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Nicole Hadley (380 KP) rated My Heart Belongs in the Superstition Mountains: Carmela’s Quandary in Books
Jun 16, 2018
Contains spoilers, click to show
My Heart Belongs in the Superstition Mountains: Carmela’s Quandry by Susan Page Davis is the second book in the My Heart Belongs series. Carmela's Quandry is a Christian Western with a touch of romance. It is set in 1866 in the Arizona Territory. The story has lots of detail which allows for the reader to feel that they are there in the middle of the story. A wonderful story that allows the reader to see the inner beauty in people.
Carmela lost her parents on the trail to California at a young age and since that point her uncle has been exploiting her for years. At first Carmela was cared for by friends until her uncle could arrive. Her parents owed money that Carmela's uncle was now responsible for paying. Since the uncle didn't have the money he guilted and punished Carmela by forcing her to tell a fake story that the uncle invented. The story is that she has been a victim of an Indian attack, later the uncle forces her to tour the country telling the story he invented. He even drew tattoos on her face because that mimicked what tribes often did to captives. Carmela is now twenty and is almost of age to be able to break away from her Uncle and stop speaking to crowds of people and telling them something that are lies.
Freeman McKay is a lawman who is transporting a dangerous prisoner by stage. He is riding along with a prisoner he is transporting when the stagecoach they are on is robbed. The bad guys leave Carmela and Freeland handcuffed together in the desert and ride off with their loot. Freeman is unconscious from the attack. Several hours go by and Carmela is brought water by a mysterious Indian warrior. That water saved their lives. Freeman and Carmela have to make their way to Prescott so that she can settle and be safe. Carmela and Freeman develop a relationship of trust. Carmela tells Freeman of the secret that she has been forced by her uncle to lie to crowds of people for money.
I liked that Carmela was able to find true happiness. The story is captivating. It's a story of faith and the healing virtue of friendship and love.
Carmela lost her parents on the trail to California at a young age and since that point her uncle has been exploiting her for years. At first Carmela was cared for by friends until her uncle could arrive. Her parents owed money that Carmela's uncle was now responsible for paying. Since the uncle didn't have the money he guilted and punished Carmela by forcing her to tell a fake story that the uncle invented. The story is that she has been a victim of an Indian attack, later the uncle forces her to tour the country telling the story he invented. He even drew tattoos on her face because that mimicked what tribes often did to captives. Carmela is now twenty and is almost of age to be able to break away from her Uncle and stop speaking to crowds of people and telling them something that are lies.
Freeman McKay is a lawman who is transporting a dangerous prisoner by stage. He is riding along with a prisoner he is transporting when the stagecoach they are on is robbed. The bad guys leave Carmela and Freeland handcuffed together in the desert and ride off with their loot. Freeman is unconscious from the attack. Several hours go by and Carmela is brought water by a mysterious Indian warrior. That water saved their lives. Freeman and Carmela have to make their way to Prescott so that she can settle and be safe. Carmela and Freeman develop a relationship of trust. Carmela tells Freeman of the secret that she has been forced by her uncle to lie to crowds of people for money.
I liked that Carmela was able to find true happiness. The story is captivating. It's a story of faith and the healing virtue of friendship and love.
BankofMarquis (1832 KP) rated The Great Race (1965) in Movies
Jul 6, 2018
A fun throwback to 1920's Silent Film Farces
In a tribute to films of a bygone era, Director Blake Edwards pays homage to silent film farces of the 1920's - even dedicating this film to "Mr. Laurel and Mr. Hardy" - with the slapstick comedy THE GREAT RACE - and succeeds, mostly.
Reteaming Tony Curtis (as the brave, virtuous and good "The Great Leslie") and Jack Lemmon (as the sinister, dastardly and evil "Professor Fate"), The Great Race is great fun watching these two cartoon characters spar and parry with each other throughout the course of this 2 hour and 40 minute farce.
Lemmon, in particular, relishes in dual roles as the menacing Fate, always dressed in black, twirling his mustache and coming up with scheme after scheme to derail Leslie (think the Coyote in the RoadRunner cartoons). His overacting and hammyness in the character is perfect for the tone that this film has set. And his maniacal laugh is one to remember - unless you are remembering the childlike guffaws of the other character Lemmon portrays, the doppelganger of Fate, Crown Prince Frederick. Both these characters are fun to watch and Fate, especially, plays well against his bumbling assistant and foil, "Max", played in utter buffoonishness by the great Peter Falk.
Joining Curtis for the "good guys" is Natalie Wood as Suffragette and Newspaper
Reporter Maggie DuBois (obviously tailored after real life Suffragette and Newspaper Reporter Nellie Bly). It is said that Curtis and Wood did not get along on set (they had worked together in 2 other films and grew to dislike each other), but their on-screen chemistry cannot be ignored and they are fun together. As is the great Keenan Wynn as Leslie's mechanic and friend Hezekiah Sturdy.
But it is not the characters that makes this film go it is the set pieces and frenetic pacing that Director Edwards put before us. From thrilling chase scenes to a Western barroom brawl, to a trip through a blizzard with a polar bear to the "largest pie fight ever put on screen", this film delivers the goods in a wholesome, 1960's way that makes me truly say...
"They don't make 'em like this anymore".
8 out 10 stars and you can take that to the Bank (ofMarquis)
Reteaming Tony Curtis (as the brave, virtuous and good "The Great Leslie") and Jack Lemmon (as the sinister, dastardly and evil "Professor Fate"), The Great Race is great fun watching these two cartoon characters spar and parry with each other throughout the course of this 2 hour and 40 minute farce.
Lemmon, in particular, relishes in dual roles as the menacing Fate, always dressed in black, twirling his mustache and coming up with scheme after scheme to derail Leslie (think the Coyote in the RoadRunner cartoons). His overacting and hammyness in the character is perfect for the tone that this film has set. And his maniacal laugh is one to remember - unless you are remembering the childlike guffaws of the other character Lemmon portrays, the doppelganger of Fate, Crown Prince Frederick. Both these characters are fun to watch and Fate, especially, plays well against his bumbling assistant and foil, "Max", played in utter buffoonishness by the great Peter Falk.
Joining Curtis for the "good guys" is Natalie Wood as Suffragette and Newspaper
Reporter Maggie DuBois (obviously tailored after real life Suffragette and Newspaper Reporter Nellie Bly). It is said that Curtis and Wood did not get along on set (they had worked together in 2 other films and grew to dislike each other), but their on-screen chemistry cannot be ignored and they are fun together. As is the great Keenan Wynn as Leslie's mechanic and friend Hezekiah Sturdy.
But it is not the characters that makes this film go it is the set pieces and frenetic pacing that Director Edwards put before us. From thrilling chase scenes to a Western barroom brawl, to a trip through a blizzard with a polar bear to the "largest pie fight ever put on screen", this film delivers the goods in a wholesome, 1960's way that makes me truly say...
"They don't make 'em like this anymore".
8 out 10 stars and you can take that to the Bank (ofMarquis)
Goddess in the Stacks (553 KP) rated The Poppy War (The Poppy War #1) in Books
Oct 9, 2018
Have you ever read a book that is so good you don't know what to say about it? It's taken me almost two weeks to even attempt this review because I just don't know what to write. The Poppy War is your typical story of downtrodden, disadvantaged girl testing into the highest school in the land and gaining the opportunities and privileges that come with that, but then the book takes a sharp twist into war. Rin doesn't exactly get the most typical of educations, even before war breaks out. And when war breaks out, the school is disbanded, the students getting flung all over the land to where the government thinks they will help the most. For Rin, that's joining The Cike. The Bizarre Children. The division of people who can do....things. Things the rest of the military isn't comfortable with. The Cike can call on the powers of gods, and doing so makes them not-quite-untouchables. Rin, who was never short on resentment before this, grows ever more resentful.
Rin is an interesting character; she's been hard done by, yes, but she makes decisions that only make things harder on herself. So I feel for her a little, but at the same time, girl. Check yourself. What's been done to you doesn't justify what you plan to do to others. I am hoping she comes to see that in the next book, because her rage and need for vengeance definitely gets the best of her in this one.
The Poppy War is an excellently written blend of military fantasy, epic fantasy, and coming-of-age novel. Unlike some books, where the military aspect far overshadows the characters, leaving them flat, Poppy War doesn't ignore the characters to focus on the bigger picture. It's a very good mix of both close-up focus on characters, fights, battles, and zoomed-out strategy and war. It's probably the best military fantasy I've read, and the Asian aspect of it makes it even better. So much military fantasy is western European, or Steampunk, or both. I've been finding more and more Asian and African fantasy, and I am SO HERE FOR IT. I need to try to find more South American fantasy. I know it's out there.
I will definitely be watching for the next book in this series, because it's awesome.
You can find all my reviews at http://goddessinthestacks.com
Rin is an interesting character; she's been hard done by, yes, but she makes decisions that only make things harder on herself. So I feel for her a little, but at the same time, girl. Check yourself. What's been done to you doesn't justify what you plan to do to others. I am hoping she comes to see that in the next book, because her rage and need for vengeance definitely gets the best of her in this one.
The Poppy War is an excellently written blend of military fantasy, epic fantasy, and coming-of-age novel. Unlike some books, where the military aspect far overshadows the characters, leaving them flat, Poppy War doesn't ignore the characters to focus on the bigger picture. It's a very good mix of both close-up focus on characters, fights, battles, and zoomed-out strategy and war. It's probably the best military fantasy I've read, and the Asian aspect of it makes it even better. So much military fantasy is western European, or Steampunk, or both. I've been finding more and more Asian and African fantasy, and I am SO HERE FOR IT. I need to try to find more South American fantasy. I know it's out there.
I will definitely be watching for the next book in this series, because it's awesome.
You can find all my reviews at http://goddessinthestacks.com
<i>I received this book for free through Goodreads First Reads.</i>
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing <i>Emma</i> into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, <i>Emma</i> is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of <i>Emma</i> has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as <i>Mary Poppins</i> or <i>Nurse Matilda</i>.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing <i>Emma</i> into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, <i>Emma</i> is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of <i>Emma</i> has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as <i>Mary Poppins</i> or <i>Nurse Matilda</i>.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
The Marinated Meeple (1853 KP) rated Coloma in Tabletop Games
Nov 11, 2019
Tight economy (3 more)
You build your engine for resources
everything is a good choice, there are no terrible choices.
good amount of planning is needed without being too deep.
Very well made Western Euro style game
I have played two games of it and so far I really like it. This is a euro game based in the gold rush american west about managing your resources and building an town (engine), and you select the actions you want to take and get a bonus if you don't do the same as other players. it's simultaneous, so you have to guess what other players are doing. I got my Kickstarter copy about a week or two ago, and finally got to break it out this weekend. we played it Saturday and then Sunday morning my wife requested we play it a 2nd time... always a very good indicator of a great game. We generally like more medium to heavy weight games, so the fact that she requested a game that is this light was another vote in its favor. It's not light like Catan, or Kingdomino, or splendor, but it's Lighter than say a Tzolkin, Newton, Castles of Burgundy, or Terraforming Mars. I would say this game is above gateway, but not too deep past that. We plan to introduce this to our newer game friends and see what happens, the turns are quite quick early as you don't do much and then get longer as you get to do more, and I'm anxious to see how that plays with larger play counts. One of the major pluses in the game is how you control how you want to play the game and what you want to do. You could go after horses, and then ride the territory and focus on the post office and stables, and then also go after gold and dudes and then chase the rivers and bridges.... or maybe you just buildup your town to the max and get more of everything on every turn... there seems to be lots of plausible routes to winning and it's just about how efficient you are with your strategy. Looking forward to having this in my collection for a long time.
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