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Polar (2019)
Polar (2019)
2019 | Action, Crime
Brutal shoot 'em up violence throughout, kinda has that old school "spaghetti western" feel to it, with the silent protagonist, Vanessa Hudgens performance is really good too (0 more)
I hated the villian, but I guess thats the point, right? I mean if they can make you feel something like that you know they've done a good job with creating that villian/badguy (0 more)
The Black Kaiser - 8/10
Polar is a 2019 neo-noir/action movie based on the Dark Horse Comics, webcomic series Polar: Came From The Cold, written by Victor Santos. It is directed by Jonas Akerlund and written by Jayson Rothwell. Starring Mads Mikkelsen, Vanessa Hudgens, Katheryn Winnick, and Matt Lucas.


Duncan Vizla, a.k.a. "the Black Kaiser" (Mads Mikkelsen), is an assassin for the Damocles corporation. It is company policy that all assassins retire at age 50. He checks with a doctor about his health which is good and his accountant about his wealth; which having made the maximum pension fund contributions as possible, has him set for life. In 14 days, on his 50th birthday, he'll be entitled to a payout of $8 million dollars. Mr. Blut (Matt Lucas), has Vivian (Katheryn Winnick), Duncan's handler, contact him for one last mission. Unbeknownst to Duncan this is a plan to have him killed to avoid paying out his pension.


This me was awesome despite what critics say. I read a lot of bad comments talking about it being abhorrent and vulgar. It is rated TV-MA and not for kids and it is very adult. Plus it is a movie about assassins, people who kill for money, so what do you expect. I was surprised how much I liked the Black Kaiser character, since he didn't speak much during the film. Almost felt like a spaghetti-western in some ways, with the silent gunslinger aspect to it. I thought the film was very well done when it came to the acting, the action, and the plot. I'm sure that there are points to what the critics have said but the movie was too awesome for me to care. One thing, the main bad guy i didn't much care for. He did get me to not like him and with acting that's harder than getting people to like you. Also I enjoyed the group of assassins who are employed with the Damocles corporation, for the most part they were pretty interesting and diverse and added something extra to the film. And I was not prepared for Vanessa Hudgen's character but she had a surprising role and did very well too. I give this movie a 8/10.
  
I've been into astrology for many years, usually preferring the more abundant Western zodiac because it's always been more accurate than the Chinese in my case. Willing to give it another chance, I figured maybe a new book on the subject, and the fact that besides the yearly animal, it also includes monthly and hourly animals as well, would enlighten me and prove my assumptions wrong. I'm sorry to say that they still don't sound like me at all, except for some aspects of my hourly animal.

As to the writing, at times it was overly complicated and I had to reread to make sure I got it, especially when it had to do with finding my hourly and monthly animals, luckily the chart is easy to understand. The descriptions of the animals aren't very in depth and they're repetitive, so it's not very illuminating and I've read more about them in other books. However, I do like that there are meditations that include a picture to show how it should be properly done and I probably will try it out.

It's a nice book and does help you find out more than your yearly animal, so it's a good starting place for those who are unfamiliar with Chinese astrology, but that's about it.
  
Brit(ish): On Race, Identity and Belonging
Brit(ish): On Race, Identity and Belonging
Afua Hirsch | 2017 | History & Politics, Philosophy, Psychology & Social Sciences
9
9.0 (1 Ratings)
Book Rating
An important and necessary conversation
There is a wealth of insight crammed into this book about race and identity in Britain, describing how important it is to have a cohesive self by accepting that you may have other identities alongside being a UK citizen.

What hinders this process is the apparent racism that plagues British society, from being 'colour-blind' and thus ignoring the issue, to the awkward and troubled relationship with Britain's history and its origins. The author, Afua Hirsch, also discovers her own Ghanaian roots throughout her journey of self-awareness, making this book both a memoir and social commentary. Hirsch checks her privilege immediately, which makes a refreshing change.

While I can completely relate to her opinions on the racist structures in place and the microagressions that have become normalised, the historical and anthropological elements were the most fascinating parts for me. Learning about the racist views upheld by leading western thinkers such as Immanuel Kant and David Huhne, as well as how the 1919 race riots ensued over the perception of 'white cleansing' was deeply concerning.

Hirsch's call for change on Britain's selective amnesia is not new but it has a contemporary angle following the country's move to leave the EU. Incredibly engaging.