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Purple Phoenix Games (2266 KP) rated Mijnlieff in Tabletop Games
Mar 3, 2021
This has happened to me a few times recently and I am starting to rethink my entire approach to board games. You see, I set a game in front of me, look at it, open it, read the rules, and then set it up to play. But on these few occasions recently I read the rules and think to myself, “This will be ok I guess.” But then I play it. I play it and then fall head over heels in love with it. Such has happened again, folks. This time with a game I didn’t know existed, didn’t know I would be receiving, and still don’t know how to pronounce. This is Mijnlieff (mine-leaf maybe?).
Typically I explain the theme here and what players’ end goals are. Mijnlieff is a two player abstract strategy game that has no real theme, though the art style uses lots of leaf iconography and the color scheme is very Autumnal. The winner of Mijnlieff is they who score the most points at the end of the game by constructing the most (or longest) sets of 3 tiles in a row.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup each player will choose a color of tiles (or I guess just one player chooses and the other is stuck with the unchosen), and the back of the game bag is placed on the center of the table to act as the game board. Decide the starting player and the game may begin!
On a player’s turn they must place one of their tiles on one of the leaf symbols printed on the bag (the leaf symbols mean nothing other than to show where to place tiles). Easy. The first player will place their very first tile on one of the outermost leaf symbols to begin the game. The second player will then place their tile on the board depending on which tile was just placed by their opponent. You see, in Mijnlieff players cannot just place tiles willy-nilly, no! The tile immediately placed dictates where the next tile may be placed.
For example, if an opponent had just placed the N/S/E/W cross tile (Straight), then the next tile may only be placed on one of those leaves pointed at by the cross. Similarly with the diagonal cross (Diagonal) for diagonal leaves. The leaf tile with a solid circle around it (Puller) instructs the next player to place their tile on any leaf space that touches the original tile, even diagonally. Conversely, the leaf tile with a broken circle (Pusher) means the opposite: the next tile may be placed in any space that is NOT able to touch the original tile.
Players have access to two tiles of each flavor and they are attempting to rid their hand of tiles and create the most lines of three or four tiles for one or two points respectively. Once one player rids themselves of all their tiles the next player may lay just one last tile in an attempt to score more points. Whichever player earns the most points is the winner and, undoubtedly, will wish to play again immediately afterward.
Components. The version I was sent is the most recent XVgames Bagstracts edition in the fancy brown bag. The bag is great, and not only carries the components but doubles as the game board. I mean, I have not really seen that anywhere else. What a great and versatile component. The tiles are all very nicely painted wooden tiles with very clear iconography, which is much appreciated. The rulebook is fantastic and explains the game splendidly. Also included is a set of modular 2×2 mats that can be assembled in ANY fashion to create personalized game boards. I think this is a wonderfully-produced game with excellent components. The art is minimal but effective, and it has orange as a main color, so I applaud that choice as well.
The gameplay is what I would like to rave about here. My wife and I enjoy abstract strategy games together, but I have never seen her be absolutely magnetized to a game as much as she is to Mijnlieff. Right away, the first day I asked her to play it with me we ended up playing it eight or nine times that day. And you know what? We both really were jonesing to play some more. The game is relatively quick, with games lasting around 10 minutes each, but the neural exercises happening whilst playing is such so fantastic.
None of the tiles’ actions are difficult to understand, but each time a tile is placed my mind is racing with possibilities for my next turn. I do not suffer from Analysis Paralysis (AP), and my wife usually takes her times, but I do sit and think a bit more playing Mijnlieff. Sometimes you just need to play a tile to block the other player. You see, if you lay a tile and your opponent is unable to lay a tile legally according to your tile’s actions, then you get to place another tile ANYWHERE on the board. This could lead to a cascade of several tiles being laid on a turn, and THAT is what makes this simply an amazing design.
I now have four titles by designer Andy Hopwood that I will be reviewing, and if any of them are as thoughtful, beautiful, and well-designed I may have found another designer to add to my list of favorites. Purple Phoenix Games (plus my wife) give this one an incredibly respectful 11 / 12. I think what could make this game better is blinged out components. Everything in this bag is great, but Mijnlieff screams for high quality components and just sparkle everywhere. If you need a thinky abstract for two players from a smaller publisher and designer, I plead with you to grab a copy of Mijnlieff. I find it to be a superior design, quick-playing, and just hits all the right spots for my wife and me. And once you receive your copy we can record ourselves pronouncing the title and sending our recordings to the designer for him to choose the closest butchering.
Typically I explain the theme here and what players’ end goals are. Mijnlieff is a two player abstract strategy game that has no real theme, though the art style uses lots of leaf iconography and the color scheme is very Autumnal. The winner of Mijnlieff is they who score the most points at the end of the game by constructing the most (or longest) sets of 3 tiles in a row.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup each player will choose a color of tiles (or I guess just one player chooses and the other is stuck with the unchosen), and the back of the game bag is placed on the center of the table to act as the game board. Decide the starting player and the game may begin!
On a player’s turn they must place one of their tiles on one of the leaf symbols printed on the bag (the leaf symbols mean nothing other than to show where to place tiles). Easy. The first player will place their very first tile on one of the outermost leaf symbols to begin the game. The second player will then place their tile on the board depending on which tile was just placed by their opponent. You see, in Mijnlieff players cannot just place tiles willy-nilly, no! The tile immediately placed dictates where the next tile may be placed.
For example, if an opponent had just placed the N/S/E/W cross tile (Straight), then the next tile may only be placed on one of those leaves pointed at by the cross. Similarly with the diagonal cross (Diagonal) for diagonal leaves. The leaf tile with a solid circle around it (Puller) instructs the next player to place their tile on any leaf space that touches the original tile, even diagonally. Conversely, the leaf tile with a broken circle (Pusher) means the opposite: the next tile may be placed in any space that is NOT able to touch the original tile.
Players have access to two tiles of each flavor and they are attempting to rid their hand of tiles and create the most lines of three or four tiles for one or two points respectively. Once one player rids themselves of all their tiles the next player may lay just one last tile in an attempt to score more points. Whichever player earns the most points is the winner and, undoubtedly, will wish to play again immediately afterward.
Components. The version I was sent is the most recent XVgames Bagstracts edition in the fancy brown bag. The bag is great, and not only carries the components but doubles as the game board. I mean, I have not really seen that anywhere else. What a great and versatile component. The tiles are all very nicely painted wooden tiles with very clear iconography, which is much appreciated. The rulebook is fantastic and explains the game splendidly. Also included is a set of modular 2×2 mats that can be assembled in ANY fashion to create personalized game boards. I think this is a wonderfully-produced game with excellent components. The art is minimal but effective, and it has orange as a main color, so I applaud that choice as well.
The gameplay is what I would like to rave about here. My wife and I enjoy abstract strategy games together, but I have never seen her be absolutely magnetized to a game as much as she is to Mijnlieff. Right away, the first day I asked her to play it with me we ended up playing it eight or nine times that day. And you know what? We both really were jonesing to play some more. The game is relatively quick, with games lasting around 10 minutes each, but the neural exercises happening whilst playing is such so fantastic.
None of the tiles’ actions are difficult to understand, but each time a tile is placed my mind is racing with possibilities for my next turn. I do not suffer from Analysis Paralysis (AP), and my wife usually takes her times, but I do sit and think a bit more playing Mijnlieff. Sometimes you just need to play a tile to block the other player. You see, if you lay a tile and your opponent is unable to lay a tile legally according to your tile’s actions, then you get to place another tile ANYWHERE on the board. This could lead to a cascade of several tiles being laid on a turn, and THAT is what makes this simply an amazing design.
I now have four titles by designer Andy Hopwood that I will be reviewing, and if any of them are as thoughtful, beautiful, and well-designed I may have found another designer to add to my list of favorites. Purple Phoenix Games (plus my wife) give this one an incredibly respectful 11 / 12. I think what could make this game better is blinged out components. Everything in this bag is great, but Mijnlieff screams for high quality components and just sparkle everywhere. If you need a thinky abstract for two players from a smaller publisher and designer, I plead with you to grab a copy of Mijnlieff. I find it to be a superior design, quick-playing, and just hits all the right spots for my wife and me. And once you receive your copy we can record ourselves pronouncing the title and sending our recordings to the designer for him to choose the closest butchering.
Lee (2222 KP) rated Castle Rock in TV
Jan 21, 2019
Sissy Spacek (1 more)
Bill Skarsgård
Fantastic story telling
Set in the Stephen King multiverse, the Maine town of Castle Rock is the setting for this psychological horror thriller spanning ten episodes. It utilises various characters and settings from the authors work, and even actors who have appeared in movie versions of his books, resulting in a unique and richly detailed story which has been clearly influenced by the great author.
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
Emma @ The Movies (1786 KP) rated Five Feet Apart (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Firstly, I think it's nice to see a film partnering with a charity and bringing awareness to a wider audience. The advert for the charity before the film was a nice touch too.
Secondly, it appears that they shook the Disney tree hard for this one. Cole Sprouse and Moises Arias both had big roles on top Disney shows and Haley Lu Richardson appeared once in a show I've never heard of before.
Five Feet Apart opens really nicely with Stella and her friends. Everything is jolly old teen movie until they leave and Stella's demeanour changes. She isn't happy, her face is instantly one of resolve and sadness. The transformation of the room shows you everything that was hiding behind the camera, homely teen bedroom to sterile hospital room. It's a simple scene but it sets up Stella's character nicely.
This isn't a new tale, the idea is tried and tested over the years. A love story through the battle of illness is a guaranteed tearjerker, and this certainly delivered on that point.
Will's arrival at the hospital intrigues her almost instantly. He's the polar opposite of Stella, she has her reasons to battle through while Will is more for living for the moment, consequences be damned.
It's an enjoyable film, but the thing I think stands in the way for some people is the fact that we've never been in this sort of situation so everything seems farfetched. I can't imagine what it's like, but I can imagine emotions running high and recklessness coming from it. As an adult (ugh) I can't imagine putting my life in danger like the characters do, but I'm certain that teenage me would have done the same things... boy was she an idiot.
During the scene where Stella goes under general anaesthetic she's looking up at a drawing placed on the ceiling above her, as the drugs take hold the picture starts to come to life. It was a little whimsical for the film, but being that they use illustration in different areas it was a nice inclusion.
Stella's optimism and determination in the face of her CF is so strong and Haley Lu Richardson does a great job of dealing with the wide range of emotions that she cycles through. (Am I the only one who was getting Olivia Cooke vibes through this?)
The cheese to Stella's chalk is Will played by Cole Sprouse. Will is the fun-at-any-price sort of rebel so of course those two are perfect for each other. If I'm being brutally honest I always thought Cole Sprouse was the one that couldn't act. His performance in this has convinced me otherwise. As frustrating as I found Will's actions I thought he was an interesting character and that Sprouse brought him to life in a very believable way.
The pair make for a great lead couple, even if we are subjected to a rather condensed romance. I didn't really get much sense of how time flowed in this movie, it could be weeks, months, I couldn't tell. Due to the nature of their condition there's a necessary separation throughout the film and as you watch you wonder how they're going to deal with that when romances are traditionally full of closeness... I didn't think that something so simple could make me cry, but somehow there I was with tears rolling down my face. It was a bizarre idea but it worked really well visually even if it did get a little weird at one point.
At the end we ramp up fairly quickly and we see a swift change in our main characters. Emotions are so high that everything gets a little crazier. While the change in Stella didn't feel quite right to me, Will's change was a nice move and Sprouse's performance really showed the panic and reality behind the situation.
When we come to the conclusion of the film I could not have been more annoyed. If someone did that to me I think I'd punch their lights out, five feet rule or not.
Oh! And that five feet rule, you know, the one in the title of the film? We see it referred to early on and it's actually a six feet rule... that discrepancy annoyed me for longer than it probably should have done.
This might not be groundbreaking in its genre but it was an enjoyable watch. It gives you a different take on this popular medi-romance trend.
What you should do
If you like these devastating romances then this is definitely worth catching at some point.
Movie thing you wish you could take home
There's a lot of artistic talent flying around between the main characters and I'd love to pinch a little bit of that.
Secondly, it appears that they shook the Disney tree hard for this one. Cole Sprouse and Moises Arias both had big roles on top Disney shows and Haley Lu Richardson appeared once in a show I've never heard of before.
Five Feet Apart opens really nicely with Stella and her friends. Everything is jolly old teen movie until they leave and Stella's demeanour changes. She isn't happy, her face is instantly one of resolve and sadness. The transformation of the room shows you everything that was hiding behind the camera, homely teen bedroom to sterile hospital room. It's a simple scene but it sets up Stella's character nicely.
This isn't a new tale, the idea is tried and tested over the years. A love story through the battle of illness is a guaranteed tearjerker, and this certainly delivered on that point.
Will's arrival at the hospital intrigues her almost instantly. He's the polar opposite of Stella, she has her reasons to battle through while Will is more for living for the moment, consequences be damned.
It's an enjoyable film, but the thing I think stands in the way for some people is the fact that we've never been in this sort of situation so everything seems farfetched. I can't imagine what it's like, but I can imagine emotions running high and recklessness coming from it. As an adult (ugh) I can't imagine putting my life in danger like the characters do, but I'm certain that teenage me would have done the same things... boy was she an idiot.
During the scene where Stella goes under general anaesthetic she's looking up at a drawing placed on the ceiling above her, as the drugs take hold the picture starts to come to life. It was a little whimsical for the film, but being that they use illustration in different areas it was a nice inclusion.
Stella's optimism and determination in the face of her CF is so strong and Haley Lu Richardson does a great job of dealing with the wide range of emotions that she cycles through. (Am I the only one who was getting Olivia Cooke vibes through this?)
The cheese to Stella's chalk is Will played by Cole Sprouse. Will is the fun-at-any-price sort of rebel so of course those two are perfect for each other. If I'm being brutally honest I always thought Cole Sprouse was the one that couldn't act. His performance in this has convinced me otherwise. As frustrating as I found Will's actions I thought he was an interesting character and that Sprouse brought him to life in a very believable way.
The pair make for a great lead couple, even if we are subjected to a rather condensed romance. I didn't really get much sense of how time flowed in this movie, it could be weeks, months, I couldn't tell. Due to the nature of their condition there's a necessary separation throughout the film and as you watch you wonder how they're going to deal with that when romances are traditionally full of closeness... I didn't think that something so simple could make me cry, but somehow there I was with tears rolling down my face. It was a bizarre idea but it worked really well visually even if it did get a little weird at one point.
At the end we ramp up fairly quickly and we see a swift change in our main characters. Emotions are so high that everything gets a little crazier. While the change in Stella didn't feel quite right to me, Will's change was a nice move and Sprouse's performance really showed the panic and reality behind the situation.
When we come to the conclusion of the film I could not have been more annoyed. If someone did that to me I think I'd punch their lights out, five feet rule or not.
Oh! And that five feet rule, you know, the one in the title of the film? We see it referred to early on and it's actually a six feet rule... that discrepancy annoyed me for longer than it probably should have done.
This might not be groundbreaking in its genre but it was an enjoyable watch. It gives you a different take on this popular medi-romance trend.
What you should do
If you like these devastating romances then this is definitely worth catching at some point.
Movie thing you wish you could take home
There's a lot of artistic talent flying around between the main characters and I'd love to pinch a little bit of that.
Debbiereadsbook (1449 KP) rated 3 Is The Magic Number (The Flamingo Bar #3) in Books
Feb 6, 2021
The level of communication is top notch,
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Flamingo Bar series, BUT you don't NEED to have read the other books first. What you DO NEED to read, however, is The App book 3, Puppy Play. That is the beginning of Jake, Sam and Bailey's journey, and this book is the conclusion (kinda!)
Bailey ran after seeing Jake and Sam in Jake's playroom, and he knows he needs to talk to them both. Having hidden his submission for so long, and his love for Sam, he struggles. Jake, however, is very sure who he wants in his life, and it's both Sam AND Bailey. Sam just has to make Bailey see that he loves him too.
I loved Puppy Play and I was looking forward to reading about Jake, Sam and Bailey getting their Happy Ever After. And I did enjoy it, I really did, it just doesn't hit THAT spot that Puppy Play did!
All three guys get a say, in the first person. So we get them all, pouring their hearts out to themselves, and to each other. The level of communication is top notch, mostly because Jake wants them ALL to be open and honest. Jake does slip up though, and it just goes to show you, he's only human and Sam and Bailey need to take him off the pedestal.
Sam and Bailey carry a huge amount of baggage from their pasts, Jake not so much. So Sam and Bailey do most of the soul searching here. I loved that they both found someone outside of their relationship to talk to, and that they both got the clarity they needed from the guys in the club.
The heat level is high, as you would expect with a 3 way and I loved that Jake was able to get Bailey into that place he never did before: sub-space. Sam needs his puppy gear, and a ball to play with, but I loved that the 3 of them made this work.
I read this in one sitting. So I was fully engaged and I thoroughly enjoyed it. It just doesn't hit the heights Puppy Play, for me! *sorry!*
4.5 stars, rounded down for the blog.
**same worded review will appear elsewhere**
This is book 3 in the Flamingo Bar series, BUT you don't NEED to have read the other books first. What you DO NEED to read, however, is The App book 3, Puppy Play. That is the beginning of Jake, Sam and Bailey's journey, and this book is the conclusion (kinda!)
Bailey ran after seeing Jake and Sam in Jake's playroom, and he knows he needs to talk to them both. Having hidden his submission for so long, and his love for Sam, he struggles. Jake, however, is very sure who he wants in his life, and it's both Sam AND Bailey. Sam just has to make Bailey see that he loves him too.
I loved Puppy Play and I was looking forward to reading about Jake, Sam and Bailey getting their Happy Ever After. And I did enjoy it, I really did, it just doesn't hit THAT spot that Puppy Play did!
All three guys get a say, in the first person. So we get them all, pouring their hearts out to themselves, and to each other. The level of communication is top notch, mostly because Jake wants them ALL to be open and honest. Jake does slip up though, and it just goes to show you, he's only human and Sam and Bailey need to take him off the pedestal.
Sam and Bailey carry a huge amount of baggage from their pasts, Jake not so much. So Sam and Bailey do most of the soul searching here. I loved that they both found someone outside of their relationship to talk to, and that they both got the clarity they needed from the guys in the club.
The heat level is high, as you would expect with a 3 way and I loved that Jake was able to get Bailey into that place he never did before: sub-space. Sam needs his puppy gear, and a ball to play with, but I loved that the 3 of them made this work.
I read this in one sitting. So I was fully engaged and I thoroughly enjoyed it. It just doesn't hit the heights Puppy Play, for me! *sorry!*
4.5 stars, rounded down for the blog.
**same worded review will appear elsewhere**
Princess Salon 2 - Makeup, Dressup, Spa and Makeover - Girls Beauty Salon Games
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EmersonRose (320 KP) rated The Eye of the World (Wheel of Time, #1) in Books
Nov 20, 2019
“As the Wheel of Time turns, places wear many names. Men wear many names, many faces. Different faces, but always the same man. Yet no one knows the Great Pattern the Wheel weaves, or even the Pattern of an Age. We can only watch, and study, and hope.”
― Robert Jordan, The Eye of the World
There is perhaps nothing more magical than finding yourself fully immersed in a story. The first book in The Wheel of Time series, The Eye of the World, creates a full world of places, histories, species, religions, and myths. Robert Jordan first introduces you to the simple town of Emonds Field and the characters that live there. Then he takes us with those characters to explore a vast and more complex world. We are taken on a journey through different cities and meet a variety of people including meeting strange creatures and beings with strange, magical powers. Including Trollocs, Aes Sedai, Warders, and Myddraal. Jordan has an extraordinary ability to create intriguing mythologies for his world and creating species that have fully formed cultures and politics.
But before I get too far ahead of myself let us start with Robert Jordan. He is an American 31ulybtb-yl-_ux250_author from South Carolina, whose real name is James Oliver Rigney, JR. He lived from 1948 to 2007. He wrote books in many genres including fantasy, historical fiction, western and dance criticism each under a different pen name. The first book in his The Wheel of Time series was published in 1990. He was able to finish eleven books in the series before he passed, leaving his extensive notes to renowned novelist Brandon Sanderson who wrote the last three books of the series, finishing in 2013.
Personally, when reading a book, the most important thing for me is to become invested in at least one of the characters. Once I am, I’m completely dedicated to the book. Robert Jordan has a large group of main characters and switches perspective between them throughout their journey. Picking out a single main character is very difficult, Rand al’Thor might be the closest but Matrim (Mat) Cauthon and Perrin Aybara and possibly Egwene al’vere and Nynaeve al’Meara create the central cast. They are the natives of Emonds Field before their adventures take them journeying to places unknown. Each of them is special and through the course of the book, you uncover the power each has. What is amazing is how Jordan is able to make you care deeply for each character and while he is switching perspective you never find yourself, bored. This is impressive for often in novels that switch perspective there is that one storyline you do not care about. Upon finishing the first book I can honestly say that I do not have a single favorite out of the group but love them all and care about what will happen to them next.
My one issue with the book came with frustration at what I call Tolkien Naming Syndrome. With such a mass of characters it is not surprising that some names start to sound similar but like Arwen and Eowyn there are two females with feelings for one of the boys whose names are oddly similar Elayne and Egwene with other female names rhyming such as Moiraine and Morgase while the male names tend to sound different and are thus easier to keep apart and remember. Depending on what you want in a story, the other thing that keeps this book from being unique is the black and white stance on good vs. evil. The two sides are clear and do not leave much room for the morally grey.
The book offers a great mix of solved mysteries while leaving you with an abundance of questions to make you need to continue reading the story. It truly is an epic adventure story. Fulfilling the good vs. evil battling and grand adventures and meeting strange creatures and discovering new magic. While it might not have the grand battles of Lord of the Rings it has the magical journey and strange adventures that create the amazing epic fantasy novel. I plan on reading the next book soon and highly recommend this book to fantasy readers as it offers great characters, an amazing world and interesting rules on magic.
― Robert Jordan, The Eye of the World
There is perhaps nothing more magical than finding yourself fully immersed in a story. The first book in The Wheel of Time series, The Eye of the World, creates a full world of places, histories, species, religions, and myths. Robert Jordan first introduces you to the simple town of Emonds Field and the characters that live there. Then he takes us with those characters to explore a vast and more complex world. We are taken on a journey through different cities and meet a variety of people including meeting strange creatures and beings with strange, magical powers. Including Trollocs, Aes Sedai, Warders, and Myddraal. Jordan has an extraordinary ability to create intriguing mythologies for his world and creating species that have fully formed cultures and politics.
But before I get too far ahead of myself let us start with Robert Jordan. He is an American 31ulybtb-yl-_ux250_author from South Carolina, whose real name is James Oliver Rigney, JR. He lived from 1948 to 2007. He wrote books in many genres including fantasy, historical fiction, western and dance criticism each under a different pen name. The first book in his The Wheel of Time series was published in 1990. He was able to finish eleven books in the series before he passed, leaving his extensive notes to renowned novelist Brandon Sanderson who wrote the last three books of the series, finishing in 2013.
Personally, when reading a book, the most important thing for me is to become invested in at least one of the characters. Once I am, I’m completely dedicated to the book. Robert Jordan has a large group of main characters and switches perspective between them throughout their journey. Picking out a single main character is very difficult, Rand al’Thor might be the closest but Matrim (Mat) Cauthon and Perrin Aybara and possibly Egwene al’vere and Nynaeve al’Meara create the central cast. They are the natives of Emonds Field before their adventures take them journeying to places unknown. Each of them is special and through the course of the book, you uncover the power each has. What is amazing is how Jordan is able to make you care deeply for each character and while he is switching perspective you never find yourself, bored. This is impressive for often in novels that switch perspective there is that one storyline you do not care about. Upon finishing the first book I can honestly say that I do not have a single favorite out of the group but love them all and care about what will happen to them next.
My one issue with the book came with frustration at what I call Tolkien Naming Syndrome. With such a mass of characters it is not surprising that some names start to sound similar but like Arwen and Eowyn there are two females with feelings for one of the boys whose names are oddly similar Elayne and Egwene with other female names rhyming such as Moiraine and Morgase while the male names tend to sound different and are thus easier to keep apart and remember. Depending on what you want in a story, the other thing that keeps this book from being unique is the black and white stance on good vs. evil. The two sides are clear and do not leave much room for the morally grey.
The book offers a great mix of solved mysteries while leaving you with an abundance of questions to make you need to continue reading the story. It truly is an epic adventure story. Fulfilling the good vs. evil battling and grand adventures and meeting strange creatures and discovering new magic. While it might not have the grand battles of Lord of the Rings it has the magical journey and strange adventures that create the amazing epic fantasy novel. I plan on reading the next book soon and highly recommend this book to fantasy readers as it offers great characters, an amazing world and interesting rules on magic.
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Emma @ The Movies (1786 KP) rated Tolkien (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Tolkien shows us a snapshot of the author's younger years from orphan to student, from soldier to scholar. I don't know much about his history but I'm familiar with the estate and I was surprised that this went through without their blessing. Not knowing the background I can't say how much is true and how much is artistic license, and sadly in this instance, I'm really not too bothered about finding out. Other biopics have left me with a desire to find out more about the subject matter but this left me rather indifferent about it.
It's not a wildly exciting life story that's captured in the film, what I found more compelling was the way that the creative process was depicted. The way they used visuals to connect everything in his life to his stories was beautifully done. The war scenes are stunning in their simplicity, seeing the colours against the stark backgrounds was incredible and I love how they managed to weave his visions into them. The mist effect was particularly well done.
I love the idea that Tolkien saw all these ideas in what most people would dismiss as life or a trick of the light. At the beginning of the film we see his mother telling the brother a story with the use of a zoetrope. (I'm not sure it's technically a zoetrope, do let me know what it is if I'm wrong.) The way they managed to create the feeling of life in those projections was mesmerising.
I'm quite aware that I haven't mentioned a single member of the cast yet. To be honest, I think I was so engrossed in the visuals that the rest of it was just kind of... there.
I found it difficult to keep track of who was who in his fellowship. I couldn't have told you their names or their individual niches. In fact, near the end I realised I'd got one of their names wrong the entire way through my notes.
Nicholas Hoult isn't an actor I'm particularly excited for in films, he is a consistent performer but I don't think I've seen anything that's wowed me. As Tolkien thought he did bring some surprisingly emotional elements... I definitely hadn't expected to cry at this screening. If I'd have been Edith in the moment where she asks him to tell her a story I'd have fallen in love with him on the spot, it had me leaning in intrigued to see him working everything out.
Visually, the movie is stunning and the feeling it creates is perfect, but everything else in the film felt very non-descript, and a lot of it seemed like it just had a place to make you link it to his writings. Tolkien is more of a nostalgic trip down memory lane than a biopic.
What you should do
The visuals on the big screen were amazing, but I don't think there's enough going on in the rest of the film to warrant a trip to the cinema for it. Try and catch it when it's available on home release though.
Movie thing you wish you could take home
The ability to create a wall of ideas without getting annoyed that nothing was lined up straight.
It's not a wildly exciting life story that's captured in the film, what I found more compelling was the way that the creative process was depicted. The way they used visuals to connect everything in his life to his stories was beautifully done. The war scenes are stunning in their simplicity, seeing the colours against the stark backgrounds was incredible and I love how they managed to weave his visions into them. The mist effect was particularly well done.
I love the idea that Tolkien saw all these ideas in what most people would dismiss as life or a trick of the light. At the beginning of the film we see his mother telling the brother a story with the use of a zoetrope. (I'm not sure it's technically a zoetrope, do let me know what it is if I'm wrong.) The way they managed to create the feeling of life in those projections was mesmerising.
I'm quite aware that I haven't mentioned a single member of the cast yet. To be honest, I think I was so engrossed in the visuals that the rest of it was just kind of... there.
I found it difficult to keep track of who was who in his fellowship. I couldn't have told you their names or their individual niches. In fact, near the end I realised I'd got one of their names wrong the entire way through my notes.
Nicholas Hoult isn't an actor I'm particularly excited for in films, he is a consistent performer but I don't think I've seen anything that's wowed me. As Tolkien thought he did bring some surprisingly emotional elements... I definitely hadn't expected to cry at this screening. If I'd have been Edith in the moment where she asks him to tell her a story I'd have fallen in love with him on the spot, it had me leaning in intrigued to see him working everything out.
Visually, the movie is stunning and the feeling it creates is perfect, but everything else in the film felt very non-descript, and a lot of it seemed like it just had a place to make you link it to his writings. Tolkien is more of a nostalgic trip down memory lane than a biopic.
What you should do
The visuals on the big screen were amazing, but I don't think there's enough going on in the rest of the film to warrant a trip to the cinema for it. Try and catch it when it's available on home release though.
Movie thing you wish you could take home
The ability to create a wall of ideas without getting annoyed that nothing was lined up straight.
Emma @ The Movies (1786 KP) rated The Lego Movie 2: The Second Part (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
It's close to call... I absolutely love the first LEGO movie and this one might be better. Ugh, I just don't know.
With Emmet's same cheery disposition and Lucy's same never-ending scepticism you might say that it's just the first movie with more cameos and in-jokes for the adults. You're probably right, but it's still good.
The song and dance routines have been knocked up a notch, everything is still so upbeat... I love it. I am a little sad though that "This Song's Gonna Get Stuck Inside Your Head" didn't get stuck in my head (even after listening to some of the ten-hour video on LEGO's YouTube account). I actually still came out singing "Everything Is Awesome".
Queen of the songs and actual queen, Watevra Wa'Nabi, demolishes the competition. She maybe doesn't understand the subtleties of getting people to trust you but her heart is in the right place. Tiffany Haddish was fantastic, the only way she could have been better in this was if they'd Barbie dolled her for it, Welcome To Marwen style. The animation of the Duplo royal was really quite expressive, it was an ingenious way to do it.
It was great that they didn't try to fiddle around with anything animation-wise from the first film. Not that there would have been much they could have done but when you think things like that they go and surprise you with something awful. It was all just as fun, but I have never seen anything as cute as those damned hearts and stars! Oooooooh the cuteness!
Most of the cameo parts are the same as last time too, although we get a fun little addition of Bruce Willis chillin' in some air ducts.
When I sum it up like this I realise how little it really has changed but the underlying family story is sweet, it also makes for a casting addition of Maya Rudolph. She's barely in it but my god her acting is on point, I can't really tell you the scene without spoiling it but you'll see it and think the same thing.
What you should do
Well, it's half term so it's a no brainer to go and see it at some point but even at any other time of the year I'd tell you to go along and have some fun.
Movie thing you wish you could take home
I would like to take home something for use in all films... dinosaurs with subtitles.
With Emmet's same cheery disposition and Lucy's same never-ending scepticism you might say that it's just the first movie with more cameos and in-jokes for the adults. You're probably right, but it's still good.
The song and dance routines have been knocked up a notch, everything is still so upbeat... I love it. I am a little sad though that "This Song's Gonna Get Stuck Inside Your Head" didn't get stuck in my head (even after listening to some of the ten-hour video on LEGO's YouTube account). I actually still came out singing "Everything Is Awesome".
Queen of the songs and actual queen, Watevra Wa'Nabi, demolishes the competition. She maybe doesn't understand the subtleties of getting people to trust you but her heart is in the right place. Tiffany Haddish was fantastic, the only way she could have been better in this was if they'd Barbie dolled her for it, Welcome To Marwen style. The animation of the Duplo royal was really quite expressive, it was an ingenious way to do it.
It was great that they didn't try to fiddle around with anything animation-wise from the first film. Not that there would have been much they could have done but when you think things like that they go and surprise you with something awful. It was all just as fun, but I have never seen anything as cute as those damned hearts and stars! Oooooooh the cuteness!
Most of the cameo parts are the same as last time too, although we get a fun little addition of Bruce Willis chillin' in some air ducts.
When I sum it up like this I realise how little it really has changed but the underlying family story is sweet, it also makes for a casting addition of Maya Rudolph. She's barely in it but my god her acting is on point, I can't really tell you the scene without spoiling it but you'll see it and think the same thing.
What you should do
Well, it's half term so it's a no brainer to go and see it at some point but even at any other time of the year I'd tell you to go along and have some fun.
Movie thing you wish you could take home
I would like to take home something for use in all films... dinosaurs with subtitles.