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Scott Tostik (389 KP) rated Blood Sucking Freaks (1976) in Movies
Apr 26, 2020
Excellent kills (2 more)
A dwarf... A torturing foul mouthed hilarious dwarf
Exploitation at its finest
If Le Champion Likes it... What could be wrong with it
When sitting down to watch The Last Drive In with Joe Bob Briggs, you never know what you're going to get.
His weekly double feature show on Shudder can bring some surprises to my tv screen and for that I thank him.
This past week, he double featured Chopping Mall and Joel M Reed's classic torture fest Blood Sucking Freaks.
1976 was a weird time in horror. Classics such as The Texas Chainsaw Massacre set the bar pretty high in the early 70's. So directors had to push the bar to try and compete with the instant classic.
Reed decided to make this film in the spirit of Master Gore technician Herschell Gordon Lewis. There is plenty of blood and gore to go around. People have been known to leave during a screening of this slashic. I for one, am not one of them. When I watch a movie, no matter how shitty it is. I have already made a commitment to sit through the bullshit and hope it gets better.
Freaks is just that kind of flick. But it makes you view it, you just have to see what Ralphus(the torturing wonder dwarf excellently played by the late Louis DeJesus) will do next to these women Sardu( Seamus....something or another... Yeah yeah, bad reviewer) has caged up in his basement.
The blood flows, the body parts roll and, yes, there is plenty of boobs and butts if that's your thing too.
I rated it 8/10 for a few reasons that some may not understand. I am a Horror Fanatic. No matter the plot, hole filled and silly... The script, if there is one... And the acting, if you could call it that... I seem to find the good in all films.
The gore, violence and total insanity that stems from the screen to your damaged brain is what should make the movie good/bad. And this movie is full of some of the most disgusting imagery that these eyes have ever fell upon. From playing backgammon for fingers to a woman guillotining herself because she was being spanked...and she had the rope holding the blade in her mouth... Heart removal, stretching, quartering, severed limbs and pulled out teeth... This flick has it all
Shout out to the cop who looks like David Berkowitz... I actually did a double take because at first glance I was like WTF???
Also a shout out to AEW Wrestler and all time wrestling G.O.A.T. Chris Jericho who, like me, is a huge fan of exploitation and gore films. And his own review of this film on his podcast, Talk is Jericho.
I recommend this film if you have a few hours to kill. I highly recommend you get Shudder... Its cheap 5.99 a month in Canada and its full of some great horror films and documentaries. But it's also the only place you can find THE LAST DRIVE-IN with Joe Bob Briggs... Friday nights at 9p.m. EST for the next 6-8 weeks.
Enjoy this film, horror fans. Because you will never see anything else like it....
His weekly double feature show on Shudder can bring some surprises to my tv screen and for that I thank him.
This past week, he double featured Chopping Mall and Joel M Reed's classic torture fest Blood Sucking Freaks.
1976 was a weird time in horror. Classics such as The Texas Chainsaw Massacre set the bar pretty high in the early 70's. So directors had to push the bar to try and compete with the instant classic.
Reed decided to make this film in the spirit of Master Gore technician Herschell Gordon Lewis. There is plenty of blood and gore to go around. People have been known to leave during a screening of this slashic. I for one, am not one of them. When I watch a movie, no matter how shitty it is. I have already made a commitment to sit through the bullshit and hope it gets better.
Freaks is just that kind of flick. But it makes you view it, you just have to see what Ralphus(the torturing wonder dwarf excellently played by the late Louis DeJesus) will do next to these women Sardu( Seamus....something or another... Yeah yeah, bad reviewer) has caged up in his basement.
The blood flows, the body parts roll and, yes, there is plenty of boobs and butts if that's your thing too.
I rated it 8/10 for a few reasons that some may not understand. I am a Horror Fanatic. No matter the plot, hole filled and silly... The script, if there is one... And the acting, if you could call it that... I seem to find the good in all films.
The gore, violence and total insanity that stems from the screen to your damaged brain is what should make the movie good/bad. And this movie is full of some of the most disgusting imagery that these eyes have ever fell upon. From playing backgammon for fingers to a woman guillotining herself because she was being spanked...and she had the rope holding the blade in her mouth... Heart removal, stretching, quartering, severed limbs and pulled out teeth... This flick has it all
Shout out to the cop who looks like David Berkowitz... I actually did a double take because at first glance I was like WTF???
Also a shout out to AEW Wrestler and all time wrestling G.O.A.T. Chris Jericho who, like me, is a huge fan of exploitation and gore films. And his own review of this film on his podcast, Talk is Jericho.
I recommend this film if you have a few hours to kill. I highly recommend you get Shudder... Its cheap 5.99 a month in Canada and its full of some great horror films and documentaries. But it's also the only place you can find THE LAST DRIVE-IN with Joe Bob Briggs... Friday nights at 9p.m. EST for the next 6-8 weeks.
Enjoy this film, horror fans. Because you will never see anything else like it....
Emma @ The Movies (1786 KP) rated Robin Hood (2018) in Movies
Sep 25, 2019
At this point I feel like I've grown u with definitive versions of Robin Hood. Kevin Costner will always be a front runner, and Disney's foxified version brings a smile to my face every time. I was also lucky to have been shown Robin Hood Men In Tights when I was younger and will always appreciate Cary Elwes' rendition. Errol Flynn will always be the high point for class in the role. There's always that one we don't talk about... Russell Crowe, I'm looking at you. We probably should consider the small screen as well, after all should we be excluding Robin from Madi Marian and Her Merry Men?
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
Merissa (11981 KP) rated The Royal Marine (The Sin Bin #4) in Books
Nov 17, 2017
The Royal Marine (The Sin Bin #4) by Dahlia Donovan
The Royal Marine is the fourth book in The Sin Bin series, and it's time for Hamish's story. He has worked with Earp for a while now, and get set up on a blind date with Akash. Luckily (or unluckily) Akash is set up with Scottie on the same evening. Now we all know that Scottie is having major issues at the moment and, to be fair, acting like a jerk. So it comes as no surprise when Akash chooses to be with Hamish. Scottie is none too pleased about this, and continues to pop up throughout the book, with pleas and demands for Akash to go for a drink with him. During this time, Akash and Hamish are slowly getting to know each other. The spark is there, but it needs to be more than just sex. In between Akash's bakery and Hamish's work overseas, their relationship continues to move forward.
Now, I'm stopping right there, because I could go on. I could tell you about what a first class prize prat Scottie is, and how I think (hope) that I know who his match is. I could tell you how amazingly written the twins are, and how brilliant Akash is with them. I could tell you about the constant wit and banter, in amongst the danger, from Hamish, Earp, and the rest of the team. But seriously? Why would I do that? Why would I HAVE to do that? This is the fourth book in the series, and I would recommend that you read them in order for total enjoyment. So therefore, you know about Dahlia Donovan's writing style, her quick wit and sense of humour that comes across loud and clear in her writing. You know some of the previous characters and like/love the updates on their lives. So really, I don't have to tell you ANYTHING about this book, series, or author!
In case you haven't realised yet, I love Dahlia Donovan's books, her writing style, her characters, her charm. What I don't like is not having a mascara warning, and sobbing into my breakfast as I desperately try to finish The Royal Marine before I start work. Oh my, this book ripped my heart out. Did I get a happy ending? I'll leave that to you to read and find out.
I absolutely recommend this book, and the series, so GO READ IT! Now!
(And, no, I wasn't serious about the mascara warning before someone says it should be written on the cover somewhere!)
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Now, I'm stopping right there, because I could go on. I could tell you about what a first class prize prat Scottie is, and how I think (hope) that I know who his match is. I could tell you how amazingly written the twins are, and how brilliant Akash is with them. I could tell you about the constant wit and banter, in amongst the danger, from Hamish, Earp, and the rest of the team. But seriously? Why would I do that? Why would I HAVE to do that? This is the fourth book in the series, and I would recommend that you read them in order for total enjoyment. So therefore, you know about Dahlia Donovan's writing style, her quick wit and sense of humour that comes across loud and clear in her writing. You know some of the previous characters and like/love the updates on their lives. So really, I don't have to tell you ANYTHING about this book, series, or author!
In case you haven't realised yet, I love Dahlia Donovan's books, her writing style, her characters, her charm. What I don't like is not having a mascara warning, and sobbing into my breakfast as I desperately try to finish The Royal Marine before I start work. Oh my, this book ripped my heart out. Did I get a happy ending? I'll leave that to you to read and find out.
I absolutely recommend this book, and the series, so GO READ IT! Now!
(And, no, I wasn't serious about the mascara warning before someone says it should be written on the cover somewhere!)
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Purple Phoenix Games (2266 KP) rated The Seals of Cthulhu in Tabletop Games
Jun 9, 2021
I don’t really know the origins/history of Cthulhu, but it has always been a theme that draws me in when I see it. Just the concept of these Elder Gods is creepy, yet exciting, and rarely will I turn down the chance to play a Cthulhu-esque game. That being said, when I stumbled upon The Seals of Cthulhu on Kickstarter, and checked out the page, I knew I had to back. Did my unfaltering fascination with the Cthulhu theme lead me astray, or did this game enhance my existing opinions?
The Seals of Cthulhu is a 2-player game of bluffing and betting in which players are trying to amass the most Control points at the end of 5 rounds. To setup for a game, each player decides which role they will take on: Cultist or Investigator. Each player will receive the 4 Influence markers and 5 Artifact cards corresponding to their chosen role for the game. Players decide on which of the 7 Elder Gods they would like to play with, and takes that card into their hand as well. Select a starting player, who will receive the Active Player Marker, and the game is ready to begin!
On your turn, you will select 1 card from your hand and place it face-down between yourself and your opponent. After selecting a card, you will place a number of Influence markers that you control next to the card, serving as your bid for control of this card. Once you have made your initial bid, your opponent has two choices: accept your bid (taking the Influence markers for themselves) and allowing you to gain control of the card, or they may make their own bid with Influence markers in their control. When bidding against your opponent, you must always bid at least 1 more Influence than what was just bid. This bidding war continues back and forth until one player decides to take the entire Influence bid, letting the other player gain the card. Once a bid has been accepted, the card in question is placed face-up in front of the winning bidder.
Here’s the neat part – each Artifact card is broken in half. At the start of the game, each player each has only half of each Artifact card in hand. So in the bidding process, you may be able to acquire the other half, and thus complete an Artifact. Each Artifact has a special ability that can only be used when completed. Having only half of the Journal isn’t doing you any good! Each special ability may only be used once per game, so choose your opportunities wisely. The game continues in this fashion, with players taking turns bidding and gathering artifacts, until each player has taken 5 turns. Players will then add up the total Control value of their face-up cards, and the player with the highest Control value is the winner!
At its core, the physical gameplay of The Seals of Cthulhu is pretty simple and straightforward. Pick a card, and bid on it. That’s where the simplicity ends, though, and strategy takes over. Both players start with the exact same cards in hand, but how and when you decide to play those cards is what drives the strategy of this game. If you seem too eager when making a bid, perhaps your opponent will vastly outbid you to keep you from getting that card. You can even start the bidding at zero, at the risk of letting your opponent control your bidding round. Are you able to balance the risk/reward of the bidding process in order to maximize your tableau?
And, as stated above, each complete artifact has a special ability that can be used to either benefit you or hinder your opponent. The game also comes with Cultist/Investigator cards that you may choose to use in a game. Both players select one of the characters to become for the game, and each character provides a special ability during the game. At the end of the game, the only cards that are scored from your tableau are the ones that are face-up. Certain abilities, from both Artifacts and characters, allow you to flip cards face-down, thus depriving the player of those end-game points. Another neat thing about this game is that even if a player runs out of Influence tokens, they can bid with cards they already control in their tableau. Every card has a certain Influence value, and can be added to bids. If your opponent chooses to accept the bid, however, you have to give up that card! It’s important to keep an eye on the cards your opponent already controls, so you don’t just accidentally help them complete an Artifact. The strategic options of this game are vast and variable, and keep both players actively engaged the entire game. The only downside of this game for me is that I wish there were more cards/Artifact options for each play. Perhaps, like the Elder Gods cards, sets that can be interchanged between games as long as both players agree on the cards. Just a little something that can change every game in small ways.
Components. Probably the first thing that drew me to this game on Kickstarter was the color scheme and art style. It looked spooky and vibrant, and it really adds to the immersion in the game. The cards themselves are all large and sturdy, and are clear to read. I did go for the custom sleeve add-on, and those are some high quality sleeves as well. The Cultist and Investigator tokens are shaped and screen printed, and just plain fun to have in hand, as well as the Active Player Marker. The game box itself is designed to look like a creepy old book, and closes magnetically on the side – all of which just makes the theme come more alive!
In general, I am not a fan of bluffing games, but to me, The Seals of Cthulhu feels more like a bidding game than bluffing. Is it my favorite 2-player game? No, but it’s one that I am happy to have in my collection. The gameplay itself feels fresh but fast, and the strategy can be as simple or as complicated as you want it to be. The inclusion of optional character roles adds to the variability of the gameplay, and the requirement to have both halves of an Artifact in order to use its ability adds an extra layer to your strategy. The color scheme and artwork is what originally drew me in to the Kickstarter campaign for this game, but the gameplay is what keeps me coming back. Purple Phoenix Games gives this one a ritualistic 8 / 12. Check it out if you’re on the lookout for more 2-player games!
The Seals of Cthulhu is a 2-player game of bluffing and betting in which players are trying to amass the most Control points at the end of 5 rounds. To setup for a game, each player decides which role they will take on: Cultist or Investigator. Each player will receive the 4 Influence markers and 5 Artifact cards corresponding to their chosen role for the game. Players decide on which of the 7 Elder Gods they would like to play with, and takes that card into their hand as well. Select a starting player, who will receive the Active Player Marker, and the game is ready to begin!
On your turn, you will select 1 card from your hand and place it face-down between yourself and your opponent. After selecting a card, you will place a number of Influence markers that you control next to the card, serving as your bid for control of this card. Once you have made your initial bid, your opponent has two choices: accept your bid (taking the Influence markers for themselves) and allowing you to gain control of the card, or they may make their own bid with Influence markers in their control. When bidding against your opponent, you must always bid at least 1 more Influence than what was just bid. This bidding war continues back and forth until one player decides to take the entire Influence bid, letting the other player gain the card. Once a bid has been accepted, the card in question is placed face-up in front of the winning bidder.
Here’s the neat part – each Artifact card is broken in half. At the start of the game, each player each has only half of each Artifact card in hand. So in the bidding process, you may be able to acquire the other half, and thus complete an Artifact. Each Artifact has a special ability that can only be used when completed. Having only half of the Journal isn’t doing you any good! Each special ability may only be used once per game, so choose your opportunities wisely. The game continues in this fashion, with players taking turns bidding and gathering artifacts, until each player has taken 5 turns. Players will then add up the total Control value of their face-up cards, and the player with the highest Control value is the winner!
At its core, the physical gameplay of The Seals of Cthulhu is pretty simple and straightforward. Pick a card, and bid on it. That’s where the simplicity ends, though, and strategy takes over. Both players start with the exact same cards in hand, but how and when you decide to play those cards is what drives the strategy of this game. If you seem too eager when making a bid, perhaps your opponent will vastly outbid you to keep you from getting that card. You can even start the bidding at zero, at the risk of letting your opponent control your bidding round. Are you able to balance the risk/reward of the bidding process in order to maximize your tableau?
And, as stated above, each complete artifact has a special ability that can be used to either benefit you or hinder your opponent. The game also comes with Cultist/Investigator cards that you may choose to use in a game. Both players select one of the characters to become for the game, and each character provides a special ability during the game. At the end of the game, the only cards that are scored from your tableau are the ones that are face-up. Certain abilities, from both Artifacts and characters, allow you to flip cards face-down, thus depriving the player of those end-game points. Another neat thing about this game is that even if a player runs out of Influence tokens, they can bid with cards they already control in their tableau. Every card has a certain Influence value, and can be added to bids. If your opponent chooses to accept the bid, however, you have to give up that card! It’s important to keep an eye on the cards your opponent already controls, so you don’t just accidentally help them complete an Artifact. The strategic options of this game are vast and variable, and keep both players actively engaged the entire game. The only downside of this game for me is that I wish there were more cards/Artifact options for each play. Perhaps, like the Elder Gods cards, sets that can be interchanged between games as long as both players agree on the cards. Just a little something that can change every game in small ways.
Components. Probably the first thing that drew me to this game on Kickstarter was the color scheme and art style. It looked spooky and vibrant, and it really adds to the immersion in the game. The cards themselves are all large and sturdy, and are clear to read. I did go for the custom sleeve add-on, and those are some high quality sleeves as well. The Cultist and Investigator tokens are shaped and screen printed, and just plain fun to have in hand, as well as the Active Player Marker. The game box itself is designed to look like a creepy old book, and closes magnetically on the side – all of which just makes the theme come more alive!
In general, I am not a fan of bluffing games, but to me, The Seals of Cthulhu feels more like a bidding game than bluffing. Is it my favorite 2-player game? No, but it’s one that I am happy to have in my collection. The gameplay itself feels fresh but fast, and the strategy can be as simple or as complicated as you want it to be. The inclusion of optional character roles adds to the variability of the gameplay, and the requirement to have both halves of an Artifact in order to use its ability adds an extra layer to your strategy. The color scheme and artwork is what originally drew me in to the Kickstarter campaign for this game, but the gameplay is what keeps me coming back. Purple Phoenix Games gives this one a ritualistic 8 / 12. Check it out if you’re on the lookout for more 2-player games!
Becs (244 KP) rated A Raisin in the Sun in Books
Oct 2, 2019
They honestly need more books like this. When my husband found out that I was getting A Raisin in the Sun by Lorraine Hansberry, he grew excited and he never does that unless it’s a science-related book. That was when I knew I was going to like this beautiful novel. When I started to read it, I rushed through it. Not in a “I just want to finish this book” way, more like “I FREAKING LOVE THIS BOOK AND I DON’T EVER WANT IT TO END” way. That says something, right?
A Raisin in the Sun by Lorraine Hansberry
Genre: Literary Classic, Play, Drama, Fiction
Synopsis: First produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award and hailed as a watershed in American drama. Not only a pioneering work by an African-American playwright – Lorraine Hansberry’s play was also a radically new representation of black life, resolutely authentic, fiercely unsentimental, and unflinching in its vision of what happens to people whose dreams are constantly deferred. In her portrait of an embattled Chicago family, Hansberry anticapted issues that range from generational clashes to the civil rights and women’s movements. She also posed the essential questions – about identity, justice, and moral responsibility – at the heart of those great struggles. The result is an American classic.
Audience/Reading Level: Middle School +
Interests: Plays, dramas, literary classics, racial segregation, women’s movement, 50s era.
Point of View: Third Person Omniscient
Difficulty Reading: Not at all, I rushed through it because I loved it so much! As in some of Shakespeares plays, you don’t get stuck on the general language of the era it was written, as it’s written close to a book you would get from this era.
Promise: “Award-winning drama of the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America–and changed American theater forever.” – It did. 🙂
Insights: I love reading plays as it’s a way to step out of a comfort zone of reading Young Adult novels. It gives me a chance to dip into my theater/acting side and use what I’ve learned from theatre classes. A Raisin in the Sun is a well-written American classic that honestly should be read in every school from middle school and up. The lessens that are taught throughout the play are subtle yet obvious which creates a background that we can use in our every day life.
Ah-Ha Moment: The moment that Beneatha came into the picture and was a total feminist. Man, she’s my favorite character besides Mama (Lena Younger) and her little plant.
Favorite Quotes: “Beneatha: Love him? There is nothing left to love. Mama: There is always something left to love. And if you ain’t learned that, you ain’t learned nothing. (Looking at her) Have you cried for that boy today? I don’t mean for yourself and for the family ’cause we lost the money. I mean for him: what he been through and what it done to him. Child, when do you think is the time to love somebody the most? When they done good and made things easy for everybody? Well then, you ain’t through learning – because that ain’t the time at all. It’s when he’s at his lowest and can’t believe in hisself ’cause the world done whipped him so! when you starts measuring somebody, measure him right, child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.”
“Mama, you don’t understand. It’s all a matter of ideas, and God is just one idea I don’t acept. It’s not important. I am not going out and commit crimes or be immoral because I don’t believe in God. I don’t even think about it. It’s just that I get so tired of Him getting credit for all the things the human race achieves through its own stubborn effort. There simply is no God! There is only Man, and it’s he who makes miracles!”
What will you gain: A haunting yet revealing play that will be as fresh of a read today, as it was in the 50’s.
Aesthetics: The entire play. The cover. The characters. The underlying meaning beneath it all. The era it was written and is based off of. Just everything about this little book.
“I want to fly! I want to touch the sun!”
“Finish your eggs first.”
A Raisin in the Sun by Lorraine Hansberry
Genre: Literary Classic, Play, Drama, Fiction
Synopsis: First produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award and hailed as a watershed in American drama. Not only a pioneering work by an African-American playwright – Lorraine Hansberry’s play was also a radically new representation of black life, resolutely authentic, fiercely unsentimental, and unflinching in its vision of what happens to people whose dreams are constantly deferred. In her portrait of an embattled Chicago family, Hansberry anticapted issues that range from generational clashes to the civil rights and women’s movements. She also posed the essential questions – about identity, justice, and moral responsibility – at the heart of those great struggles. The result is an American classic.
Audience/Reading Level: Middle School +
Interests: Plays, dramas, literary classics, racial segregation, women’s movement, 50s era.
Point of View: Third Person Omniscient
Difficulty Reading: Not at all, I rushed through it because I loved it so much! As in some of Shakespeares plays, you don’t get stuck on the general language of the era it was written, as it’s written close to a book you would get from this era.
Promise: “Award-winning drama of the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America–and changed American theater forever.” – It did. 🙂
Insights: I love reading plays as it’s a way to step out of a comfort zone of reading Young Adult novels. It gives me a chance to dip into my theater/acting side and use what I’ve learned from theatre classes. A Raisin in the Sun is a well-written American classic that honestly should be read in every school from middle school and up. The lessens that are taught throughout the play are subtle yet obvious which creates a background that we can use in our every day life.
Ah-Ha Moment: The moment that Beneatha came into the picture and was a total feminist. Man, she’s my favorite character besides Mama (Lena Younger) and her little plant.
Favorite Quotes: “Beneatha: Love him? There is nothing left to love. Mama: There is always something left to love. And if you ain’t learned that, you ain’t learned nothing. (Looking at her) Have you cried for that boy today? I don’t mean for yourself and for the family ’cause we lost the money. I mean for him: what he been through and what it done to him. Child, when do you think is the time to love somebody the most? When they done good and made things easy for everybody? Well then, you ain’t through learning – because that ain’t the time at all. It’s when he’s at his lowest and can’t believe in hisself ’cause the world done whipped him so! when you starts measuring somebody, measure him right, child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.”
“Mama, you don’t understand. It’s all a matter of ideas, and God is just one idea I don’t acept. It’s not important. I am not going out and commit crimes or be immoral because I don’t believe in God. I don’t even think about it. It’s just that I get so tired of Him getting credit for all the things the human race achieves through its own stubborn effort. There simply is no God! There is only Man, and it’s he who makes miracles!”
What will you gain: A haunting yet revealing play that will be as fresh of a read today, as it was in the 50’s.
Aesthetics: The entire play. The cover. The characters. The underlying meaning beneath it all. The era it was written and is based off of. Just everything about this little book.
“I want to fly! I want to touch the sun!”
“Finish your eggs first.”
Kara Skinner (332 KP) rated War Bride in Books
Sep 10, 2019
Genre: Medieval, Fantasy, Adult
Goodreads rating: 3.7 out of 5 stars
My rating: 4.5 out of 5 stars
I’m going to earn your trust, Emery Toustain, he thought as he released her hand. Perhaps, if you let me, I’ll earn more than that.
The first time I read War Bride was several months ago. It was so good I actually missed a call from my boss because I was so busy reading it. No, really. I didn’t even “ignore” the call. The fact that my phone was ringing didn’t even register because I was so absorbed in the book. I ended up finishing it in less than a day.
I just finished it for the second time today, and it’s still incredible.
Emery Calliot kicks ass.
Emery will never be like other noble ladies. She always preferred wearing men’s clothing to dresses and learning archery to needlepoint. She has a tendency to ramble when she’s nervous and she can’t tame her hair for the life of her. But she had always wanted to marry eventually.
That is, until the night of King Rowan’s Treason, when she had been unspeakably hurt beyond repair. Now the idea of marriage makes her blood curdle.
But with the peace treaty between Dinasdale and Daleria shaky as it is, she doesn’t have any choice but to marry Dinasdalian lord, Leofred Toustain, a man she’s never met before, who looks terrifies her.
Yes, he was quite magnificent with skin like polished ebony and glittering eyes akin to chunks of onyx. Hawkish features were made more prominent by the absence of the beard most Dinasdalian men favored. His sharp jaw, slashing cheekbones, and arrogant nose made his hooded eyes darker and more mysterious. Leofred was beautiful in the way a panther might be—nice to look upon from a distance, but quite frightening up close.
Leofred isn’t looking forward to marriage any more than his bride-to-be is. He had always hoped marry for love, not someone had never met before. But he sees his new bride as a challenge, and he’s determined to break through her barriers and make her trust him.
“Nonsense. Everyone is capable of love. Right now, you are not capable of physical intimacy, but that is only a small part of what love between a man and a woman is. For the nonce, I would be happy if you would let me become your husband in other ways. Let me be your confidant and your friend. Let me hold your hand when we walk, and tell you I think you’re beautiful every day. Let me prove to you just how capable of love you are, and when you are ready, I will show you how beautiful making love will be between us. Only when you are ready, Emery. Not before.”
Leofred is incredibly sexy, and completely perfect for Emery. He’s gentle, nice, and very patient with her, which is exactly what she needs. They have a great story and the dialog between them is fantastic.
Before the wedding yesterday, I took the liberty of procuring a lady’s maid for you. However, if you want, I will send her away.”
“No, don’t do that. Please, send her in. As you can see, I need the help.”
He smiled at her again. “No, you don’t.”
The only thing I didn’t like was how he dealt with Caden at the beginning of the book. Caden knows what happened with Emery and wanted to warn Leofred to be patient with her. Leofred brushed him off and told him to mind his own business.
Later he blames Caden for his awkward and tense wedding night because Caden didn’t tell him what was wrong with Emery.
Whatever (Caden) knew and would not speak about had ruined his wedding night.
This is a bit of a dick move on Leofred’s part. But this is honestly the only time that he’s not a perfect gentleman. And he never mistreats or disrespects Emery.
I love the Chained series, and War Bride did not disappoint. It’s definitely worth the read.
Goodreads rating: 3.7 out of 5 stars
My rating: 4.5 out of 5 stars
I’m going to earn your trust, Emery Toustain, he thought as he released her hand. Perhaps, if you let me, I’ll earn more than that.
The first time I read War Bride was several months ago. It was so good I actually missed a call from my boss because I was so busy reading it. No, really. I didn’t even “ignore” the call. The fact that my phone was ringing didn’t even register because I was so absorbed in the book. I ended up finishing it in less than a day.
I just finished it for the second time today, and it’s still incredible.
Emery Calliot kicks ass.
Emery will never be like other noble ladies. She always preferred wearing men’s clothing to dresses and learning archery to needlepoint. She has a tendency to ramble when she’s nervous and she can’t tame her hair for the life of her. But she had always wanted to marry eventually.
That is, until the night of King Rowan’s Treason, when she had been unspeakably hurt beyond repair. Now the idea of marriage makes her blood curdle.
But with the peace treaty between Dinasdale and Daleria shaky as it is, she doesn’t have any choice but to marry Dinasdalian lord, Leofred Toustain, a man she’s never met before, who looks terrifies her.
Yes, he was quite magnificent with skin like polished ebony and glittering eyes akin to chunks of onyx. Hawkish features were made more prominent by the absence of the beard most Dinasdalian men favored. His sharp jaw, slashing cheekbones, and arrogant nose made his hooded eyes darker and more mysterious. Leofred was beautiful in the way a panther might be—nice to look upon from a distance, but quite frightening up close.
Leofred isn’t looking forward to marriage any more than his bride-to-be is. He had always hoped marry for love, not someone had never met before. But he sees his new bride as a challenge, and he’s determined to break through her barriers and make her trust him.
“Nonsense. Everyone is capable of love. Right now, you are not capable of physical intimacy, but that is only a small part of what love between a man and a woman is. For the nonce, I would be happy if you would let me become your husband in other ways. Let me be your confidant and your friend. Let me hold your hand when we walk, and tell you I think you’re beautiful every day. Let me prove to you just how capable of love you are, and when you are ready, I will show you how beautiful making love will be between us. Only when you are ready, Emery. Not before.”
Leofred is incredibly sexy, and completely perfect for Emery. He’s gentle, nice, and very patient with her, which is exactly what she needs. They have a great story and the dialog between them is fantastic.
Before the wedding yesterday, I took the liberty of procuring a lady’s maid for you. However, if you want, I will send her away.”
“No, don’t do that. Please, send her in. As you can see, I need the help.”
He smiled at her again. “No, you don’t.”
The only thing I didn’t like was how he dealt with Caden at the beginning of the book. Caden knows what happened with Emery and wanted to warn Leofred to be patient with her. Leofred brushed him off and told him to mind his own business.
Later he blames Caden for his awkward and tense wedding night because Caden didn’t tell him what was wrong with Emery.
Whatever (Caden) knew and would not speak about had ruined his wedding night.
This is a bit of a dick move on Leofred’s part. But this is honestly the only time that he’s not a perfect gentleman. And he never mistreats or disrespects Emery.
I love the Chained series, and War Bride did not disappoint. It’s definitely worth the read.
Emma @ The Movies (1786 KP) rated Apocalypse Tomorrow (2014) in Movies
Jun 11, 2020
We get thrown into the disasters pretty quickly, so quickly in fact that I really thought I'd missed something, you will be glad to know that it's isn't so complex that you can't pick it up, it's just ridiculous.
The main characters of Neil and Colin are introduced very quickly and we get a rather clumsy potted backstory before they get swept up into the action. Joel Gretsch is a face I know from various things but it's The 4400 that sticks out the most, his acting in this isn't much of a stretch beyond what he's had experience with and he probably has the best character next to Marty.
Apocalypse Tomorrow, or Zodiac: Signs Of The Apocalypse, ticks all the classic TV disaster movie points... animals fleeing from impending danger, terrible CGI, vehicles and people being able to outrun nature, terrible CGI, and a dubious love interest moment... credit where credit is due, they did catch me out with this one. What I was severely upset by though was the fact that we hear about devastation around the world and there were no crappy shots of world famous landmarks being destroyed, don't they know that's what we come to these films for?!
You may know that I hate bouncy camera work, I was pleasantly surprised when (excluding in-car scenes) the camera was solid and not frustrating, TV movies tend to be a little erratic on that point. Sadly they do randomly have one scene where it appears that the cameraman was wearing trampoline shoes while going through caffeine withdrawal, even more confusingly there was a scene where I could have forgiven it happening but they chose a very calm moment to have it and it did nothing but annoy.
The props that are introduced suddenly looked very familiar and if I didn't know any better I'd have said they were original concept pieces for Stargate that had been found in a shed somewhere. The physical pieces don't actually look too bad visually, but the CGI is a mix of passable, bad and terrible, at no time convincing. Bizarrely that gives it pretty good marks for this sort of film.
As with many films that want to be more action than story our characters all get to jump to conclusions and accurate deductions without any work being put in. Significantly in this one it means that right near the beginning we jump from one scene to another and skip what feels like two scenes in the middle. From a tense situation everything goes calm instantly and everything is back to normal. With some better scripting there are a lot of moments like this that could have been avoided.
I feel like my score could be misleading, was this film bad? Yes. But it's just ridiculous enough to be amusing.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/apocalypse-tomorrow-movie-review.html
The main characters of Neil and Colin are introduced very quickly and we get a rather clumsy potted backstory before they get swept up into the action. Joel Gretsch is a face I know from various things but it's The 4400 that sticks out the most, his acting in this isn't much of a stretch beyond what he's had experience with and he probably has the best character next to Marty.
Apocalypse Tomorrow, or Zodiac: Signs Of The Apocalypse, ticks all the classic TV disaster movie points... animals fleeing from impending danger, terrible CGI, vehicles and people being able to outrun nature, terrible CGI, and a dubious love interest moment... credit where credit is due, they did catch me out with this one. What I was severely upset by though was the fact that we hear about devastation around the world and there were no crappy shots of world famous landmarks being destroyed, don't they know that's what we come to these films for?!
You may know that I hate bouncy camera work, I was pleasantly surprised when (excluding in-car scenes) the camera was solid and not frustrating, TV movies tend to be a little erratic on that point. Sadly they do randomly have one scene where it appears that the cameraman was wearing trampoline shoes while going through caffeine withdrawal, even more confusingly there was a scene where I could have forgiven it happening but they chose a very calm moment to have it and it did nothing but annoy.
The props that are introduced suddenly looked very familiar and if I didn't know any better I'd have said they were original concept pieces for Stargate that had been found in a shed somewhere. The physical pieces don't actually look too bad visually, but the CGI is a mix of passable, bad and terrible, at no time convincing. Bizarrely that gives it pretty good marks for this sort of film.
As with many films that want to be more action than story our characters all get to jump to conclusions and accurate deductions without any work being put in. Significantly in this one it means that right near the beginning we jump from one scene to another and skip what feels like two scenes in the middle. From a tense situation everything goes calm instantly and everything is back to normal. With some better scripting there are a lot of moments like this that could have been avoided.
I feel like my score could be misleading, was this film bad? Yes. But it's just ridiculous enough to be amusing.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/apocalypse-tomorrow-movie-review.html
Zuky the BookBum (15 KP) rated The Teacher (DS Imogen Grey, #1) in Books
Mar 15, 2018
This book was fucking awesome.
A lot of the plot was predictable and I was pretty sure I knew what was going on very soon into the book, but that didn't take away any of the shock factor this books gave out.
"Most definitely *not* for the faint-hearted!" I have to agree with this warning, a lot of this book was absolutely brutal. I'm a big fan of blood and guts, in movies and books, but even this made me wince a few times. Diamond really knows how to describe a gory bloodbath!
To begin with this book is a little confusing, each chapter tells the story of a different character and to begin with there just seems to be thousands of narratives and no explanation, but it quickly wraps that up for you and that's when the ball really gets rolling. I warn you, you will get hooked on this book, it's one of those stories where you just want to keep reading and reading and reading.
Miles and Grey were such an excellent duo together. The fact they were both damaged in some way really made them click but not bring the mood of the book down at all. <spoiler> I also love the fact that these two didn't get it on! Finally, a female and male character who can remain buddies without having to fuck each other!</spoiler> Miles was definitely my favourite of the two, he was flawed and withdrawn but he had a good heart and a good brain and he knew what he needed to do at all times, no fucking about.
Abbey's story really hit me hard and I found it quite difficult to read... the things she went through (tw//r*pe) were absolutely horrific and the people who reacted to it were awful. People reacted in the worst possible way after the admission of a r*pe victim and I think Diamond's writing really reflected a problem a lot of society have in understanding where the blame lies. Women (and occasionally men) are never <i> ever</i> asking for it. I wish we knew a little more about the darker things in Abbey's life, it would have nice to have known what became of her dad. I also would have liked to know whether anyone ever found out about the bad things she did... <spoiler> for example, would they not have found Christian's body in the Samurai if they were pulling the museum apart? </spoiler>
Parker's tale broke my heart and I'm so happy with how everything turned out for him, those men got what they deserved! <spoiler>Though it would have been nice to see Morris get what he deserved!</spoiler>
I've already gone on to recommend the book to friends and family, though if you're sensitive to gore and/or rape then this is definitely a book to steer clear from! Really enjoyable book to read (not in a morbid way) and definitely the best book I've read in what feels like forever! Would have been 5 stars if it wasn't for the fact I guessed everything <spoiler> apart from Abbey killing and hiding Christian!</spoiler> before it happened.
A lot of the plot was predictable and I was pretty sure I knew what was going on very soon into the book, but that didn't take away any of the shock factor this books gave out.
"Most definitely *not* for the faint-hearted!" I have to agree with this warning, a lot of this book was absolutely brutal. I'm a big fan of blood and guts, in movies and books, but even this made me wince a few times. Diamond really knows how to describe a gory bloodbath!
To begin with this book is a little confusing, each chapter tells the story of a different character and to begin with there just seems to be thousands of narratives and no explanation, but it quickly wraps that up for you and that's when the ball really gets rolling. I warn you, you will get hooked on this book, it's one of those stories where you just want to keep reading and reading and reading.
Miles and Grey were such an excellent duo together. The fact they were both damaged in some way really made them click but not bring the mood of the book down at all. <spoiler> I also love the fact that these two didn't get it on! Finally, a female and male character who can remain buddies without having to fuck each other!</spoiler> Miles was definitely my favourite of the two, he was flawed and withdrawn but he had a good heart and a good brain and he knew what he needed to do at all times, no fucking about.
Abbey's story really hit me hard and I found it quite difficult to read... the things she went through (tw//r*pe) were absolutely horrific and the people who reacted to it were awful. People reacted in the worst possible way after the admission of a r*pe victim and I think Diamond's writing really reflected a problem a lot of society have in understanding where the blame lies. Women (and occasionally men) are never <i> ever</i> asking for it. I wish we knew a little more about the darker things in Abbey's life, it would have nice to have known what became of her dad. I also would have liked to know whether anyone ever found out about the bad things she did... <spoiler> for example, would they not have found Christian's body in the Samurai if they were pulling the museum apart? </spoiler>
Parker's tale broke my heart and I'm so happy with how everything turned out for him, those men got what they deserved! <spoiler>Though it would have been nice to see Morris get what he deserved!</spoiler>
I've already gone on to recommend the book to friends and family, though if you're sensitive to gore and/or rape then this is definitely a book to steer clear from! Really enjoyable book to read (not in a morbid way) and definitely the best book I've read in what feels like forever! Would have been 5 stars if it wasn't for the fact I guessed everything <spoiler> apart from Abbey killing and hiding Christian!</spoiler> before it happened.
Debbiereadsbook (1176 KP) rated Two For The Road in Books
Jan 28, 2019
I loved this bookj!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Dylan saw Riley when he was just 15, Riley was suited and booted and Dylan fell in love. At 22, Dylan manages to wrangle to lift to work with Riley, in an effort to get his man. Because Riley is HIS: Riley just needs to see it too. But Riley is 20 years older than Dylan, and Dylan's dad's best fried, even if a bit estranged. Coming back to the village he was born to spend time with his dying father was a shock to Riley's system, but a much needed one. Leaving his partner of 20 years not so much of a shock as a revelation of just what had been going on behind his back for the bigger part of that relationship. Dylan is a breath of fresh air to Riley, who is lonely after his dad passed away. Chatting on the 45 minute drive to work every day brings the two men closer, and when Dylan finally declares his intention to make Riley his, all Riley thinks about is what would Dylan's dad think. Can Riley get past the age gap?
I started reading this and I was liking it. It was shaping up nicely for a 4 star rating. Not loving, just really enjoying it. And then SOMETHING! I've no idea what happened, or who said what, but something happened and I began to LOVE this book! I loved it from that point!
Dylan is young, yes, but he is old enough to know what he wants, more importantly, WHO he wants, and Dylan WANTS Riley. Riley is his and no one else's and Dylan will fight for Riley, even if Riley is scared and worried and all those negative feelings. When Dylan finds out why Riley is scared (not cos of the age gap, that's mentioned a lot!) Dylan steps up his advances a notch and poor Riley doesn't stand a chance. But Dylan's dad catches them, and Riley pushes Dylan away, running at the first hurdle. Dylan though, he doesn't. He'll wait til Riley comes round, cos he WILL come round, just as Dylan's dad will. And they do, wonderfully.
This is one of those books that you just fall into and inhale, you know?? Not too complicated, but you have to pick up the clues about Riley's past relationship. It's not overly explicit, but it is incredibly sexy, especially when Riley's experience is bought to light, even with being in a 20 year relationship (I did NOT like that man!) There is angst and turmoil, but it's not too heavy. Just enough for you to shed a tear when Riley breaks down and cries for what could have been with Dylan.
This really is a warm and fuzzies slash too stinking cute book! It also seems to be the first I've read of Milne, so my wish list is now a little longer.
So!
5 full and shiny and COLOURFUL stars (because after 20 years of white, Riley needs colour)
**same worded review will appear elsewhere**
Dylan saw Riley when he was just 15, Riley was suited and booted and Dylan fell in love. At 22, Dylan manages to wrangle to lift to work with Riley, in an effort to get his man. Because Riley is HIS: Riley just needs to see it too. But Riley is 20 years older than Dylan, and Dylan's dad's best fried, even if a bit estranged. Coming back to the village he was born to spend time with his dying father was a shock to Riley's system, but a much needed one. Leaving his partner of 20 years not so much of a shock as a revelation of just what had been going on behind his back for the bigger part of that relationship. Dylan is a breath of fresh air to Riley, who is lonely after his dad passed away. Chatting on the 45 minute drive to work every day brings the two men closer, and when Dylan finally declares his intention to make Riley his, all Riley thinks about is what would Dylan's dad think. Can Riley get past the age gap?
I started reading this and I was liking it. It was shaping up nicely for a 4 star rating. Not loving, just really enjoying it. And then SOMETHING! I've no idea what happened, or who said what, but something happened and I began to LOVE this book! I loved it from that point!
Dylan is young, yes, but he is old enough to know what he wants, more importantly, WHO he wants, and Dylan WANTS Riley. Riley is his and no one else's and Dylan will fight for Riley, even if Riley is scared and worried and all those negative feelings. When Dylan finds out why Riley is scared (not cos of the age gap, that's mentioned a lot!) Dylan steps up his advances a notch and poor Riley doesn't stand a chance. But Dylan's dad catches them, and Riley pushes Dylan away, running at the first hurdle. Dylan though, he doesn't. He'll wait til Riley comes round, cos he WILL come round, just as Dylan's dad will. And they do, wonderfully.
This is one of those books that you just fall into and inhale, you know?? Not too complicated, but you have to pick up the clues about Riley's past relationship. It's not overly explicit, but it is incredibly sexy, especially when Riley's experience is bought to light, even with being in a 20 year relationship (I did NOT like that man!) There is angst and turmoil, but it's not too heavy. Just enough for you to shed a tear when Riley breaks down and cries for what could have been with Dylan.
This really is a warm and fuzzies slash too stinking cute book! It also seems to be the first I've read of Milne, so my wish list is now a little longer.
So!
5 full and shiny and COLOURFUL stars (because after 20 years of white, Riley needs colour)
**same worded review will appear elsewhere**
Daniel Boyd (1066 KP) rated Kingsman: The Golden Circle (2017) in Movies
Oct 3, 2017
Plot Holes Galore (1 more)
Lack of Character Motivations
A Disappointing Sequel
Contains spoilers, click to show
You can look at this movie from two different perspectives. If you choose to see it as a dumb, switch-your-brain-off spy movie and are only going for the batshit insane action scenes, then you will have a good time. If you are looking for a decent comic book movie that serves as a sequel to the first movie and sets up a potential future franchise, then you will probably leave feeling similar to how I did, pretty disappointed.
The first movie was released with no hype behind it and for most people was a pleasant surprise. This film has a lot more to live up to and unfortunately it doesn't quite get there. Although the movie does feel like a sequel, it's not the worst sequel I've ever seen and it's not the worst sequel released this year.
Julianne Moore plays the antagonist in the movie and whilst her motivations for what she was doing were questionable, you could tell she was having fun with the character and it was a fun performance to watch. The action scenes were as fast paced and as fun as you would want them to be and although they do feel cartoony, there are a few crazy set pieces that you can’t help but grin at.
This movie also introduces the Statesman, an American version of the Kingsman who work out of a whisky factory rather than a tailor’s shop. Jeff Bridges and Halle Berry don’t get much screen time, which is fine, but Channing Tatum is hardly in the movie at all, despite appearing on a lot of the marketing for the film. I think he is onscreen in Hateful Eight for longer than he is in this.
Ok, spoiler time. If you haven’t seen the movie yet, don’t read on past this point. I mean if you have seen any of the trailers for the movie then you already know that they have brought Colin Firth back from the dead.
The explanation for this is sort of anti-climactic. Essentially, The Statesman have came up with a cure to gunshot wounds to the head and any other fatal wound that you may sustain, the process involves wrapping the wound in a gel strip and then inflating it with two syringes. Sure, you can argue this is a heightened reality where crazy stuff like this is entirely possible, but my problem with it, is that it immediately lowers all of the stakes. If anyone can be brought back from the dead, then how is there any peril left for the characters in the franchise?
After this whole revelation, they kill off Merlin, the character played by Mark Strong. His death is really pathetic and something that could have easily been avoided. Eggsy accidentally steps on a landmine, (even though they specifically point out that they are using a minesweeper,) then Merlin sprays the mine with a freeze gel so that Eggsy can step off of the mine and Merlin takes his place, then he distracts some guards and gets blown up. What I’m left wondering is the limit of what can be fixed with the regeneration strip. Surely if a bullet to the head can be walked off, then getting blown up by a landmine is fair game? Could they not have tried piecing him together like a jigsaw a wrapping him in the magic gel strips? I guess they could bring him back in the next movie and I’m sure if they do, we will know when the first trailer for Kingsman 3 is released.
Overall this isn’t a bad movie, it’s just disappointing. There are some entertaining action scenes, but rubbish dialogue and ridiculous plot elements make this inferior to the first Kingsman movie and pretty mediocre overall.
The first movie was released with no hype behind it and for most people was a pleasant surprise. This film has a lot more to live up to and unfortunately it doesn't quite get there. Although the movie does feel like a sequel, it's not the worst sequel I've ever seen and it's not the worst sequel released this year.
Julianne Moore plays the antagonist in the movie and whilst her motivations for what she was doing were questionable, you could tell she was having fun with the character and it was a fun performance to watch. The action scenes were as fast paced and as fun as you would want them to be and although they do feel cartoony, there are a few crazy set pieces that you can’t help but grin at.
This movie also introduces the Statesman, an American version of the Kingsman who work out of a whisky factory rather than a tailor’s shop. Jeff Bridges and Halle Berry don’t get much screen time, which is fine, but Channing Tatum is hardly in the movie at all, despite appearing on a lot of the marketing for the film. I think he is onscreen in Hateful Eight for longer than he is in this.
Ok, spoiler time. If you haven’t seen the movie yet, don’t read on past this point. I mean if you have seen any of the trailers for the movie then you already know that they have brought Colin Firth back from the dead.
The explanation for this is sort of anti-climactic. Essentially, The Statesman have came up with a cure to gunshot wounds to the head and any other fatal wound that you may sustain, the process involves wrapping the wound in a gel strip and then inflating it with two syringes. Sure, you can argue this is a heightened reality where crazy stuff like this is entirely possible, but my problem with it, is that it immediately lowers all of the stakes. If anyone can be brought back from the dead, then how is there any peril left for the characters in the franchise?
After this whole revelation, they kill off Merlin, the character played by Mark Strong. His death is really pathetic and something that could have easily been avoided. Eggsy accidentally steps on a landmine, (even though they specifically point out that they are using a minesweeper,) then Merlin sprays the mine with a freeze gel so that Eggsy can step off of the mine and Merlin takes his place, then he distracts some guards and gets blown up. What I’m left wondering is the limit of what can be fixed with the regeneration strip. Surely if a bullet to the head can be walked off, then getting blown up by a landmine is fair game? Could they not have tried piecing him together like a jigsaw a wrapping him in the magic gel strips? I guess they could bring him back in the next movie and I’m sure if they do, we will know when the first trailer for Kingsman 3 is released.
Overall this isn’t a bad movie, it’s just disappointing. There are some entertaining action scenes, but rubbish dialogue and ridiculous plot elements make this inferior to the first Kingsman movie and pretty mediocre overall.