"Around the same time as The Slits, me and Antonia, when we met, we used to sing 'Vicious'. We were really little and were all ""waaa!"", nutty little girls running around, pretty funny - I doubt I'd want to have met us now! - but we thought we were hilarious. We used to listen to Transformer - he's just extraordinary. He was just fantastic, just grown up with him, so it's hard to find a way to describe exactly what he means to me. I found a book of his lyrics and you can read them and he's just the most extraordinary poet. He's someone else where you can just sit and read his words as much as you can listen to his songs. I met him once and he told me he thought I was a pretty good lyricist! It was one of the Leonard Cohen things that we did - we were sitting next to each other watching Antony [Hegarty] and we chatted and he said that. I always consider that quite a big moment in my life."

"I know it's not cool to go with a soundtrack album but, if I'm honest, this is hugely influential. The film is so wrapped up with my teenage years; when I first saw it I was the same age as the main character and I was somewhat terrified of being somebody like that. To see someone who's so nerdy and yet full of himself is frightening at that age. You wonder, 'Do I do things like this?' You become so self-conscious at high school, you worry about what your peers think, you're terrified of looking weird, or being weird. Somehow the soundtrack represents those feelings. There's lots of British music on there, like the Faces' "Ooh La La" and "Making Time" by the Creation. I grew up in a very small town, so a lot of kids I went to school with mostly listened to rap and rock from the radio. But I did have a group of friends who appreciated films like Rushmore and music like this."