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Blood and Bone
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In the western sky the bright emerald banner of the Visitor descends like a portent of annihilation....
We Sold Our Souls
8.0
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Grady Hendrix, horror writer and author of Paperbacks from Hell and My Best Friend’s Exorcism, is...
Lucky Man: A Memoir
10.0
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In September 1998, Michael J. Fox stunned the world by announcing he had been diagnosed with...
And Every Word Is True
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Truman Capote’s bestselling book “In Cold Blood” has captivated worldwide audiences for over...
True Crime
The Long Slide
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Thirty years ago, Tucker Carlson got his first job out of college fact checking for a quarterly...
Merissa (12069 KP) rated Crimson Petticoats in Books
Apr 22, 2022 (Updated Jun 24, 2023)
CRIMSON PETTICOATS tells the true crime story of Western Europe's first known serial killer, Martin Dumollard. A disturbed child constantly in trouble, he grew up happiest when outside, in the forests and fields. When working as a groundskeeper at an estate, he met Marie, his future wife. She played the long game with Martin, their courtship lasting over ten years. After they were married and left that employ though, both of their worlds changed.
This is a well-written account that allows some imagination to take place, whilst firmly keeping the facts from that time -- found in newspapers and other places of research -- in mind. The sheer number of victims is almost incomprehensible by itself.
This is the first book by this author I have read and it won't be the last. I love the mixture of facts, told in a story-like fashion, that makes it a much better read than just dry facts of no consequence.
Absolutely recommended by me to all fans of #TrueCrime.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 14, 2022
This is a well-written account that allows some imagination to take place, whilst firmly keeping the facts from that time -- found in newspapers and other places of research -- in mind. The sheer number of victims is almost incomprehensible by itself.
This is the first book by this author I have read and it won't be the last. I love the mixture of facts, told in a story-like fashion, that makes it a much better read than just dry facts of no consequence.
Absolutely recommended by me to all fans of #TrueCrime.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 14, 2022
Gareth von Kallenbach (980 KP) rated Glory Road (2006) in Movies
Aug 14, 2019
Sports films have long been a popular genre in Hollywood as classics such as Pride of the Yankees, The Natural, and Raging Bull are all examples of some of the finest examples of sports films which encapsulate the very essence of the sport they portray.
In the new film Glory Road Josh Lucas stars as Don Haskins, a girls Basketball coach who is given the chance to coach a Division 1 team at Texas Western in 1966.
The small school cannot offer the coach much in the way of amenities as Don and his family are required to live in the student’s dorm. Since his dreams of playing pro ball came to a halt after a knee injury, Haskins looks at his job as a chance for him to make a name for himself.
The task will be daunting as Texas Western is a very small school that puts the majority of its athletic budget into the football program leaving next to no money for the gym, new equipment, and recruiting of players.
After a frustrating attempt to recruit players at a local invitational, Haskins sets his sites on a young African American player who while big on attitude, is also big on potential.
With scholarships to offer, Haskins and his staff travel the nation and shock the conservative school by offering scholarships to 8 African American players. In a day and age when teams had at most 1-2 African American players; many of whom did not see much playing time; this is a risky move for the coach.
Undaunted, the coach begins the process of integrating his new players with his current players all of whom are Caucasian, which leads to some tension over starting rights, abilities, and styles.
Haskins is a no nonsense coach who is very strict in regards to grades, effort in practice, and above all avoiding late nights and carousing while the season is underway. Despite this, many players decide to test the will of the coach which raises issues of commitment to the team and discipline, all of which are standard staples of sports films.
When the season starts, a funny thing happens. Not only is the coach playing his African American players in a heavy rotation, but little Texas Western is winning their games and beating some of the more noted teams in the country in the process.
As their notoriety increases so does the amount of hostility directed towards the team from racially incensed fans who do not like the make up of the team and especially hate their success.
Despite this, the team finds itself in the National Championship game against powerful Kentucky coached by the legendary Adolph Rupp (Jon Voight), where Haskins makes history by starting and playing only his African American players which is a first in NCAA finals history.
While the marketing and trailers for the film certainly do not hesitate from telling you most of the above and underscoring that the team ends up in the finals and that the film is based on a true story, it is not about the final results, it is about the journey the team took getting there.
Producer Jerry Bruckheimer is a master at knowing what the fans want and director James Gartner gives viewers a by the number film that delivers the goods. Yes, the film heavily uses all the sporting clichés from the ailing player, the us against the world mentality, the team of misfits, and so on all of which combines to offer little cinematic tension as it is very clear early on and from the ads where this film will end up.
Despite tipping their hand early and throughout, the filmmakers have decided not to rock the boat and have stuck with a tried and true formula that results with a winning albeit very predictable film.
Lucas does a solid job in the roll and makes the best of the material he has to work with. The game sequences are well managed and rousing which had members of my preview audience cheering.
While it offers little originality, Glory Road is a lot of fun, and despite mining every cliché in the book, is an entertaining time at the movies.
In the new film Glory Road Josh Lucas stars as Don Haskins, a girls Basketball coach who is given the chance to coach a Division 1 team at Texas Western in 1966.
The small school cannot offer the coach much in the way of amenities as Don and his family are required to live in the student’s dorm. Since his dreams of playing pro ball came to a halt after a knee injury, Haskins looks at his job as a chance for him to make a name for himself.
The task will be daunting as Texas Western is a very small school that puts the majority of its athletic budget into the football program leaving next to no money for the gym, new equipment, and recruiting of players.
After a frustrating attempt to recruit players at a local invitational, Haskins sets his sites on a young African American player who while big on attitude, is also big on potential.
With scholarships to offer, Haskins and his staff travel the nation and shock the conservative school by offering scholarships to 8 African American players. In a day and age when teams had at most 1-2 African American players; many of whom did not see much playing time; this is a risky move for the coach.
Undaunted, the coach begins the process of integrating his new players with his current players all of whom are Caucasian, which leads to some tension over starting rights, abilities, and styles.
Haskins is a no nonsense coach who is very strict in regards to grades, effort in practice, and above all avoiding late nights and carousing while the season is underway. Despite this, many players decide to test the will of the coach which raises issues of commitment to the team and discipline, all of which are standard staples of sports films.
When the season starts, a funny thing happens. Not only is the coach playing his African American players in a heavy rotation, but little Texas Western is winning their games and beating some of the more noted teams in the country in the process.
As their notoriety increases so does the amount of hostility directed towards the team from racially incensed fans who do not like the make up of the team and especially hate their success.
Despite this, the team finds itself in the National Championship game against powerful Kentucky coached by the legendary Adolph Rupp (Jon Voight), where Haskins makes history by starting and playing only his African American players which is a first in NCAA finals history.
While the marketing and trailers for the film certainly do not hesitate from telling you most of the above and underscoring that the team ends up in the finals and that the film is based on a true story, it is not about the final results, it is about the journey the team took getting there.
Producer Jerry Bruckheimer is a master at knowing what the fans want and director James Gartner gives viewers a by the number film that delivers the goods. Yes, the film heavily uses all the sporting clichés from the ailing player, the us against the world mentality, the team of misfits, and so on all of which combines to offer little cinematic tension as it is very clear early on and from the ads where this film will end up.
Despite tipping their hand early and throughout, the filmmakers have decided not to rock the boat and have stuck with a tried and true formula that results with a winning albeit very predictable film.
Lucas does a solid job in the roll and makes the best of the material he has to work with. The game sequences are well managed and rousing which had members of my preview audience cheering.
While it offers little originality, Glory Road is a lot of fun, and despite mining every cliché in the book, is an entertaining time at the movies.
Cowboy Daddies
8.0
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Cowboy Daddies: Two Western Romances includes novellas from bestselling spanking romance authors...
Romance Westerns Spanking Erotica Historical Romance
Suswatibasu (1701 KP) rated What Is Populism? in Books
Nov 13, 2017
Müller's analysis is one of the best and most up-to-date monographs on populism out there
In the current climate, this is an essential book, as Jan-Werner Müller defines populism's most salient characteristics - antielitism, antipluralism, exclusivity - explaining Donald Trump, Nigel Farage and other populists through this framework. He goes on to explain that populism is not just antiliberal, it is antidemocratic, and actually fails to be a real representational system for people once in power.
An interesting point made in this book is the fact that while certain grievances are completely credible, populists' assertion that they are the only legitimate voice to represent 'the will of the people', opposes democratic ideals in the first place - after all, that is what the electoral system is supposed to represent. He also makes a clear distinction between those claiming to be anti-establishment and populist - making the comparison between Bernie Sanders and Donald Trump, as Sanders never claimed to represent 100 per cent of the population, or pretended not to be part of elite institutions.
Müller is certainly right to challenge, or at least qualify, the popular talk of a populist wave by pointing out that “to this day, no right-wing populist has come to power in Western Europe or North American [sic] without the collaboration of established conservative elites.” It is a quick read, and worth every page.
An interesting point made in this book is the fact that while certain grievances are completely credible, populists' assertion that they are the only legitimate voice to represent 'the will of the people', opposes democratic ideals in the first place - after all, that is what the electoral system is supposed to represent. He also makes a clear distinction between those claiming to be anti-establishment and populist - making the comparison between Bernie Sanders and Donald Trump, as Sanders never claimed to represent 100 per cent of the population, or pretended not to be part of elite institutions.
Müller is certainly right to challenge, or at least qualify, the popular talk of a populist wave by pointing out that “to this day, no right-wing populist has come to power in Western Europe or North American [sic] without the collaboration of established conservative elites.” It is a quick read, and worth every page.
Awix (3310 KP) rated Wild Rose (2018) in Movies
Apr 16, 2019 (Updated Apr 16, 2019)
A Star is Paroled, More Like
Scottish-set take on the same kind of material as A Star is Born features a terrific performance (both acting and musical) from Jessie Buckley, and much less material about people falling in love or weeing themselves on stage. Talented but off-the-rails young woman comes out of prison, tries to reconnect with her mother and children, plans (not very realistically) to go to Nashville and become a country star. (The point is repeatedly made that country music is not the same as country and western music, but this is possibly not the venue to be pedantic in.) Features a cameo by Whispering Bob Harris, who gives an oddly unconvincing performance even though he's playing himself.
Buckley is tremendous, as noted, but Julie Walters is equally good as her disapproving mum (no singing from Walters, though); the film plays engagingly with audience expectations and - to its credit - resists the temptation to suggest there are easy answers to life's questions. It works really hard to earn its moments of triumph and joy: there is some real heartbreak along the way, and the film suggests that while being dedicated to your dreams is all very well, it can also make you a horrible person to be around. Cheats a bit at the very end, but has earned the right to by that point, I would say.
Buckley is tremendous, as noted, but Julie Walters is equally good as her disapproving mum (no singing from Walters, though); the film plays engagingly with audience expectations and - to its credit - resists the temptation to suggest there are easy answers to life's questions. It works really hard to earn its moments of triumph and joy: there is some real heartbreak along the way, and the film suggests that while being dedicated to your dreams is all very well, it can also make you a horrible person to be around. Cheats a bit at the very end, but has earned the right to by that point, I would say.