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The People Under the Stairs (1991)
The People Under the Stairs (1991)
1991 | Comedy, Horror
7
7.3 (16 Ratings)
Movie Rating
Often overlooked by Wes Craven's wider known films, The People Under the Stairs is a gem of an early nineties horror in its own right for a few reasons.

First and foremost, it has a great cast. Brandon Quintin Adams heads up the cast. He's a cute kid who is easy to root for. The supporting cast is strong too, including Ving Rhames, A.J. Langer, and Sean Whalen. But the stars of the show are it's horrendous villains. Twin Peaks alumni Wendy Robie and Everett McGill play the antagonists (simply credited as "woman" and "man") and they just relish in how absolutely vile they are, and are the main source of entertainment throughout the runtime. The Hall of Fame of horror villainy isn't easy to get into, being crammed with popular icons and all, but these two deserve a spot for sure.

Other than these positives, it's also boasts some decent practical gore, a few creepy visuals, some moments of well earned tension, and is socially relevant to this day, touching upon subjects such as class difference, unaffordable healthcare, and racism. It's screenplay is an intelligent one in this respect, as well as having a fun side to it.

My only real issue with The People Under the Stairs is it's pacing. It does take a little too long to get going. When everything starts to get chaotic, it really becomes a good time, but it does get a bit repetitive, no matter how entertaining it is to see Everett McGill running around in a gimp suit.

These are minor gripes though, it's definitely worth a watch. It's another solid piece of work from Wes Craven, and deserves it's cult status wholeheartedly.
  
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Matthew Krueger (10051 KP) Jan 2, 2021

Excellent film

The Last House on the Left (2009)
The Last House on the Left (2009)
2009 | Drama, Horror, Mystery
5
6.7 (10 Ratings)
Movie Rating
In 1972, horror icon Wes Craven made a name for himself by writing and directing a film called “The Last House on the Left.” The film was very controversial and helped launch a new genre of terror and suspense films that pushed the limits of the times. The film was notorious for its content which included rape, torture, humiliation, and violence and contains to this day some of the most disturbing images ever captured on film. In this age of remakes, prequels, and sequels, Wes Craven has stepped aside to produce a new version of his classic and this remake is sure to be as controversial and disturbing as the original was.

The film centers around 17 year old Mari Collingwood (Sara Paxton), who is taking time off from her competitive swimming and school to spend the summer with her parents Emma and John (Monica Potter and Tony Goldwyn), at their remote cabin in the woods. The family is coming to grips with the loss of their son, and Mari is anxious to spend some time with her friend Paige (Martha MacIssac), whom she has not seen in a while.

Despite concerns from her mother, Mari is given the keys to the car by her father and travels into town to see Paige. The two girls meet a boy named Justin (Spencer Treat Clark), and proceed to go back to his room to party. The three of them are having a great time until Justin’s father Krug (Garrett Dillahunt), as well as his uncle and father’s girlfriend return unexpectedly. Krug and the group are wanted convicts after a bloody escape that has left two officers dead and Krug and his family the subject of an intense manhunt. The presence of Paige and Mari is an unwanted complication and the two girls are kidnapped and taken deep into the woods. After a failed escape attempt, the unstable group set upon the girls in a series of violent physical and psychological torture and acts before brutally finishing with them and leaving them for dead.

When an unexpected storm arrives, the fugitives take refuge at the only house in the area which happens to be Mari’s home. The Collingwood’s take the stranded group in and render medical assistance thanks to John’s background as a doctor. Unaware of the evil they have let into their home, the Collingwood’s life is turned upside down when their nearly dead daughter appears on their doorstep and forces the family to do whatever it takes to survive.

What follows is a dark, violent, and intense finale that goes to extreme measures to underscore the brutality and desperation the family has been driven to in order to survive. This may lead to some using the popular phrase “torture porn” to describe the film, but that would imply a film that existed in no other context but to titillate an audience with pain and suffering. The film is thin on plot and character development, making it simply a film about revenge and the depths people will go to in order to survive and protect their loved ones. The film is a bit slow at parts but few people will forget some of the more intense moments of the film include the finale. As with “The Hills Have Eyes”, Craven created settings where ideal families were driven to extreme measures when confronted with life outside of the safe suburbs in which they dwelled. The film will shock and dismay some, but few will forget the disturbing images anytime soon.
  
The Last House on the Left (1972)
The Last House on the Left (1972)
1972 | Horror, Thriller
To Avoid Fainting Keep Repeating...Its Only A Movie
The Last House on the Left- was wes's directoral debut and what a start. Its a disturbing, psychological, graphic, exploitation horror film.

The plot: Teenagers Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head to the city for a concert, then afterward go looking for drugs. Instead, they find a gang of escaped convicts who subject them to a night of torture and rape. The gang then kills the girls in the woods, not realizing they're near Mari's house. When they pose as salesmen and are taken in by Mari's mother (Cynthia Carr) and father (Gaylord St. James), it doesn't take the parents long to figure out their identities and plot revenge.

 Wes Craven, who had no money at the time, was put on the job of synchronizing dailies for Cunningham's re-shoot. He soon began editing the film with Cunningham. He soon began editing the film with Cunningham and they became good friends. Hallmark bought the film for $10,000, and it was considered a "hit"; this prompted Hallmark to persuade them to make another film with a bigger budget, and gave them $90,000 to shoot a horror film.

This script, written under the title Night of Vengeance, has never been released; only a brief glimpse is visible in the featurette Celluloid Crime of the Century (a 2003 documentary on the making of the film).

The majority of the cast of The Last House on the Left were inexperienced or first-time actors, with the exception of Richard Towers, Eleanor Shaw, and Sandra Peabody who were all soap opera regulars and had prior film roles.

The film underwent multiple title changes, with its investors initially titling it Sex Crime of the Century. However, after test screenings were completed, it was decided to change the title to Krug and Company; however, this title was found to have little draw during test screenings. A marketing specialist who was an acquaintance of Cunningham's proposed the title The Last House on the Left. Craven initially thought the title was "terrible."

Due to its graphic content, the film sparked protests from the public throughout the fall of 1972 who called for its removal from local theaters.

Promotional material capitalized on the film's graphic content and divisive reception, featuring the tagline: "To avoid fainting, keep repeating 'It's only a movie' ..." advertising campaign. Under the Last House... title, the film proved to be a hit.

Though the film passed with an R-rating by the Motion Picture Association of America, director Craven claimed that on several occasions, horrified audience members would demand that theater projectionists destroy the footage, sometimes stealing the film themselves.

It is a distubing film but it is a excellet film by a horror icon.
  
The Last Showing (2014)
The Last Showing (2014)
2014 | International, Horror, Mystery
7
7.0 (1 Ratings)
Movie Rating
Robert Englund (3 more)
Interesting premise
Self-referential, Feels like a homage to Wes craven
Creepy moments
Other characters are not particularly likeable (0 more)
Manipulative, suspenseful and an iconic horror actor!
Why are there only 2 people going to the cinema? I understand it's midnight but surely there would be more. A cinema wouldn't stay open just for 2 people right?

Not believable but I understand this is a low budget movie with a small cast. I went into this with low expectations and I have to say it was better than I expected.

It has now cemented the fear of going to the cinema of a night time so the movie did a good job with that.

Robert Englumd is incredible as this manipulative psychotic creep. He is sinister yet he brings so much depth to the role that you feel some kind of understanding as to why he's doing this. The other male lead was not that likeable. He was outsmarted time and time again and the female lead had little screen time sadly.
Premise is simple about a guy sick of the current cheesy horror movies about now, gets fired so decides to makes his own horror movie. I would really call this a horror though, more a suspenseful thriller. It was interesting to see the story play out through so much manipulation and planning by the sinister Stuart.


Full of suspense throughout but could have had more, it kind of lose me towards the end but I must say the ending was very satisfying.
  
A Nightmare on Elm Street (1984)
A Nightmare on Elm Street (1984)
1984 | Horror
80s horror is its own unique thing, and nothing quite encapsulates the era as well as A Nightmare On Elm Street. Another series that spawned a whole bunch of sequels, the original holds the crown, and still stands the test of time.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.

The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.

ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
  
Scream (2022)
Scream (2022)
2022 | Horror, Mystery, Thriller
Creepy telephone calls, a will-they-won't-they romance between Gale Weathers and Deputy Dewey, a killer that falls over a lot, on-the-nose meta dialogue, and copious amounts of stabbing and blood, can only mean one thing - Scream is back and dammit, it feels good.
The key to the quality of the franchises 5th entry is balance. For a start, it tickles that nostalgia button just the right amount. It's certainly a chronological sequel to all of the 4 movies that came before, but it mainly serves as a love letter to the first. Saying too much could be considered as spoilers, so all I'll say is, the obvious call backs to the original don't feel forced, and make sense in a narrative manner. It doesn't feel like a cash grab. It feels like a film made by fans, for the fans.
Another noticeable balance is found in the characters. With a new Ghostface comes a new set of doomed teenagers. They're just about tolerable enough, but are well written, and aren't over reliant on the legacy characters to get by. Seeing Sidney Prescott, Gale, and Dewey all back together again is, of course, a delight, like a warm embrace from an old friend, but they're utilised in a precise manner. They don't stifle the new cast but their presence is unmistakably notable throughout.
The horror is well realised. Scream is a whole bag of fun, but is also suitably tense. The violence on display is quite brutal and unflinching. Ghostface once again feels menacing and threatening, and the mystery of their identity ticks along until the final moments. Like all of these movies, the reveal is a "I knew it!" moment before realising that you could have said that about anyone. Everybody is a suspect after all.

Radio Silence have done a cracking job of bringing a beloved horror series back to the big screen. I've seen plenty of people saying that Wes Craven would be proud, and I completely agree. Long live Scream.
  
Scream 4 (2011)
Scream 4 (2011)
2011 | Horror, Mystery
Over a decade ago, director Wes Craven and writer Kevin Williamson breathed new life into what had become a very stagnant horror genre with the release of Scream. The film was a clever twist on the killer-on-the-loose theme that had dominated the genre since the 80s and scored huge with audiences who loved the twists and turns of the film as well as the characters who quoted rules for surviving a horror film. With the huge success of the film, two sequels followed. But by the time Scream 3 was released, the series had lost its momentum and was becomeing the very cliche of a horror film that the series had originally made fun of.

Now in 2011, Craven and Williamson have returned with Scream 4, which is the planned first film in a new trilogy for the series with hopes to breath new life in a genre that has once again grown stale with ghost films and the so-called torture porn of the Saw films. Scream 4 is set 10 years after the events of the first film, and with a new book to promote, Sidney Prescott (Neve Campbell), has returned to Woodsboro as a best-selling author, thanks to her book on self-empowerment, a direct result of her experiences in the previous three films.

The return of Sidney is a happy moment for Sherrif Dewey Riley (David Arquette), but not so much for his wife Gale (Courtney Cox), who is facing a bad case of writer’s block and is not exactly thrilled with her fade from the spotlight and life as the wife of the sheriff in the small town. Things get shaken up when a couple of gruesome murders are discovered and before long Sidney is being targeted by a killer who seems to be repeating the pattern of killing that had haunted her in the past.

When the killer strikes again and taunts Sidney with a disturbing phone call, Gale sees the chance to regain her former glory and despite the wishes of her husband Dewey, sets out to solve the mystery of the killer before it is too late.
What follows is a twisting and turning plot that has you seeing suspects everywhere as the body count piles up.

The film introduces some new faces into the series and Hayden Panettiere and Emma Roberts make the best of their roles and actually bring some depth to their characters. Of course there are numerous horror and pop culture references in the film which not only lighten the tension but help with the plot. The killings are graphic and the mix of comedy and horror is in good balance. As usual, people are really dumb just before they get theirs and do not do things like phone for help, take a safer route, and so on, but the film is still enjoyable from a horror fan’s perspective.

There are some nice celebrity cameos in the film and while the film did drag a bit in the final act before the conclusion, the film did redeem itself in the end. While it is not in danger of being cited for a deep plot, original story, or deep characters with wide character arcs, Scream 4 knows who its target audience is and what the audience expects. Some may say the series stayed away top long and has lost its edge and simply repeats the pattern and plot lines we’ve seen in the previous films. In the end, despite some issues, Scream 4 delivers a welcome return to the franchise and paves the way for future sequels in a manner which should delight fans of the genre and franchise.
  
A Nightmare on Elm Street (2010)
A Nightmare on Elm Street (2010)
2010 | Drama, Horror, Mystery
5
5.7 (22 Ratings)
Movie Rating
Back in the 80’s, razor-fingered Freddy Krueger (Robert Englund) became an iconic figure of horror and mainstream pop culture with the film “A Nightmare on Elm Street”. Thanks to great special effects, macabre humor, and the charismatic Freddy, audience flocked to theaters and launched a highly successful series that spanned several films. Eventually the series ran its course, but the title character remained a mainstay of horror fans everywhere. Last seen in “Freddy Vs. Jason”, the terror of teenagers’ dreams has returned in a new take on the film from the Platinum Dunes production team, the same team behind the successful relaunch of the “Friday the 13th Series”.

The new film stars Jackie Earl Haley as the title character, and once again he is dispatching the teens of Elm Street in all manner of bizzare and grisly fashions in their dreams. Soon the town is full of dead teens and their insomniac peers anxious for an answer to the madman. Their parents are no help as they are quick to downplay any questions about Freddy and quickly disregard any concerns raised by their kids, even when the body count continues to rise. As their numbers dwindle, a group of friends starts to uncover the reason behind the unresloved deaths and band together to solve the mystery of Freddy Krueger and survive.

Freddy is only able to menace the teens in their sleep, so they take all manner of precautions in an attempt to stay awake and plot a defense, but sleep is something one can only postpone, never fully avoid, which means Freddy is always lurking, just waiting for his chance to strike.

What follows is a fairly by-the-numbers horror film that is sadly is lacking much suspense and horror. I was a big fan of the series and I found myself wanting to watch the original Wes Craven classic rather than what was unfolding on the screen. Haley does a great job as Krueger, blending menace with gallows humor, but Englund left a very large Fedora and razor gloves to fill and Haley comes up lacking. I also missed the elaborate effects that defined the series, greatly underwhelmed by this film’s attempts. The gore, suspense, and thrills were restrained compared to the previous films.

This is not to say this is a bad film, but the generic cast headed by Thomas Dekker gives us very little to root for and left me wanting more. Here is hoping that the next offering gives fans more of what made the series so popular and less of the formulaic predictability that has become so common in horror.