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MaryAnn (14 KP) rated A Song of Home: A Novel of the Swing Era (Pearl Spence #3) in Books
Mar 5, 2019
A Song of Home is the third novel in the Pearl Spence series In this novel we find Pearl living in Bliss with her father and Ray, leaving the thoughts of Red River Oklahoma and her mama far behind her.
Pearl settles into a new routine of school, helping Aunt Carrie at the farm, hanging out with Ray or getting lost in a good book and then Opal shows her how to dance. But things change when Mama comes home unexpectedly and pregnant! It isn’t the happy return that Pearl had wished for.
This is a delightful story of the great depression and the swing era. In this novel deals with a couple of issues; one is forgiveness and the other is the racial conflict that was happening at that time.
This book teaches us to reach out with love and to treat others as we would want to be treated; whether we are poor, the color of our skin or the choices we have made in life.
The author has an ability to bring the characters to life and make you feel like you are right there amongst the characters. Ms. Finkbeiner has done a brilliant job bringing the characters to life. I love how she writes the story through Pearl's eyes and makes us realize that our actions have consequences, our children watch what we do and how we react.
A very good book and a great ending to this series. This novel can be read alone by itself, but I highly recommend that the whole series be read.
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.
Pearl settles into a new routine of school, helping Aunt Carrie at the farm, hanging out with Ray or getting lost in a good book and then Opal shows her how to dance. But things change when Mama comes home unexpectedly and pregnant! It isn’t the happy return that Pearl had wished for.
This is a delightful story of the great depression and the swing era. In this novel deals with a couple of issues; one is forgiveness and the other is the racial conflict that was happening at that time.
This book teaches us to reach out with love and to treat others as we would want to be treated; whether we are poor, the color of our skin or the choices we have made in life.
The author has an ability to bring the characters to life and make you feel like you are right there amongst the characters. Ms. Finkbeiner has done a brilliant job bringing the characters to life. I love how she writes the story through Pearl's eyes and makes us realize that our actions have consequences, our children watch what we do and how we react.
A very good book and a great ending to this series. This novel can be read alone by itself, but I highly recommend that the whole series be read.
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.
Gneo: To Do Task List and Calendar Manager
Productivity
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App Store Editors’ Choice & “Best of 2013.” Featured on TechCrunch, Inc., Business Insider,...
productivity
Hey Duggee: We Love Animals
Games and Education
App
**** As seen on Nick Jr. **** Duggee's back and this time he's awarding the We Love Animals Badge....
Kristina (502 KP) rated It Ends With Us in Books
Dec 7, 2020
Holy mother of God. I don't know where to start, honestly. Colleen is very good at stunning me into silence, so it's difficult to put my emotions into words - which is why you'll notice I either have no reviews or pretty vague reviews for her books. But I just can't do that with this one. There's no way. What I read wrung me dry and had me staring at the wall for a full 5 minutes before I could even move. What Lily experiences is so real and raw, so emotional, I felt like I was her. Her thoughts were true to who she was and honest. As I read Lily's diary entries, I felt a kinship, because I had experienced some of the same growing up. I felt her fear, her worry, her anger, her curiosity. To watch your mother go through that is no fun. I found it endearing that Lily wrote her diary in the form of letters to Ellen DeGeneres - she's an awesome woman. I fell in love twice in the span of one book. Even though I hoped I was wrong, I had a strong premonition, and I was right about it. I truly wish I wasn't. After reading the Author's note, I completely agree with Colleen. I kind of wish she had written it differently; I kind of wish she hadn't used the plot that she did. But, as she also said, it would have ruined the whole point of writing this story, and I understand that. I still love the story, because it's beautiful (yet heartbreaking) in all its glory, and it gets the meaning across just the way Colleen meant it to. I'm ashamed to say I was like many of the others: "Why doesn't she just leave?" Sure, I questioned the opposite spouse, but this question has always been the first to enter my mind. After reading It Ends With Us, I feel even worse that I've ever had that thought. It's true, life isn't just black and white, and niether is any situation. We never truly know what it's like for anyone unless we were in that same situation - and no two situations are exactly alike. All I can say is that while I fell in love twice, my heart broke a million times, and it still didn't feel completely whole by the time the story ended. I do hope Colleen decides to write a short novella about Lily's future, because I feel like I need more closure. My heart needs more closure. Nothing could have prepared me for this book and I have absolutely no regrets about going in blind. The Queen never ceases to amaze me. Once again, I'm adding a CoHo book to my favorites shelf. Bravo, Colleen.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.
Mark @ Carstairs Considers (2204 KP) rated Copy Cap Murder (Hat Shop Mystery, #4) in Books
Mar 9, 2018
Scarlett Parker is thrilled to be going to her first Bonfire Night hosted by her friend Harrison’s firm. However, when the time comes to burn the straw man of Guy Fawkes, the group realizes it is actually Win, Harrison’s office rival who had come on to Scarlett earlier that night. Harrison becomes a suspect, and Scarlett must figure out what is happening to keep her friend from taking the fall.
This is another fun entry in a great series. The characters and their relationships continue to grow, and I love seeing the next chapter of their lives. The multitude of suspects made for a great mystery, and I was surprised when everything was revealed at the end. And yes, we do get some news on the cliffhanger at the end of the last book as well.
NOTE: I was sent a copy of this book in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/01/book-review-copy-cap-murder-by-jenn.html">Carstairs Considers</a>.
This is another fun entry in a great series. The characters and their relationships continue to grow, and I love seeing the next chapter of their lives. The multitude of suspects made for a great mystery, and I was surprised when everything was revealed at the end. And yes, we do get some news on the cliffhanger at the end of the last book as well.
NOTE: I was sent a copy of this book in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/01/book-review-copy-cap-murder-by-jenn.html">Carstairs Considers</a>.
Little Grey Cells: The Quotable Poirot
Agatha Christie and David Brawn
Book
Discover the man behind the moustache in this book of one-liners by the world's most famous Belgian...
Sammeh Lowry (15 KP) rated Fix You in Books
Jul 13, 2019
How can anyone not like this book? I am absolutely failing to see how!
From the prologue you can tell that Hanna has something she desperately needs to tell Richard and you soon come to realise that he is not happy at seeing her at this point,that had me gripped from the get go! The story flips through different years and parts of Hanna's and Richards life together and apart,not everything is rosy and happy all of the time. I loved how Carrie Elks writing left me breathless in parts,screaming WHAT in parts and grinning like a Cheshire cat in other parts! It held my attention for large periods of time (this is very hard to do) and captivated me with the flawed but wonderful characters. This isn't your normal we fall in love,someone does something the other one doesn't like,they split up and then they get back together happily ever after. Oh no. Strap yourselves in you are in for a rocky ride!
From the prologue you can tell that Hanna has something she desperately needs to tell Richard and you soon come to realise that he is not happy at seeing her at this point,that had me gripped from the get go! The story flips through different years and parts of Hanna's and Richards life together and apart,not everything is rosy and happy all of the time. I loved how Carrie Elks writing left me breathless in parts,screaming WHAT in parts and grinning like a Cheshire cat in other parts! It held my attention for large periods of time (this is very hard to do) and captivated me with the flawed but wonderful characters. This isn't your normal we fall in love,someone does something the other one doesn't like,they split up and then they get back together happily ever after. Oh no. Strap yourselves in you are in for a rocky ride!
Bong Mines Entertainment (15 KP) rated Zange - Single by Bongeziwe Mabandla in Music
Jun 25, 2019
Bongeziwe Mabandla is a singer-songwriter and guitarist from Tsolo, a rural town in South Africa. Not too long ago, he released a groovy Afro-folk tune, entitled, “Zange”.
“‘Zange’ (Never Before) is about being changed by love and never being the same again. It’s about finding a new beginning and feeling alive for the very first time. It’s a song about the idea that true and real love can ultimately save us.” – Bongeziwe Mabandla
‘Zange’ finds Bongeziwe Mabandla looking inward, recounting how time, pressure, and life’s experiences beyond the city have transformed him.
He drew inspiration from Frank Ocean and Solange to create music which carries his traditional Xhosa lyrics. ‘Zange’ is the title track from his upcoming album.
“The writing process for this album was very different from my other albums, this came very quickly. I had to make ‘Zange’ during tours and while working on other stuff, but I definitely enjoyed the process; it felt really refreshing and effortless. The writing process dealt a lot with my feelings of love and relationships. I think there is a lot of ourselves that goes totally bare when in love and I think and talk a lot about how the need for connection is so vital to us. The album starts off with meeting someone and how feelings evolve to love, and then the pain and heartache of being with someone. The last songs are about the end of a relationship and the cutting of ties. Basically, the separation of people who used to be incomplete without each other. ‘Zange’ is about time, and how things eventually unfold. Time can change so much.” – Bongeziwe Mabandla
Bongeziwe Mabandla was born in the lush, mountainous region of Eastern Cape, where he fell in love with art, drama, and music.
Later, he moved to the city of Johannesburg in order to develop his own unique style as a guitar-toting musician, bringing pieces of the countryside with him.
“I want people who listen to my music to hear that I am getting older. I’m thinking about different things. I wanted to talk about love because so many of us are so alone and so broken that we would do anything to love. Love reveals us. Before I wrote this album I thought: “What is going on inside me?” I realized that I think about love and the lack thereof, all the time. Feeling alone, looking for love, being heartbroken, getting up and all the mess that comes with loving someone. The title track is about the good times, making memories that will shape you forever.” – Bongeziwe Mabandla
“‘Zange’ (Never Before) is about being changed by love and never being the same again. It’s about finding a new beginning and feeling alive for the very first time. It’s a song about the idea that true and real love can ultimately save us.” – Bongeziwe Mabandla
‘Zange’ finds Bongeziwe Mabandla looking inward, recounting how time, pressure, and life’s experiences beyond the city have transformed him.
He drew inspiration from Frank Ocean and Solange to create music which carries his traditional Xhosa lyrics. ‘Zange’ is the title track from his upcoming album.
“The writing process for this album was very different from my other albums, this came very quickly. I had to make ‘Zange’ during tours and while working on other stuff, but I definitely enjoyed the process; it felt really refreshing and effortless. The writing process dealt a lot with my feelings of love and relationships. I think there is a lot of ourselves that goes totally bare when in love and I think and talk a lot about how the need for connection is so vital to us. The album starts off with meeting someone and how feelings evolve to love, and then the pain and heartache of being with someone. The last songs are about the end of a relationship and the cutting of ties. Basically, the separation of people who used to be incomplete without each other. ‘Zange’ is about time, and how things eventually unfold. Time can change so much.” – Bongeziwe Mabandla
Bongeziwe Mabandla was born in the lush, mountainous region of Eastern Cape, where he fell in love with art, drama, and music.
Later, he moved to the city of Johannesburg in order to develop his own unique style as a guitar-toting musician, bringing pieces of the countryside with him.
“I want people who listen to my music to hear that I am getting older. I’m thinking about different things. I wanted to talk about love because so many of us are so alone and so broken that we would do anything to love. Love reveals us. Before I wrote this album I thought: “What is going on inside me?” I realized that I think about love and the lack thereof, all the time. Feeling alone, looking for love, being heartbroken, getting up and all the mess that comes with loving someone. The title track is about the good times, making memories that will shape you forever.” – Bongeziwe Mabandla
Hat Monkey - for kids to sing, play and have fun
Book and Education
App
Hat Monkey is a small monkey with a hat who needs our help around the house. Young children will...
Kirk Bage (1775 KP) rated No Time To Die by Billie Eilish in Music
Mar 3, 2020 (Updated Aug 6, 2020)
Congratulations to The Wasteland’s favourite new artist for sweeping 5 awards at yesterday’s Grammy’s. I hate to say I told you so, but I kinda did, a long way out. It just makes sense to me, that if you have a musical ear, this is the best pop music that has been made for 20 years.
Best new artist, best song (Bad Guy), record of the year, best pop vocal album of the year, and the cherry, best album of the year, for the extraordinary When We All Fall Asleep Where Do We Go. Oh, and her brother won one for best producer… so, not a terrible night out!
Not only is she now the youngest person ever to win a Grammy, beating Taylor Swift to that, mostly meaningless, accolade, but more significantly she is the the first artist to sweep the big 4 awards since Christopher Cross in 1981. That is 39 years ago!
From the few acceptance clips I have seen, you can see how genuinely stunned and thrilled she is to win, which is refreshing after a generation of too cool for school egos that were more persona than person, often holding their emotions in check for the sake of image.
I think there is a long, long way to go before talking about Billie Eilish as a great artist – she has to keep it up! But, for sure the music industry wants to make a point that this is the real deal, and have paved the path for an unlimited potential. What these awards do, is create the stamp on her being a superstar. What she and Finneas do with that now is up to them. I have a feeling they are not going to blow it; it just doesn’t feel like this story ends badly.
Billie’s Bond Theme
In the interest of this blog not turning into the Billie Eilish appreciation society, I am adding on my thoughts about the new release of her theme tune for the new 007 movie, No Time To Die. We all have a favourite Bond song from the years past, so how does this one size up?
Working in conjunction with Oscar winning composer, Hans Zimmer can’t be all bad when you just turned 18, and it certainly helps with this sombre, slow building song, utilising full orchestra and a bundle of small motifs that make it seem 100% Bond. Make no mistake, it is a Billie Eilish song, her moody vibe is all over it, but I love how faithful to the brand she has been, avoiding the temptation to do something too weird with the gig.
The first time I heard it was enough for me to be able to say “cast-iron hit!” And I haven’t changed my mind 20 listens later. It is just mind-blowing how the ball of success keeps rolling for her and Finneas. Having the honour of singing the in memoriam song at the Academy awards, with an emotional rendition of the Beatles’ Yesterday would be enough attention for one week for any ordinary superstar, but no, here’s the best Bond theme for 20 years for you too! Astonishing.
It even has folk that were a bit cautious at first saying, actually that is a great tune. Just yesterday I was listening to a radio interview where Billie talked about how she gets fan mail from all demographics, including 80 year old grandfathers! I find that not only reassuring, but apt. This is an artist of universal appeal wrapped up in the media hype of a teenage pop-idol, but doing a great job of denying that narrow image and idea.
What can I say? Just carry on, Billie. It’s going quite well!
Best new artist, best song (Bad Guy), record of the year, best pop vocal album of the year, and the cherry, best album of the year, for the extraordinary When We All Fall Asleep Where Do We Go. Oh, and her brother won one for best producer… so, not a terrible night out!
Not only is she now the youngest person ever to win a Grammy, beating Taylor Swift to that, mostly meaningless, accolade, but more significantly she is the the first artist to sweep the big 4 awards since Christopher Cross in 1981. That is 39 years ago!
From the few acceptance clips I have seen, you can see how genuinely stunned and thrilled she is to win, which is refreshing after a generation of too cool for school egos that were more persona than person, often holding their emotions in check for the sake of image.
I think there is a long, long way to go before talking about Billie Eilish as a great artist – she has to keep it up! But, for sure the music industry wants to make a point that this is the real deal, and have paved the path for an unlimited potential. What these awards do, is create the stamp on her being a superstar. What she and Finneas do with that now is up to them. I have a feeling they are not going to blow it; it just doesn’t feel like this story ends badly.
Billie’s Bond Theme
In the interest of this blog not turning into the Billie Eilish appreciation society, I am adding on my thoughts about the new release of her theme tune for the new 007 movie, No Time To Die. We all have a favourite Bond song from the years past, so how does this one size up?
Working in conjunction with Oscar winning composer, Hans Zimmer can’t be all bad when you just turned 18, and it certainly helps with this sombre, slow building song, utilising full orchestra and a bundle of small motifs that make it seem 100% Bond. Make no mistake, it is a Billie Eilish song, her moody vibe is all over it, but I love how faithful to the brand she has been, avoiding the temptation to do something too weird with the gig.
The first time I heard it was enough for me to be able to say “cast-iron hit!” And I haven’t changed my mind 20 listens later. It is just mind-blowing how the ball of success keeps rolling for her and Finneas. Having the honour of singing the in memoriam song at the Academy awards, with an emotional rendition of the Beatles’ Yesterday would be enough attention for one week for any ordinary superstar, but no, here’s the best Bond theme for 20 years for you too! Astonishing.
It even has folk that were a bit cautious at first saying, actually that is a great tune. Just yesterday I was listening to a radio interview where Billie talked about how she gets fan mail from all demographics, including 80 year old grandfathers! I find that not only reassuring, but apt. This is an artist of universal appeal wrapped up in the media hype of a teenage pop-idol, but doing a great job of denying that narrow image and idea.
What can I say? Just carry on, Billie. It’s going quite well!