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LeftSideCut (3778 KP) rated Finding Dory (2016) in Movies
Apr 19, 2020
Finding Dory taught me this - Pixar are a company who can sell you the same film twice, and then annoyingly get away with it by making said film pretty damn good.
There is no denying that during the first 15 minutes, all I could think about was how everything unfolding was strikingly similar to Finding Nemo, almost as if they were making little effort to hide the fact.
By the time the opening act is over, and the main plot is set in motion, I was successfully drawn in and had forgotten my initial reservations.
The main factor in this is the great cast of characters. This time around, Dory takes centre stage, on a journey to find her parents after years of being separated. The film flits between the main narrative, and (ridiculously adorable) flashbacks to when Dory was a child. We get to see a fair number of new characters, most notably Hank, a suitably grumpy octopus whose irritable personality works great alongside the oblivious nature of Dory. The two of them provide a steady stream of humour. Also Bailey, a beluga whale has a running gag that never once gets old. It's all very well crafted and genuinely funny.
Of course, Nemo and Marlin return from the first film, and although they have a big part to play, Finding Dory resists the urge to turn the narrative too much much towards them, something that would have been easy to do considering the success of Finding Nemo.
There's also a fantastic voice cast attached, including Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson, Ty Burrell, Diane Keaton, Idris Elba, Eugene Levy (absolute legend), Dominic West, Bill Hader - even Sigourney Weaver appears, in one of my favourite running jokes of the film.
The animation is predictably stunning, managing to appeal to both younger and older audiences, and the narrative easily weaves between witty humour, and emotional gut punches - this is Pixar after all.
Finding Dory is a sequel that can stand proudly by it's terrific predecessor.
There is no denying that during the first 15 minutes, all I could think about was how everything unfolding was strikingly similar to Finding Nemo, almost as if they were making little effort to hide the fact.
By the time the opening act is over, and the main plot is set in motion, I was successfully drawn in and had forgotten my initial reservations.
The main factor in this is the great cast of characters. This time around, Dory takes centre stage, on a journey to find her parents after years of being separated. The film flits between the main narrative, and (ridiculously adorable) flashbacks to when Dory was a child. We get to see a fair number of new characters, most notably Hank, a suitably grumpy octopus whose irritable personality works great alongside the oblivious nature of Dory. The two of them provide a steady stream of humour. Also Bailey, a beluga whale has a running gag that never once gets old. It's all very well crafted and genuinely funny.
Of course, Nemo and Marlin return from the first film, and although they have a big part to play, Finding Dory resists the urge to turn the narrative too much much towards them, something that would have been easy to do considering the success of Finding Nemo.
There's also a fantastic voice cast attached, including Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson, Ty Burrell, Diane Keaton, Idris Elba, Eugene Levy (absolute legend), Dominic West, Bill Hader - even Sigourney Weaver appears, in one of my favourite running jokes of the film.
The animation is predictably stunning, managing to appeal to both younger and older audiences, and the narrative easily weaves between witty humour, and emotional gut punches - this is Pixar after all.
Finding Dory is a sequel that can stand proudly by it's terrific predecessor.
Merissa (11779 KP) rated The Darkness Within (Etherya's Earth #3) in Books
Mar 14, 2022 (Updated Jul 3, 2023)
THE DARKNESS WITHIN continues the Etherya's Earth series and it is Darkrip and Arderin's turn. Now, if you've read the other books, which you really should have, you will know that sparks fly whenever these two are near. Is it really loathing or something else?
I honestly don't know where to start with this book. So many things. First of all, we see Miranda nearing the end of her pregnancy and feeling like a blue whale (her words, not mine). Nolan makes his move with Sadie - and I really need more from these two!!! Latimus and Lila show up, with adorable Jack. And we finally meet Evie.
But this story is also about Arderin and Darkrip. I would say more about Arderin, being as it's written mainly from her perspective. She is stubborn, feisty, and a virgin - something she finds intolerable. When a trip to the human world causes problems for them, things look dire for our two main characters. Of course, they don't die, that would be ridiculous as the book was only half over! They do behave in ways they didn't think they would though, and Darkrip is left wondering how Arderin can even look at him, whilst she is amazed by his strength of will.
Arderin knows what she wants and will do what she can to get it. She refuses to take no for an answer, and Darkrip really doesn't argue much at all, considering he wants exactly the same as she does.
As I've said, there are other stories interwoven with theirs, and I loved every word. This is a series not to be missed, and I highly recommend this book so long as you read it in order to get the full benefit. Another brilliant read.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 7, 2022
I honestly don't know where to start with this book. So many things. First of all, we see Miranda nearing the end of her pregnancy and feeling like a blue whale (her words, not mine). Nolan makes his move with Sadie - and I really need more from these two!!! Latimus and Lila show up, with adorable Jack. And we finally meet Evie.
But this story is also about Arderin and Darkrip. I would say more about Arderin, being as it's written mainly from her perspective. She is stubborn, feisty, and a virgin - something she finds intolerable. When a trip to the human world causes problems for them, things look dire for our two main characters. Of course, they don't die, that would be ridiculous as the book was only half over! They do behave in ways they didn't think they would though, and Darkrip is left wondering how Arderin can even look at him, whilst she is amazed by his strength of will.
Arderin knows what she wants and will do what she can to get it. She refuses to take no for an answer, and Darkrip really doesn't argue much at all, considering he wants exactly the same as she does.
As I've said, there are other stories interwoven with theirs, and I loved every word. This is a series not to be missed, and I highly recommend this book so long as you read it in order to get the full benefit. Another brilliant read.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 7, 2022
Night Reader Reviews (683 KP) rated The Ballad of Sandy McNab in Books
Jan 9, 2020
The Ballad of Sandy McNab by Colin Mackenzie is an interesting childrens book with a very different art style. The back of the book claims that this book will be available as a childrens song (I have not looked for it as of yet). The way the book flows definitely lends itself to being a song.
A little green crab is minding his own business in his home when a shark shows up. The shark tries to trick the crab into going outside by asking him to come out and play. When the crab refuses the shark breaks in and tries to attack him. The little crab is quicker than the shark and pinches it until the shark leaves. With the shark gone the little crab can live peacefully again.
It is hard to pick out just one thing as my favorite when I think the entire book is great. The little crab pinching the sharks nose made me smile and a whale swallowing the shark was an ironic twist I was not expecting. As for what I did not like, its not exactly a complaint this time but more of something that people should be aware of when getting a book (or anything really) that is not from their country. On two pages there was a word that just felt wrong to me. One was barmy which given the context I believe means stupid. The other was nippers which I believe to be claws. While this is not a problem with this book people (like myself) should be prepared for language differences.
Parents will enjoy reading this short book to their children and may find that is is difficult to read it without singing it or adding emphasis on the verbal patterns. Also as children get older this is a book that they will still enjoy reading themselves. I give this childrens book a 4 out of 4 rating like so many others. The story is not overly long or detailed and the author clearly took time to structure a story around the rhymes. It keeps a steady rhythm that is frequently hard to accomplish. The story itself is cute with a crab besting a much larger opponent.
https://nightreaderreviews.blogspot.come
A little green crab is minding his own business in his home when a shark shows up. The shark tries to trick the crab into going outside by asking him to come out and play. When the crab refuses the shark breaks in and tries to attack him. The little crab is quicker than the shark and pinches it until the shark leaves. With the shark gone the little crab can live peacefully again.
It is hard to pick out just one thing as my favorite when I think the entire book is great. The little crab pinching the sharks nose made me smile and a whale swallowing the shark was an ironic twist I was not expecting. As for what I did not like, its not exactly a complaint this time but more of something that people should be aware of when getting a book (or anything really) that is not from their country. On two pages there was a word that just felt wrong to me. One was barmy which given the context I believe means stupid. The other was nippers which I believe to be claws. While this is not a problem with this book people (like myself) should be prepared for language differences.
Parents will enjoy reading this short book to their children and may find that is is difficult to read it without singing it or adding emphasis on the verbal patterns. Also as children get older this is a book that they will still enjoy reading themselves. I give this childrens book a 4 out of 4 rating like so many others. The story is not overly long or detailed and the author clearly took time to structure a story around the rhymes. It keeps a steady rhythm that is frequently hard to accomplish. The story itself is cute with a crab besting a much larger opponent.
https://nightreaderreviews.blogspot.come
Having read, loved and recommended The Bees many times (and The Ice, too!), I thought I knew what to expect from Laline Paull. Well, I was right and wrong!
Firstly, I loved Pod.
Secondly, it gave me a lot to think about.
Thirdly, how does Laline Paull put herself in a dolphins shoes (flippers? Sorry…) and not make it sound like a children’s book? And I should stress: this is NOT a children’s book.
Paull may have anthropomorphised dolphins, various fish, all and any sea life, but she has stayed pretty close to what I’ve learnt is their true nature (thank you David Attenborough!). Dolphins are very intelligent, playful and seem to know what humans want (maybe that’s just me reading more into these things). But they’re also hunters, they have a pecking order, and I don’t think you’d want to be at the bottom of it if you were a dolphin!
This novel shows the joyful side of being a dolphin, the way that they must work together for the greater good of the pod. It also shows how violent they are - there’s even a dolphin rape scene that was every bit as upsetting as if it had been a human.
In amongst all the dolphin drama is a message for us humans. We see the damage the human race is doing to the oceans: pollution, over-fishing, capturing dolphins for food, entertainment, or warfare.
Pod is graphic in places. It most definitely doesn’t pull its punches - and why should it?
This novel is not sentimental, jam packed with happy, child-friendly dolphins. Pod looks at the real struggles of sea life (and there’s not just dolphins involved). These dolphins are fighters, authoritarian, protective of one another, followers of tradition as well as migration routes, they deal with the results of humanity’s selfishness and cost-cutting.
The imagination and empathy that must have gone in to writing this: I’ve seen how a dolphin, a whale, a wrasse, a clam, a remora and a sea anemone feel and behave (I like to think so, anyway!).
How could I NOT love this book? 🤷🏼♀️
Firstly, I loved Pod.
Secondly, it gave me a lot to think about.
Thirdly, how does Laline Paull put herself in a dolphins shoes (flippers? Sorry…) and not make it sound like a children’s book? And I should stress: this is NOT a children’s book.
Paull may have anthropomorphised dolphins, various fish, all and any sea life, but she has stayed pretty close to what I’ve learnt is their true nature (thank you David Attenborough!). Dolphins are very intelligent, playful and seem to know what humans want (maybe that’s just me reading more into these things). But they’re also hunters, they have a pecking order, and I don’t think you’d want to be at the bottom of it if you were a dolphin!
This novel shows the joyful side of being a dolphin, the way that they must work together for the greater good of the pod. It also shows how violent they are - there’s even a dolphin rape scene that was every bit as upsetting as if it had been a human.
In amongst all the dolphin drama is a message for us humans. We see the damage the human race is doing to the oceans: pollution, over-fishing, capturing dolphins for food, entertainment, or warfare.
Pod is graphic in places. It most definitely doesn’t pull its punches - and why should it?
This novel is not sentimental, jam packed with happy, child-friendly dolphins. Pod looks at the real struggles of sea life (and there’s not just dolphins involved). These dolphins are fighters, authoritarian, protective of one another, followers of tradition as well as migration routes, they deal with the results of humanity’s selfishness and cost-cutting.
The imagination and empathy that must have gone in to writing this: I’ve seen how a dolphin, a whale, a wrasse, a clam, a remora and a sea anemone feel and behave (I like to think so, anyway!).
How could I NOT love this book? 🤷🏼♀️
MaryAnn (14 KP) rated Minding the Light (Nantucket Legacy #2) in Books
Mar 5, 2019
Six long years ago, Captain Reynolds Macy sailed away from his bride, looking forward to the day when he would return to Nantucket Island with a ship’s hold full of whale oil. But when that momentous day finally arrives, Ren soon discovers that everything has changed in his absence. Everything. “Is nothing on this island as it appears to be?” he whispers in despair. Unlike most islanders, bold and spirited Daphne Coffin doesn’t defer to Ren as an authoritative whalemaster, but sees through his aloofness to the aching heart beneath. She encourages him to return to his Quaker roots and “mind the Light,” finding solace in God and community. As Ren becomes the man she believes him to be–honorable, wise, faithful–she finds herself falling in love with him. But how can she, when her heart is spoken for? Tristram Macy is Ren’s business partner, cousin, and best friend–and Daphne’s fiancé. Love always comes at a cost, but when is the price too high? Suzanne Woods Fisher welcomes readers back to the Quaker community on Nantucket Island for this riveting love story, full of unexpected moments.
My Thoughts: This is the sequel to Phoebe's Light, we are introduced to her great grandaughter's Jane and Daphne. We are taken back to the Island of Nantucket where whaling is the mainstay of life. That means years, yes years that wives are away from their husbands, and life continues on without them. This novel is full of history, and Suzanne Woods Fisher has done an excellent job of research on the Quaker's and the Nantucket way of life.
In this novel, we are introduced to the Quaker religion and the ways of the people or "friends". It is a wonderful read, full of mystery, love, heartbreak, and turns of events. Suzanne Woods Fisher brings up themes of slavery, hypocrisy, and forgiveness.
The characters are entertaining, easy to love (or hate), she draws the reader in and writes an enjoyable storyline that keeps the reader on their toes. Full of history, the reader learns as they read along. I did enjoy reading Great Mary's journals and learning about the past history of the family and the island of Nantucket. In the end, we are left to ponder what "Minding the Light" means to us.
The reader will learn much from this book, and think about the issues that were covered in this story. This book comes highly recommended.
My Thoughts: This is the sequel to Phoebe's Light, we are introduced to her great grandaughter's Jane and Daphne. We are taken back to the Island of Nantucket where whaling is the mainstay of life. That means years, yes years that wives are away from their husbands, and life continues on without them. This novel is full of history, and Suzanne Woods Fisher has done an excellent job of research on the Quaker's and the Nantucket way of life.
In this novel, we are introduced to the Quaker religion and the ways of the people or "friends". It is a wonderful read, full of mystery, love, heartbreak, and turns of events. Suzanne Woods Fisher brings up themes of slavery, hypocrisy, and forgiveness.
The characters are entertaining, easy to love (or hate), she draws the reader in and writes an enjoyable storyline that keeps the reader on their toes. Full of history, the reader learns as they read along. I did enjoy reading Great Mary's journals and learning about the past history of the family and the island of Nantucket. In the end, we are left to ponder what "Minding the Light" means to us.
The reader will learn much from this book, and think about the issues that were covered in this story. This book comes highly recommended.
Gareth von Kallenbach (971 KP) rated the PC version of Dishonored: Death of the Outsider in Video Games
Jun 19, 2019
The latest game in the Dishonored series: Death of the Outsider is a stand-alone adventure that casts player in the role of Billie Lurk who fans of the series will know as the Captain of the Dreadful Whale.
A series of dark dreams leads her to her former mentor and on the path of a deadly cult that has taken control of several regions of the kingdom.
Using her considerable abilities, Billie uses stealth and brutal combat as well as special powers gained along the way to investigate, infiltrate, and destroy key members of the cult as well as gaining new abilities and weapons along the way.
The game has a” play your way” mode which is great for players like myself who are not as big on stealth and prefer a more combat oriented approach. While this works some of the time, the enemies are clever and numerous and will come at you in waves, so players must set traps, plan strategies and find honor in running away when the game calls for it.
The game also has a few puzzles players will need to solve and there is plenty to explore and loot along the way as well as numerous side quests players can take in the thriving and highly detailed cities.
While the weaponry will be familiar to fans of the series, the clever way that the pistol was incorporated as part of a wrist gauntlet was a nice touch as were the various ammunitions offered such as incendiary and shock bolts.
While not as long as Dishonored 2, there was still plenty of gameplay as I was shocked to see that I had invested over 17 hours of gameplay when I had completed the game as I was so engrossed in the characters and story that time seemed to fly by when I played.
The game offers adjustable difficulty settings which are great as some segments offer a real challenge depending on which type of gameplay approach you use.
The graphics and sounds of the game are in keeping with what you would expect from the prior games in the series and if this is the finale to the series, then it goes out in grand style as Death of the Outsider is an enjoyable adventure for action fans everywhere.
http://sknr.net/2017/09/20/dishonored-death-outsider/
A series of dark dreams leads her to her former mentor and on the path of a deadly cult that has taken control of several regions of the kingdom.
Using her considerable abilities, Billie uses stealth and brutal combat as well as special powers gained along the way to investigate, infiltrate, and destroy key members of the cult as well as gaining new abilities and weapons along the way.
The game has a” play your way” mode which is great for players like myself who are not as big on stealth and prefer a more combat oriented approach. While this works some of the time, the enemies are clever and numerous and will come at you in waves, so players must set traps, plan strategies and find honor in running away when the game calls for it.
The game also has a few puzzles players will need to solve and there is plenty to explore and loot along the way as well as numerous side quests players can take in the thriving and highly detailed cities.
While the weaponry will be familiar to fans of the series, the clever way that the pistol was incorporated as part of a wrist gauntlet was a nice touch as were the various ammunitions offered such as incendiary and shock bolts.
While not as long as Dishonored 2, there was still plenty of gameplay as I was shocked to see that I had invested over 17 hours of gameplay when I had completed the game as I was so engrossed in the characters and story that time seemed to fly by when I played.
The game offers adjustable difficulty settings which are great as some segments offer a real challenge depending on which type of gameplay approach you use.
The graphics and sounds of the game are in keeping with what you would expect from the prior games in the series and if this is the finale to the series, then it goes out in grand style as Death of the Outsider is an enjoyable adventure for action fans everywhere.
http://sknr.net/2017/09/20/dishonored-death-outsider/
Gareth von Kallenbach (971 KP) rated Far Cry (2008) in Movies
Aug 14, 2019
On a remote island in the Pacific Northwest, a scientist named Dr. Krieger (Udo Kier) is conducting horrific genetic experiments in his secret facility.
Krieger is attempting to create the ultimate soldier for his financial backers and is not above using his own men as test subjects and fodder for his experiments as the morally lacking Krieger only cares about his work and his funding.
In the film “Far Cry”, Director Uwe Boll has taken the classic 3D shooter from Ubisoft and given it his own unique interpretation.
The film stars Til Schweiger as Jack Carver, a former special forces operative who spends his days as a boat captain chartering tourists on whale watching expeditions when he is not enjoying a beer and sleeping the day away.
Jack is hired by a determined investigative reporter named Valerie Cardinal (Emmanuelle Vaugier), to take her to the island so she can get further proof for her story about the bizarre experiments taking place on the island. Valerie has a personal interest in the story as her uncle Max (Ralf Moeller), is one of those stationed at the island facility.
While Jack is reluctant to go near the island he does agree to anchor of the coast and pick up Valerie in a few hours. Of course things do not go as planned as Valerie is captured and Jack’s boat is destroyed leaving him believed to be dead by the Doctor and his forces.
Jack is not one to let this go, and rescues Valerie and looks to find a way off the island while avoiding the ever present troops. The stubborn Valerie is unwilling to leave until she has the information she needs for her story and ignores the dangers.
As if the Doctor and his soldiers were not trouble enough, the super soldiers have escaped and have caused various factions within the Dr’s forces to turn against one another which results in a pitched battle between the factions and the super soldiers.
What follows is a lot of action that is hampered by a weak plot and bad dialogue, and sadly very disappointing monsters.
The leads in the film have very little chemistry with one another and the characters are wafer thin, even by action movie standards. There are attempts at romance and playful banter that fizzle badly leaving only the action sequences to carry the film. Sadly while they are decent enough, especially a good car chase, they cannot overcome the plot issues and the creatures that do not live up to the hype.
Boll has taken a step back here as his recent films have shown progress especially the solid
“Seed” and “1968 Tunnel Rats”. When I visited the set I learned that the production was not allowed to use large aspects of the game and that aside from names, title, and settings, they had to create a new story that was inspired by the game. While the effort is there, the results come up lacking and do not do justice to the game, premise, or talent assembled.
Krieger is attempting to create the ultimate soldier for his financial backers and is not above using his own men as test subjects and fodder for his experiments as the morally lacking Krieger only cares about his work and his funding.
In the film “Far Cry”, Director Uwe Boll has taken the classic 3D shooter from Ubisoft and given it his own unique interpretation.
The film stars Til Schweiger as Jack Carver, a former special forces operative who spends his days as a boat captain chartering tourists on whale watching expeditions when he is not enjoying a beer and sleeping the day away.
Jack is hired by a determined investigative reporter named Valerie Cardinal (Emmanuelle Vaugier), to take her to the island so she can get further proof for her story about the bizarre experiments taking place on the island. Valerie has a personal interest in the story as her uncle Max (Ralf Moeller), is one of those stationed at the island facility.
While Jack is reluctant to go near the island he does agree to anchor of the coast and pick up Valerie in a few hours. Of course things do not go as planned as Valerie is captured and Jack’s boat is destroyed leaving him believed to be dead by the Doctor and his forces.
Jack is not one to let this go, and rescues Valerie and looks to find a way off the island while avoiding the ever present troops. The stubborn Valerie is unwilling to leave until she has the information she needs for her story and ignores the dangers.
As if the Doctor and his soldiers were not trouble enough, the super soldiers have escaped and have caused various factions within the Dr’s forces to turn against one another which results in a pitched battle between the factions and the super soldiers.
What follows is a lot of action that is hampered by a weak plot and bad dialogue, and sadly very disappointing monsters.
The leads in the film have very little chemistry with one another and the characters are wafer thin, even by action movie standards. There are attempts at romance and playful banter that fizzle badly leaving only the action sequences to carry the film. Sadly while they are decent enough, especially a good car chase, they cannot overcome the plot issues and the creatures that do not live up to the hype.
Boll has taken a step back here as his recent films have shown progress especially the solid
“Seed” and “1968 Tunnel Rats”. When I visited the set I learned that the production was not allowed to use large aspects of the game and that aside from names, title, and settings, they had to create a new story that was inspired by the game. While the effort is there, the results come up lacking and do not do justice to the game, premise, or talent assembled.
Sarah (7798 KP) rated The Boys - Season 2 in TV
Oct 10, 2020
Excellent, but not quite as good as the first
For me, the first series of The Boys was a brilliant surprise and the wait for this second series has been a rather frustrating and impatient experience, especially as Amazon decided not to release the entire series at once. Fortunately by the time the credits rolled on the series 2 finale, it was definitely worth the wait.
This second series follows on from the reveal at the end of the series 1 finale, and features more dodgy supes and the Boys trying to take down both them and Vought.
Series 2 is very similar to the first. It’s just as rude and crude as before, full of dark and often hilarious humour and the blood and gore ante seems to have been upped considerably. It definitely provides a refreshing change to the Marvel universe and the majority of other superheroes that stick to their PG or 12A ratings. This has a very smart and funny take on politics and also on pop culture and the media, and even superhero films don’t escape this unscathed when we see The Seven making their own movie.
The cast are as fantastic as they were in the first series. Antony Starr is outstanding as Homelander, playing the homicidal maniac with some semblance of a heart – after 2 series I think I both love and hate him in equal parts, he’s such a complex character. It was very nice to see Dominique McElligott get more to work with as Maeve as well and to see more depth to her character. The rest of the cast and the new additions do very well too - Goran Visjnic, Shawn Ashmore and Jim Beaver are especially welcome, and it was very clever of Eric Kripke to name Beaver’s character as Robert Singer, the same name as his character from Supernatural.
Despite this, I don’t think this series is perfect and I do think it’s a slight baby step down from the rather excellent first series. Some of the episodes feel like they drag a little, although they do end up picking up towards the end (usually with a bang). The final two episodes definitely try and make up for this and I think the finale itself was especially good as we get to see Stormfront get her much deserved comeuppance. I also think some of the interactions between Starlight and the other characters are slightly badly scripted and feel a little forced and cringeworthy, but I’m not entirely sure if this is on purpose to show how awkwardly Starlight interacts with others.
The Deep has also been done a disservice in this series. He starts off brilliantly and the scene with the whale in the third episode is downright genius, however as the series moves on we see less and less of him and he’s sorely missed. Admittedly when he does pop up in the later episodes he has some cracking lines, but it’s not enough. I also think that Shawn Ashmore as Lamplighter was fantastic for the brief time we saw him, and I really wish he’d been kept around for much longer.
The Boys series 2 is overall a very good series that for the most part lives up to it’s predecessor and after the final few scenes in episode 8, definitely leaves us crying out for more.
This second series follows on from the reveal at the end of the series 1 finale, and features more dodgy supes and the Boys trying to take down both them and Vought.
Series 2 is very similar to the first. It’s just as rude and crude as before, full of dark and often hilarious humour and the blood and gore ante seems to have been upped considerably. It definitely provides a refreshing change to the Marvel universe and the majority of other superheroes that stick to their PG or 12A ratings. This has a very smart and funny take on politics and also on pop culture and the media, and even superhero films don’t escape this unscathed when we see The Seven making their own movie.
The cast are as fantastic as they were in the first series. Antony Starr is outstanding as Homelander, playing the homicidal maniac with some semblance of a heart – after 2 series I think I both love and hate him in equal parts, he’s such a complex character. It was very nice to see Dominique McElligott get more to work with as Maeve as well and to see more depth to her character. The rest of the cast and the new additions do very well too - Goran Visjnic, Shawn Ashmore and Jim Beaver are especially welcome, and it was very clever of Eric Kripke to name Beaver’s character as Robert Singer, the same name as his character from Supernatural.
Despite this, I don’t think this series is perfect and I do think it’s a slight baby step down from the rather excellent first series. Some of the episodes feel like they drag a little, although they do end up picking up towards the end (usually with a bang). The final two episodes definitely try and make up for this and I think the finale itself was especially good as we get to see Stormfront get her much deserved comeuppance. I also think some of the interactions between Starlight and the other characters are slightly badly scripted and feel a little forced and cringeworthy, but I’m not entirely sure if this is on purpose to show how awkwardly Starlight interacts with others.
The Deep has also been done a disservice in this series. He starts off brilliantly and the scene with the whale in the third episode is downright genius, however as the series moves on we see less and less of him and he’s sorely missed. Admittedly when he does pop up in the later episodes he has some cracking lines, but it’s not enough. I also think that Shawn Ashmore as Lamplighter was fantastic for the brief time we saw him, and I really wish he’d been kept around for much longer.
The Boys series 2 is overall a very good series that for the most part lives up to it’s predecessor and after the final few scenes in episode 8, definitely leaves us crying out for more.
Gareth von Kallenbach (971 KP) rated the PC version of Dishonored 2 in Video Games
Jun 19, 2019
In a tale of revenge that would be worthy of Shakespeare, Dishonored 2 has arrived and is one of the best games of 2016.
Players have the option to play as Corvo or his daughter Emily, and each has their own unique abilities that will come in handy as the game is loaded with challenges.
Once a player has selected the persona they wish to play as, they will be forced to make a daring escape after a faction brutally seizes power and forces the player to exact no small measure of revenge as they strive to restore order in the kingdom.
Like the previous game in the series, players will have a very open and detailed world to explore and will have multiple options for combat, problem solving, and exploration. There are numerous things to explore and players will have the option to take a more stealth approach and avoid combat, or come in guns blazing. They will also have the option to help locales such as giving coins to a bagger, and so on.
There are numerous notes and journals as well along the way which allow the player a greater awareness of the world in which they are in as well as the overall story and the characters within them.
I am a more run and gun style player so the stealth gameplay that is at times needed took some getting used to, but once I was in the third chapter of the game, I was deeply engaged and found myself adapting to the demanding challenges that the game presented at times.
Ammunition such as bullets, crossbow bolts, and such are in short supply, so using your blade in hit and run tactics is the best bet, but at times when you must engage multiple enemies, being crafty pays off.
I loved to call up a swarm of rats using one of my abilities that players are able to select and modify as they find artifacts in game. Watching from a distance while the swarm decimates a pack of enemies and then swinging in for the kill was great fun.
However with various traps and enemies, this was not always practical. I found one area that was loaded with dangerous enemies and with no ammunition and only my blade; several futile attempts resulted in my demise time and again.
In a feat of inspiration, I remembered a Whale Oil dispenser at the earlier stage of the level so I backtracked and obtained a container which I then filled with oil and used as a highly explosive projectile by throwing this into masses of enemies. I repeated this tactic four or five times, saving the game after each run and was able to successfully clear away the hostiles.
Once inside the building my tactics had to change again as there was much danger lurking in the dark halls.
Dishonored 2 was a very enjoyable and challenging game with deeply engrossing story. I really enjoyed the brutal combat as well as the ability to find multiple solutions to the challenges the game presented. Graphically the game is solid but not cutting edge, but thanks to the great story and setting, you should not mind this or the at times monotone voice work of the game.
The game offers two free DLC modes to date for players who complete the game and with the ability to have new abilities playing as a different character, there is great replay value.
In the end, Dishonored 2 is a real bright spot and as such, is easily a game of the year candidate as it is some of the best gameplay of 2016 or any other year and is not to be missed.
http://sknr.net/2016/12/22/85969/
Players have the option to play as Corvo or his daughter Emily, and each has their own unique abilities that will come in handy as the game is loaded with challenges.
Once a player has selected the persona they wish to play as, they will be forced to make a daring escape after a faction brutally seizes power and forces the player to exact no small measure of revenge as they strive to restore order in the kingdom.
Like the previous game in the series, players will have a very open and detailed world to explore and will have multiple options for combat, problem solving, and exploration. There are numerous things to explore and players will have the option to take a more stealth approach and avoid combat, or come in guns blazing. They will also have the option to help locales such as giving coins to a bagger, and so on.
There are numerous notes and journals as well along the way which allow the player a greater awareness of the world in which they are in as well as the overall story and the characters within them.
I am a more run and gun style player so the stealth gameplay that is at times needed took some getting used to, but once I was in the third chapter of the game, I was deeply engaged and found myself adapting to the demanding challenges that the game presented at times.
Ammunition such as bullets, crossbow bolts, and such are in short supply, so using your blade in hit and run tactics is the best bet, but at times when you must engage multiple enemies, being crafty pays off.
I loved to call up a swarm of rats using one of my abilities that players are able to select and modify as they find artifacts in game. Watching from a distance while the swarm decimates a pack of enemies and then swinging in for the kill was great fun.
However with various traps and enemies, this was not always practical. I found one area that was loaded with dangerous enemies and with no ammunition and only my blade; several futile attempts resulted in my demise time and again.
In a feat of inspiration, I remembered a Whale Oil dispenser at the earlier stage of the level so I backtracked and obtained a container which I then filled with oil and used as a highly explosive projectile by throwing this into masses of enemies. I repeated this tactic four or five times, saving the game after each run and was able to successfully clear away the hostiles.
Once inside the building my tactics had to change again as there was much danger lurking in the dark halls.
Dishonored 2 was a very enjoyable and challenging game with deeply engrossing story. I really enjoyed the brutal combat as well as the ability to find multiple solutions to the challenges the game presented. Graphically the game is solid but not cutting edge, but thanks to the great story and setting, you should not mind this or the at times monotone voice work of the game.
The game offers two free DLC modes to date for players who complete the game and with the ability to have new abilities playing as a different character, there is great replay value.
In the end, Dishonored 2 is a real bright spot and as such, is easily a game of the year candidate as it is some of the best gameplay of 2016 or any other year and is not to be missed.
http://sknr.net/2016/12/22/85969/
Sarah (7798 KP) rated Ava (2020) in Movies
Jan 5, 2021
Dull and unoriginal
Ava is a 2020 spy action thriller directed by Tate Taylor and starring Jessica Chastain. It follows Ava (Chastain), an assassin working for a shadowy organisation who soon becomes hunted by her own, led by the mysterious Simon (Colin Farrell). Between missions and death threats, Ava is aided by her handler Duke (John Malkovich) while she attempts to resolve some long held family issues with her mother (Geena Davis), sister (Jess Weixler) and ex (Common).
From the outset, Ava appears to be like your typical female assassin style film – a loud, stylish electro/techno soundtrack overlaying an assassination featuring wigs, stylish clothes and cars and every other spy cliché you’d come to expect from a film like this. The only truly original and enjoyable thing in this opening scene is Ioan Gruffudd’s shady businessman, who looks like he’s having a whale of a time relishing playing a bad guy for a change. However what you don’t see coming with Ava after this initial scene is that instead of being a full on action film, it turns into a family melodrama with a few fight scenes thrown in almost as an afterthought.
Ava is a characterless film full of clichés, and lacking in any personality whatsoever. The spy and action elements, when we eventually see them that is, are entirely unoriginal and have been done so much better in any other spy film you could think of. The fight scenes are surprisingly dull and the camera work only results in highlighting how staged and choreographed the scenes are, they just don’t look real. It isn’t helped by all of the family drama either, with a large number of conversational dialogue scenes taking over the majority of the short but feels so long run time. It wouldn’t be too bad if these were scripted well but I’m afraid like everything else in this film, the script is lacklustre and clichéd.
Character development is poor and banal too, with the majority of the spy related characters lacking in any form of personality or likability. Ava herself is the worst, she reminded me of a personality-less robot who has no depth or emotions, no matter how much the opening credits scene or family interactions try to tell us otherwise. This film has really done it’s stellar cast a huge injustice and gives them absolutely nothing to work with.
Even the plot suffers from a complete absence of originality and seems to have been kept as vague as possible, whether on purpose or because the writers just couldn’t be bothered I’m not sure. The shadowy organisation that Ava, Duke and Simon all work for is never identified or discussed in any real detail. All we learn about them is that they employ assassins to make hits on possibly shady people, with no further elaboration on why or what these people have done wrong, which Ava herself seems fascinated about as we see her questioning her victims as they’re about to die. I’m all for creating a mysterious atmosphere giving away just enough to keep us intrigued, but I’m afraid this doesn’t work for Ava as it just comes across as lazy and complacent with sloppy writing.
I couldn’t help but compare Ava to Atomic Blonde, another female led assassin film that is worlds apart from this. Ava is lacking in everything that made Atomic Blonde - a fun watch, with style, substance and some brutal (but well executed) fight scenes - and I really wish Ava had followed the same formula as at least this would have made it watchable. As it is, it’s a completely dull and clichéd spy film lacking in pretty much everything.
From the outset, Ava appears to be like your typical female assassin style film – a loud, stylish electro/techno soundtrack overlaying an assassination featuring wigs, stylish clothes and cars and every other spy cliché you’d come to expect from a film like this. The only truly original and enjoyable thing in this opening scene is Ioan Gruffudd’s shady businessman, who looks like he’s having a whale of a time relishing playing a bad guy for a change. However what you don’t see coming with Ava after this initial scene is that instead of being a full on action film, it turns into a family melodrama with a few fight scenes thrown in almost as an afterthought.
Ava is a characterless film full of clichés, and lacking in any personality whatsoever. The spy and action elements, when we eventually see them that is, are entirely unoriginal and have been done so much better in any other spy film you could think of. The fight scenes are surprisingly dull and the camera work only results in highlighting how staged and choreographed the scenes are, they just don’t look real. It isn’t helped by all of the family drama either, with a large number of conversational dialogue scenes taking over the majority of the short but feels so long run time. It wouldn’t be too bad if these were scripted well but I’m afraid like everything else in this film, the script is lacklustre and clichéd.
Character development is poor and banal too, with the majority of the spy related characters lacking in any form of personality or likability. Ava herself is the worst, she reminded me of a personality-less robot who has no depth or emotions, no matter how much the opening credits scene or family interactions try to tell us otherwise. This film has really done it’s stellar cast a huge injustice and gives them absolutely nothing to work with.
Even the plot suffers from a complete absence of originality and seems to have been kept as vague as possible, whether on purpose or because the writers just couldn’t be bothered I’m not sure. The shadowy organisation that Ava, Duke and Simon all work for is never identified or discussed in any real detail. All we learn about them is that they employ assassins to make hits on possibly shady people, with no further elaboration on why or what these people have done wrong, which Ava herself seems fascinated about as we see her questioning her victims as they’re about to die. I’m all for creating a mysterious atmosphere giving away just enough to keep us intrigued, but I’m afraid this doesn’t work for Ava as it just comes across as lazy and complacent with sloppy writing.
I couldn’t help but compare Ava to Atomic Blonde, another female led assassin film that is worlds apart from this. Ava is lacking in everything that made Atomic Blonde - a fun watch, with style, substance and some brutal (but well executed) fight scenes - and I really wish Ava had followed the same formula as at least this would have made it watchable. As it is, it’s a completely dull and clichéd spy film lacking in pretty much everything.