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Matthew Krueger (10051 KP) rated Vampire in Brooklyn (1995) in Movies
Sep 18, 2020
Brooklyn's Own Vampire
Vampire in Brooklyn- is a entertaining movie. It has horror, comedy and eddie Murphy as the bad guy.
The plot: In the wake of her mother's death in a mental institution, detective Rita Veder (Angela Bassett) is assigned to a baffling serial murder case. After examining the crime scene -- a corpse-filled ship found adrift at sea -- Rita meets Maximilian (Eddie Murphy), a smooth-talking Caribbean playboy determined to romance her. When Rita begins suffering from crippling hallucinations, she calls upon Dr. Zeko (Zakes Mokae), an occultist who suspects a vampire is on the loose.
According to Charlie Murphy, the movie was originally going to be a straight horror film with no laughs but Wes Craven brought a different focus to it. He also said: "Maximilian wasn't going to have any redeeming qualities. But Wes taught us that we must get the audience to care about our characters. And even if they didn't know any vampires personally, they would at least have to identify with the type of person he was.
About the movie, Eddie Murphy said: "I've always wanted to do something where I was the villain in the movie. I love horror pictures and I was a big fan of Wes Craven. This movie started out as something small, this was a movie my company was just going to produce and the screenplay came together so well that I thought it will be a fun role to play. Because I got to do something kind of scary and had a safety net because the vampire can turn into other peoples. I get to be funny when I'm the preacher and I get to be funny when I'm the Italian guy. And the vampire is pretty straight and I got all these funny stuff happening around me. I felt it was a unique piece to do."
Although contemporary reviews were negative, Vampire In Brooklyn has since become a cult classic.
Like i said its a good comedy horror film.
The plot: In the wake of her mother's death in a mental institution, detective Rita Veder (Angela Bassett) is assigned to a baffling serial murder case. After examining the crime scene -- a corpse-filled ship found adrift at sea -- Rita meets Maximilian (Eddie Murphy), a smooth-talking Caribbean playboy determined to romance her. When Rita begins suffering from crippling hallucinations, she calls upon Dr. Zeko (Zakes Mokae), an occultist who suspects a vampire is on the loose.
According to Charlie Murphy, the movie was originally going to be a straight horror film with no laughs but Wes Craven brought a different focus to it. He also said: "Maximilian wasn't going to have any redeeming qualities. But Wes taught us that we must get the audience to care about our characters. And even if they didn't know any vampires personally, they would at least have to identify with the type of person he was.
About the movie, Eddie Murphy said: "I've always wanted to do something where I was the villain in the movie. I love horror pictures and I was a big fan of Wes Craven. This movie started out as something small, this was a movie my company was just going to produce and the screenplay came together so well that I thought it will be a fun role to play. Because I got to do something kind of scary and had a safety net because the vampire can turn into other peoples. I get to be funny when I'm the preacher and I get to be funny when I'm the Italian guy. And the vampire is pretty straight and I got all these funny stuff happening around me. I felt it was a unique piece to do."
Although contemporary reviews were negative, Vampire In Brooklyn has since become a cult classic.
Like i said its a good comedy horror film.
Matthew Krueger (10051 KP) rated Shocker (1989) in Movies
Sep 15, 2020
Mitch Pileggi (1 more)
Peter Berg
Shock Till You Drop
Shocker- is a underrated wes craven film. Its a really good movie. It mixes sci-fi, horror, comedy, shock and terror all into one. I mean its really shocking, so shocking i might get shocked. Okay enough with the pawns.
The Plot: After being captured for a series of gruesome murders, Horace Pinker (Mitch Pileggi), a television repairman, faces execution by the electric chair -- but a deal with the devil allows him to come back as electricity. Once he changes into his new form, Pinker goes after the detective that brought him down, Lt. Don Parker (Michael Murphy), as well as Parker's adopted son, Jonathan (Peter Berg). However, Jonathan's mysterious connection to Pinker through
dreams might help track the killer's moves.
According to Craven, the film was severely cut for an "R" rating. It took around thirteen submissions to the Motion Picture Association of America to receive an "R" instead of an "X". Some scenes that were cut included Pinker spitting out fingers that he bit off of a prison guard, a longer and more graphic electrocution of Pinker, and a longer scene of a possessed coach stabbing his own hand. Despite fan interest, an uncut version has never been released.
Its a shocking entertaining movie.
The Plot: After being captured for a series of gruesome murders, Horace Pinker (Mitch Pileggi), a television repairman, faces execution by the electric chair -- but a deal with the devil allows him to come back as electricity. Once he changes into his new form, Pinker goes after the detective that brought him down, Lt. Don Parker (Michael Murphy), as well as Parker's adopted son, Jonathan (Peter Berg). However, Jonathan's mysterious connection to Pinker through
dreams might help track the killer's moves.
According to Craven, the film was severely cut for an "R" rating. It took around thirteen submissions to the Motion Picture Association of America to receive an "R" instead of an "X". Some scenes that were cut included Pinker spitting out fingers that he bit off of a prison guard, a longer and more graphic electrocution of Pinker, and a longer scene of a possessed coach stabbing his own hand. Despite fan interest, an uncut version has never been released.
Its a shocking entertaining movie.
Gareth von Kallenbach (971 KP) rated Red Eye (2005) in Movies
Aug 14, 2019
For some people, being on an airplane is one of the most terrifying and traumatic experiences they will have to endure. For Lisa Reisert, (Rachel Mc Adams), her trauma is about to extend far beyond her dislike of flying.
Rachel works at a fancy Miami hotel where here main focus is taking care of all manner of high end clients such as the Secretary of Homeland Security. Lisa is forced to take the Red-Eye flight from Dallas to Miami to return to work on time following the funeral of her Grandmother, and as it tends to go with travels, there are all manner of delays that keep her from departing at the scheduled time.
It is during one such delay that Rachel meets the charismatic Jackson Rippner (Cillian Murphy), and as fate has it, they end up sitting next to one another after spending some time in a restaurant bar waiting for their flight to board.
As their plane ascends into the dark and stormy weather, a change occurs in Jackson, and he reveals that he is on the plane to ensure that Lisa follows his instructions, as failure to do so will result in the death of her beloved father.
Jackson reveals to Lisa that he works for interests who want to send a message so as the person in charge at the hotel, and then she must reassign the visiting Secretary of Homeland Security and his family to a room other than his usual one.
Trapped at 30,000 FT, with a psychotic Killer, Lisa must face her fears and find a way to outwit the killer in order to save her father the Secretary and perhaps herself from a situation borne of insanity and desperation.
Director Wes Craven is best known as the man behind the “Scream” and “Nightmare on Elm Street” series as well as countless other horror and suspense films has crafted a mix bag with “Red-Eye”, as the first half of the film is hampered by the uninspired final segments of the film.
What starts out as an interesting premise with many opportunities for suspense and tension are lost as the film unwinds. Early to middle segments of the film do have moments of suspense and some great exchanges between the two leads which makes the saggy and uninspired finale all the more disappointing.
Mc. Adams and Murphy are very good in their parts as is Jayma Mays in a supporting role as all three are talents to keep an eye on for the future.
That being said, the early moments of the film do deliver the goods and if you can get around the by the numbers finale, then you might find yourself enjoying the film.
Rachel works at a fancy Miami hotel where here main focus is taking care of all manner of high end clients such as the Secretary of Homeland Security. Lisa is forced to take the Red-Eye flight from Dallas to Miami to return to work on time following the funeral of her Grandmother, and as it tends to go with travels, there are all manner of delays that keep her from departing at the scheduled time.
It is during one such delay that Rachel meets the charismatic Jackson Rippner (Cillian Murphy), and as fate has it, they end up sitting next to one another after spending some time in a restaurant bar waiting for their flight to board.
As their plane ascends into the dark and stormy weather, a change occurs in Jackson, and he reveals that he is on the plane to ensure that Lisa follows his instructions, as failure to do so will result in the death of her beloved father.
Jackson reveals to Lisa that he works for interests who want to send a message so as the person in charge at the hotel, and then she must reassign the visiting Secretary of Homeland Security and his family to a room other than his usual one.
Trapped at 30,000 FT, with a psychotic Killer, Lisa must face her fears and find a way to outwit the killer in order to save her father the Secretary and perhaps herself from a situation borne of insanity and desperation.
Director Wes Craven is best known as the man behind the “Scream” and “Nightmare on Elm Street” series as well as countless other horror and suspense films has crafted a mix bag with “Red-Eye”, as the first half of the film is hampered by the uninspired final segments of the film.
What starts out as an interesting premise with many opportunities for suspense and tension are lost as the film unwinds. Early to middle segments of the film do have moments of suspense and some great exchanges between the two leads which makes the saggy and uninspired finale all the more disappointing.
Mc. Adams and Murphy are very good in their parts as is Jayma Mays in a supporting role as all three are talents to keep an eye on for the future.
That being said, the early moments of the film do deliver the goods and if you can get around the by the numbers finale, then you might find yourself enjoying the film.
LeftSideCut (3778 KP) rated American Horror Story - Season 4 in TV
Nov 18, 2019 (Updated Nov 18, 2019)
Season 4 of AHS, subtitled 'Freak Show' gets a bad wrap in my opinion.
It doesn't reach the lofty heights of the first two seasons, but there's plenty to love and it tries something new.
The bulk of the series revolves around Elsa Mars (Jessica Lange) and her group of travelling sideshow performers, all who have some sort of abnormality. As they arrive in 1951 Florida to set up shop and make a living amongst a world that fears and targets them, they are also being eyed up by Richard Spencer (Denis O'Hare), a shady businessman attempting to profit from their misfortune, and Dandy Mott (Finn Wittrock), who harbours an unhealthy obsession with the Freak Show, and in particular, conjoined twins Bette and Dot Tattler (Sarah Paulson).
All the while, a murderous and sinister clown called Twisty (John Carroll Lynch) is on the loose, causing the finger to be pointed at another Freak Show member, Jimmy Darling (Evan Peters).
All of these plot lines running at once actually run side by side pretty smoothly, making for an engaging narrative, with plenty of plot twists along the way.
The Twisty plot line is proper classic slasher horror, and is unfortunately tied up pretty quickly, but it makes way for a surprisingly touching story about family, and what it means to be different.
I found myself caring about almost everybody during Freak Show. It's very well written.
The cast are as usual, pretty great. As well as the cast members mentioned above, we have returning AHS in the likes of Kathy Bates, Francis Conroy, Emma Roberts, Angela Bassett, and Naomi Grossman, as well as some new blood in the form of Michael Chiklis, Erika Ervin, Mat Fraser, Wes Bentley, and Neil Patrick-Harris.
Sarah Paulson is the undisputed highlight during this season, playing two characters at once, with some fantastic effects work going on.
The only character I really struggled to get on board with here was Elsa, which is a shame as she's front and centre. No fault of the great Jessica Lange of course.
The season drags for a while in the mid section, but with so many likable characters, it's not a huge issue.
Freak Show is also the first season that has a concrete connection to other seasons in the AHS story, confirming finally that all the seasons take place in the same universe, which is incredibly exciting, and opens the door for a lot of possibilities.
The gore effects and horror elements continue to be a big plus for AHS, and as always, the anthology format keeps it feeling fresh. Another win for Ryan Murphy and co.
It doesn't reach the lofty heights of the first two seasons, but there's plenty to love and it tries something new.
The bulk of the series revolves around Elsa Mars (Jessica Lange) and her group of travelling sideshow performers, all who have some sort of abnormality. As they arrive in 1951 Florida to set up shop and make a living amongst a world that fears and targets them, they are also being eyed up by Richard Spencer (Denis O'Hare), a shady businessman attempting to profit from their misfortune, and Dandy Mott (Finn Wittrock), who harbours an unhealthy obsession with the Freak Show, and in particular, conjoined twins Bette and Dot Tattler (Sarah Paulson).
All the while, a murderous and sinister clown called Twisty (John Carroll Lynch) is on the loose, causing the finger to be pointed at another Freak Show member, Jimmy Darling (Evan Peters).
All of these plot lines running at once actually run side by side pretty smoothly, making for an engaging narrative, with plenty of plot twists along the way.
The Twisty plot line is proper classic slasher horror, and is unfortunately tied up pretty quickly, but it makes way for a surprisingly touching story about family, and what it means to be different.
I found myself caring about almost everybody during Freak Show. It's very well written.
The cast are as usual, pretty great. As well as the cast members mentioned above, we have returning AHS in the likes of Kathy Bates, Francis Conroy, Emma Roberts, Angela Bassett, and Naomi Grossman, as well as some new blood in the form of Michael Chiklis, Erika Ervin, Mat Fraser, Wes Bentley, and Neil Patrick-Harris.
Sarah Paulson is the undisputed highlight during this season, playing two characters at once, with some fantastic effects work going on.
The only character I really struggled to get on board with here was Elsa, which is a shame as she's front and centre. No fault of the great Jessica Lange of course.
The season drags for a while in the mid section, but with so many likable characters, it's not a huge issue.
Freak Show is also the first season that has a concrete connection to other seasons in the AHS story, confirming finally that all the seasons take place in the same universe, which is incredibly exciting, and opens the door for a lot of possibilities.
The gore effects and horror elements continue to be a big plus for AHS, and as always, the anthology format keeps it feeling fresh. Another win for Ryan Murphy and co.