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What might be sabotaging your uniquely gifted contribution to the world around you? Discover the obstacles and barriers standing between you and your God-given purpose. In this revised book, youll learn how to identify ways to strengthen your calling thatll encourage you to confidently operate in the gifts and talents that God designed you to do. Through the lens of T.H. Meyers own journey, youll recognize the universal struggle in embracing your whole person as she encourages you to live a life without regrets. For the individual reader looking to examine more deeply their life purpose or a group seeking to collectively spur each other toward their God-given gifts, talents, and life. This book can be used as a 12-week, 6-week, or 4-week study guide, with exploratory questions at the end of each chapter the assist you in listening to Gods voice and revealing your unique purpose, path, or direction.
Endorsements A wonderful exploration, but not only for readers to look inwardly, but to also look around at others, at where our lives are at, and mostly upward toward Gods design and dreams for our lives. Love it! Cindy Coloma, best selling and award-winning author of over 15 books Youll come away from this wise and insightful book with a clearer understanding of how you are uniquely gifted to contribute to the world, and why its imperative that you honor your creative calling. Michelle DeRusha, author of Katharina and Martin Luther: The Radical Marriage of a Runway TH Meyer looks at the glass ceiling the world has placed between creatives and non-creatives and shatters it. This those who have felt they are not creative, too timid, or simply too late to the life they were called to live, Meyer says, Pish-posh. She delivers on her promise to help people embrace uniqueness, explore boldness, and encourage faith. Amy Young, author of Looming Transitions: Starting & Finishing Well in Cross-Cultural Service In her book, A Life Of Creative Purpose, Tammy Hendricksmeyer [TH Meyer] is a trusted mentor, offer ing us the tools we need to step completely into Gods design for us as individuals, and as members of His body. Her relatable stories coupled with scripture inspire and ignite a renewed passion for pursuing not only our own creative callings but even more, her words stoke the fire in our hearts for the Giver of these gifts. Kris Camealy, author of Come, Lord Jesus: The Weight Of Waiting A Life of Creative Purpose is a fantastic resource filled with thoughtful questions, stories, and Scripture each designed to awaken us to Gods unique purposes for our lives. It is well-written, thoughtful, and engaging, an invitation to embrace our own eternally significant creative purpose. Cindee S. Re, author of Discovering Hope: Beginning the Journey Toward Hope in Chronic Illness In her book, A Life of Creative Purpose, TH Meyer masterfully blends personal stories with wisdom from Scripture to reveal the importance of creative purpose (even if you think you are not creative.) The thought-provoking questions at the end of each chapter will help you discover (or uncover) and embrace the unique way God has made you and inspire you to step into a life of purpose, meaning, and fulfillment. JoDitt Williams, author/artist of Delight in the Word of God: A Devotional Coloring Book/Journal for Adults
My Thoughts: This is a great book to remind us about the gifts that God has for each of us. It reminds us not to be afraid to step out in faith to use the guts that God gives us to use.
This is a book of encouragement. It helps those who may not know what their purpose or gift is, to learn how to find it.
I enjoyed this book and encourage others to read it.
Endorsements A wonderful exploration, but not only for readers to look inwardly, but to also look around at others, at where our lives are at, and mostly upward toward Gods design and dreams for our lives. Love it! Cindy Coloma, best selling and award-winning author of over 15 books Youll come away from this wise and insightful book with a clearer understanding of how you are uniquely gifted to contribute to the world, and why its imperative that you honor your creative calling. Michelle DeRusha, author of Katharina and Martin Luther: The Radical Marriage of a Runway TH Meyer looks at the glass ceiling the world has placed between creatives and non-creatives and shatters it. This those who have felt they are not creative, too timid, or simply too late to the life they were called to live, Meyer says, Pish-posh. She delivers on her promise to help people embrace uniqueness, explore boldness, and encourage faith. Amy Young, author of Looming Transitions: Starting & Finishing Well in Cross-Cultural Service In her book, A Life Of Creative Purpose, Tammy Hendricksmeyer [TH Meyer] is a trusted mentor, offer ing us the tools we need to step completely into Gods design for us as individuals, and as members of His body. Her relatable stories coupled with scripture inspire and ignite a renewed passion for pursuing not only our own creative callings but even more, her words stoke the fire in our hearts for the Giver of these gifts. Kris Camealy, author of Come, Lord Jesus: The Weight Of Waiting A Life of Creative Purpose is a fantastic resource filled with thoughtful questions, stories, and Scripture each designed to awaken us to Gods unique purposes for our lives. It is well-written, thoughtful, and engaging, an invitation to embrace our own eternally significant creative purpose. Cindee S. Re, author of Discovering Hope: Beginning the Journey Toward Hope in Chronic Illness In her book, A Life of Creative Purpose, TH Meyer masterfully blends personal stories with wisdom from Scripture to reveal the importance of creative purpose (even if you think you are not creative.) The thought-provoking questions at the end of each chapter will help you discover (or uncover) and embrace the unique way God has made you and inspire you to step into a life of purpose, meaning, and fulfillment. JoDitt Williams, author/artist of Delight in the Word of God: A Devotional Coloring Book/Journal for Adults
My Thoughts: This is a great book to remind us about the gifts that God has for each of us. It reminds us not to be afraid to step out in faith to use the guts that God gives us to use.
This is a book of encouragement. It helps those who may not know what their purpose or gift is, to learn how to find it.
I enjoyed this book and encourage others to read it.
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Inky Books (3 KP) rated A Court of Mist and Fury in Books
Jun 21, 2018
Well, from the beginning, this book sure was a ride of emotions and plot events. I kept thinking that in the first part of the book the plot wasn’t moving, there was nothing happening. But now, after I have finished the book, I know that there were some very important events going on.
One thing I have learned about Sarah J. Maas and her characters is that she is never very nice to them for very long. But this causes me to feel sorry for them, to want them to be happy, thus showing that it is a good book to get me so emotionally involved. I knew this fact in Thorne of Glass and was expecting it in this series, but maybe not so early on. It defiantly shows that she has evolved as a writer and has become much more confidant.
Speaking of evolving, these characters did a bunch of it throughout this book and in between the first and second. While some characters (Feyre) transitioned over time, especially after all those nasty things she went through in the first book, I felt like others (Tamlin) had changed much too quickly. This defiantly could be explained at the span of three months that was between the first book and this one, but it still seemed abrupt and more like a plot device. Unquestionably for the plot. But I think it worked out well for the story arch that we are continuing to follow, one that is getting impressively complicated.
Feyre’s evolving rivals those of Alien, Lysandra, or Maven from Thorne of Glass. I know I keep bring this series up, making comparisons, but I just wanted to say how happy I was that Sarah J. Maas didn’t abandon her character evolving pattern. It makes each of her books so much more fun to read than others, some of which the characters don’t evolve enough to really see much of a difference. The evolving keeps me guessing at what the characters might do next, and that makes for a good book.
Sarah J. Maas also isn’t one to shy away from putting two people together to fall in love then having them change their mind. But, I liked Tamlin in the first, but not enough to completely ship them and wanting it to continue into the next book. I was hoping she would pull out one of those ‘I loved you but I don’t love you anymore’ moves. Because there are many relationships in this book that affect the plot, I won’t give any spoilers on it. Sorry if I implied it and you caught on, but really it was only the first 50 pages that might have been mildly ruined.
Bad things to say. Hmm. You know, there really isn’t much I have to complain about. I wish that Tamlin didn’t become so easy to hate right off (sorry, but once again only the first 50 pages), that we couldn’t see more of Feyre’s transition to becoming a high fae, her powers thereof, and watching more of these lovely relationships evolve as each person becomes closer, friends or otherwise. Other than those though, I don’t have much else to say.
At the time I am writing this review there is still three weeks left until the next book comes out, so once again I have to distract myself with others until I can get it. Sigh.
Wait, why did I wait so long to read it? Oh that’s right, so I wouldn’t be in the waiting position like I am now!
Also, a warning for younger readers, this book does become NC-17.
One thing I have learned about Sarah J. Maas and her characters is that she is never very nice to them for very long. But this causes me to feel sorry for them, to want them to be happy, thus showing that it is a good book to get me so emotionally involved. I knew this fact in Thorne of Glass and was expecting it in this series, but maybe not so early on. It defiantly shows that she has evolved as a writer and has become much more confidant.
Speaking of evolving, these characters did a bunch of it throughout this book and in between the first and second. While some characters (Feyre) transitioned over time, especially after all those nasty things she went through in the first book, I felt like others (Tamlin) had changed much too quickly. This defiantly could be explained at the span of three months that was between the first book and this one, but it still seemed abrupt and more like a plot device. Unquestionably for the plot. But I think it worked out well for the story arch that we are continuing to follow, one that is getting impressively complicated.
Feyre’s evolving rivals those of Alien, Lysandra, or Maven from Thorne of Glass. I know I keep bring this series up, making comparisons, but I just wanted to say how happy I was that Sarah J. Maas didn’t abandon her character evolving pattern. It makes each of her books so much more fun to read than others, some of which the characters don’t evolve enough to really see much of a difference. The evolving keeps me guessing at what the characters might do next, and that makes for a good book.
Sarah J. Maas also isn’t one to shy away from putting two people together to fall in love then having them change their mind. But, I liked Tamlin in the first, but not enough to completely ship them and wanting it to continue into the next book. I was hoping she would pull out one of those ‘I loved you but I don’t love you anymore’ moves. Because there are many relationships in this book that affect the plot, I won’t give any spoilers on it. Sorry if I implied it and you caught on, but really it was only the first 50 pages that might have been mildly ruined.
Bad things to say. Hmm. You know, there really isn’t much I have to complain about. I wish that Tamlin didn’t become so easy to hate right off (sorry, but once again only the first 50 pages), that we couldn’t see more of Feyre’s transition to becoming a high fae, her powers thereof, and watching more of these lovely relationships evolve as each person becomes closer, friends or otherwise. Other than those though, I don’t have much else to say.
At the time I am writing this review there is still three weeks left until the next book comes out, so once again I have to distract myself with others until I can get it. Sigh.
Wait, why did I wait so long to read it? Oh that’s right, so I wouldn’t be in the waiting position like I am now!
Also, a warning for younger readers, this book does become NC-17.
Bookapotamus (289 KP) rated FAME in Books
Oct 24, 2018
An Interesting Exploration of Fame
Raise your hand if you LOVED Family Ties as a kid! And had a crush on Alex P. Keaton? And wanted TO BE Mallory!?! Justine Bateman was an idol of mine in the 80's. If I could be like her, or look like her, I pressed my parents to give me a sister just like her! But I got stuck with a brother. Boo!
It's funny, because when I first heard about this book, I said first thing, "Whatever happened to her?" in that snarky, snide voice - like oh, she was has-been, she didn't do anything after Family Ties, she's a one-hit wonder.... And THAT is exactly the type of attitude Justine addresses in this book. (I'm totally sorry for what I said btw Justine and I still love you!)
If you're looking for the behind the scenes secrets and juicy scandal of the beloved sitcom - this is not the book. If you want the scoop on MJ Fox and hanging with child stars of the 80's - nope, not that book either. In fact, one of the first chapters in the book fully explains this - the book is NOT a memoir. It's an exploration of fame. Justine dissects everything from childhood fame in the 80's, to reality star "fame" of today, as well as both the construction AND destruction of fame that social media can make happen. I was fascinated by her take on all things fame. I felt for her - being an actress on a hit TV show, and only being seen for THAT. That her education, and directing, and successes in business mean nothing - cause the "whatever happened to her" mentality translates to - well, if we haven't seen her on TV anymore - she must be a failure in life.
I loved reading this - she's frantic, and passionate, and, OK I'll say it- a bit crazy, yes - but do you blame her? Imagine people saying about you "Boy, she sure has let herself go" on a public forum, on google searches, on Twitter. Just cause the last time they saw her she was 21 - and now she's 50. Well, clearly she's aged - duh. Obviously she doesn't LOOK the same!
I gobbled up every chapter and loved her take on how crazy it is to be famous, but how much crazier it is today. Sure, there's some namedropping, some mentions of Michael J. Fox, Sarah Jessica Parker, and more - and there's even a bunch of color photos in the book that she talks about and references throughout the book, which I loved. I didn't need the juicy gossip, as I felt like it made me understand celebrities more and totally got me out of that mentality of "Oh, they wanted to be in the spotlight, so they are just automatically targets." No. I feel terrible now for ever ragging on a celeb in the spotlight - especially the young ones out there.
But I'm still not laying off the reality "stars" ;) haha.
It's funny, because when I first heard about this book, I said first thing, "Whatever happened to her?" in that snarky, snide voice - like oh, she was has-been, she didn't do anything after Family Ties, she's a one-hit wonder.... And THAT is exactly the type of attitude Justine addresses in this book. (I'm totally sorry for what I said btw Justine and I still love you!)
If you're looking for the behind the scenes secrets and juicy scandal of the beloved sitcom - this is not the book. If you want the scoop on MJ Fox and hanging with child stars of the 80's - nope, not that book either. In fact, one of the first chapters in the book fully explains this - the book is NOT a memoir. It's an exploration of fame. Justine dissects everything from childhood fame in the 80's, to reality star "fame" of today, as well as both the construction AND destruction of fame that social media can make happen. I was fascinated by her take on all things fame. I felt for her - being an actress on a hit TV show, and only being seen for THAT. That her education, and directing, and successes in business mean nothing - cause the "whatever happened to her" mentality translates to - well, if we haven't seen her on TV anymore - she must be a failure in life.
I loved reading this - she's frantic, and passionate, and, OK I'll say it- a bit crazy, yes - but do you blame her? Imagine people saying about you "Boy, she sure has let herself go" on a public forum, on google searches, on Twitter. Just cause the last time they saw her she was 21 - and now she's 50. Well, clearly she's aged - duh. Obviously she doesn't LOOK the same!
I gobbled up every chapter and loved her take on how crazy it is to be famous, but how much crazier it is today. Sure, there's some namedropping, some mentions of Michael J. Fox, Sarah Jessica Parker, and more - and there's even a bunch of color photos in the book that she talks about and references throughout the book, which I loved. I didn't need the juicy gossip, as I felt like it made me understand celebrities more and totally got me out of that mentality of "Oh, they wanted to be in the spotlight, so they are just automatically targets." No. I feel terrible now for ever ragging on a celeb in the spotlight - especially the young ones out there.
But I'm still not laying off the reality "stars" ;) haha.
Neil Goddard (3 KP) rated Hellboy (2019) in Movies
Feb 27, 2020
It all looked soooo promising
Contains spoilers, click to show
Let me say this upfront; David Harbour looks f---ing boss as Hellboy. The makeup is far superior to that of Ron Perlman, not that there was anything wrong with Ron Perlman’s, but with this new incarnation it’s all in the eyes. Deep red, sunken, pained. Sadly, that is all I can say about this movie that is one hundred percent genuinely positive. There are positives however, but they come with a big ‘however’.
I was initially a little concerned that we were getting a re-boot and not a direct sequel to Hellboy II: The Golden Army (2008), especially as it still seemed so recent and was so well made. I know it was over a decade ago but quality is timeless, yeah? Then David Harbour was cast and Neil Marshall announced as director. Great, thought I, an actor I like and a director who’s put out some solid genre material. I saw the first picture of Harbour as Hellboy and I was genuinely excited. I saw the trailer and again, excited. Then I watched the film.
Eurgh, where to start?
Firstly, Ian McShane’s initial voice over is clunky and ill fitting, then they throw in some b@llocks about King Arthur and Excalibur. I had my first wobble here, as some of the effects seemed less than special.
Cue opening titles.
The film starts with a Mexican wrestling match that is purely exposition to let us know Hellboy is a hard drinking and hard fighting anti-hero working for an organisation that deals with the paranormal. The make up for his vampiric opponent is also great (can’t fault the makeup department), but the scene seemed superfluous. We get the nubbin of the story forming now; some horrible witchy wench from way back when was cut into bits and flung around jolly old England to prevent her from spreading a right ‘orrible plague. Turns out a potty-mouthed Liverpudlian pig-monster is collecting said bits in the hope of putting her back together in exchange for his normal appearance. Scouse pig-monster is quite entertaining.
Hellboy goes to England at the request of an upper-class paranormal society to help them kill giants; this goes t1ts up. Again, this seems like unnecessary exposition to introduce Alice, a medium who he rescued as a baby, who now rescues him in a transit van. We also get introduced to M11’s Agent Daimio. There something wrong with him, he keeps injecting himself with a serum to stop something happening. I knew at this point we’d get to see what it was eventually, probably at a juncture where something is needed to rescue someone important. However, at this point I had a feeling it would be bad, I just didn’t know how bad.
There some more fighting, some good effects, some mediocre effects and some terrible effects. There’s some good one-liners, there’s some dull and/or terrible dialogue and then we get the film’s conclusion.
There’s something I’ve been putting off mentioning as I didn’t want the entire review to be about it, and it could have been; the witchy wench at the heart of all this paranormal consternation, Nimue, is played by Milla Jovovich and she is terrible. From when she first opens her mouth to her predictable demise, she is terrible. Terrible. TERRIBLE.
I love some of the Resident Evil films but all she’s required to do is some slow-motion scissor kicks and shoot zombies and zombie-dogs in the face. She is tolerated, rather than enjoyed. Here she is emoting, or at least I think that’s what she was going for, and as a depiction of an evil entity bent of the destruction of all mankind, she is, for want of a better word, cack.
David Harbour and the Hellboy franchise deserve better than this. To be blunt, the franchise has better than this and Mike Mignola should be a bit more f---ing precious with his creation.
Hellboy (2004) was genuinely exciting; it was an origin story that bought that story full circle for its thrilling and apocalyptical conclusion. It has a wonderful nemesis, great support and breath-taking visuals. The re-tread of the origin story in Hellboy (2019) is, again, one more unnecessary diversion from a sketchy plot, which, for all its meagre bones takes a f-ck load of time to tell.
Hellboy II: The Golden Army (2008) was equally impressive. It also introduced a fully formed community of creatures and customs hiding alongside mankind. It did so with nonchalant aplomb. Nothing seemed irrelevant or forced. For two films with almost identical running times, Hellboy (2019) tells less of a story with way more waffle.
So, I did mention there were some positives. David Harbour is great. He’s dour, sarcastic, defiant and funny, he just has no engaging story in which to be all those things. Ian McShane is good as the father figure but he is overshadowed by memories of the late, unbelievably great John Hurt. The story of a witch trying to destroy mankind is solid fantasy movie gold and the unleashing of her plague late in the final act is suitably hellish; bizarre demons emerging from city streets and tearing humans limb from limb, it’s bloody wonderful and wonderfully bloody. They all could have come straight out of a Clive Barker fever dream. However, it’s too little too late, by this point in the story we’ve had too many cutaways, too much shoddy CGI, and Agent Daimio stinking up many a scene with his ‘will he won’t he’ turn into something rubbish… he does.
The worst part of all this is I don’t know if they can come back from this. The film may have sunk the franchise at least for the next few years.
I do however, look forward to a re-boot in a decade or so, if we haven’t all been assimilated by aliens, overrun by AI robots or decimated by a supernatural plague bought on by some witchy wench with an axe to grind.
THREE WORD SUMMATION: Big Red Turd.
I was initially a little concerned that we were getting a re-boot and not a direct sequel to Hellboy II: The Golden Army (2008), especially as it still seemed so recent and was so well made. I know it was over a decade ago but quality is timeless, yeah? Then David Harbour was cast and Neil Marshall announced as director. Great, thought I, an actor I like and a director who’s put out some solid genre material. I saw the first picture of Harbour as Hellboy and I was genuinely excited. I saw the trailer and again, excited. Then I watched the film.
Eurgh, where to start?
Firstly, Ian McShane’s initial voice over is clunky and ill fitting, then they throw in some b@llocks about King Arthur and Excalibur. I had my first wobble here, as some of the effects seemed less than special.
Cue opening titles.
The film starts with a Mexican wrestling match that is purely exposition to let us know Hellboy is a hard drinking and hard fighting anti-hero working for an organisation that deals with the paranormal. The make up for his vampiric opponent is also great (can’t fault the makeup department), but the scene seemed superfluous. We get the nubbin of the story forming now; some horrible witchy wench from way back when was cut into bits and flung around jolly old England to prevent her from spreading a right ‘orrible plague. Turns out a potty-mouthed Liverpudlian pig-monster is collecting said bits in the hope of putting her back together in exchange for his normal appearance. Scouse pig-monster is quite entertaining.
Hellboy goes to England at the request of an upper-class paranormal society to help them kill giants; this goes t1ts up. Again, this seems like unnecessary exposition to introduce Alice, a medium who he rescued as a baby, who now rescues him in a transit van. We also get introduced to M11’s Agent Daimio. There something wrong with him, he keeps injecting himself with a serum to stop something happening. I knew at this point we’d get to see what it was eventually, probably at a juncture where something is needed to rescue someone important. However, at this point I had a feeling it would be bad, I just didn’t know how bad.
There some more fighting, some good effects, some mediocre effects and some terrible effects. There’s some good one-liners, there’s some dull and/or terrible dialogue and then we get the film’s conclusion.
There’s something I’ve been putting off mentioning as I didn’t want the entire review to be about it, and it could have been; the witchy wench at the heart of all this paranormal consternation, Nimue, is played by Milla Jovovich and she is terrible. From when she first opens her mouth to her predictable demise, she is terrible. Terrible. TERRIBLE.
I love some of the Resident Evil films but all she’s required to do is some slow-motion scissor kicks and shoot zombies and zombie-dogs in the face. She is tolerated, rather than enjoyed. Here she is emoting, or at least I think that’s what she was going for, and as a depiction of an evil entity bent of the destruction of all mankind, she is, for want of a better word, cack.
David Harbour and the Hellboy franchise deserve better than this. To be blunt, the franchise has better than this and Mike Mignola should be a bit more f---ing precious with his creation.
Hellboy (2004) was genuinely exciting; it was an origin story that bought that story full circle for its thrilling and apocalyptical conclusion. It has a wonderful nemesis, great support and breath-taking visuals. The re-tread of the origin story in Hellboy (2019) is, again, one more unnecessary diversion from a sketchy plot, which, for all its meagre bones takes a f-ck load of time to tell.
Hellboy II: The Golden Army (2008) was equally impressive. It also introduced a fully formed community of creatures and customs hiding alongside mankind. It did so with nonchalant aplomb. Nothing seemed irrelevant or forced. For two films with almost identical running times, Hellboy (2019) tells less of a story with way more waffle.
So, I did mention there were some positives. David Harbour is great. He’s dour, sarcastic, defiant and funny, he just has no engaging story in which to be all those things. Ian McShane is good as the father figure but he is overshadowed by memories of the late, unbelievably great John Hurt. The story of a witch trying to destroy mankind is solid fantasy movie gold and the unleashing of her plague late in the final act is suitably hellish; bizarre demons emerging from city streets and tearing humans limb from limb, it’s bloody wonderful and wonderfully bloody. They all could have come straight out of a Clive Barker fever dream. However, it’s too little too late, by this point in the story we’ve had too many cutaways, too much shoddy CGI, and Agent Daimio stinking up many a scene with his ‘will he won’t he’ turn into something rubbish… he does.
The worst part of all this is I don’t know if they can come back from this. The film may have sunk the franchise at least for the next few years.
I do however, look forward to a re-boot in a decade or so, if we haven’t all been assimilated by aliens, overrun by AI robots or decimated by a supernatural plague bought on by some witchy wench with an axe to grind.
THREE WORD SUMMATION: Big Red Turd.
Mothergamer (1598 KP) rated the PlayStation 3 version of Catherine in Video Games
Apr 3, 2019
First of all, let me say that while I know a lot of you love Atlus games as much as I do, Catherine is not a typical video game. In fact, it is a sliding block puzzle game with a great story woven in. If you're not big on puzzle games, Catherine may not be the video game for you. However, if you genuinely enjoy challenging puzzles and are a puzzle game addict like myself, Catherine definitely gives you your money's worth.
Catherine is much more than a puzzle game however. The story is definitely what brings everything together. It addresses adult situations, things that people go through or suffer such as, fear of commitment, infidelity, and about how some people are childish and won't take responsibility for their actions. It's a unique title and simply an adult video game because it involves adult situations and the issues we have as we get older.
The story centers around Vincent Brooks who has a girlfriend by the name of Katherine. They're both in their early thirties and Katherine's biological clock is ticking which she hints at to him by telling him her mother has asked where the relationship is going. Vincent isn't sure he's ready for that level of commitment yet and says as much to his buddies he hangs out with at the local bar.
One night while hanging out at the bar mulling over a sliding block nightmare he had the night before, he runs into a beautiful blonde bombshell by the name of Catherine. Apparently after blacking out, he wakes up after another nightmare to find that she has spent the night. Of course, Vincent freaks out completely. Now, Vincent has to make a choice between lust and love, have good times with Catherine or finally make a commitment to Katherine.
Vincent's nightmares continue and even worse, people actually seem to be dying in them.Healthy men in their twenties and thirties are found dead in their beds and there seems to be no reason for it. A rumor goes around that it is a woman cursing all these men for being unfaithful. Is the rumor true? Vincent has to find out, climbing for his life one nightmare at a time.
Vincent Brooks In His Nightmare
Vincent's nightmares are the heart and soul of the puzzle sections. Every night, he wakes up surrounded by sheep, with horns growing out of his head and a voice taunting him to come up. There are items along the way that help you with the puzzles, but many obstacles as well involving sheep that are trying to climb also as the world crumbles behind them. You have a reason to climb, survival and the inner demons Vincent is struggling with. If you don't climb, you die. One example of this is, there's a giant monster version of Vincent's girlfriend Katherine, trying to grab him and smash the heck out of him. If Vincent's not quick enough to climb all those blocks to the top, he will surely die.
Every night, there's a different puzzle with each nightmare and depending on how quickly you get to the top and how many points you get, you can win gold, silver, or bronze trophies. The complexity of the puzzles is very interesting and the story is well written and captures your attention perfectly. It sounds silly, but you actually feel a sense of accomplishment when you have figured out a rather difficult puzzle.
Solve The Puzzle Or Die Trying
This brings up the next point. Some of the puzzles in Catherine will make you want to punch every living thing in your path. The difficulty level is excruciatingly high on a variety of them. There's no shame in playing a game on the Easy level. I know I will try a game on Easy first, to get a feel for the controls, to see how well the game plays, and to have a chance to genuinely enjoy the story that is being told. Then I will play again working on all the achievements and trophies, and improving my game scores. This is what I did with Catherine and some of those puzzles made me want to punch whoever designed it right in the face. A challenge is all well and good and definitely in a puzzle game, but when the game is on the Easy setting and it's still making you weep bitter tears of defeat, that is a big problem. Don't believe me? Apparently the difficulty level was such a destroyer of worlds, that the Japanese gamers complained about it. Frankly, that said quite a lot to me about how high Atlus raised the bar on these puzzles. The complaints were so many, that Atlus promised to put a patch in that would make the game much less difficult on Easy. I do understand their reasoning that they wanted the game to be challenging, so that players could reap huge rewards when they solved a puzzle, but the Easy setting in a game should be just that, easy and not throw people into the deep end with a sink or swim attitude. That's what the Hard and Nightmare settings are for.
However, there is hope! There is a secret trick to get to a Very Easy mode. It's a secret that Atlus put in to make the game a cake walk for players. When you access the main menu of the game, highlight Golden Playhouse and hold the back or select button for a few seconds. The screen will flash with a prompt telling you Very Easy mode has been activated. From there, the puzzles are much easier, and you can actually enjoy the story without those resentful feelings and frustration. It is a nice touch, and I give kudos to Atlus for caring enough about fans of their games to put it in there, because they do want people to enjoy the game.
Overalll, the game is great. The story is well thought out and acted out well with a great voice cast. There are also interesting characters that Vincent meets in the bar and can talk to, even help them with their issues. There is also a fun mini game in Catherine, called Rapunzel that is a sliding block puzzle game also that gives you pretty good rewards when you beat all the levels, along with opportunities to unlock music from various Atlus games and the Catherine game to play on the jukebox in the bar.
I have always loved the artwork in Atlus video games and Catherine is no exception. Right down to the animated short cut scenes, everything is colorful, seamless, and you really appreciate how everything ties together. The music, the voice cast, and the game play all mesh into a fantastic video game. Catherine is definitely a game worth having in any gaming enthusiast's collection and absolutely worth playing more than once.
Catherine is much more than a puzzle game however. The story is definitely what brings everything together. It addresses adult situations, things that people go through or suffer such as, fear of commitment, infidelity, and about how some people are childish and won't take responsibility for their actions. It's a unique title and simply an adult video game because it involves adult situations and the issues we have as we get older.
The story centers around Vincent Brooks who has a girlfriend by the name of Katherine. They're both in their early thirties and Katherine's biological clock is ticking which she hints at to him by telling him her mother has asked where the relationship is going. Vincent isn't sure he's ready for that level of commitment yet and says as much to his buddies he hangs out with at the local bar.
One night while hanging out at the bar mulling over a sliding block nightmare he had the night before, he runs into a beautiful blonde bombshell by the name of Catherine. Apparently after blacking out, he wakes up after another nightmare to find that she has spent the night. Of course, Vincent freaks out completely. Now, Vincent has to make a choice between lust and love, have good times with Catherine or finally make a commitment to Katherine.
Vincent's nightmares continue and even worse, people actually seem to be dying in them.Healthy men in their twenties and thirties are found dead in their beds and there seems to be no reason for it. A rumor goes around that it is a woman cursing all these men for being unfaithful. Is the rumor true? Vincent has to find out, climbing for his life one nightmare at a time.
Vincent Brooks In His Nightmare
Vincent's nightmares are the heart and soul of the puzzle sections. Every night, he wakes up surrounded by sheep, with horns growing out of his head and a voice taunting him to come up. There are items along the way that help you with the puzzles, but many obstacles as well involving sheep that are trying to climb also as the world crumbles behind them. You have a reason to climb, survival and the inner demons Vincent is struggling with. If you don't climb, you die. One example of this is, there's a giant monster version of Vincent's girlfriend Katherine, trying to grab him and smash the heck out of him. If Vincent's not quick enough to climb all those blocks to the top, he will surely die.
Every night, there's a different puzzle with each nightmare and depending on how quickly you get to the top and how many points you get, you can win gold, silver, or bronze trophies. The complexity of the puzzles is very interesting and the story is well written and captures your attention perfectly. It sounds silly, but you actually feel a sense of accomplishment when you have figured out a rather difficult puzzle.
Solve The Puzzle Or Die Trying
This brings up the next point. Some of the puzzles in Catherine will make you want to punch every living thing in your path. The difficulty level is excruciatingly high on a variety of them. There's no shame in playing a game on the Easy level. I know I will try a game on Easy first, to get a feel for the controls, to see how well the game plays, and to have a chance to genuinely enjoy the story that is being told. Then I will play again working on all the achievements and trophies, and improving my game scores. This is what I did with Catherine and some of those puzzles made me want to punch whoever designed it right in the face. A challenge is all well and good and definitely in a puzzle game, but when the game is on the Easy setting and it's still making you weep bitter tears of defeat, that is a big problem. Don't believe me? Apparently the difficulty level was such a destroyer of worlds, that the Japanese gamers complained about it. Frankly, that said quite a lot to me about how high Atlus raised the bar on these puzzles. The complaints were so many, that Atlus promised to put a patch in that would make the game much less difficult on Easy. I do understand their reasoning that they wanted the game to be challenging, so that players could reap huge rewards when they solved a puzzle, but the Easy setting in a game should be just that, easy and not throw people into the deep end with a sink or swim attitude. That's what the Hard and Nightmare settings are for.
However, there is hope! There is a secret trick to get to a Very Easy mode. It's a secret that Atlus put in to make the game a cake walk for players. When you access the main menu of the game, highlight Golden Playhouse and hold the back or select button for a few seconds. The screen will flash with a prompt telling you Very Easy mode has been activated. From there, the puzzles are much easier, and you can actually enjoy the story without those resentful feelings and frustration. It is a nice touch, and I give kudos to Atlus for caring enough about fans of their games to put it in there, because they do want people to enjoy the game.
Overalll, the game is great. The story is well thought out and acted out well with a great voice cast. There are also interesting characters that Vincent meets in the bar and can talk to, even help them with their issues. There is also a fun mini game in Catherine, called Rapunzel that is a sliding block puzzle game also that gives you pretty good rewards when you beat all the levels, along with opportunities to unlock music from various Atlus games and the Catherine game to play on the jukebox in the bar.
I have always loved the artwork in Atlus video games and Catherine is no exception. Right down to the animated short cut scenes, everything is colorful, seamless, and you really appreciate how everything ties together. The music, the voice cast, and the game play all mesh into a fantastic video game. Catherine is definitely a game worth having in any gaming enthusiast's collection and absolutely worth playing more than once.
Heather Cranmer (2721 KP) rated Rot & Ruin (Rot & Ruin, #1) in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I don't know what makes zombies so cool, but they are. I love reading zombie books, so when I heard about Rot & Ruin by Jonathan Maberry, I knew I had to read this book. This has definitely become my favourite zombie book...EVER!
Benny has grown up in a world where zombies have always existed. His brother, Tom, has been around before the zombies. Everyone thinks Tom is a hero, but Benny has his doubts. Tom left their mother to the mercy of the zombies. Benny doesn't want to spend time with Tom killing zombies, but at 15 year old, he must get a job or have his rations cut in half. With no job satisfying him, Benny begrudgingly agrees to help kill zombies with his brother Tom. Along the way, Benny learns that Tom isn't the person he thought he was. Benny also gets a lesson in compassion. Will Benny be satisfied with killing zombies or will Benny become a zombie himself?
The cover for Rot & Ruin is alright. I've got the cover where the actual cover is not a full cover. The top cover is what is shown in the photo above, but when you open the top cover, the next cover shows the face of a zombie. It gets points for having a zombie cover, but it's nothing special. However, I do like the quote on the cover: "This book is full of heart...They just don't beat anymore." That made me chuckle!
Rot & Ruin is definitely a great title for this book. The Rot & Ruin is where all the zombies exist. I thought it was a fantastic choice.
I was amazed with the world building in this book. From the very first page, I was transported into this zombie apocalypse wasteland. I've never been in a zombie apocalypse, but the author does a good job making me feel like I was living in one each time I started reading his book. The description of the wasteland gives the reader a vivid mental picture of what a zombie apocalypse might entail.
As for the pacing, I never wanted to put this book down. In fact, there was one day where we had company, and I didn't get to read this book at all that day. I was in a bad mood because of it! This is definitely a fast paced, action packed, thrilling book that will leave you hungry for more. Not once while I was reading this book did I become bored with it. I was hooked from the very first page.
The dialogue/wording was fantastic. Through the dialogue, the author portrays the emotions of the characters quite well. I especially enjoyed the dialogue between Benny and his brother Tom. There are a few big words that I didn't understand, but perhaps that's just my limited vocabulary. Do be aware that there is some swearing in this book.
I felt that the characters were well developed. My favourite character was Tom. He came off as being very wise and just as an all around nice person. Benny was a great character as well. I liked how I was able to watch him grow as a character. He starts off being a typical 14 year old teenager, but after witnessing what he is forced to witness, he starts growing up. He starts maturing, and I feel that the author did a fantastic job showing us how Benny was forced to grow up. Charlie and the Hammer were well written as baddies. I hated them throughout the book. Not because they weren't written well but because the author makes us see how horrible these two really are.
I definitely enjoyed this whole book from start to finish. I read it in record time and had even bought the next book in the series before I even finished with Rot & Ruin. I loved the different spin this book put on zombies. It sort of humanizes them and makes us really think about how zombies were once human and how they were somebody's mother, father, son, daughter, sister, brother, etc. It really does make you think. Because of this, Rot & Ruin is much different then any zombie book I've ever read, and I really appreciated that. I also enjoyed that this book just wasn't focused on killing zombies. There's a lot more to the story then just zombie killing.
Although the book says it's for ages 12 and up, I'd recommend it to ages 14+ due to the violence, language, and themes.
I don't know what makes zombies so cool, but they are. I love reading zombie books, so when I heard about Rot & Ruin by Jonathan Maberry, I knew I had to read this book. This has definitely become my favourite zombie book...EVER!
Benny has grown up in a world where zombies have always existed. His brother, Tom, has been around before the zombies. Everyone thinks Tom is a hero, but Benny has his doubts. Tom left their mother to the mercy of the zombies. Benny doesn't want to spend time with Tom killing zombies, but at 15 year old, he must get a job or have his rations cut in half. With no job satisfying him, Benny begrudgingly agrees to help kill zombies with his brother Tom. Along the way, Benny learns that Tom isn't the person he thought he was. Benny also gets a lesson in compassion. Will Benny be satisfied with killing zombies or will Benny become a zombie himself?
The cover for Rot & Ruin is alright. I've got the cover where the actual cover is not a full cover. The top cover is what is shown in the photo above, but when you open the top cover, the next cover shows the face of a zombie. It gets points for having a zombie cover, but it's nothing special. However, I do like the quote on the cover: "This book is full of heart...They just don't beat anymore." That made me chuckle!
Rot & Ruin is definitely a great title for this book. The Rot & Ruin is where all the zombies exist. I thought it was a fantastic choice.
I was amazed with the world building in this book. From the very first page, I was transported into this zombie apocalypse wasteland. I've never been in a zombie apocalypse, but the author does a good job making me feel like I was living in one each time I started reading his book. The description of the wasteland gives the reader a vivid mental picture of what a zombie apocalypse might entail.
As for the pacing, I never wanted to put this book down. In fact, there was one day where we had company, and I didn't get to read this book at all that day. I was in a bad mood because of it! This is definitely a fast paced, action packed, thrilling book that will leave you hungry for more. Not once while I was reading this book did I become bored with it. I was hooked from the very first page.
The dialogue/wording was fantastic. Through the dialogue, the author portrays the emotions of the characters quite well. I especially enjoyed the dialogue between Benny and his brother Tom. There are a few big words that I didn't understand, but perhaps that's just my limited vocabulary. Do be aware that there is some swearing in this book.
I felt that the characters were well developed. My favourite character was Tom. He came off as being very wise and just as an all around nice person. Benny was a great character as well. I liked how I was able to watch him grow as a character. He starts off being a typical 14 year old teenager, but after witnessing what he is forced to witness, he starts growing up. He starts maturing, and I feel that the author did a fantastic job showing us how Benny was forced to grow up. Charlie and the Hammer were well written as baddies. I hated them throughout the book. Not because they weren't written well but because the author makes us see how horrible these two really are.
I definitely enjoyed this whole book from start to finish. I read it in record time and had even bought the next book in the series before I even finished with Rot & Ruin. I loved the different spin this book put on zombies. It sort of humanizes them and makes us really think about how zombies were once human and how they were somebody's mother, father, son, daughter, sister, brother, etc. It really does make you think. Because of this, Rot & Ruin is much different then any zombie book I've ever read, and I really appreciated that. I also enjoyed that this book just wasn't focused on killing zombies. There's a lot more to the story then just zombie killing.
Although the book says it's for ages 12 and up, I'd recommend it to ages 14+ due to the violence, language, and themes.
Bob Mann (459 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 20, 2019
Young ensemble cast actually ensembling! (1 more)
Adam Driver on great form
After 42 years - does it leave with a bang or a whimper?
This review will be spoiler-free.
And so we come to the grand conclusion of George Lucas's nine-film vision, and someone can at last put the multi-limbed behemoth in a coffin and nail down the lid. It's certainly been a bumpy ride for this latest trilogy under Disney's stewardship, with rabidly negative fan-boys getting very hot under the collar about 'their baby' being despoiled by the evil empire!
We left the end of the last film with the Rebellion in tatters, reduced to a tiny fleet of ships. (It was truly fortunate that our key players were not on any of the lost ships wasn't it?) Rey (Daisy Ridley) is progressing her Jedi-training under the guidance of a new teacher. But the presence of Kylo-Ren (Adam Driver) is forever there, and their long-distance "psycho-chats" are becoming ever more 'substantial' as the bond between them grows.
But a dark presence from the past has returned, and both are drawn to it in different ways. A showdown between the forces of good and evil is inevitable.
The pace of the film is frenetic and totally exhausting. The first 30 minutes hardly pause for a breath as we zap around from location to location. Where the film really worked better for me was in the quieter and more reflective moments. Kylo Ren is in many of these moments: one, where he visits a very dark place, is well done; and one, where he receives a special visitor, is an interlude that is surprisingly effective. Adam Driver really is in excellent form here; he's never been my favourite actor in the world, but here truly impresses.
One of the problems of the first two films in the trilogy is that it sent all the young leads off in multiple different directions. The result was that there was very little of the interplay of the first films (between Han, Luke and Leia) that made them so memorable. Here that issue is rectified and Poe (Oscar Isaac) and Finn (John Boyega) develop a close onscreen bond with much resultant banter. Ridley's Rey also gets thrown into the mix, with the result that a group hug feels at last normal and right. It's bizarre, but you suddenly realise what was missing here when - FOR THE FIRST TIME - two of the characters get introduced to each other!
A welcome inclusion is that of the late Carrie Fisher as Leia. It's actually extraordinary that they had enough unused footage to be able to weave in a full role for the character into the story. It never feels forced and there were only a few 'hugs' where I found myself thinking "I bet that's not her".
C3PO (Anthony Daniels) also gets much more screen time and has some really nice and comical scenes in here. And a new uni-wheeled robot (voiced by director J.J. Abrams) adds to both the comic potential (and the available Disney merchandise!).
One of the new characters on show is the physically impressive Naomi Ackie as the horse (or something!) riding Jannah. But she's given little to do in the plot.
Elsewhere, there are a whole bunch of famous faces cropping up. Watching the end credit roll is an "OH! That was who that was" revelation in some cases. I won't list them here, since it is delicious to go in blind and have the surprise of seeing them. But some are famous actors from screen and TV, and one is an Abrams' favourite from a past TV glory. The biggest cheer though was reserved for a certain X-wing fighter near the end of the film. A blink-and-you'll-miss-him moment, it was a white-haired appearance to treasure.
What the film does very well (or very badly if you read some reviews) is hark back to the glories of the earlier films, and particularly Episodes IV to VI. Many places are revisited or scenes re-enacted until the place is just SOGGY with nostalgia (to use an old Tom Lehrer line). Although greatly contrived, I enjoyed these scenes immensely.
Making maximum use of the opportunity, John Williams bashes out theme after theme from most of the nine films. The soundtrack really is a "John Williams Greatest Hits" collection. Williams also actually gets a cameo as well - apparently as an eye-patch wearing bar-tender in the Nepalese-like town, though I must admit I missed it. (I've seen comment online that this is his first on-screen appearance: actually not true... he was conducting the orchestra in the "bird-lady's concert hall" in "Home Alone 2").
There are also a huge number of similarities I saw in certain scenes with other cinematic releases outside of the Star Wars universe:
"Raiders of the Lost Ark" - in two particular scenes;
"Dunkirk" - but done properly!
"Dora and the Lost City of Gold" - it doesn't make any physics sense here either!
"Power Rangers" - just because of one of the characters - you'll know the one
"Harry Potter and the Deathly Hallows Part 2" - but to say more would be a spoiler!
And there are probably others I've forgotten!
One of my key issues with "The Last Jedi" was the way in which it invented mad-cap tasks, objects and people that had to be completed/found for the plot to be moved forwards. A massive and pointless diversion to a casino planet, for example, was made just to get into a secure area of an imperial vessel: something in this film they 'just do'!
This movie also suffers to a degree from the disease of 'McGuffinitis'. Where's the beacon? There's a dagger that must be found; Where's the interpreter?; etc. It's all very formulaic. But at least in this case, there is a certain logical flow that follows within the plot.
The LP soundtrack of "Star Wars" got me into a lifelong love of film music. One of the last tracks on the soundtrack of the first film was called "The Last Battle". Well, THAT wasn't true! There have been so many space battles since then that we've all lost count. But we all knew this would build to a doozy of a finale, and the film doesn't disappoint. There is utter mayhem in the skies: WILL NOBODY THINK OF THE HENCHMEN'S FAMILIES?
It all drives to a satisfying ending for me and feels like a good closure to the saga. Is it perfect? No, not at all. It really sets itself with too much to do, and then tries to do it all within the available running time. The film will - and has by looking at the volume of IMDB 1* ratings - upset a lot of the fan-boys. But, you know what? Stuff 'em! The film should be judged on how it makes YOU feel as a standalone piece of entertainment, rather than as a part of some sort of pseudo-religious cult. And I personally think Abrams did a pretty decent job here of trying to please most of the people most of the time.
(For the full graphical review, please visit One Mann's Movies here - https://bob-the-movie-man.com/2019/12/20/one-manns-movies-film-review-star-wars-the-rise-of-skywalker-2019/ )
And so we come to the grand conclusion of George Lucas's nine-film vision, and someone can at last put the multi-limbed behemoth in a coffin and nail down the lid. It's certainly been a bumpy ride for this latest trilogy under Disney's stewardship, with rabidly negative fan-boys getting very hot under the collar about 'their baby' being despoiled by the evil empire!
We left the end of the last film with the Rebellion in tatters, reduced to a tiny fleet of ships. (It was truly fortunate that our key players were not on any of the lost ships wasn't it?) Rey (Daisy Ridley) is progressing her Jedi-training under the guidance of a new teacher. But the presence of Kylo-Ren (Adam Driver) is forever there, and their long-distance "psycho-chats" are becoming ever more 'substantial' as the bond between them grows.
But a dark presence from the past has returned, and both are drawn to it in different ways. A showdown between the forces of good and evil is inevitable.
The pace of the film is frenetic and totally exhausting. The first 30 minutes hardly pause for a breath as we zap around from location to location. Where the film really worked better for me was in the quieter and more reflective moments. Kylo Ren is in many of these moments: one, where he visits a very dark place, is well done; and one, where he receives a special visitor, is an interlude that is surprisingly effective. Adam Driver really is in excellent form here; he's never been my favourite actor in the world, but here truly impresses.
One of the problems of the first two films in the trilogy is that it sent all the young leads off in multiple different directions. The result was that there was very little of the interplay of the first films (between Han, Luke and Leia) that made them so memorable. Here that issue is rectified and Poe (Oscar Isaac) and Finn (John Boyega) develop a close onscreen bond with much resultant banter. Ridley's Rey also gets thrown into the mix, with the result that a group hug feels at last normal and right. It's bizarre, but you suddenly realise what was missing here when - FOR THE FIRST TIME - two of the characters get introduced to each other!
A welcome inclusion is that of the late Carrie Fisher as Leia. It's actually extraordinary that they had enough unused footage to be able to weave in a full role for the character into the story. It never feels forced and there were only a few 'hugs' where I found myself thinking "I bet that's not her".
C3PO (Anthony Daniels) also gets much more screen time and has some really nice and comical scenes in here. And a new uni-wheeled robot (voiced by director J.J. Abrams) adds to both the comic potential (and the available Disney merchandise!).
One of the new characters on show is the physically impressive Naomi Ackie as the horse (or something!) riding Jannah. But she's given little to do in the plot.
Elsewhere, there are a whole bunch of famous faces cropping up. Watching the end credit roll is an "OH! That was who that was" revelation in some cases. I won't list them here, since it is delicious to go in blind and have the surprise of seeing them. But some are famous actors from screen and TV, and one is an Abrams' favourite from a past TV glory. The biggest cheer though was reserved for a certain X-wing fighter near the end of the film. A blink-and-you'll-miss-him moment, it was a white-haired appearance to treasure.
What the film does very well (or very badly if you read some reviews) is hark back to the glories of the earlier films, and particularly Episodes IV to VI. Many places are revisited or scenes re-enacted until the place is just SOGGY with nostalgia (to use an old Tom Lehrer line). Although greatly contrived, I enjoyed these scenes immensely.
Making maximum use of the opportunity, John Williams bashes out theme after theme from most of the nine films. The soundtrack really is a "John Williams Greatest Hits" collection. Williams also actually gets a cameo as well - apparently as an eye-patch wearing bar-tender in the Nepalese-like town, though I must admit I missed it. (I've seen comment online that this is his first on-screen appearance: actually not true... he was conducting the orchestra in the "bird-lady's concert hall" in "Home Alone 2").
There are also a huge number of similarities I saw in certain scenes with other cinematic releases outside of the Star Wars universe:
"Raiders of the Lost Ark" - in two particular scenes;
"Dunkirk" - but done properly!
"Dora and the Lost City of Gold" - it doesn't make any physics sense here either!
"Power Rangers" - just because of one of the characters - you'll know the one
"Harry Potter and the Deathly Hallows Part 2" - but to say more would be a spoiler!
And there are probably others I've forgotten!
One of my key issues with "The Last Jedi" was the way in which it invented mad-cap tasks, objects and people that had to be completed/found for the plot to be moved forwards. A massive and pointless diversion to a casino planet, for example, was made just to get into a secure area of an imperial vessel: something in this film they 'just do'!
This movie also suffers to a degree from the disease of 'McGuffinitis'. Where's the beacon? There's a dagger that must be found; Where's the interpreter?; etc. It's all very formulaic. But at least in this case, there is a certain logical flow that follows within the plot.
The LP soundtrack of "Star Wars" got me into a lifelong love of film music. One of the last tracks on the soundtrack of the first film was called "The Last Battle". Well, THAT wasn't true! There have been so many space battles since then that we've all lost count. But we all knew this would build to a doozy of a finale, and the film doesn't disappoint. There is utter mayhem in the skies: WILL NOBODY THINK OF THE HENCHMEN'S FAMILIES?
It all drives to a satisfying ending for me and feels like a good closure to the saga. Is it perfect? No, not at all. It really sets itself with too much to do, and then tries to do it all within the available running time. The film will - and has by looking at the volume of IMDB 1* ratings - upset a lot of the fan-boys. But, you know what? Stuff 'em! The film should be judged on how it makes YOU feel as a standalone piece of entertainment, rather than as a part of some sort of pseudo-religious cult. And I personally think Abrams did a pretty decent job here of trying to please most of the people most of the time.
(For the full graphical review, please visit One Mann's Movies here - https://bob-the-movie-man.com/2019/12/20/one-manns-movies-film-review-star-wars-the-rise-of-skywalker-2019/ )
Phillip McSween (751 KP) rated Casino Royale (1967) in Movies
Jul 24, 2020
It Gets Real Bad
Here’s what Rotten Tomatoes has to say because I couldn’t begin to tell you what this shit-show is about: “This James Bond spoof features the hero coming out of retirement to attempt to fix some problems for SMERSH, while a multitude of other subplots unwind about the central figure.” Yeah, even RT was having trouble trying to figure out what the hell was going on with the 1967 Casino Royale. How bad is it? Well, let’s just say I just finished reading a list of the Top 100 Worst Movies of All Time and I was very surprised to not see this movie on there.
Acting: 10
The movie was bad, but I honestly can’t say that the acting was. These professionals had a job to do and they did it…more or less. While there’s no one performance that really stood out for me, I can definitely remember thinking that no one shit the bed at least.
Beginning: 6
This movie is weird through and through and the beginning is no exception. I will say there was some mild interest after the first ten minutes. I knew it was going to be different than the previous Bond movies, but I wasn’t sure if that was a good thing or not.
Characters: 8
In addition to solid acting, the characters weren’t all that bad either. Sure James Bond was way more lame than the usual guy we had come to know and love over the previous few movies. But throw in characters like the aloof Evelyn Tremble (Peter Sellers) and you’ve got a fun cast of characters that at least try to keep things interesting.
Cinematography/Visuals: 5
Casino Royale is shot like they were given the lowest budget imaginable. Everything feels extremely cheap and done with little to no effort. It is a far cry from the previous Bond movies that give you groundbreaking shots and decent special effects. This movie’s visuals are mediocre at best.
Conflict: 6
Entertainment Value: 3
It’s never a good sign when I have to stop watching a movie at night and continue on in the morning. When it’s good enough, I will stay up no matter how tired I am. This movie was bad enough to put me right to sleep. I scored it a 3 because it reached a point where my interest was piqued in just how bad things were going to get.
Memorability: 8
It’s bad sure…but boy is it unforgettable bad. With all the craziness that ensued, they made sure you would remember it a long time after watching it. And you know what? There’s a fun respectability that comes with that.
Pace: 1
Plot: 2
Resolution: 6
The best part about the end? It was the end.
Overall: 55
I wanted to watch all the Bond movies, including the stinkers. Casino Royale is easily one of the stinkers. But, with movies as it is with everything, you can’t know where you’re going unless you see where you’ve been.
Acting: 10
The movie was bad, but I honestly can’t say that the acting was. These professionals had a job to do and they did it…more or less. While there’s no one performance that really stood out for me, I can definitely remember thinking that no one shit the bed at least.
Beginning: 6
This movie is weird through and through and the beginning is no exception. I will say there was some mild interest after the first ten minutes. I knew it was going to be different than the previous Bond movies, but I wasn’t sure if that was a good thing or not.
Characters: 8
In addition to solid acting, the characters weren’t all that bad either. Sure James Bond was way more lame than the usual guy we had come to know and love over the previous few movies. But throw in characters like the aloof Evelyn Tremble (Peter Sellers) and you’ve got a fun cast of characters that at least try to keep things interesting.
Cinematography/Visuals: 5
Casino Royale is shot like they were given the lowest budget imaginable. Everything feels extremely cheap and done with little to no effort. It is a far cry from the previous Bond movies that give you groundbreaking shots and decent special effects. This movie’s visuals are mediocre at best.
Conflict: 6
Entertainment Value: 3
It’s never a good sign when I have to stop watching a movie at night and continue on in the morning. When it’s good enough, I will stay up no matter how tired I am. This movie was bad enough to put me right to sleep. I scored it a 3 because it reached a point where my interest was piqued in just how bad things were going to get.
Memorability: 8
It’s bad sure…but boy is it unforgettable bad. With all the craziness that ensued, they made sure you would remember it a long time after watching it. And you know what? There’s a fun respectability that comes with that.
Pace: 1
Plot: 2
Resolution: 6
The best part about the end? It was the end.
Overall: 55
I wanted to watch all the Bond movies, including the stinkers. Casino Royale is easily one of the stinkers. But, with movies as it is with everything, you can’t know where you’re going unless you see where you’ve been.
Hadley (567 KP) rated Soul Drinker in Books
Jul 25, 2020
The writing (2 more)
No character development
No ending
One of the classic horror tropes is Heaven versus Hell, angels versus demons, good versus evil (like a boogeyman versus an innocent child, or a killer versus a group of teenagers, or even an evil spirit versus an exorcist) and we always know how it's going to end: good triumphs evil, every time. Some of the most well known films with this trope are Constantine (2005), the Exorcist (1973) and more recently, Stephen King's IT : Chapter 2 (2019).
That, along with a little romance, mystery, and historical elements make up this novel that features three main characters who are stuck in a struggle between good and evil while having to face mistakes from the past.
Welcome to the hellish world of Soul Drinker by newcomer, Matthew Yard.
Deep description is what makes up Yard's storytelling, so much so that the book is extremely hard to read. Only 132 pages long, Yard spends most paragraphs describing one single thing in many different ways, such as a young woman's hair, which only needs one sentence to tell such a detail, but instead, took an entire paragraph.
During an ancient civilization, a deity appeared named Destroyer, it found a way to break through the boundaries that separates realms and universes - - - finding our realm, Destroyer leaves his son Luther to build powerful followings through cults run by Pagans.
The novel's villain, Luther, isn't present enough to feel like a real threat for the reader. And the three main characters, other than their physical descriptions, are lifeless because of the extreme lack of character development.
Our main character, Devin, is a college student who constantly has nightmares of his best friend's murder. He also lives at house in the woods which he has no idea how he attained it and this is never explained. After Devin and a classmate named Vic have an encounter with a supernatural cloud, they end up at this house, where readers find out that Devin isn't the only one who has been having nightmares.
Vic is a beautiful, young woman, who Devin seems to be enamoured with, but she is still busy getting over her first love. A few chapters in, readers get flashbacks of Vic's father and mother before she was born. Vic's father was also haunted by this supernatural cloud, which seems to have had a tighter grip on him than Vic - - - her father's flashbacks are the most interesting part of this story.
Vic's father, Jacob, is fast asleep next to his wife when a giant face wakes him up, telling him that there is work to do. Jacob follows the face out into the hallway, when it begins to sway, as if through the eyes of a drunk. Jacob fights the urge to continue to the stairs, wanting to turn back and protect his sleeping wife.
A little while later, we find out that Jacob is psychic: he can see the dead and/or the past. But for anymore development on that interesting piece of information, readers get one glimpse of what Jacob sees - - - and that's it. Jacob's wife, Nina, is an even flatter character, which we only get to see in bed either asleep or waking up. Even Jacob's mental and spiritual fight with the 'face' is disappointingly short with no real tension, no climax, or feelings of betrayal when something finally happens in the end of that scene.
Love, the supernatural, and Pagan cults are what make up the plot of this book. The story jumps between Devin, Vic and Jacob, but the story gets caught up in moments that shouldn't be more than a paragraph, which caused me to become bored with the story. And Yard's writing made this book read like a fan fiction: a lot of inconsistencies throughout, tons of misspellings, and a major overuse of the same words, sometimes even in the same sentence.
Unfortunately, this book was almost unreadable, and the heavy descriptions were extremely off-putting, as was the end of the story- - - the book ended suddenly, and with no sequel in sight. I can't recommend this book to anyone.
That, along with a little romance, mystery, and historical elements make up this novel that features three main characters who are stuck in a struggle between good and evil while having to face mistakes from the past.
Welcome to the hellish world of Soul Drinker by newcomer, Matthew Yard.
Deep description is what makes up Yard's storytelling, so much so that the book is extremely hard to read. Only 132 pages long, Yard spends most paragraphs describing one single thing in many different ways, such as a young woman's hair, which only needs one sentence to tell such a detail, but instead, took an entire paragraph.
During an ancient civilization, a deity appeared named Destroyer, it found a way to break through the boundaries that separates realms and universes - - - finding our realm, Destroyer leaves his son Luther to build powerful followings through cults run by Pagans.
The novel's villain, Luther, isn't present enough to feel like a real threat for the reader. And the three main characters, other than their physical descriptions, are lifeless because of the extreme lack of character development.
Our main character, Devin, is a college student who constantly has nightmares of his best friend's murder. He also lives at house in the woods which he has no idea how he attained it and this is never explained. After Devin and a classmate named Vic have an encounter with a supernatural cloud, they end up at this house, where readers find out that Devin isn't the only one who has been having nightmares.
Vic is a beautiful, young woman, who Devin seems to be enamoured with, but she is still busy getting over her first love. A few chapters in, readers get flashbacks of Vic's father and mother before she was born. Vic's father was also haunted by this supernatural cloud, which seems to have had a tighter grip on him than Vic - - - her father's flashbacks are the most interesting part of this story.
Vic's father, Jacob, is fast asleep next to his wife when a giant face wakes him up, telling him that there is work to do. Jacob follows the face out into the hallway, when it begins to sway, as if through the eyes of a drunk. Jacob fights the urge to continue to the stairs, wanting to turn back and protect his sleeping wife.
A little while later, we find out that Jacob is psychic: he can see the dead and/or the past. But for anymore development on that interesting piece of information, readers get one glimpse of what Jacob sees - - - and that's it. Jacob's wife, Nina, is an even flatter character, which we only get to see in bed either asleep or waking up. Even Jacob's mental and spiritual fight with the 'face' is disappointingly short with no real tension, no climax, or feelings of betrayal when something finally happens in the end of that scene.
Love, the supernatural, and Pagan cults are what make up the plot of this book. The story jumps between Devin, Vic and Jacob, but the story gets caught up in moments that shouldn't be more than a paragraph, which caused me to become bored with the story. And Yard's writing made this book read like a fan fiction: a lot of inconsistencies throughout, tons of misspellings, and a major overuse of the same words, sometimes even in the same sentence.
Unfortunately, this book was almost unreadable, and the heavy descriptions were extremely off-putting, as was the end of the story- - - the book ended suddenly, and with no sequel in sight. I can't recommend this book to anyone.