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Stephen Merchant recommended The Squid and the Whale (2005) in Movies (curated)
Haley Mathiot (9 KP) rated New England Knits: Timeless Knitwear with a Modern Twist in Books
Apr 27, 2018
New England Knits is full of 25 beautiful patterns—I love every single one—that are ideal for Fall, Winter, and Spring in the cooler areas of the world. There's a good variety: some sweaters, some cowls, some hats, a bag, a pair of mittens etc. They're all original and unique, and very inspiring. I can look at them and think of my own version or variation, either by changing the colors, adding a pocket, sewing on beads, etc. and creating my own look as well.
Again, I loved every single one. I've started one of them (Whale Watch Hat! It's really cute) and I can't wait to make some of the others.
Recommendation: The patterns are easy enough to read and understand for the intermediate/advanced knitter, which is the skill group it's written for. I'd say make sure you can read a pattern and use double pointed needles before trying any of these patterns. Summer is nearly half way over! Pick up your knitting needles and start on your Fall and Winter sweaters now!
Again, I loved every single one. I've started one of them (Whale Watch Hat! It's really cute) and I can't wait to make some of the others.
Recommendation: The patterns are easy enough to read and understand for the intermediate/advanced knitter, which is the skill group it's written for. I'd say make sure you can read a pattern and use double pointed needles before trying any of these patterns. Summer is nearly half way over! Pick up your knitting needles and start on your Fall and Winter sweaters now!
Lenard (726 KP) rated Stuber (2019) in Movies
Aug 19, 2019
Who ya gonna call?
In the vein of such mismatched buddy action crime comedies like Midnight Run, 48 Hours, and National Security, Stuber pairs ex-wrestler Dave Bautista (Vic) and stand-up Kumail Nanjiani (Stu). Vic is a Los Angeles detective with a lead on the drug lord he has been investigating for years who murdered his partner. He gets eye surgery in a plot device to pass his firearm test so he is effectually blind. Stu is a sporting goods employee in the friend zone with a beautiful blonde he has known since college who has just broken up with her boyfriend and needs some Stu-love. Stu also works nights as an Uber driver with a checkered history. One night after crashing his Ford Crown VIctoria, Vic uses the Uber app his daughter installed on his phone so he could safely attend his sculpture exhibition. Stu takes the ride and rides along as Vic chases his white whale. Soon, Stu gets a load of testerone from the steroid-addicted Vic and Vic learns to express his emotions from the metrosexual Stu.
Gareth von Kallenbach (971 KP) rated In the Heart of the Sea (2015) in Movies
Aug 6, 2019
Based on a novel by Nathaniel Philbrick, “In the Heart of the Sea,” is the tale that inspired “Moby Dick.” Set in 1820, the whaling ship Essex is taken out by a gigantic bull sperm whale and the crew finds themselves at the mercy of the sea.
Director Ron Howard strikes a fine balance between drama and action. The film doesn’t linger too long on building up the background story before plunging into an enthralling adventure. The character development is rapid, yet still manages to create depth and give the audience a chance to connect to the personalities.
Early in the film an entertaining power struggle takes place between Captain George Pollard, Jr. (Benjamin Walker) and First Officer Owen Chase (Chris Hemsworth). Captain Pollard was born into a prestigious whaling family and though not the most experienced, is placed in the position of Captain. Chase on the other hand was an orphan who grew up putting in hard work on whaling ships. The conflict between the two men dooms the crew and the ship from the outset.
The first scenes of whaling are hard to watch, bringing to light the aspect of humans as beasts themselves hunting peaceful creatures for oil.
After the ship has had a bit of success, they move on to take more. Greed and anger backfire and nature fights back. When the ship is taken out by the enraged bull sperm whale, a sheer battle for survival, requiring brute strength and quick thinking ensues.
The ominous seas show no mercy to the men, bringing them to the brink of death. When the men begin to starve they resort to cannibalism. The emotional battle of moral struggle is heart wrenching.
The film has a spiritual quality, incorporating themes of the human experience of survival, ignorance, transcendence. It also has some political undertones dealing with the subject of big oil that, despite being a very old story, are still relevant today.
The graphics are absolutely stunning and the acting is good. But the story and execution is what makes it a truly great film. It is the sum that’s greater than the individual parts in this case, which makes the film an awe inspiring experience.
I give “In the Heart of the Sea” 5 out of 5 stars.
Director Ron Howard strikes a fine balance between drama and action. The film doesn’t linger too long on building up the background story before plunging into an enthralling adventure. The character development is rapid, yet still manages to create depth and give the audience a chance to connect to the personalities.
Early in the film an entertaining power struggle takes place between Captain George Pollard, Jr. (Benjamin Walker) and First Officer Owen Chase (Chris Hemsworth). Captain Pollard was born into a prestigious whaling family and though not the most experienced, is placed in the position of Captain. Chase on the other hand was an orphan who grew up putting in hard work on whaling ships. The conflict between the two men dooms the crew and the ship from the outset.
The first scenes of whaling are hard to watch, bringing to light the aspect of humans as beasts themselves hunting peaceful creatures for oil.
After the ship has had a bit of success, they move on to take more. Greed and anger backfire and nature fights back. When the ship is taken out by the enraged bull sperm whale, a sheer battle for survival, requiring brute strength and quick thinking ensues.
The ominous seas show no mercy to the men, bringing them to the brink of death. When the men begin to starve they resort to cannibalism. The emotional battle of moral struggle is heart wrenching.
The film has a spiritual quality, incorporating themes of the human experience of survival, ignorance, transcendence. It also has some political undertones dealing with the subject of big oil that, despite being a very old story, are still relevant today.
The graphics are absolutely stunning and the acting is good. But the story and execution is what makes it a truly great film. It is the sum that’s greater than the individual parts in this case, which makes the film an awe inspiring experience.
I give “In the Heart of the Sea” 5 out of 5 stars.
BankofMarquis (1832 KP) rated The Whale (2022) in Movies
Mar 5, 2023
Raw and Honest
Give Brendan Fraser the Oscar already.
Hollywood loves a comeback story and the return of Fraser to the Hollywood "A" list is complete with his heart-wrenching, honest turn in Darren Aronofsky's THE WHALE. It is the type of comeback that is deserving of all the accolades and awards that has come his way.
Directed, with restraint not normally associated with Aronofsky, THE WHALE tells the tale of a College Professor who drowns his feelings in food. The film, based on the play (and screenplay) by Samuel D. Hunter follows this Professor, Charlie (Brendan Fraser of THE MUMMY fame) as he seeks to make amends with his estranged daughter as his obesity starts to take it's toll.
Since this is based on a stage play, most of the film takes place inside Charlie's apartment and the number of characters in this film are limited - and all of them hit their mark very well, thanks to the Best Direction that Aronofsky has ever achieved. He limits his usual histrionics, letting the camera focus on the faces and emotions of his characters, keeping movement to a minimum and engrossing the audience in the punch that these emotions provide. It is a shame that he was not Nominated for an Oscar for his work here, it is masterful.
Because of this - and the powerful script by Hunter - the cast of this film shines brightly. From Samantha Morton (MINORITY REPORT) to Ty Simpkins (JURASSIC WORLD) to Sadie Sink (Max Mayfield in Netflix' STRANGER THINGS), Aronofsky draws strong, raw and HONEST performances that elevate as each interact with each other.
Hong Chau (giving her 2nd straight strong performance following her work in the under-rated and under-appreciated THE MENU) is also Oscar Nominated (for Supporting Actress) for her work as Charlie's caregiver. It is a subtle, loving, emotional performance that touches the heart and her Oscar nomination is well deserved.
But, make no mistake about it, this film is Fraser's and he commands it from start to finish. Sure, the "fat suit" he is wearing that gives him the appearance of a 400 lb (+) obese man is jarring, but it is the raw emotions - rage, fear, sadness, hate, self-loathing and love - that Fraser is able to eminate through that wall of prosthetics that is truly astonishing. It is the performance of a career and one that will win him the Oscar.
Welcome back, Brendan Fraser, the movies missed you.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Hollywood loves a comeback story and the return of Fraser to the Hollywood "A" list is complete with his heart-wrenching, honest turn in Darren Aronofsky's THE WHALE. It is the type of comeback that is deserving of all the accolades and awards that has come his way.
Directed, with restraint not normally associated with Aronofsky, THE WHALE tells the tale of a College Professor who drowns his feelings in food. The film, based on the play (and screenplay) by Samuel D. Hunter follows this Professor, Charlie (Brendan Fraser of THE MUMMY fame) as he seeks to make amends with his estranged daughter as his obesity starts to take it's toll.
Since this is based on a stage play, most of the film takes place inside Charlie's apartment and the number of characters in this film are limited - and all of them hit their mark very well, thanks to the Best Direction that Aronofsky has ever achieved. He limits his usual histrionics, letting the camera focus on the faces and emotions of his characters, keeping movement to a minimum and engrossing the audience in the punch that these emotions provide. It is a shame that he was not Nominated for an Oscar for his work here, it is masterful.
Because of this - and the powerful script by Hunter - the cast of this film shines brightly. From Samantha Morton (MINORITY REPORT) to Ty Simpkins (JURASSIC WORLD) to Sadie Sink (Max Mayfield in Netflix' STRANGER THINGS), Aronofsky draws strong, raw and HONEST performances that elevate as each interact with each other.
Hong Chau (giving her 2nd straight strong performance following her work in the under-rated and under-appreciated THE MENU) is also Oscar Nominated (for Supporting Actress) for her work as Charlie's caregiver. It is a subtle, loving, emotional performance that touches the heart and her Oscar nomination is well deserved.
But, make no mistake about it, this film is Fraser's and he commands it from start to finish. Sure, the "fat suit" he is wearing that gives him the appearance of a 400 lb (+) obese man is jarring, but it is the raw emotions - rage, fear, sadness, hate, self-loathing and love - that Fraser is able to eminate through that wall of prosthetics that is truly astonishing. It is the performance of a career and one that will win him the Oscar.
Welcome back, Brendan Fraser, the movies missed you.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
ClareR (5589 KP) rated The Stranding in Books
Jul 27, 2022
I have serious feelings about this book, and I’ll start by saying that I would give this ALL the stars if I could.
Ruth tries to ignore the bad news going on in the world. She goes to work, moves in with her boyfriend, realises he’s not who she thought he was, has a short-lived affair, ends it with the boyfriend and decides to go travelling.
So Ruth is on a New Zealand beach with a complete stranger when the worst thing that could happen, does happen. They hide inside the carcass of a recently dead whale, and when they re-emerge onto the beach, everything is changed.
This is told in alternate chapters of before and after, and shows the stark difference between the two times. It also shows what’s really important in a life: the human drive to survive and love.
Honestly, I’m so desperate for other people to read this, that I don’t want to give too much away, so that you don’t lose that element of surprise and the joy tinged with sadness when you turn each page. It really did make me think about what’s important in my own life.
The Stranding was just an absolute pleasure to read.
Ruth tries to ignore the bad news going on in the world. She goes to work, moves in with her boyfriend, realises he’s not who she thought he was, has a short-lived affair, ends it with the boyfriend and decides to go travelling.
So Ruth is on a New Zealand beach with a complete stranger when the worst thing that could happen, does happen. They hide inside the carcass of a recently dead whale, and when they re-emerge onto the beach, everything is changed.
This is told in alternate chapters of before and after, and shows the stark difference between the two times. It also shows what’s really important in a life: the human drive to survive and love.
Honestly, I’m so desperate for other people to read this, that I don’t want to give too much away, so that you don’t lose that element of surprise and the joy tinged with sadness when you turn each page. It really did make me think about what’s important in my own life.
The Stranding was just an absolute pleasure to read.
The Marinated Meeple (1848 KP) rated Survive: Escape from Atlantis! in Tabletop Games
Apr 10, 2018
Sea Monsters (5 more)
Whales that sink boats
Sharks that eat swimmers
Sending monster to do your bidding
getting your people to safety
A newer version was published so everyone has access to it.
The Island is sinking and the ocean is filled with terrors, what a fun time.
I adored this game as a kid, nothing better than sending a shark to eat your sister and making the sounds from the movie JAWS, or sending a whale to sink her boat and maybe yelling "Moby Dick gets his revenge" before you actually know what you are talking about, because you know of the book but haven't read it yet....
This is a great game, the only way to improve it would be to make it 6 players, and add more versions of the creatures, which I've heard the new version does add squids, dolphins and more players. Or as I would call them, Flipper and The Kraken.
I own the old version. which was missing pieces and I got another copy that was missing pieces and created a frankenstein of parts to make the whole. I've seen people playing it online and it hits me in my nostalgic place. I'd love to break this out again and play.
Oh the pictures I would paint in my head as a kid.
The heroic triumph of getting my people to safety.
This is a great game, the only way to improve it would be to make it 6 players, and add more versions of the creatures, which I've heard the new version does add squids, dolphins and more players. Or as I would call them, Flipper and The Kraken.
I own the old version. which was missing pieces and I got another copy that was missing pieces and created a frankenstein of parts to make the whole. I've seen people playing it online and it hits me in my nostalgic place. I'd love to break this out again and play.
Oh the pictures I would paint in my head as a kid.
The heroic triumph of getting my people to safety.
Bob Mann (459 KP) rated Star Trek IV - The Voyage Home (1986) in Movies
Sep 28, 2021
Following a continued trend of alternating duff and good movies, here comes the most ‘non-Trek-like’ movie in the series: “Star Trek IV”, aka “Whale Meat again”.
By watching the films in sequence, I find the destructive alien ship approaching earth to be an obvious re-tread of “The Motion Picture” premise. But beyond that, the plot is completely bonkers. The time travel is trivially referenced as if they are nipping down to the local shops. But once there, there is fun to be had. Cue lots of comical fish out of water (no pun intended) situations for the 23rd century crew:
Spock’s attempts to utilise colourful language;
Chekov asking San Franciscans for directions to the “nuclear wessel”;
“Computer?” asks Scotty to the Commodore 64 on the desk… (we won’t tell them that they don’t have to wait 300 years to be able to talk to computers!)
Catherine Hicks nicely plays the cute marine biologist and love interest (and only 10 years Shatner’s junior!) – – although her reaction to discovering the ‘truth’ is a rather unbelievable “oh!”. (Later edit: oops… dodgy maths…. the age difference between Shatner and Hicks is actually 20 years!)
All in all, although rather shoving its Greenpeace-style credentials down the viewer’s throats, this is a fun and family-friendly outing in the series.
By watching the films in sequence, I find the destructive alien ship approaching earth to be an obvious re-tread of “The Motion Picture” premise. But beyond that, the plot is completely bonkers. The time travel is trivially referenced as if they are nipping down to the local shops. But once there, there is fun to be had. Cue lots of comical fish out of water (no pun intended) situations for the 23rd century crew:
Spock’s attempts to utilise colourful language;
Chekov asking San Franciscans for directions to the “nuclear wessel”;
“Computer?” asks Scotty to the Commodore 64 on the desk… (we won’t tell them that they don’t have to wait 300 years to be able to talk to computers!)
Catherine Hicks nicely plays the cute marine biologist and love interest (and only 10 years Shatner’s junior!) – – although her reaction to discovering the ‘truth’ is a rather unbelievable “oh!”. (Later edit: oops… dodgy maths…. the age difference between Shatner and Hicks is actually 20 years!)
All in all, although rather shoving its Greenpeace-style credentials down the viewer’s throats, this is a fun and family-friendly outing in the series.
ClareR (5589 KP) rated The Wolf in the Whale in Books
Aug 18, 2019
I think I inhaled The Wolf in the Whale by Jordanna Max Brodsky, I read it in only two sittings!
Omat lives in 1000AD, a young Inuit Shaman, and neither male nor female (actually, she took on her fathers soul at birth and is raised as a boy - a hunter and a shaman). There is loads of detail about how life was lived by the Inuit at the beginning of the last century(and I loved this detail), and I learnt so much about their spiritual lives, their Gods and the expectations of men and women. When Omat menstruates for the first time, it heralds the end of her life as a man and a shaman. She is married off to another Inuit who is passing through and promises to help her tribe. The thing is, he has two other wives, and he’s just not a nice person. When a group of Vikings wipe out the group of Inuit that she has married in to, Omat survives and realises that they have captured her cousin. She vows to find and free him. On her journey, she rescues three wolfdogs and saves the life of a Viking who reluctantly joins her on her quest.
I was so immersed in this wonderful story. I loved the style it was written in, I loved Omat’s voice. The magic and beliefs were fascinating, and my heart was in my mouth during the hunting scenes (men catching and killing huge Caribou and whales using flint weapons!). And the ending was just right.
Many thanks to NetGalley and the publisher for my copy of this wonderful book to read and review honestly.
Omat lives in 1000AD, a young Inuit Shaman, and neither male nor female (actually, she took on her fathers soul at birth and is raised as a boy - a hunter and a shaman). There is loads of detail about how life was lived by the Inuit at the beginning of the last century(and I loved this detail), and I learnt so much about their spiritual lives, their Gods and the expectations of men and women. When Omat menstruates for the first time, it heralds the end of her life as a man and a shaman. She is married off to another Inuit who is passing through and promises to help her tribe. The thing is, he has two other wives, and he’s just not a nice person. When a group of Vikings wipe out the group of Inuit that she has married in to, Omat survives and realises that they have captured her cousin. She vows to find and free him. On her journey, she rescues three wolfdogs and saves the life of a Viking who reluctantly joins her on her quest.
I was so immersed in this wonderful story. I loved the style it was written in, I loved Omat’s voice. The magic and beliefs were fascinating, and my heart was in my mouth during the hunting scenes (men catching and killing huge Caribou and whales using flint weapons!). And the ending was just right.
Many thanks to NetGalley and the publisher for my copy of this wonderful book to read and review honestly.
Bob Mann (459 KP) rated Star Trek: First Contact (1996) in Movies
Sep 28, 2021
It’s a close run thing with “Wrath of Khan”, but this tops it as my favourite Trek film. There are so many memorable scenes:
The dramatic opening shots of Picard strapped into the Borg ship (and the subsequent jolts x 2!);
The comical drinking scene between Troi (Marina Sirtis) and Cochrane (James Cromwell);
The “Big Sleep” style holodeck sequence;
The spectacular entrance of the Borg Queen (Alice Krige);
The first warp flight;
The first contact scene, framed by Jerry Goldsmith‘s spectacular theme.
We’re up to the Enterprise-E in this one, and even that gets a self-destruct sequence! These movies must be playing havoc with their insurance premiums!
There are some nice touches for Trek fans in here: the first appearance of Robert Picardo‘s holographic doctor (before he became a regular on Star Trek: Voyager); and Dwight Schultz reprising his role from the TNG series as the nerdy fan-boy Lieutenant Barclay. In addition, the whole cast (including Gates McFadden’s Crusher) get a fairer share of the air time under Jonathan Frake’s direction.
Once again, the time travel (particularly the return journey!) is just a bit too trite and convenient. But other than that, this is a top-notch Trek movie. It features (in Alfre Woodard, just BAFTA nominated) a strong role for a female of colour. And it provides a great chance to showcase Stewart’s acting talents, as he wrestles with his own ‘great white whale’.
Given my love for the movie, I was tempted to give this one 5*s. The one thing holding me back is just a single line of dialogue. Do you know the one? Zephram Cochrane’s line…
“So, you’re astronauts? On some kind of a star trek?”.
It is just SO UTTERLY CRASS that I manage to throw up a little in my mouth as that scene happens. WHY WRITERS, WHY???
The dramatic opening shots of Picard strapped into the Borg ship (and the subsequent jolts x 2!);
The comical drinking scene between Troi (Marina Sirtis) and Cochrane (James Cromwell);
The “Big Sleep” style holodeck sequence;
The spectacular entrance of the Borg Queen (Alice Krige);
The first warp flight;
The first contact scene, framed by Jerry Goldsmith‘s spectacular theme.
We’re up to the Enterprise-E in this one, and even that gets a self-destruct sequence! These movies must be playing havoc with their insurance premiums!
There are some nice touches for Trek fans in here: the first appearance of Robert Picardo‘s holographic doctor (before he became a regular on Star Trek: Voyager); and Dwight Schultz reprising his role from the TNG series as the nerdy fan-boy Lieutenant Barclay. In addition, the whole cast (including Gates McFadden’s Crusher) get a fairer share of the air time under Jonathan Frake’s direction.
Once again, the time travel (particularly the return journey!) is just a bit too trite and convenient. But other than that, this is a top-notch Trek movie. It features (in Alfre Woodard, just BAFTA nominated) a strong role for a female of colour. And it provides a great chance to showcase Stewart’s acting talents, as he wrestles with his own ‘great white whale’.
Given my love for the movie, I was tempted to give this one 5*s. The one thing holding me back is just a single line of dialogue. Do you know the one? Zephram Cochrane’s line…
“So, you’re astronauts? On some kind of a star trek?”.
It is just SO UTTERLY CRASS that I manage to throw up a little in my mouth as that scene happens. WHY WRITERS, WHY???