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Darren (1599 KP) rated Yesterday (2019) in Movies
Dec 25, 2019
Verdict: Enjoyable Throughout
Story: Yesterday starts as we meet musician Jack Malik (Patel) who when he isn’t performing, works a dead-end job in a cash-n-carry. Jack gets his first festival in Latitude Festival thanks to his manager Ellie Appleton (James), which makes Jack realise he might walk away from music, until on his way home a shocking event around the world sees all power down for 12 seconds and Jack gets hit by a bus, waking up in a world where The Beatles never existed.
Jack uses the ideas that The Beatles never existed to start singing the songs, which sudden thrusts the spotlight onto the young singer, who sudden burst into international stardom, only can he live with the knowledge of the music he is singing is from the most famous band in the world.
Thoughts on Yesterday
Characters – Jack Malik is a small-time musician who only performs in his own free time, while trying to balance a part-time job in a warehouse. He does have talent, only he hasn’t been discovered yet, he is about to give up when he gets hit by a bus in a freak event around the world. He wakes up to discover he is the only person to have heard of The Beatles and decides to use this knowledge to give music on more crack, where his rise to super stardom is sudden and he must learn to adapt to this new career. Ellie Appleton has been the best friend, manager, rodeo and driver for his music career, secretly in love with him, unable to give up her teaching career to follow his new success. Rocky has been involved in music only he tends to let people down, he is however the only person that Jack can turn to for help for his new stardom. We get to meet Jack’s parents who have always supported him, Ed Sheeran playing himself discovering the new talent in Jack and the manager who takes Jack to the next level with his debut album.
Performances – Himesh Patel is brilliant in the leading role where he handles the singing with ease as well as the troubles that his character goes through in his sudden rise to fame. Lily James as the girl next door figure is wonderful to watch to, never looking out of place in the manager role. The rest of the cast do nothing wrong, you might see a couple of weakness in some of the performances in the film though.
Story – The story follows a musician that is involved in an accident only to discover that when he wakes up, The Beatles don’t exist, using this knowledge to make himself a mega star, while dealing with his own love problems. This is a story that does work if things are kept just around the idea of The Beatles not being around, where the story does seem to use as a little joke, other major products or bands also haven’t existed either, they are only used for jokes rather than being proper points in the story. Away from that weak point we do get to see the struggling to deal with sudden fame and the guilt for using the songs of somebody he idolises. This story is one that can be enjoyed even if you are not a Beatles fan too.
Comedy/Musical/Romance – The comedy in the film will get laughs where it needs to, we aren’t given constant jokes either, with the music side of the film playing into the strengths of all Beatles fans who will get to enjoy their favourites. The romance in the film does take centre stage, with how the two are left to wonder what if through their lives, showing how people are tempted to let people go or not for stardom.
Settings – The film uses the small town where Jack is from, which shows the struggle of a small town musician, LA where things move so fast and Liverpool where the inspiration can be found.
Scene of the Movie – Wembley.
That Moment That Annoyed Me – The other random disappearing products, just being a joke, rather than a point in the story.
Final Thoughts – This is an enjoyable comedy musical, that will show the importance of love in the world, how music can make people famous and just how far people will go for a chance of stardom.
Overall: Enjoyable
Story: Yesterday starts as we meet musician Jack Malik (Patel) who when he isn’t performing, works a dead-end job in a cash-n-carry. Jack gets his first festival in Latitude Festival thanks to his manager Ellie Appleton (James), which makes Jack realise he might walk away from music, until on his way home a shocking event around the world sees all power down for 12 seconds and Jack gets hit by a bus, waking up in a world where The Beatles never existed.
Jack uses the ideas that The Beatles never existed to start singing the songs, which sudden thrusts the spotlight onto the young singer, who sudden burst into international stardom, only can he live with the knowledge of the music he is singing is from the most famous band in the world.
Thoughts on Yesterday
Characters – Jack Malik is a small-time musician who only performs in his own free time, while trying to balance a part-time job in a warehouse. He does have talent, only he hasn’t been discovered yet, he is about to give up when he gets hit by a bus in a freak event around the world. He wakes up to discover he is the only person to have heard of The Beatles and decides to use this knowledge to give music on more crack, where his rise to super stardom is sudden and he must learn to adapt to this new career. Ellie Appleton has been the best friend, manager, rodeo and driver for his music career, secretly in love with him, unable to give up her teaching career to follow his new success. Rocky has been involved in music only he tends to let people down, he is however the only person that Jack can turn to for help for his new stardom. We get to meet Jack’s parents who have always supported him, Ed Sheeran playing himself discovering the new talent in Jack and the manager who takes Jack to the next level with his debut album.
Performances – Himesh Patel is brilliant in the leading role where he handles the singing with ease as well as the troubles that his character goes through in his sudden rise to fame. Lily James as the girl next door figure is wonderful to watch to, never looking out of place in the manager role. The rest of the cast do nothing wrong, you might see a couple of weakness in some of the performances in the film though.
Story – The story follows a musician that is involved in an accident only to discover that when he wakes up, The Beatles don’t exist, using this knowledge to make himself a mega star, while dealing with his own love problems. This is a story that does work if things are kept just around the idea of The Beatles not being around, where the story does seem to use as a little joke, other major products or bands also haven’t existed either, they are only used for jokes rather than being proper points in the story. Away from that weak point we do get to see the struggling to deal with sudden fame and the guilt for using the songs of somebody he idolises. This story is one that can be enjoyed even if you are not a Beatles fan too.
Comedy/Musical/Romance – The comedy in the film will get laughs where it needs to, we aren’t given constant jokes either, with the music side of the film playing into the strengths of all Beatles fans who will get to enjoy their favourites. The romance in the film does take centre stage, with how the two are left to wonder what if through their lives, showing how people are tempted to let people go or not for stardom.
Settings – The film uses the small town where Jack is from, which shows the struggle of a small town musician, LA where things move so fast and Liverpool where the inspiration can be found.
Scene of the Movie – Wembley.
That Moment That Annoyed Me – The other random disappearing products, just being a joke, rather than a point in the story.
Final Thoughts – This is an enjoyable comedy musical, that will show the importance of love in the world, how music can make people famous and just how far people will go for a chance of stardom.
Overall: Enjoyable
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Phillip McSween (751 KP) rated McLintock! (1963) in Movies
Jun 10, 2019
Solid Visuals but Nothing Else
A cattle baron’s wife returns after a two-year separation wanting a divorce.
Acting: 10
It’s a tough task to ask someone not to like John Wayne and the things he brings to the big screen. He has a distinct way of capturing your attention and holding it with his no-nonsense demeanor and sheer bad-assery. I enjoyed the other performances as well, but, for me, it always goes back to Wayne and your sheer desire as a viewer to see what he’s going to do or say next.
Beginning: 2
Not a strong start in the least. Even past the first ten minutes, I spent a considerable amount of time trying to figure out just what the hell the plot was. A beginning that is mired in confusion is not a very good beginning at all.
Characters: 7
I’ll admit, George Washington McLintock is probably someone I would like to have a glass of whiskey with. He’s charming and doesn’t take any guff from anyone. Other fun characters included the Native American guy (whose name slips me right now) and Drago. If it weren’t for McLintock’s wife who was just a horrible character to deal with the entire movie, this category would have scored higher.
Cinematography/Visuals: 9
Conflict: 6
It’s hard to really appreciate conflict when you don’t know fully what the story is about. Throughout the movie, I was never really grabbed as there wasn’t enough action to keep me fully entertained. It’s like watching two dudes square up a bar, but all they do is push each other the whole time. I wanted more and damned if McLintock! wanted to give it to me.
Genre: 6
Memorability: 6
One of the reasons I will review a movie well after having seen it is to gauge how memorable it is. How many scenes stick out in my head days, weeks, sometimes months later? The answer as it relates to McLintock!: Not a whole damn lot. I remember one scene where they were fighting in a mud slide. I also remember a spanking. Outside of that…nothing. Mind you, I just watched this movie two months ago.
Pace: 7
Once the movie picks up, it holds on pretty consistently. Outside of a couple small lulls, it managed to hold my attention and keep me entertained enough to want to see what would happen next. I love movies and pacing is extremely important to me. It’s too bad the pacing here wasn’t enough to alter the overall strength of the movie.
Plot: 7
Yes, I finally figured out what the story was about. Once I had a better sense, it made the overall movie a bit more enjoyable. Pretty straightforward, we are looking at something that was good, not great.
Resolution: 2
Overall: 62
So why did I dislike this movie so much? Outside of a terrible beginning and ending, I think a lot of it has to do with Mrs. McLintock’s character. She was just a ghastly person, plain and simple, with not a redeeming characteristic in her body. And I don’t think she was even meant to be a villain, yet that’s how she came across. Probably won’t be watching McLintock! again anytime soon.
Acting: 10
It’s a tough task to ask someone not to like John Wayne and the things he brings to the big screen. He has a distinct way of capturing your attention and holding it with his no-nonsense demeanor and sheer bad-assery. I enjoyed the other performances as well, but, for me, it always goes back to Wayne and your sheer desire as a viewer to see what he’s going to do or say next.
Beginning: 2
Not a strong start in the least. Even past the first ten minutes, I spent a considerable amount of time trying to figure out just what the hell the plot was. A beginning that is mired in confusion is not a very good beginning at all.
Characters: 7
I’ll admit, George Washington McLintock is probably someone I would like to have a glass of whiskey with. He’s charming and doesn’t take any guff from anyone. Other fun characters included the Native American guy (whose name slips me right now) and Drago. If it weren’t for McLintock’s wife who was just a horrible character to deal with the entire movie, this category would have scored higher.
Cinematography/Visuals: 9
Conflict: 6
It’s hard to really appreciate conflict when you don’t know fully what the story is about. Throughout the movie, I was never really grabbed as there wasn’t enough action to keep me fully entertained. It’s like watching two dudes square up a bar, but all they do is push each other the whole time. I wanted more and damned if McLintock! wanted to give it to me.
Genre: 6
Memorability: 6
One of the reasons I will review a movie well after having seen it is to gauge how memorable it is. How many scenes stick out in my head days, weeks, sometimes months later? The answer as it relates to McLintock!: Not a whole damn lot. I remember one scene where they were fighting in a mud slide. I also remember a spanking. Outside of that…nothing. Mind you, I just watched this movie two months ago.
Pace: 7
Once the movie picks up, it holds on pretty consistently. Outside of a couple small lulls, it managed to hold my attention and keep me entertained enough to want to see what would happen next. I love movies and pacing is extremely important to me. It’s too bad the pacing here wasn’t enough to alter the overall strength of the movie.
Plot: 7
Yes, I finally figured out what the story was about. Once I had a better sense, it made the overall movie a bit more enjoyable. Pretty straightforward, we are looking at something that was good, not great.
Resolution: 2
Overall: 62
So why did I dislike this movie so much? Outside of a terrible beginning and ending, I think a lot of it has to do with Mrs. McLintock’s character. She was just a ghastly person, plain and simple, with not a redeeming characteristic in her body. And I don’t think she was even meant to be a villain, yet that’s how she came across. Probably won’t be watching McLintock! again anytime soon.
JT (287 KP) rated The A-Team (2010) in Movies
Mar 10, 2020
It might be seen as a risk to make a film off the back of a successful T.V. show, especially if you take Transformers as the prime example of poor execution, but the A-Team was the big budget blockbuster that everyone expected it to be.
The back story is still pretty much the same, four decorated soldiers are framed for a crime they didn’t commit are out on the run to clear their names. The opening sequence allows for all the characters to be introduced in their own unique way.
Gruff talking Liam Neeson as Col. Hannibal Smith, Smooth talking Bradley Cooper as Lt. Templeton ‘Faceman’ Peck, Rough talking Quinton ‘Rampage’ Jackson as the iconic mohawk styled B.A. Baracus and the crazy talking Sharlto Copley as howling mad Murdoch. It really couldn’t be a more perfectly cast ensemble, only Jessica Biel’s Charissa Sosa proves to be the weak link in the chain.
Director Joe Carnahan is no stranger to full bloodied action scenes having previously helmed Smokin Aces, but with the A-Team he got the chance to push the envelope even further on the non believable. From a falling tank to a finale that does to a container ship what an iceberg did to the Titanic. It’s a balls out testosterone filled epic that is surely not going to cause any disappointment.
Its a film in its own right, of course everything and anything can be drawn to the original and long running T.V. series but as a plot goes it’s quite an entertaining script, with some of the trademark A-Team mechanical inventions…you know in the garage queue the music, and a few cheeky cameos you’ll do well to spot.
Talk of a sequel has been mooted, whether that actually happens would be anyone’s guess but the rumour mill is always churning and we should never say never. I do love it when a plan come together!
The back story is still pretty much the same, four decorated soldiers are framed for a crime they didn’t commit are out on the run to clear their names. The opening sequence allows for all the characters to be introduced in their own unique way.
Gruff talking Liam Neeson as Col. Hannibal Smith, Smooth talking Bradley Cooper as Lt. Templeton ‘Faceman’ Peck, Rough talking Quinton ‘Rampage’ Jackson as the iconic mohawk styled B.A. Baracus and the crazy talking Sharlto Copley as howling mad Murdoch. It really couldn’t be a more perfectly cast ensemble, only Jessica Biel’s Charissa Sosa proves to be the weak link in the chain.
Director Joe Carnahan is no stranger to full bloodied action scenes having previously helmed Smokin Aces, but with the A-Team he got the chance to push the envelope even further on the non believable. From a falling tank to a finale that does to a container ship what an iceberg did to the Titanic. It’s a balls out testosterone filled epic that is surely not going to cause any disappointment.
Its a film in its own right, of course everything and anything can be drawn to the original and long running T.V. series but as a plot goes it’s quite an entertaining script, with some of the trademark A-Team mechanical inventions…you know in the garage queue the music, and a few cheeky cameos you’ll do well to spot.
Talk of a sequel has been mooted, whether that actually happens would be anyone’s guess but the rumour mill is always churning and we should never say never. I do love it when a plan come together!
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Debbiereadsbook (1205 KP) rated Found (Breaking Free #4) in Books
Mar 14, 2019 (Updated Mar 14, 2019)
I freaking love these books!
*verified Amazon purchase Dec 2018*
This is book 4 in the Breaking Free series. personally, I would recommend that you read the other books first, before this one. It will give you a better picture of this world and how things are slowly changing, but still how badly the omegas are treated, and just what a workaholic Isa Higgs is! And they are rather brilliant too.
We met Isa in book one, he is Tarek's boss. And he pops up in all the other books too. He works a lot since the death of his mate two years before, and he is estranged from his 3 beta sons. So being hit with ANOTHER mating bond throws Isa for a loop. Especially since that mate is Liam, a man half his age and already pregnant with another alpha's baby. Liam isn't sure what he is feeling about Isa, but he knows he makes him feel SAFE, and Liam hasn't had that feeling for a very long time. But when Isa brings Liam home, Liam begins to feel the bond. He just isn't sure Isa is! It takes a threat to remove Liam from Isa's home that forces them to admit the bond, and then Isa might have a very difficult choice: his new mated omega and his FOUR sons (assuming the older three will stand by him) or his career.
Oh, these two! I loved these two! Well, I've loved each and every pairing so far, and I have no doubt that next pair will knock Isa and Liam off that top spot, but for now, these two are my favourites! Loved this one!
We met Liam (briefly) in book one, too. He is the omega that Braun sees being kidnapped that causes him to run. He has been held for the fight ring, but not yet fought. Not like the others rescued with him. Being held was bad enough. Liam is not sure what he wants to do about the baby, whether to keep him or not; but at least now he has that CHOICE. He is able to choose what he does. Isa taking him home doesn't help that choice about the baby, but it's very clear the Liam CHOOSES Isa. And once these two actually admit to feeling the bond, that they feel for each other, it's truly beautiful watching them grow towards making Liam feel safe enough and in control of his life enough, to physically mate, and to make Isa secure in Liam's life. He hasn't had much security for a long time, and he needs that to make his choices about the baby.
This one, while carrying the fight ring/kidnapping/Iverson story arcs from the other books, I found far more emotional. Liam is saved with 4 others, and they all suffer in this book (fight ring and physical abuse aside) some devastating losses and news. And bloody hell, I cried for these boys! Because they ARE boys, still really, and they have already been through so much before they get rescued, and they are STILL suffering. Differently, but still.
I loved that Isa's boys came round to Liam and to their father. Loved that they were able to reconcile and make good. Mistakes were made by Isa when his previous mate died, but he forgot the boys lost their omegin too. Loved that Tarius, Isa's 2nd son, was able to finally confide in his dad.
I can't fault these book,s I really can't. But the next three will have to wait for the next payday, and I'm counting the days!
5 full, but very emotional stars.
**same worded review will appear elsewhere**
This is book 4 in the Breaking Free series. personally, I would recommend that you read the other books first, before this one. It will give you a better picture of this world and how things are slowly changing, but still how badly the omegas are treated, and just what a workaholic Isa Higgs is! And they are rather brilliant too.
We met Isa in book one, he is Tarek's boss. And he pops up in all the other books too. He works a lot since the death of his mate two years before, and he is estranged from his 3 beta sons. So being hit with ANOTHER mating bond throws Isa for a loop. Especially since that mate is Liam, a man half his age and already pregnant with another alpha's baby. Liam isn't sure what he is feeling about Isa, but he knows he makes him feel SAFE, and Liam hasn't had that feeling for a very long time. But when Isa brings Liam home, Liam begins to feel the bond. He just isn't sure Isa is! It takes a threat to remove Liam from Isa's home that forces them to admit the bond, and then Isa might have a very difficult choice: his new mated omega and his FOUR sons (assuming the older three will stand by him) or his career.
Oh, these two! I loved these two! Well, I've loved each and every pairing so far, and I have no doubt that next pair will knock Isa and Liam off that top spot, but for now, these two are my favourites! Loved this one!
We met Liam (briefly) in book one, too. He is the omega that Braun sees being kidnapped that causes him to run. He has been held for the fight ring, but not yet fought. Not like the others rescued with him. Being held was bad enough. Liam is not sure what he wants to do about the baby, whether to keep him or not; but at least now he has that CHOICE. He is able to choose what he does. Isa taking him home doesn't help that choice about the baby, but it's very clear the Liam CHOOSES Isa. And once these two actually admit to feeling the bond, that they feel for each other, it's truly beautiful watching them grow towards making Liam feel safe enough and in control of his life enough, to physically mate, and to make Isa secure in Liam's life. He hasn't had much security for a long time, and he needs that to make his choices about the baby.
This one, while carrying the fight ring/kidnapping/Iverson story arcs from the other books, I found far more emotional. Liam is saved with 4 others, and they all suffer in this book (fight ring and physical abuse aside) some devastating losses and news. And bloody hell, I cried for these boys! Because they ARE boys, still really, and they have already been through so much before they get rescued, and they are STILL suffering. Differently, but still.
I loved that Isa's boys came round to Liam and to their father. Loved that they were able to reconcile and make good. Mistakes were made by Isa when his previous mate died, but he forgot the boys lost their omegin too. Loved that Tarius, Isa's 2nd son, was able to finally confide in his dad.
I can't fault these book,s I really can't. But the next three will have to wait for the next payday, and I'm counting the days!
5 full, but very emotional stars.
**same worded review will appear elsewhere**
Haley Mathiot (9 KP) rated Dead Perfect in Books
Apr 27, 2018
My Summary: Shannah is going to die. She has a blood disease that none of the doctors can identify, and she only has months to live. She’s on her last month, possibly her last week… she hates to think it’s her last day, but it sure feels like it. She has been watching the strange tall, dark (and hansom) man for several months, and is convinced that he is a vampire (though she’s not exactly sane when she makes that decision). She goes to him seeking immortality, but collapses in near death on his front porch. When she wakes up, she feels better. What did he do that healed her? She’s not a vampire, but even the doctors couldn’t heal her… then there’s the fact that she’s pretty sure that she’s falling in love with him. but Ronan’s healing doesn’t last forever… and Shannah has to make a hard choice.
Ronan is five hundred and thirteen years old. He has never loved anyone in his life, but when Shannah comes to his door he takes her into his house and begins to heal her in his own special way. But then he accidentally falls in love with her. That causes problems—when your mortal soulmate is going to die soon and she isn’t sure she wants to be a leach her whole life. If he changes her against her will, will she hate him forever? Are his only choices letting her die and losing her, or changing her and losing her?
And then there’s that whole problem with a vampire hunter tracking down Ronan… and trying to kill him.
My Thoughts—at first glimpse, this seemed so twilight-ish. But once I started reading it I got out of my vampire stereotype and enjoyed this book quite a lot. I was at the library and dying for a light-hearted vampire romance (because I was just in that mood) so I picked it up. It’s a very quick read, and very sweet.
The Plot—the plot moved quickly, though at one point a thought crossed my mind, “there isn’t much story here, how is the author dragging it out into 345 pages and is still managing to keep it interesting?” although the plot seemed a little simple, it held my attention very well.
The Characters—I loved the characters in this book. Shannah was depicted as a desperate-to-do-anything-to-keep-alive kind of girl, to the point that she was willing to live with a vampire. Ronan had so much passion and love for this poor girl that it made him endearing. I love how he’d always call her “love.” It was so sweet. Jim Hewitt, the hunter, was a character that you just didn’t like one bit—a strong willed jerk who, although he thought he was doing the right thing, even that he was doing it to keep Shannah safe, I didn’t like him and I felt sorry for him. Though, in my opinion, I liked what happened to him at the end ;)
The writing—There were a lot of really good descriptions in this book, I was able to see everything that the author said in beautiful detail. There wasn’t any graphic sex, though there were a few scenes at the end, but it was brief. There were a few re-used phrases in the book though, and that gets annoying. (My sister and I call this the JMG Syndrome, or “Jenny McGrady” syndrome, because of a series we read when we were younger. Jenny was always feeling “like she got slugged in the stomach”. The phrase was used several times in all fifteen books. It got old really fast.) Shannah had many kissed “brushed across her brow” in this book. But besides that, the writing was warm and welcoming.
My Recommendation: I recommend this book to anyone who likes a good paranormal romance, vampires, or just a romance in general. Ages 16+, only because of the frequency of sex at the end of the book (though I will say that the vampire held fast to abstinence, so that was encouraging.) there wasn’t any foul language, and I really liked that! I hate books that have so much language that I feel dirty reading it. But this book was very clean.
~Haleyknitz
Ronan is five hundred and thirteen years old. He has never loved anyone in his life, but when Shannah comes to his door he takes her into his house and begins to heal her in his own special way. But then he accidentally falls in love with her. That causes problems—when your mortal soulmate is going to die soon and she isn’t sure she wants to be a leach her whole life. If he changes her against her will, will she hate him forever? Are his only choices letting her die and losing her, or changing her and losing her?
And then there’s that whole problem with a vampire hunter tracking down Ronan… and trying to kill him.
My Thoughts—at first glimpse, this seemed so twilight-ish. But once I started reading it I got out of my vampire stereotype and enjoyed this book quite a lot. I was at the library and dying for a light-hearted vampire romance (because I was just in that mood) so I picked it up. It’s a very quick read, and very sweet.
The Plot—the plot moved quickly, though at one point a thought crossed my mind, “there isn’t much story here, how is the author dragging it out into 345 pages and is still managing to keep it interesting?” although the plot seemed a little simple, it held my attention very well.
The Characters—I loved the characters in this book. Shannah was depicted as a desperate-to-do-anything-to-keep-alive kind of girl, to the point that she was willing to live with a vampire. Ronan had so much passion and love for this poor girl that it made him endearing. I love how he’d always call her “love.” It was so sweet. Jim Hewitt, the hunter, was a character that you just didn’t like one bit—a strong willed jerk who, although he thought he was doing the right thing, even that he was doing it to keep Shannah safe, I didn’t like him and I felt sorry for him. Though, in my opinion, I liked what happened to him at the end ;)
The writing—There were a lot of really good descriptions in this book, I was able to see everything that the author said in beautiful detail. There wasn’t any graphic sex, though there were a few scenes at the end, but it was brief. There were a few re-used phrases in the book though, and that gets annoying. (My sister and I call this the JMG Syndrome, or “Jenny McGrady” syndrome, because of a series we read when we were younger. Jenny was always feeling “like she got slugged in the stomach”. The phrase was used several times in all fifteen books. It got old really fast.) Shannah had many kissed “brushed across her brow” in this book. But besides that, the writing was warm and welcoming.
My Recommendation: I recommend this book to anyone who likes a good paranormal romance, vampires, or just a romance in general. Ages 16+, only because of the frequency of sex at the end of the book (though I will say that the vampire held fast to abstinence, so that was encouraging.) there wasn’t any foul language, and I really liked that! I hate books that have so much language that I feel dirty reading it. But this book was very clean.
~Haleyknitz
Emma @ The Movies (1786 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
This was another screening that needed a second viewing because of challenging people, so now I've seen it in 2D and 3D. I'm seeing more films in 3D recently that actually work, I'm still not quite convinced by it but I'm certainly not annoyed by it.
The pre-"hype" for this was very mixed. I had been looking forward to the film for a long time but when the first trailer dropped I was disappointed and underwhelmed, it was however nice to see that others were having the opposite reaction to me. Perhaps I had just built it up too much in my head beforehand.
As we eeked closer the vibe became decidedly negative around it, and for the most part I avoided articles and rants as I just don't see the point in speculating so wildly about something that hasn't been seen. That climaxed again when the preview screening was interrupted by a fire alarm, and then when the internet seemed to go nuts over the fact the review embargo was so late. (It's not like embargos are unusual, I don't see how you can draw conclusions from release and embargo being on the same day... this seems entirely logical. *deep breath*)
Something I would like to query is the fact that someone decided it was sensible to put a reaction video of three of the stars seeing the Dark Phoenix trailer in 4DX. It's a little bit of fun, but frustrating if you've been trying to avoid trailers and spoilers before seeing the film.
Wow... waffle... to the film!
The team take on a mission to space when a shuttle loses control and is in the path of what appears to be solar flares. The mission seems successful until they realise there's still a crew member trapped. With the shuttle disintegrating the only ones who can safely make it are Jean and Nightcrawler. As Jean holds the shuttle in place Nightcrawler rescues the last man from the wreckage but when he returns for her she's already encountered the strange space energy.
Somehow despite the destruction of the shuttle Jean survives floating in space, Nightcrawler brings her back to the X-Jet and the whole team return to Earth as heroes. Jean wasn't left unchanged by her encounter though, she's changing, and as her mind begins to open the danger starts to grow.
Almost all of the characters in Dark Phoenix go through some sort of change. Jean comes face to face with her past and a power that is even more difficult to control than her own. Professor Xavier is less of a friend in his current persona than he's ever been before, and in this moment may not be the leader the X-Men need. Certainly by the end of the film each character has grown in some way. I'm not sure I was a fan of the changes in Professor Xavier, they were necessary in some respects but in the context of the rest of the series are a bit of a shock and out of the blue.
Thankfully some things don't change, and Quicksilver is still very funny, the occasional laugh was needed in what was quite a serious film.
Very briefly I want to talk about the effects. There's obviously a lot of them but I didn't spot anything that was outright terrible. (There's one moment in Cerebro, but that's more to do with how they choose to depict Cerebral's general imagery than anything.) My real standout moment is Jean's hair when she is embracing Dark Phoenix. We are given the floating underwater swirling effect that we should have seen in Aquaman.
It's been a while since I've seen all of the other films, although I did rewatch Last Stand and Apocalypse in the run up to this. There were a few moments where I saw flashes of Last Stand in Dark Phoenix which I thought was a nice touch.
I'm not sure there's a lot of point dwelling much on the acting for the main cast, it's consistent and what you'd expect for the franchise. Nicholas Hoult was able to bring a slightly bigger performance and he's probably one of the only regulars that had the ability to do that with his story.
Our villains were led by Jessica Chastain as Vuk. Vuk as a character and most of her group in general are actually quite bland. As emotionless aliens there's little to either love or hate. Had they been slightly more human than drone-like then they might have had a bigger impact. The only moment where I saw some good acting was when Vuk is with Jean near the very end and a look comes across her face and I thought, "oooh, acting!"
I wasn't entirely sure what was happening with Raven. She seemed to be a bundle of contradictions and got a terrible hand when it came to the script. I did want to slap her at one point, there was no need for what she did! NO NEED!
[Random thought: If Raven's scales/skin ripples when she transforms then how does she manage to do that when she's wearing an X-Suit? And also, why does she bother changing to her human look when she's in the mansion?]
The actions sequences were very good, the train scene felt like it had been crafted perfectly. Possibly a little too organised, but overall the entire scene came together. I particularly liked the choice of music when it coincided with Storm's piece, wonderfully atmospheric. (A pun? Perhaps.)
If there's anything I've taken from this it's that Dark Phoenix annoyed me less than Endgame did. It's not epic, but then I've never felt like the franchise has ever been that high on the scale. I'm reasonably happy with where it's left the sequence and what the future of the franchise might hold. I honestly don't think it deserves the hate that it's been getting.
What you should do
I think that you should go and see it, the action is good and a nice diversion for a couple of hours.
Movie thing you wish you could take home
I'd always want a superpower, but my choice changes more than Raven does.
The pre-"hype" for this was very mixed. I had been looking forward to the film for a long time but when the first trailer dropped I was disappointed and underwhelmed, it was however nice to see that others were having the opposite reaction to me. Perhaps I had just built it up too much in my head beforehand.
As we eeked closer the vibe became decidedly negative around it, and for the most part I avoided articles and rants as I just don't see the point in speculating so wildly about something that hasn't been seen. That climaxed again when the preview screening was interrupted by a fire alarm, and then when the internet seemed to go nuts over the fact the review embargo was so late. (It's not like embargos are unusual, I don't see how you can draw conclusions from release and embargo being on the same day... this seems entirely logical. *deep breath*)
Something I would like to query is the fact that someone decided it was sensible to put a reaction video of three of the stars seeing the Dark Phoenix trailer in 4DX. It's a little bit of fun, but frustrating if you've been trying to avoid trailers and spoilers before seeing the film.
Wow... waffle... to the film!
The team take on a mission to space when a shuttle loses control and is in the path of what appears to be solar flares. The mission seems successful until they realise there's still a crew member trapped. With the shuttle disintegrating the only ones who can safely make it are Jean and Nightcrawler. As Jean holds the shuttle in place Nightcrawler rescues the last man from the wreckage but when he returns for her she's already encountered the strange space energy.
Somehow despite the destruction of the shuttle Jean survives floating in space, Nightcrawler brings her back to the X-Jet and the whole team return to Earth as heroes. Jean wasn't left unchanged by her encounter though, she's changing, and as her mind begins to open the danger starts to grow.
Almost all of the characters in Dark Phoenix go through some sort of change. Jean comes face to face with her past and a power that is even more difficult to control than her own. Professor Xavier is less of a friend in his current persona than he's ever been before, and in this moment may not be the leader the X-Men need. Certainly by the end of the film each character has grown in some way. I'm not sure I was a fan of the changes in Professor Xavier, they were necessary in some respects but in the context of the rest of the series are a bit of a shock and out of the blue.
Thankfully some things don't change, and Quicksilver is still very funny, the occasional laugh was needed in what was quite a serious film.
Very briefly I want to talk about the effects. There's obviously a lot of them but I didn't spot anything that was outright terrible. (There's one moment in Cerebro, but that's more to do with how they choose to depict Cerebral's general imagery than anything.) My real standout moment is Jean's hair when she is embracing Dark Phoenix. We are given the floating underwater swirling effect that we should have seen in Aquaman.
It's been a while since I've seen all of the other films, although I did rewatch Last Stand and Apocalypse in the run up to this. There were a few moments where I saw flashes of Last Stand in Dark Phoenix which I thought was a nice touch.
I'm not sure there's a lot of point dwelling much on the acting for the main cast, it's consistent and what you'd expect for the franchise. Nicholas Hoult was able to bring a slightly bigger performance and he's probably one of the only regulars that had the ability to do that with his story.
Our villains were led by Jessica Chastain as Vuk. Vuk as a character and most of her group in general are actually quite bland. As emotionless aliens there's little to either love or hate. Had they been slightly more human than drone-like then they might have had a bigger impact. The only moment where I saw some good acting was when Vuk is with Jean near the very end and a look comes across her face and I thought, "oooh, acting!"
I wasn't entirely sure what was happening with Raven. She seemed to be a bundle of contradictions and got a terrible hand when it came to the script. I did want to slap her at one point, there was no need for what she did! NO NEED!
[Random thought: If Raven's scales/skin ripples when she transforms then how does she manage to do that when she's wearing an X-Suit? And also, why does she bother changing to her human look when she's in the mansion?]
The actions sequences were very good, the train scene felt like it had been crafted perfectly. Possibly a little too organised, but overall the entire scene came together. I particularly liked the choice of music when it coincided with Storm's piece, wonderfully atmospheric. (A pun? Perhaps.)
If there's anything I've taken from this it's that Dark Phoenix annoyed me less than Endgame did. It's not epic, but then I've never felt like the franchise has ever been that high on the scale. I'm reasonably happy with where it's left the sequence and what the future of the franchise might hold. I honestly don't think it deserves the hate that it's been getting.
What you should do
I think that you should go and see it, the action is good and a nice diversion for a couple of hours.
Movie thing you wish you could take home
I'd always want a superpower, but my choice changes more than Raven does.
Emma @ The Movies (1786 KP) rated Halloween (2018) in Movies
Sep 25, 2019
First off I want to address the elephant in the room, or more accurately, the serial killer in the room. Kudos to Cineworld for always engaging in dressing up banter for their movies, but honestly, I don't need to be tormented by them during the movie too. We're all familiar with the hovering member of staff who checks the screens during the performance. When the titles started to role on Halloween I was aware of the lurking figure, unlike other times though when I glanced out of the corner of my eye I wasn't greeted with the friendly face of an employee but rather the mask-clad face of a serial killer. At least he wasn't creeping up on me otherwise I would have unleashed the power of my flying handbag... you try and scare people there WILL be consequences! Saying that I would love them to re-release Scream so I could dress up as Ghostface and just tilt my head at people.
Anyway, to the film!
Having just seen the original I found it very easy to draw parallels between the two. The links were everywhere and it made for a nice familiar touch, which I found surprising as it isn't a film that I'm really that well versed in.
The opening credits were obviously a highlight and it was fun to watch the scene unfold, literally. Having not seen many of the other Halloween offerings I don't know how they dealt with Michael and Laurie's connection, not that it really matters I suppose as they tossed out the rest of the timeline out of the window for this one.
Comparing the two films you can really see how they've given Laurie some of Michael's traits. He's so much a part of her that she's even taken to lurking like him outside the school watching her granddaughter. She progresses through the film much like he did in the first, with little flashes of him in her actions like when we see her exit a restaurant and stand at the end of the path like he did after murdering his sister.
We see the escape from the transfer but we don't really know how it happened, although I had my suspicions. Yet again we see a mirror of events from the first film. The patients are roaming around and Michael attacks without mercy to get what he wants/needs.
I'll take a quick diversion here to talk about one of my dislikes about the film. The journalists doing the interviews with Michael and Laurie. I understand why they were there. Michael needed to get his identity back and some groundwork needed to be laid so that the audience could see what Laurie had been working to her whole life... but... I didn't find either character to be particularly effective and the small monologues for the tape seemed poorly executed. Yes, yes, they're just making audio notes for the final piece, but as a film they're supposed to be crafting the scene in a way that flows, and they really don't. Of course as I said, they need to be there so that Michael can get his face back so *shrug* their fate wasn't such a sad one for the story line.
I think what makes Michael so effective as the bad guy is that he's just so brazen. He's got one objective and his single mindedness means that he never stops. It doesn't matter that he's wearing his hospital clothing, he has to do something and that confidence makes him invisible to almost everyone until it's too late. Seeing him in the background of shots brings on the anticipation of what's to come. When it's dark you're squinting at an area that seems unusually framed waiting to see that face emerge from the gloom. It works incredibly well and brings almost a glee to the watcher. You know something that the characters don't... you could survive this thing.
Movies these days seem to be finding some very talented kids and the writers are furnishing them with excellent lines. Jibrail Nantambu as Julian, the ill-fated babysitting job of Haddonfield, brings the comedy in what is otherwise the bleak slasher-fest you'd expect. He's got the witty banter, the attitude, and he delivers perfectly. Watch out for my favourite piece of the movie where Vicky his babysitter attempts to go and investigate for a possible intruder. Julian knows where horror films are at, and he knows who's expendable, good job kid.
As a sequel I think it works really well. Trying to erase the knowledge that there were films in between was challenging though. It's an 18 certificate though and the more I watch them these days the more I wonder exactly how TV and film has jaded my perception of things. Sure, there's a lot of murdering! But none of it seemed particularly graphic or violent to me. Like I say... perhaps I've just become accustomed to it.
What you should do
If you enjoy horror films then I think this one would appeal. Especially if you see the original before you go. I'm sure it would work as a standalone film with only basic knowledge of the first, but there's no denying how well they'll work together in a double bill.
Movie thing you wish you could take home
As with the original, I would still like some of Laurie Strode's luck at surviving against the odds.
Anyway, to the film!
Having just seen the original I found it very easy to draw parallels between the two. The links were everywhere and it made for a nice familiar touch, which I found surprising as it isn't a film that I'm really that well versed in.
The opening credits were obviously a highlight and it was fun to watch the scene unfold, literally. Having not seen many of the other Halloween offerings I don't know how they dealt with Michael and Laurie's connection, not that it really matters I suppose as they tossed out the rest of the timeline out of the window for this one.
Comparing the two films you can really see how they've given Laurie some of Michael's traits. He's so much a part of her that she's even taken to lurking like him outside the school watching her granddaughter. She progresses through the film much like he did in the first, with little flashes of him in her actions like when we see her exit a restaurant and stand at the end of the path like he did after murdering his sister.
We see the escape from the transfer but we don't really know how it happened, although I had my suspicions. Yet again we see a mirror of events from the first film. The patients are roaming around and Michael attacks without mercy to get what he wants/needs.
I'll take a quick diversion here to talk about one of my dislikes about the film. The journalists doing the interviews with Michael and Laurie. I understand why they were there. Michael needed to get his identity back and some groundwork needed to be laid so that the audience could see what Laurie had been working to her whole life... but... I didn't find either character to be particularly effective and the small monologues for the tape seemed poorly executed. Yes, yes, they're just making audio notes for the final piece, but as a film they're supposed to be crafting the scene in a way that flows, and they really don't. Of course as I said, they need to be there so that Michael can get his face back so *shrug* their fate wasn't such a sad one for the story line.
I think what makes Michael so effective as the bad guy is that he's just so brazen. He's got one objective and his single mindedness means that he never stops. It doesn't matter that he's wearing his hospital clothing, he has to do something and that confidence makes him invisible to almost everyone until it's too late. Seeing him in the background of shots brings on the anticipation of what's to come. When it's dark you're squinting at an area that seems unusually framed waiting to see that face emerge from the gloom. It works incredibly well and brings almost a glee to the watcher. You know something that the characters don't... you could survive this thing.
Movies these days seem to be finding some very talented kids and the writers are furnishing them with excellent lines. Jibrail Nantambu as Julian, the ill-fated babysitting job of Haddonfield, brings the comedy in what is otherwise the bleak slasher-fest you'd expect. He's got the witty banter, the attitude, and he delivers perfectly. Watch out for my favourite piece of the movie where Vicky his babysitter attempts to go and investigate for a possible intruder. Julian knows where horror films are at, and he knows who's expendable, good job kid.
As a sequel I think it works really well. Trying to erase the knowledge that there were films in between was challenging though. It's an 18 certificate though and the more I watch them these days the more I wonder exactly how TV and film has jaded my perception of things. Sure, there's a lot of murdering! But none of it seemed particularly graphic or violent to me. Like I say... perhaps I've just become accustomed to it.
What you should do
If you enjoy horror films then I think this one would appeal. Especially if you see the original before you go. I'm sure it would work as a standalone film with only basic knowledge of the first, but there's no denying how well they'll work together in a double bill.
Movie thing you wish you could take home
As with the original, I would still like some of Laurie Strode's luck at surviving against the odds.