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Phillip McSween (751 KP) rated Never Grow Old (2019) in Movies
Apr 1, 2019
Under-the-Radar Good
Set in the 1800’s, when a band of unsavory men muscle their way into a small town, the town’s undertaker has to face the moral decision of reaping the benefits of their destruction or keeping his family and the town safe. It’s a lot harder of a decision than you might think which is part of the reason why I think this movie works so well. I thought I could easily decide one way or another, but by the end of it, I wasn’t so sure.
Acting: 10
I applaud Emile Hirsch for constantly taking on unique roles and stepping outside of comfort zones. In Never Grow Old, he is Pat the Irish undertaker. The role is original in and of itself, but he manages to take it and really make it his own. As Pat, he gives you that “Every Man” feel giving the sense that you would do the same types of things if put in his situation. You can feel his fear in knowing he may have to do some things he doesn’t want to do to protect his family.
Shout-out to John Cusack playing bounty hunter Dutch. He does an outstanding job of really making you hate his guts. By the end of it, you’re ready to seem him get taken out. I respected his performance because it never felt overdone or unbelievable like some actors struggle with when taking on an antagonist role. Think Thanos with a six-shooter.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Conflict: 7
Genre: 9
This film ranks up there in terms of Westerns if nothing else but for its originality. The genre is oversaturated with revenge tales, robberies, and the peacekeeping law. This takes you in an entirely different direction. It’s filled with action, grit, but, more importantly, thought.
Memorability: 8
Pace: 6
Plot: 10
Resolution: 7
Not the ending I was hoping for, but I understand why this directional path was chosen. it was almost unavoidable. I didn’t love it, but I definitely respect it.
Overall: 86
Never Grow Old is one of those hidden gem movies you will be wanting to tell your friends to go see. If you like Westerns, hell even if you don’t, this one is extremely enjoyable and memorable. One of my favorite under-the-radar movies.
Acting: 10
I applaud Emile Hirsch for constantly taking on unique roles and stepping outside of comfort zones. In Never Grow Old, he is Pat the Irish undertaker. The role is original in and of itself, but he manages to take it and really make it his own. As Pat, he gives you that “Every Man” feel giving the sense that you would do the same types of things if put in his situation. You can feel his fear in knowing he may have to do some things he doesn’t want to do to protect his family.
Shout-out to John Cusack playing bounty hunter Dutch. He does an outstanding job of really making you hate his guts. By the end of it, you’re ready to seem him get taken out. I respected his performance because it never felt overdone or unbelievable like some actors struggle with when taking on an antagonist role. Think Thanos with a six-shooter.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Conflict: 7
Genre: 9
This film ranks up there in terms of Westerns if nothing else but for its originality. The genre is oversaturated with revenge tales, robberies, and the peacekeeping law. This takes you in an entirely different direction. It’s filled with action, grit, but, more importantly, thought.
Memorability: 8
Pace: 6
Plot: 10
Resolution: 7
Not the ending I was hoping for, but I understand why this directional path was chosen. it was almost unavoidable. I didn’t love it, but I definitely respect it.
Overall: 86
Never Grow Old is one of those hidden gem movies you will be wanting to tell your friends to go see. If you like Westerns, hell even if you don’t, this one is extremely enjoyable and memorable. One of my favorite under-the-radar movies.
Andy K (10821 KP) rated Unforgiven (1992) in Movies
Dec 5, 2018
Eastwood's best is still Eastwood's best!
On the eve of Eastwood's latest and maybe final film "The Mule" hitting theatres in a few weeks, I decided to rewatch his 1992 Best Picture winning effort to see if it still packs a punch as a subtle masterpiece.
Retired outlaw and present farmer William Munny decides to perform one final execution with his friend Ned and the Schofield Kid after they hear the tale of a prostitute being disfigured by a disgruntled customer. In the process, they have a run in with the local badass sheriff who has his own kind of law he dispenses at will.
It's cliche to say all westerns look beautiful since their nature is to capture the Old West in all its majesty and landscape; however, the cinematography here is the true star. The look of the film is stunning (especially on my new 75" TV) and moves you into this world immediately.
Eastwood, Hackman and Morgan Freeman form one of the greatest movie trifecta performances ever and the acting prowess on display is hard to match.
A true masterpiece.
Retired outlaw and present farmer William Munny decides to perform one final execution with his friend Ned and the Schofield Kid after they hear the tale of a prostitute being disfigured by a disgruntled customer. In the process, they have a run in with the local badass sheriff who has his own kind of law he dispenses at will.
It's cliche to say all westerns look beautiful since their nature is to capture the Old West in all its majesty and landscape; however, the cinematography here is the true star. The look of the film is stunning (especially on my new 75" TV) and moves you into this world immediately.
Eastwood, Hackman and Morgan Freeman form one of the greatest movie trifecta performances ever and the acting prowess on display is hard to match.
A true masterpiece.
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Andy K (10821 KP) rated Bone Tomahawk (2015) in Movies
Feb 25, 2018
The Citizen Kane of horror westerns
First of all, any time a movie combines two of my favorite things, in this case, a western and Kurt Russell, you have a recipe for success.
Certainly not for the squeamish or faint of heart, the horribly awesome brutality in this film rivals any I have seen in my life and that's saying a lot.
The plot is your basic four men set out to find and rescue several townspeople who have been kidnapped by horrible cave-dwelling "Indians" who no one seems to know anything about. Along the way, they have to face the elements of the weather, their own injuries and the eminent threat of encountering the ferocious beats that they are always on edge.
Patrick Wilson, Richard Jenkins and Matthew Fox are all also wonderful as the men who set off with Russell on their rescue quest.
For what the movie sets out to do, it succeeds wholeheartedly. Thoroughly engaging throughout, I was glued to my seat the entire time and the 135 minute runtime goes by in a flash.
In reading about it afterwards, it is unbelievable to me the movie was shot in only 21 days and for only $1.8 million.
Who says creativity is dead in Hollywood? Just takes great writing. I'd watch this before Iron Man 12 anytime.
Certainly not for the squeamish or faint of heart, the horribly awesome brutality in this film rivals any I have seen in my life and that's saying a lot.
The plot is your basic four men set out to find and rescue several townspeople who have been kidnapped by horrible cave-dwelling "Indians" who no one seems to know anything about. Along the way, they have to face the elements of the weather, their own injuries and the eminent threat of encountering the ferocious beats that they are always on edge.
Patrick Wilson, Richard Jenkins and Matthew Fox are all also wonderful as the men who set off with Russell on their rescue quest.
For what the movie sets out to do, it succeeds wholeheartedly. Thoroughly engaging throughout, I was glued to my seat the entire time and the 135 minute runtime goes by in a flash.
In reading about it afterwards, it is unbelievable to me the movie was shot in only 21 days and for only $1.8 million.
Who says creativity is dead in Hollywood? Just takes great writing. I'd watch this before Iron Man 12 anytime.
William Sadler recommended Unforgiven (1992) in Movies (curated)
KalJ95 (25 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Dec 30, 2019
Love letter to Golden age of Hollywood. (2 more)
Chemistry of the cast carries the film.
Hilarious, tense and moments of sheer genius from Tarantino.
OUATIH is very simply put; A love letter to the golden age of Hollywood. It spans through the 1960's of Hollywood's obsession with Westerns, whilst focusing on the friendship of an ageing irrelevant actor, and his no nonsense and loyal stuntman, all set to the backdrop of the infamous Manson murders.
That alone sounds like a cocktail only Tarantino could blend, and a runtime of almost three hours unbelievably isn't enough to immerse me into the plot. It just feels second nature to what the film wants you to focus on, which is the friendship of Rick Dalton (Leonardo DiCaprio) and Cliff Booth (Brad Pitt). Their chemistry is the forefront and heart of OUATIH, bringing hilarious and ludicrous moments every minute their on screen together.
The Manson family and Sharon Tate's brief film exposure do serve their point with the overarching storyline of Rick's dying career, but they don't make you care as much. That being said, the moments of pure madness, especially in the grand finale, really do keep you biting your fingernails. Remember, this is Tarantino, its bound the get a bit bloody.
The 9th entry in Tarantino's outstanding catalogue is by far not his best work, but it's a really sweet and sentimental love for all things cinema.
That alone sounds like a cocktail only Tarantino could blend, and a runtime of almost three hours unbelievably isn't enough to immerse me into the plot. It just feels second nature to what the film wants you to focus on, which is the friendship of Rick Dalton (Leonardo DiCaprio) and Cliff Booth (Brad Pitt). Their chemistry is the forefront and heart of OUATIH, bringing hilarious and ludicrous moments every minute their on screen together.
The Manson family and Sharon Tate's brief film exposure do serve their point with the overarching storyline of Rick's dying career, but they don't make you care as much. That being said, the moments of pure madness, especially in the grand finale, really do keep you biting your fingernails. Remember, this is Tarantino, its bound the get a bit bloody.
The 9th entry in Tarantino's outstanding catalogue is by far not his best work, but it's a really sweet and sentimental love for all things cinema.
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From the author of the acclaimed 'Mr. China' comes another rollicking adventure story - part memoir,...