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Gareth von Kallenbach (980 KP) rated The Woman in Black (2012) in Movies
Aug 7, 2019
“During afternoon tea, there’s a shift in the air. A bone-trembling chill that tells you she’s there. There are those who believe the whole town is cursed. But the house in the marsh is by far the worst. What she wants is unknown, but she always comes back. The specter of darkness, the Woman in Black.”
Arthur Kipps (Daniel Radcliff) is a young lawyer who lost his wife during the birth of his son. He is a hardworking man who will do anything to take care of his family. Duty calls when he is ordered to go to the home of a recently diseased woman who lives in a remote marsh. When the local town catches wind that Mr. Kipps will be working at the remote house they start to fear what he might uncover while he works within the walls of the creepy home. He soon starts hearing noises and seeing shadows of an old woman in black. The town seems to think that it is somehow cursed as children keep dying unexpectedly and in bizarre circumstances. Is this the result of a woman scorned or is it just a superstition? Without the help from the town Mr. Kipps races to find out what the secret of the Woman in Black is.
Daniel Radcliff picked the perfect project to stray away from the Harry Potter series and I am glad he did. Now don’t get me wrong; the Harry Potter series is pretty awesome but the fact of the matter is most child actors don’t go very far within their acting careers. Take Shirley Temple for instance, she ended up not getting any major roles after growing out of her child faze. In any case it was a perfect decision on his part to take the chance on this character and just proves that we will be seeing much more of him throughout the coming years.
If you enjoy a good ghost story from time to time, The Woman in Black is such a treat to watch. Finally a really good ghost story that is not filmed like a home movie or a documentary but encompasses what a good ghost story should. The movie also has tidbits of British humor which I am a big fan of. Really good ghost stories like this one will chill you to the bone and startle your senses. Not an award winning movie but an excellent spine tingling story without the gore and special effects we have all become anesthetized to. Don’t miss this one in theaters I promise you won’t be disappointed.
Arthur Kipps (Daniel Radcliff) is a young lawyer who lost his wife during the birth of his son. He is a hardworking man who will do anything to take care of his family. Duty calls when he is ordered to go to the home of a recently diseased woman who lives in a remote marsh. When the local town catches wind that Mr. Kipps will be working at the remote house they start to fear what he might uncover while he works within the walls of the creepy home. He soon starts hearing noises and seeing shadows of an old woman in black. The town seems to think that it is somehow cursed as children keep dying unexpectedly and in bizarre circumstances. Is this the result of a woman scorned or is it just a superstition? Without the help from the town Mr. Kipps races to find out what the secret of the Woman in Black is.
Daniel Radcliff picked the perfect project to stray away from the Harry Potter series and I am glad he did. Now don’t get me wrong; the Harry Potter series is pretty awesome but the fact of the matter is most child actors don’t go very far within their acting careers. Take Shirley Temple for instance, she ended up not getting any major roles after growing out of her child faze. In any case it was a perfect decision on his part to take the chance on this character and just proves that we will be seeing much more of him throughout the coming years.
If you enjoy a good ghost story from time to time, The Woman in Black is such a treat to watch. Finally a really good ghost story that is not filmed like a home movie or a documentary but encompasses what a good ghost story should. The movie also has tidbits of British humor which I am a big fan of. Really good ghost stories like this one will chill you to the bone and startle your senses. Not an award winning movie but an excellent spine tingling story without the gore and special effects we have all become anesthetized to. Don’t miss this one in theaters I promise you won’t be disappointed.
Phillip McSween (751 KP) rated Crank (2006) in Movies
Jun 26, 2020
Quick Pacing, Bad Movie
When a former hitman’s enemies inject him with a lethal poison that will stop his heart if it goes below an active rate, that hitman Chev Chelios is on a race to find the antidote while keeping his heart pumping at the same time.
Acting: 10
I could think of worse actors to play the role of Chev outside of Jason Statham. He seems like he was made for this type of movie. He brings a successful intensity to the role that kicks the movie into a new gear. Unfortunately it wasn’t enough to save the film as a whole. While other performances didn’t necessarily warrant a 10, Chev is pretty much the entire centerpiece so I’m basing the score off Statham’s performance alone.
Beginning: 10
I honestly didn’t hate how the movie began. It actually gets off to a pretty fast start only to let me down later. If only I knew what I was getting myself into.
Characters: 1
Cinematography/Visuals: 7
For what' it’s worth, the film does a good job of making you feel like you are in Chelios’ shoes. The camera relies on close up shots and jarring movement when Chelios has to “charge up”. The action is also captured fairly well, giving you a true sense of being in the moment.
Conflict: 10
Consistent action abounds throughout the movie. In addition to Chelios kicking much ass, there’s also the matter of him trying to keep his heart pumping while he finds the antidote. There is more than enough conflict to drive the story.
Entertainment Value: 6
While there are flashes of greatness in Crank, much of it is hyped up hyperbole so extreme it makes the movie really hard to get into. I lost count of the number of times I rolled my eyes throughout the movie. What did intrigue me throughout was just how much crazier the movie could potentially get.
Memorability: 4
Pace: 10
Plot: 0
What a dumbass story. That is all.
Resolution: 6
I give it props for an inventive ending. However, it wasn’t a successful resolution in my opinion. We followed Chelios on this entire journey for it to come to this? Nah, just…nah.
Overall: 64
You could tell this movie was going to be a mess from the trailer. Surprisingly enough it has a positive rating on Rotten Tomatoes and it seems to have a cult following. I really don’t get it, even as an action lover. It’s a pass for me.
Acting: 10
I could think of worse actors to play the role of Chev outside of Jason Statham. He seems like he was made for this type of movie. He brings a successful intensity to the role that kicks the movie into a new gear. Unfortunately it wasn’t enough to save the film as a whole. While other performances didn’t necessarily warrant a 10, Chev is pretty much the entire centerpiece so I’m basing the score off Statham’s performance alone.
Beginning: 10
I honestly didn’t hate how the movie began. It actually gets off to a pretty fast start only to let me down later. If only I knew what I was getting myself into.
Characters: 1
Cinematography/Visuals: 7
For what' it’s worth, the film does a good job of making you feel like you are in Chelios’ shoes. The camera relies on close up shots and jarring movement when Chelios has to “charge up”. The action is also captured fairly well, giving you a true sense of being in the moment.
Conflict: 10
Consistent action abounds throughout the movie. In addition to Chelios kicking much ass, there’s also the matter of him trying to keep his heart pumping while he finds the antidote. There is more than enough conflict to drive the story.
Entertainment Value: 6
While there are flashes of greatness in Crank, much of it is hyped up hyperbole so extreme it makes the movie really hard to get into. I lost count of the number of times I rolled my eyes throughout the movie. What did intrigue me throughout was just how much crazier the movie could potentially get.
Memorability: 4
Pace: 10
Plot: 0
What a dumbass story. That is all.
Resolution: 6
I give it props for an inventive ending. However, it wasn’t a successful resolution in my opinion. We followed Chelios on this entire journey for it to come to this? Nah, just…nah.
Overall: 64
You could tell this movie was going to be a mess from the trailer. Surprisingly enough it has a positive rating on Rotten Tomatoes and it seems to have a cult following. I really don’t get it, even as an action lover. It’s a pass for me.
Debbiereadsbook (1541 KP) rated Meik & Sebastian (Obsessed #4) in Books
Dec 27, 2018
a very fitting end!!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the Obsessed series, and you MUST read book one through three before you read this one. You need to know how Meik ended up in this position. And they are all 5 star reads from me! I would STRONGLY recommend you don't read these unless you have all 4 parts in your possession. They are addictive, and cliffhangers and you will NEED that next part so badly, it will hurt. So, yeah, all FOUR parts, ya hear me??
But this one?? Not so much. Still really great, just not quite hitting the spot that the others did.
Why?? Because I was CONFUSED!
At the beginning of this book, Meik is drowning his sorrows in booze and sex. Or at least he's TRYING to. The sex thing seems not to be working so alcohol is his drug of choice. What I was confused about was WHY! At the end of book 3, Sebastian tells Meik he loves him, and Meik responds. . .not badly, but with the wrong words. Here, Sebastian is just GONE!!! It took me far too long to figure out Sebastian must have left Meik, and that was why he is drowning in galleons of whiskey. FAR too long, and it spoilt it slightly for me.
BUT!!! We get another side of Meik, while he's drowning his sorrows: the loving, sweet teenager about to have his whole world broken by the loss of Gabe. We get all that, in the memories that flash up between the now bits. Gabe's illness and diagnosis. His failing health as time goes on. Meik and Gabe's growing physical relationship, despite Gabe's illness. The total and utter LOVE that Gabe and Meik have for each other screams at you in every snippet of those memories. And you get to understand a little bit more why Meik fights so bloody hard against the love that he has for Sebastian. So bloody hard! He doesn't want to feel that kind of pain again.
And he does LOVE Sebastian. He just needs to find him to tell him. Pulling himself out of a week long bender took some doing, but I'm so glad that boy did it! Just when he thinks he's lost Sebastian for good, he finds him. And with the RIGHT words, tells Sebastian he loves him.
It would be nice to catch up with these two later down the road, it really would. But for now, a very fitting end to the story of Meik's Obsession with Sebastian.
4 solid stars
**same worded review will appear elsewhere**
This is book 4 in the Obsessed series, and you MUST read book one through three before you read this one. You need to know how Meik ended up in this position. And they are all 5 star reads from me! I would STRONGLY recommend you don't read these unless you have all 4 parts in your possession. They are addictive, and cliffhangers and you will NEED that next part so badly, it will hurt. So, yeah, all FOUR parts, ya hear me??
But this one?? Not so much. Still really great, just not quite hitting the spot that the others did.
Why?? Because I was CONFUSED!
At the beginning of this book, Meik is drowning his sorrows in booze and sex. Or at least he's TRYING to. The sex thing seems not to be working so alcohol is his drug of choice. What I was confused about was WHY! At the end of book 3, Sebastian tells Meik he loves him, and Meik responds. . .not badly, but with the wrong words. Here, Sebastian is just GONE!!! It took me far too long to figure out Sebastian must have left Meik, and that was why he is drowning in galleons of whiskey. FAR too long, and it spoilt it slightly for me.
BUT!!! We get another side of Meik, while he's drowning his sorrows: the loving, sweet teenager about to have his whole world broken by the loss of Gabe. We get all that, in the memories that flash up between the now bits. Gabe's illness and diagnosis. His failing health as time goes on. Meik and Gabe's growing physical relationship, despite Gabe's illness. The total and utter LOVE that Gabe and Meik have for each other screams at you in every snippet of those memories. And you get to understand a little bit more why Meik fights so bloody hard against the love that he has for Sebastian. So bloody hard! He doesn't want to feel that kind of pain again.
And he does LOVE Sebastian. He just needs to find him to tell him. Pulling himself out of a week long bender took some doing, but I'm so glad that boy did it! Just when he thinks he's lost Sebastian for good, he finds him. And with the RIGHT words, tells Sebastian he loves him.
It would be nice to catch up with these two later down the road, it really would. But for now, a very fitting end to the story of Meik's Obsession with Sebastian.
4 solid stars
**same worded review will appear elsewhere**
Phillip McSween (751 KP) rated The Signal (2014) in Movies
Apr 30, 2018
Meh
Three college students get more than what they bargained for when they try to track down a computer genius that hacked their computers and end up fighting for their lives instead.
Acting: 10
Beginning: 5
Characters: 4
The characters harbored no depth whatsoever. As a result there was never a point in the film where I cared about what happened to any of them. They were stale, moving about the film aimlessly. The only time they were remotely interesting was towards the end and I won't spoil why.
Not only did they bore me, they infuriated me at the same time. The decision-making of main character Nic (Brenton Thwaites) was just maddening. How he repeatedly found himself in the same perilous situations blew my mind. At one point, I remember saying, "At this point, you deserve what happens." You know it's going to be a long film when the main character can't win you over.
Cinematography/Visuals: 8
Conflict: 4
While there are some points of intrigue, the film seems to bumble along for the most part with much ado about nothing. You recognize that there is a mystery unfolding, but the terrible character development didn't help to raise my level of caring. The two action sequences that are worthwhile don't redeem the film as a whole.
Genre: 4
I love sci-fi. There are too many films to count that have helped shape the genre. When it comes to sci-fi, this ranks towards the bottom of the barrel for me. There are no real points of connection that gave it the spark it needed to capture my interest. The true sci-fi elements come too little too late.
Memorability: 7
Pace: 5
Watching this film is like watching a baby trying to walk, but not quite as cute. You're waiting for the film to collapse at any moment due to its shaky foundation and then you get to a point where you say, "Just be done already." After about the fourth or fifth eyeroll, I was beyond ready for the film's conclusion.
Plot: 3
Just dumb. Do I need to expand on this? The story has enough holes to make swiss cheese jealous. Sure, things became less confusing as the story progressed, but the answers given were beyond far-fetched. I think a stronger story overall is what could have turned the tides of the entire film.
Resolution: 6
From a visuals standpoint, the ending was pretty cool. From a justifiable and satisfaction-level standpoint? Going to take a hard pass. I won't spoil the ending, but I'll just say the payoff is far from worth it. Interesting yes...but incomplete.
Overall: 56
Even before the ending brought the film to a necessary close, there were so many points along the way director William Eubank could have tweaked to improve this film. Alas, it didnt seem to be worth his time and neither should this film be for yours.
Acting: 10
Beginning: 5
Characters: 4
The characters harbored no depth whatsoever. As a result there was never a point in the film where I cared about what happened to any of them. They were stale, moving about the film aimlessly. The only time they were remotely interesting was towards the end and I won't spoil why.
Not only did they bore me, they infuriated me at the same time. The decision-making of main character Nic (Brenton Thwaites) was just maddening. How he repeatedly found himself in the same perilous situations blew my mind. At one point, I remember saying, "At this point, you deserve what happens." You know it's going to be a long film when the main character can't win you over.
Cinematography/Visuals: 8
Conflict: 4
While there are some points of intrigue, the film seems to bumble along for the most part with much ado about nothing. You recognize that there is a mystery unfolding, but the terrible character development didn't help to raise my level of caring. The two action sequences that are worthwhile don't redeem the film as a whole.
Genre: 4
I love sci-fi. There are too many films to count that have helped shape the genre. When it comes to sci-fi, this ranks towards the bottom of the barrel for me. There are no real points of connection that gave it the spark it needed to capture my interest. The true sci-fi elements come too little too late.
Memorability: 7
Pace: 5
Watching this film is like watching a baby trying to walk, but not quite as cute. You're waiting for the film to collapse at any moment due to its shaky foundation and then you get to a point where you say, "Just be done already." After about the fourth or fifth eyeroll, I was beyond ready for the film's conclusion.
Plot: 3
Just dumb. Do I need to expand on this? The story has enough holes to make swiss cheese jealous. Sure, things became less confusing as the story progressed, but the answers given were beyond far-fetched. I think a stronger story overall is what could have turned the tides of the entire film.
Resolution: 6
From a visuals standpoint, the ending was pretty cool. From a justifiable and satisfaction-level standpoint? Going to take a hard pass. I won't spoil the ending, but I'll just say the payoff is far from worth it. Interesting yes...but incomplete.
Overall: 56
Even before the ending brought the film to a necessary close, there were so many points along the way director William Eubank could have tweaked to improve this film. Alas, it didnt seem to be worth his time and neither should this film be for yours.
Charlie Cobra Reviews (1840 KP) rated Triple Frontier (2019) in Movies
Jul 5, 2020
Choices and Consequences - 7/10
Triple Frontier is a 2019 action/thriller movie directed by J.C. Chandor. The screenplay was written by J.C. Chandor and Mark Boal with story also by Mark Boal. Starring Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund, and Pedro Pascal.
In Columbia fighting drug crime, Santiago "Pope" Garcia (Oscar Isaac), has been working for 3 years. Finally the moment he's been waiting for occurs, when his informant, a woman named Yovanna (Adria Arjona), offers the location of a big time drug lord in exchange for smuggling her brother and her out of the country. She also tells him that the drug lord Lorea keeps all his money with him in his safe house in the jungle. Pope recruits his friends, a group of ex Army Special Forces, for a mission to take out Lorea and seize the money for themselves. But when things go wrong it's one unexpected turn of events after the other, with things spiralling out of control. In an epic battle for survival they are pushed to their breaking point, putting their morals, skills, and loyalties to the test.
This movie was good. Wasn't quite what I expected. As good as it was, I feel like it was missing something. It was a little slow in the beginning, after the first action sequence, and pacing was a bit off. Definitely as advertised in being an action/thriller. If you like action scenes where they shoot-'em-up, this definitely has plenty. I just felt with the pacing that they were far and in between. The acting was very good, the only thing I would say is that the characters didn't have much to keep you connected to them and really care about what happens to them in the long run. It felt like they weren't fully fleshed out and they could have done more to do that better. One thing it did do very well was how it showed the motivations of some of the characters and what led them to the decisions they made. I give this movie a 7/10.
In Columbia fighting drug crime, Santiago "Pope" Garcia (Oscar Isaac), has been working for 3 years. Finally the moment he's been waiting for occurs, when his informant, a woman named Yovanna (Adria Arjona), offers the location of a big time drug lord in exchange for smuggling her brother and her out of the country. She also tells him that the drug lord Lorea keeps all his money with him in his safe house in the jungle. Pope recruits his friends, a group of ex Army Special Forces, for a mission to take out Lorea and seize the money for themselves. But when things go wrong it's one unexpected turn of events after the other, with things spiralling out of control. In an epic battle for survival they are pushed to their breaking point, putting their morals, skills, and loyalties to the test.
This movie was good. Wasn't quite what I expected. As good as it was, I feel like it was missing something. It was a little slow in the beginning, after the first action sequence, and pacing was a bit off. Definitely as advertised in being an action/thriller. If you like action scenes where they shoot-'em-up, this definitely has plenty. I just felt with the pacing that they were far and in between. The acting was very good, the only thing I would say is that the characters didn't have much to keep you connected to them and really care about what happens to them in the long run. It felt like they weren't fully fleshed out and they could have done more to do that better. One thing it did do very well was how it showed the motivations of some of the characters and what led them to the decisions they made. I give this movie a 7/10.
Debbiereadsbook (1541 KP) rated Married to the Vampire King (Blood Bonded Mates #2) in Books
May 6, 2024
longer, but so much better than book one!!
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
This is book 2 in the Blood Bonded Mates series. While not strictly necessary to read book one, Snowed In With The Vampire Prince, it will give you a better understanding of Pierce and James who play a huge part here. And you know, it was rather good! I thoroughly enjoyed that book. But this book??
Freaking LOVED this book!
Ethan is a with without any gifts. Nathaniel is the reigning Vampire King. The witches and vampires will kill each other, if Ethan doesn't do something, and that something is marry Nathaniel. The mirror told him so. What could possibly go wrong?? Well, turns out, feelings could get involved!
What I especially liked was how Ethan's secrets, and Nathaniel's, took time to come out, and they came out to each other slowly. I'm gonna be vague here, cos spoilers, but I loved this, I really did.
Nathaniel knew who Ethan was, right from the start, but he didn't know what would happen. He wanted to spring the idea at Ethan in good time, but things had a way of sending plans out the window!
I loved that we got to catch up with Pierce and James from book 1. They both play a huge part here and it was fab how they seamlessly slotted into this book. I hope they pop up in follwoing books too.
I loved how Ethan and Nathaniel surprised each other, at every turn. Me too, to be fair!! It's a lot longer than book one, some 300 odd pages, and I think this book needed those extra pages. The story was very multi layered.
There is romance and love, and betrayal of the highest order and I loved that I did not see who was the bad guy here! Totally sideswiped with that one, so well played there Mr castle, very well played.
I am loving wathcing these people develop and grow, and as the author puts out more stories, I wanna read them! I can't see who might be next, but I need, NEEEEEEEEEEEEEEEEEEEEEEEEEED to read it!
5 full and shiny stars!
*same worded review will appear elsewhere
This is book 2 in the Blood Bonded Mates series. While not strictly necessary to read book one, Snowed In With The Vampire Prince, it will give you a better understanding of Pierce and James who play a huge part here. And you know, it was rather good! I thoroughly enjoyed that book. But this book??
Freaking LOVED this book!
Ethan is a with without any gifts. Nathaniel is the reigning Vampire King. The witches and vampires will kill each other, if Ethan doesn't do something, and that something is marry Nathaniel. The mirror told him so. What could possibly go wrong?? Well, turns out, feelings could get involved!
What I especially liked was how Ethan's secrets, and Nathaniel's, took time to come out, and they came out to each other slowly. I'm gonna be vague here, cos spoilers, but I loved this, I really did.
Nathaniel knew who Ethan was, right from the start, but he didn't know what would happen. He wanted to spring the idea at Ethan in good time, but things had a way of sending plans out the window!
I loved that we got to catch up with Pierce and James from book 1. They both play a huge part here and it was fab how they seamlessly slotted into this book. I hope they pop up in follwoing books too.
I loved how Ethan and Nathaniel surprised each other, at every turn. Me too, to be fair!! It's a lot longer than book one, some 300 odd pages, and I think this book needed those extra pages. The story was very multi layered.
There is romance and love, and betrayal of the highest order and I loved that I did not see who was the bad guy here! Totally sideswiped with that one, so well played there Mr castle, very well played.
I am loving wathcing these people develop and grow, and as the author puts out more stories, I wanna read them! I can't see who might be next, but I need, NEEEEEEEEEEEEEEEEEEEEEEEEEED to read it!
5 full and shiny stars!
*same worded review will appear elsewhere
Kristy H (1252 KP) rated Almost Missed You in Books
Feb 13, 2018
Violet and Finn are one of those couples that everyone believes is meant to be. Their story is one entwined with fate. They met once by chance and were reunited years later. Now married, with a young son, everything seems great for the couple. While vacationing in Florida, Violet cannot believe her good fortune. So imagine her shock when she returns from a relaxing nap on the beach to find their hotel room empty: Finn has vanished, and he has taken Bear, their son, with him. Violet has no explanation for this, and the FBI is quickly involved. Meanwhile, Finn's closest friend, Caitlin--who has become Violet's dear friend too--becomes entwined in the disappearance when Finn enlists her help. Will Violet ever see her son again? And why exactly did Finn vanish from that beach?
This novel definitely sucks you in right away. It's confusing and intriguing, as you're completely puzzled as to why Finn would run off and leave his beloved wife (and why would he take their son, too). In the beginning, I did not want to stop reading: the novel was completely addictive. Strawser slowly adds in additional details that thicken the plot, making Caitlin and her husband, George, as much as a part of the story as Finn and Violet. It's told in alternating points of view (Violet, Caitlin, Finn) and time periods, including after the kidnapping incident and before, leading up to Violet and Finn's history together. This effectively builds suspense and can drive you a tad insane, as a chapter in the past ends, leaving you dangling and wanting more details.
The problem for me was that, over time, the characters almost seemed their own worst enemies. Rather than a mystery/suspense novel, the book turns more psychological (nothing necessarily wrong with that) with each character bemoaning their various choices that have led up to this point. And seriously, they've made some stupid choices. It's one of those things where you want to scream: if you'd all just have talked to each other! Communication! Some of the ways of handling things seem awfully impractical for such serious issues (case in point: just about anything Caitlin does with her life, including her way of addressing the kidnapping).
Still, the novel continues to churn out some crazy twists, making it very interesting. The unveiling of Finn's past really carries the book about 3/4 through. You're continually wondering what happened, what he owes various characters, and why on earth he'd want to leave Violet (and take Bear).
As much as I enjoyed this novel and how suspenseful it was, I was frustrated by the characters - none of whom I cared for much at all beyond Violet. (I would have just strangled Finn if possible and potentially even Caitlin.) Again, some communication could have really saved some preposterous plot movements. There are a few times where characters seem to act way out of line for their development, etc. As the book nears a close, it drags on with their in-fighting and psychological messes, versus actual excitement, which was a little disappointing. I felt like we'd been through a lot of excitement for nothing and come out at the end with little but an emotional saga. The ending is awfully pat, too, and makes you think, really?
However, I truly did enjoy most of this book and found it incredibly suspenseful. It's easy to read and draws you in immediately. Even if you don't like all the characters, you'll be intrigued by their predicaments and the entire scenario. I'd certainly be interested in what Strawser comes up with next. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/28/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
This novel definitely sucks you in right away. It's confusing and intriguing, as you're completely puzzled as to why Finn would run off and leave his beloved wife (and why would he take their son, too). In the beginning, I did not want to stop reading: the novel was completely addictive. Strawser slowly adds in additional details that thicken the plot, making Caitlin and her husband, George, as much as a part of the story as Finn and Violet. It's told in alternating points of view (Violet, Caitlin, Finn) and time periods, including after the kidnapping incident and before, leading up to Violet and Finn's history together. This effectively builds suspense and can drive you a tad insane, as a chapter in the past ends, leaving you dangling and wanting more details.
The problem for me was that, over time, the characters almost seemed their own worst enemies. Rather than a mystery/suspense novel, the book turns more psychological (nothing necessarily wrong with that) with each character bemoaning their various choices that have led up to this point. And seriously, they've made some stupid choices. It's one of those things where you want to scream: if you'd all just have talked to each other! Communication! Some of the ways of handling things seem awfully impractical for such serious issues (case in point: just about anything Caitlin does with her life, including her way of addressing the kidnapping).
Still, the novel continues to churn out some crazy twists, making it very interesting. The unveiling of Finn's past really carries the book about 3/4 through. You're continually wondering what happened, what he owes various characters, and why on earth he'd want to leave Violet (and take Bear).
As much as I enjoyed this novel and how suspenseful it was, I was frustrated by the characters - none of whom I cared for much at all beyond Violet. (I would have just strangled Finn if possible and potentially even Caitlin.) Again, some communication could have really saved some preposterous plot movements. There are a few times where characters seem to act way out of line for their development, etc. As the book nears a close, it drags on with their in-fighting and psychological messes, versus actual excitement, which was a little disappointing. I felt like we'd been through a lot of excitement for nothing and come out at the end with little but an emotional saga. The ending is awfully pat, too, and makes you think, really?
However, I truly did enjoy most of this book and found it incredibly suspenseful. It's easy to read and draws you in immediately. Even if you don't like all the characters, you'll be intrigued by their predicaments and the entire scenario. I'd certainly be interested in what Strawser comes up with next. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/28/2017.
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Emma @ The Movies (1786 KP) rated Escape Room (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
TL;DR - I'm never doing an escape room ever again, and potentially never going anywhere that begins with a mysterious invitation.
The film opens, somewhat strangely, with some of the last scenes of the movie. I'm not sure whether this helped the film along or not. We already knew what to expect before going in so starting with the intrigue of the invitations probably would have worked just as well, it did at least ease you in to what you'd be getting from the rest of the film.
I was a little disappointed that we didn't get an intro to all of the characters. Admittedly six intro pieces would have made the beginning of the story drag but it felt a little odd to have the other three thrown in with no context. On the plus side you are able to infer some things about their back story as we go through the film, but I don't quite see the logic behind who they included and excluded.
Drama, mystery, sci-fi, thriller... that's how IMDb classified Escape Room, and this is why I don't know why we bother pigeon holing films. It's definitely a thriller and can loosely fit into the horror genre (I only say loosely because of it's lack of gore) but to claim any of the others is a stretch.
In what was probably a rather average film I was glad to see some pieces that impressed me. Amanda (Deborah Ann Woll) has a flashback during one of their escapes and the transition was seamless. Woll's performance overall was probably the best, she goes from vulnerable to woman of action and in each scene she creates something that I found incredibly believable.
Tyler Labine is one of my favourite "hidden" gems of the movie world so I was excited to see he was part of this. My excitement was short lived though as his character wasn't given much opportunity to shine as his story is largely overlooked until the very last minute.
One of the issues I have at the cinema is that I suffer from mild motion sickness, generally I'm okay but on occasion the weirdest things can set it off. This film gave me a near heart attack when it entered the pool room, you can see it during the trailer, the room is basically upside down but that combined with the camera shots meant I had to keep looking at my feet for fear of either passing out or throwing up on my fellow cinema goers.
The idea behind the film had a lot of potential and up to a certain point I was enjoying what was happening... but that ending. My brain suddenly stopped and went "huh, Belko Experiment." I'm not generally a watcher of horror type films but from the comments I've seen online Escape Room is similar to a lot of things already out there. What I know is that it's predictable. Probably more so because of the way the film starts, the premise of an escape room, and the trailer. It does have some things up its sleeve though.
For someone who is easily scared out of their skin I didn't have a problem watching this (apart from that pool room scene), a lot of the really jumpy bits I'd already seen before going into the film. Until the memory of this film is washed away by several dozen other films I will not be setting foot in an escape room, and they should probably look at suing the film for lose of revenue.
What you should do
It's an entertaining film and if thrillers/horrors are your sort of thing then you should give it a go.
Movie thing you wish you could take home
Needless to say there is basically nothing I want from this movie apart from the little piece of sanity and rational thinking it stole from me.
The film opens, somewhat strangely, with some of the last scenes of the movie. I'm not sure whether this helped the film along or not. We already knew what to expect before going in so starting with the intrigue of the invitations probably would have worked just as well, it did at least ease you in to what you'd be getting from the rest of the film.
I was a little disappointed that we didn't get an intro to all of the characters. Admittedly six intro pieces would have made the beginning of the story drag but it felt a little odd to have the other three thrown in with no context. On the plus side you are able to infer some things about their back story as we go through the film, but I don't quite see the logic behind who they included and excluded.
Drama, mystery, sci-fi, thriller... that's how IMDb classified Escape Room, and this is why I don't know why we bother pigeon holing films. It's definitely a thriller and can loosely fit into the horror genre (I only say loosely because of it's lack of gore) but to claim any of the others is a stretch.
In what was probably a rather average film I was glad to see some pieces that impressed me. Amanda (Deborah Ann Woll) has a flashback during one of their escapes and the transition was seamless. Woll's performance overall was probably the best, she goes from vulnerable to woman of action and in each scene she creates something that I found incredibly believable.
Tyler Labine is one of my favourite "hidden" gems of the movie world so I was excited to see he was part of this. My excitement was short lived though as his character wasn't given much opportunity to shine as his story is largely overlooked until the very last minute.
One of the issues I have at the cinema is that I suffer from mild motion sickness, generally I'm okay but on occasion the weirdest things can set it off. This film gave me a near heart attack when it entered the pool room, you can see it during the trailer, the room is basically upside down but that combined with the camera shots meant I had to keep looking at my feet for fear of either passing out or throwing up on my fellow cinema goers.
The idea behind the film had a lot of potential and up to a certain point I was enjoying what was happening... but that ending. My brain suddenly stopped and went "huh, Belko Experiment." I'm not generally a watcher of horror type films but from the comments I've seen online Escape Room is similar to a lot of things already out there. What I know is that it's predictable. Probably more so because of the way the film starts, the premise of an escape room, and the trailer. It does have some things up its sleeve though.
For someone who is easily scared out of their skin I didn't have a problem watching this (apart from that pool room scene), a lot of the really jumpy bits I'd already seen before going into the film. Until the memory of this film is washed away by several dozen other films I will not be setting foot in an escape room, and they should probably look at suing the film for lose of revenue.
What you should do
It's an entertaining film and if thrillers/horrors are your sort of thing then you should give it a go.
Movie thing you wish you could take home
Needless to say there is basically nothing I want from this movie apart from the little piece of sanity and rational thinking it stole from me.
ArecRain (8 KP) rated Moonlight (Dark Guardian, #1) in Books
Jan 18, 2018
I still don't really know how I feel about this one. While it wasn't terrible like i was expecting it to be, it wasn't anything special either. It seemed like just another typical young adult werewolf novel.
What I did enjoy about this novel was the style. I actually enjoyed Hawthorne's style compared to many young adult writers. Her dialogues were realistic even if her character were so stereotypical for a young adult novel.
What really irritated was having to continuously read about Kayla's parents dying. I understand that it was a huge part of the plot, but it only needs to brought up so many times when it isn't moving the plot forward. It comes to a point when you need to stop kicking the dead horse.
Another point that irritated me was how out of no where, suddenly Kayla and Lucas were so in love with each other. I can understand that Kayla was attracted to him, but to bring in the whole one true love thing was a bit much. I actually liked the concept that the Shifters found their mates young in life. I felt that it may give some young readers delusions about relationships.
I also felt like Hawthorne rushed so many things, such as Kayla becoming a Dark Guardian. I felt like Hawthorne could have fleshed the end out much more. Despite this, I still want to read the second one just to see what happens with the rest of the pack.
What I did enjoy about this novel was the style. I actually enjoyed Hawthorne's style compared to many young adult writers. Her dialogues were realistic even if her character were so stereotypical for a young adult novel.
What really irritated was having to continuously read about Kayla's parents dying. I understand that it was a huge part of the plot, but it only needs to brought up so many times when it isn't moving the plot forward. It comes to a point when you need to stop kicking the dead horse.
Another point that irritated me was how out of no where, suddenly Kayla and Lucas were so in love with each other. I can understand that Kayla was attracted to him, but to bring in the whole one true love thing was a bit much. I actually liked the concept that the Shifters found their mates young in life. I felt that it may give some young readers delusions about relationships.
I also felt like Hawthorne rushed so many things, such as Kayla becoming a Dark Guardian. I felt like Hawthorne could have fleshed the end out much more. Despite this, I still want to read the second one just to see what happens with the rest of the pack.
Bookapotamus (289 KP) rated Tin Man in Books
May 29, 2018
I wanted to love this so much - and I did, in a way. The story is so sad to me. Wishing we knew now what we knew then, and how far we still have to go. This is like a love triangle that works, but it doesn't. And I can't help but think how often unsaid things, create such chasms between friends, and lovers. So unnecessary, and so sad.
Ellis, Annie and Michael have such an exquisite love story - and so many unanswered questions between them. This story is short, but powerful, and a lot of those questions are answered as we go through it. Sadly, there is so much love, but also so much loss. It's heartbreaking what they all endure.
I loved getting into Dora's story in the beginning - she was such an interesting character - but after that I struggled to get into it - finally really feeling like I was engaged in the story mid-way with Michael. But I coulnd't follow the writing style very well.... like they were these snippets of thoughts, run of mouth words, memories, flashes... I had trouble connecting the timelines and often found myself re-reading to stay engaged.
I love the descriptiveness of surroundings, and feelings, and characters (the sunflowers a character alone! and there was a lot of swimming.... I wonder what that signifies?), and the ending was so beautifully poetic. I just really wanted more story, more things happening.
Thank you to NetGalley for the opportunity to review this book.
Ellis, Annie and Michael have such an exquisite love story - and so many unanswered questions between them. This story is short, but powerful, and a lot of those questions are answered as we go through it. Sadly, there is so much love, but also so much loss. It's heartbreaking what they all endure.
I loved getting into Dora's story in the beginning - she was such an interesting character - but after that I struggled to get into it - finally really feeling like I was engaged in the story mid-way with Michael. But I coulnd't follow the writing style very well.... like they were these snippets of thoughts, run of mouth words, memories, flashes... I had trouble connecting the timelines and often found myself re-reading to stay engaged.
I love the descriptiveness of surroundings, and feelings, and characters (the sunflowers a character alone! and there was a lot of swimming.... I wonder what that signifies?), and the ending was so beautifully poetic. I just really wanted more story, more things happening.
Thank you to NetGalley for the opportunity to review this book.