humor, but Englund left a very large Fedora and razor gloves to fill and Haley comes up lacking. I also missed the elaborate effects that defined the series, greatly underwhelmed by this film’s attempts. The gore, suspense, and thrills were restrained compared to the previous films.
This is not to say this is a bad film, but the generic cast headed by Thomas Dekker gives us very little to root for and left me wanting more. Here is hoping that the next offering gives fans more of what made the series so popular and less of the formulaic predictability that has become so common in horror.
The new film stars Jackie Earl Haley as the title character, and once again he is dispatching the teens of Elm Street in all manner of bizzare and grisly fashions in their dreams. Soon the town is full of dead teens and their insomniac peers anxious for an answer to the madman. Their parents are no help as they are quick to downplay any questions about Freddy and quickly disregard any concerns raised by their kids, even when the body count continues to rise. As their numbers dwindle, a group of friends starts to uncover the reason behind the unresloved deaths and band together to solve the mystery of Freddy Krueger and survive.
Freddy is only able to menace the teens in their sleep, so they take all manner of precautions in an attempt to stay awake and plot a defense, but sleep is something one can only postpone, never fully avoid, which means Freddy is always lurking, just waiting for his chance to strike.
What follows is a fairly by-the-numbers horror film that is sadly is lacking much suspense and horror. I was a big fan of the series and I found myself wanting to watch the original Wes Craven classic rather than what was unfolding on the screen. Haley does a great job as Krueger, blending menace with gallows humor, but Englund left a very large Fedora and razor gloves to fill and Haley comes up lacking. I also missed the elaborate effects that defined the series, greatly underwhelmed by this film’s attempts. The gore, suspense, and thrills were restrained compared to the previous films.
This is not to say this is a bad film, but the generic cast headed by Thomas Dekker gives us very little to root for and left me wanting more. Here is hoping that the next offering gives fans more of what made the series so popular and less of the formulaic predictability that has become so common in horror.
Gareth von Kallenbach (971 KP) rated Red Eye (2005) in Movies
Aug 14, 2019
For some people, being on an airplane is one of the most terrifying and traumatic experiences they will have to endure. For Lisa Reisert, (Rachel Mc Adams), her trauma is about to extend far beyond her dislike of flying.
Rachel works at a fancy Miami hotel where here main focus is taking care of all manner of high end clients such as the Secretary of Homeland Security. Lisa is forced to take the Red-Eye flight from Dallas to Miami to return to work on time following the funeral of her Grandmother, and as it tends to go with travels, there are all manner of delays that keep her from departing at the scheduled time.
It is during one such delay that Rachel meets the charismatic Jackson Rippner (Cillian Murphy), and as fate has it, they end up sitting next to one another after spending some time in a restaurant bar waiting for their flight to board.
As their plane ascends into the dark and stormy weather, a change occurs in Jackson, and he reveals that he is on the plane to ensure that Lisa follows his instructions, as failure to do so will result in the death of her beloved father.
Jackson reveals to Lisa that he works for interests who want to send a message so as the person in charge at the hotel, and then she must reassign the visiting Secretary of Homeland Security and his family to a room other than his usual one.
Trapped at 30,000 FT, with a psychotic Killer, Lisa must face her fears and find a way to outwit the killer in order to save her father the Secretary and perhaps herself from a situation borne of insanity and desperation.
Director Wes Craven is best known as the man behind the “Scream” and “Nightmare on Elm Street” series as well as countless other horror and suspense films has crafted a mix bag with “Red-Eye”, as the first half of the film is hampered by the uninspired final segments of the film.
What starts out as an interesting premise with many opportunities for suspense and tension are lost as the film unwinds. Early to middle segments of the film do have moments of suspense and some great exchanges between the two leads which makes the saggy and uninspired finale all the more disappointing.
Mc. Adams and Murphy are very good in their parts as is Jayma Mays in a supporting role as all three are talents to keep an eye on for the future.
That being said, the early moments of the film do deliver the goods and if you can get around the by the numbers finale, then you might find yourself enjoying the film.
Rachel works at a fancy Miami hotel where here main focus is taking care of all manner of high end clients such as the Secretary of Homeland Security. Lisa is forced to take the Red-Eye flight from Dallas to Miami to return to work on time following the funeral of her Grandmother, and as it tends to go with travels, there are all manner of delays that keep her from departing at the scheduled time.
It is during one such delay that Rachel meets the charismatic Jackson Rippner (Cillian Murphy), and as fate has it, they end up sitting next to one another after spending some time in a restaurant bar waiting for their flight to board.
As their plane ascends into the dark and stormy weather, a change occurs in Jackson, and he reveals that he is on the plane to ensure that Lisa follows his instructions, as failure to do so will result in the death of her beloved father.
Jackson reveals to Lisa that he works for interests who want to send a message so as the person in charge at the hotel, and then she must reassign the visiting Secretary of Homeland Security and his family to a room other than his usual one.
Trapped at 30,000 FT, with a psychotic Killer, Lisa must face her fears and find a way to outwit the killer in order to save her father the Secretary and perhaps herself from a situation borne of insanity and desperation.
Director Wes Craven is best known as the man behind the “Scream” and “Nightmare on Elm Street” series as well as countless other horror and suspense films has crafted a mix bag with “Red-Eye”, as the first half of the film is hampered by the uninspired final segments of the film.
What starts out as an interesting premise with many opportunities for suspense and tension are lost as the film unwinds. Early to middle segments of the film do have moments of suspense and some great exchanges between the two leads which makes the saggy and uninspired finale all the more disappointing.
Mc. Adams and Murphy are very good in their parts as is Jayma Mays in a supporting role as all three are talents to keep an eye on for the future.
That being said, the early moments of the film do deliver the goods and if you can get around the by the numbers finale, then you might find yourself enjoying the film.
Movie Metropolis (309 KP) rated Scream 4 (2011) in Movies
Jun 11, 2019
Horror films have been in a steady decline for the past few years with countless remakes and sequels to some of the most loved horror franchises. After an 8 year hiatus, Wes Craven resurrects the seemingly dead Scream series with some fantastic results. Scream 4 does for horror what the original did way back in 1996; it carves out a new direction for what has been a lifeless genre.
Scre4m sees Neve Campbell return as Sidney Prescott alongside the much loved Courtney Cox and David Arquette as Gale Riley (previously Weathers) and Dewey Riley respectively. This time, the story focuses on Sidney Prescott returning to her hometown of Woodsboro promoting a book about her life. Of course, this is Scream; so it’s not all plain sailing and her arrival beckons the return of ‘Ghostface’ and his (or her) grisly murders.
The first Scream was well-known for poking fun at the genre and the latest instalment is no exception. It wraps a sublime mix of comedy and self-awareness with the sharp horror which made the first trilogy such a hit. The success in this film is that it never takes itself too seriously, and neither do the cast who look like they’re having a bloody good time. 8 years on and they don’t look like they’re too long in the tooth for this kind of madness, which is an unusual thing. By far the standout performance is from Courtney Cox who slips seamlessly back into the role of Gale and shows the audience why she was the perfect choice for her part.
However, it isn’t all about the veteran stars, some new talent joins the ranks and what better place to start than in a film which has the opportunity of revitalising a tarnished and battered genre. Nico Torterella joins the franchise as Trevor Sheldon, playing a similar part to that of Skeet Ulrich as Billy Loomis in the original. Torterella, with his limited characterisation does very well and steps into the shoes of the creepy ex-boyfriend role exceptionally. But who is he the ex-boyfriend of I hear you cry? Well, Emma Roberts comes to the series for the first time as Jill Roberts, Sidney Prescott’s cousin. Emma plays the part well and in fact provides some of the standout lines throughout the entire film.
Anna Paquin also gets a short cameo in the introduction of the film; much like Drew Barrymore did in the first.
Scream 4 is much like the first with its comedic timing and as such is one of the better instalments in the series, stopping short of being the best. It has been directed very well but is slightly too long and the constant guessing game of who is to blame for the murders can wear thin if you’re not in the mood for Cluedo. The fantastic characters, portrayed brilliantly by their real-life counterparts and the excellent story really are the highlights of a film which has succeeded in what it set out to achieve. Here, 8 years on from Scream 3 and 15 years; yes 15 years on from the original, Scream 4 revitalises the horror genre and is in every respect, brilliant.
https://moviemetropolis.net/2011/04/30/scream-4-2011/
Scre4m sees Neve Campbell return as Sidney Prescott alongside the much loved Courtney Cox and David Arquette as Gale Riley (previously Weathers) and Dewey Riley respectively. This time, the story focuses on Sidney Prescott returning to her hometown of Woodsboro promoting a book about her life. Of course, this is Scream; so it’s not all plain sailing and her arrival beckons the return of ‘Ghostface’ and his (or her) grisly murders.
The first Scream was well-known for poking fun at the genre and the latest instalment is no exception. It wraps a sublime mix of comedy and self-awareness with the sharp horror which made the first trilogy such a hit. The success in this film is that it never takes itself too seriously, and neither do the cast who look like they’re having a bloody good time. 8 years on and they don’t look like they’re too long in the tooth for this kind of madness, which is an unusual thing. By far the standout performance is from Courtney Cox who slips seamlessly back into the role of Gale and shows the audience why she was the perfect choice for her part.
However, it isn’t all about the veteran stars, some new talent joins the ranks and what better place to start than in a film which has the opportunity of revitalising a tarnished and battered genre. Nico Torterella joins the franchise as Trevor Sheldon, playing a similar part to that of Skeet Ulrich as Billy Loomis in the original. Torterella, with his limited characterisation does very well and steps into the shoes of the creepy ex-boyfriend role exceptionally. But who is he the ex-boyfriend of I hear you cry? Well, Emma Roberts comes to the series for the first time as Jill Roberts, Sidney Prescott’s cousin. Emma plays the part well and in fact provides some of the standout lines throughout the entire film.
Anna Paquin also gets a short cameo in the introduction of the film; much like Drew Barrymore did in the first.
Scream 4 is much like the first with its comedic timing and as such is one of the better instalments in the series, stopping short of being the best. It has been directed very well but is slightly too long and the constant guessing game of who is to blame for the murders can wear thin if you’re not in the mood for Cluedo. The fantastic characters, portrayed brilliantly by their real-life counterparts and the excellent story really are the highlights of a film which has succeeded in what it set out to achieve. Here, 8 years on from Scream 3 and 15 years; yes 15 years on from the original, Scream 4 revitalises the horror genre and is in every respect, brilliant.
https://moviemetropolis.net/2011/04/30/scream-4-2011/