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Having previously read and enjoyed "Stalker" by Lisa Stone, I certainly wasn't going to pass the opportunity to read this one and I wasn't disappointed.
What we have in "Taken" is a complex and gripping story of the abduction of 8 year Leila whose life is far from perfect being the daughter of a mother (Kelsey) prostituting herself and fighting addiction who has already had her older children taken from her.
Told from multiple points of view, we get a real insight into all the main characters which is not as confusing as it sounds believe me ... it works really well and, I believe, it makes the characters more believable and memorable.
The pace is perfect, the plot is absorbing, despite it being a little unrealistic in parts, and I did get the twist fairly early on but it was such that I continued to question myself until it was revealed.
Overall, a thought-provoking and enjoyable read which deals with some difficult subjects that, sadly, are prevalent within today's society but without the usual gratuitous violence which made a refreshing change.
Thank you to HarperCollins UK / HarperFiction and NetGalley for my copy in return for an unbiased review.
What we have in "Taken" is a complex and gripping story of the abduction of 8 year Leila whose life is far from perfect being the daughter of a mother (Kelsey) prostituting herself and fighting addiction who has already had her older children taken from her.
Told from multiple points of view, we get a real insight into all the main characters which is not as confusing as it sounds believe me ... it works really well and, I believe, it makes the characters more believable and memorable.
The pace is perfect, the plot is absorbing, despite it being a little unrealistic in parts, and I did get the twist fairly early on but it was such that I continued to question myself until it was revealed.
Overall, a thought-provoking and enjoyable read which deals with some difficult subjects that, sadly, are prevalent within today's society but without the usual gratuitous violence which made a refreshing change.
Thank you to HarperCollins UK / HarperFiction and NetGalley for my copy in return for an unbiased review.
Barely Breathing (Breathing, #2)
8.0
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Barely Breathing by Rebecca Donovan is a US bestseller and the incredible sequel to Reason to...
The Way You Look Tonight
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The thrilling new novel from bestselling Richard Madeley takes us into the glamorous world of the...
Your Closest Friend
7.0
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Imagine sharing your darkest secret with a stranger - a girl who isn't what she seems, and who will...
The Second Cup
6.0
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Would your life unravel if someone you knew committed suicide? Theirs did. Faye knows her...
Don’t Judge A Girl By Her Cover
8.5
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When Cammie "The Chameleon" Morgan visits her roommate Macey in Boston, she thinks she's in for an...
Dean (6927 KP) rated Dune (2021) in Movies
Nov 11, 2021 (Updated Nov 11, 2021)
Great visuals (1 more)
Very good ensemble cast
Space Opera
I'm totally new to Dune, I know nothing of the book or the previous film. So I have nothing to compare it to it that sense.
It's visually stunning and on a grand scale, with many wide angle shots to to get a good effect of scale. The design, look and feel of the film, along with Zimmer's score are all quality.
Then to the story which feels like a mix of The Matrix, meets Game of Thrones with a Star Wars setting. For new comers like myself it might be difficult keeping track of who is in alliance with who, as a lot of various faction names appear. The political side of things doesn't get too bogged down though. I did expect bigger and longer action scenes for a film of this scale. What action you do see is very good and the SFX are great.
So to those who are new to Dune it might be a bit of a mixed bag but there is no doubting the quality overall. Roll on part 2.
It's visually stunning and on a grand scale, with many wide angle shots to to get a good effect of scale. The design, look and feel of the film, along with Zimmer's score are all quality.
Then to the story which feels like a mix of The Matrix, meets Game of Thrones with a Star Wars setting. For new comers like myself it might be difficult keeping track of who is in alliance with who, as a lot of various faction names appear. The political side of things doesn't get too bogged down though. I did expect bigger and longer action scenes for a film of this scale. What action you do see is very good and the SFX are great.
So to those who are new to Dune it might be a bit of a mixed bag but there is no doubting the quality overall. Roll on part 2.
Mark @ Carstairs Considers (2346 KP) rated Once Upon a Wardrobe in Books
Nov 13, 2024 (Updated Nov 13, 2024)
Mixed Journey of Self-Discovery
Megs’s younger brother George has a heart defect that keeps him in bed reading. It’s 1950, and he’s just discovered The Lion, the Witch, and the Wardrobe, and he wants to know where Narnia came from. Since Megs is at Oxford, she goes to ask the author himself. But will C.S. Lewis’s answer help Megs and George?
I’ve been a Narnia fan since I first read the books in 3rd grade, so the premise of this book intrigued. However, it didn’t work for me. It felt too scattered, with too many storylines. It’s part biography of C.S. Lewis with vignettes about his life. It’s part coming of age story for Megs. I see where the author was trying to combine them thematically, but it didn’t quite work for me. I needed a bit more focus on something. Plus, some events in the story really strained what I could believe. But I did enjoy the characters, and I found myself tearing up a time or two. If the premise really intrigues you, check it out. Otherwise, give this one a pass.
I’ve been a Narnia fan since I first read the books in 3rd grade, so the premise of this book intrigued. However, it didn’t work for me. It felt too scattered, with too many storylines. It’s part biography of C.S. Lewis with vignettes about his life. It’s part coming of age story for Megs. I see where the author was trying to combine them thematically, but it didn’t quite work for me. I needed a bit more focus on something. Plus, some events in the story really strained what I could believe. But I did enjoy the characters, and I found myself tearing up a time or two. If the premise really intrigues you, check it out. Otherwise, give this one a pass.
TheDefunctDiva (304 KP) rated Bohemian Rhapsody (2018) in Movies
Feb 17, 2019 (Updated Feb 17, 2019)
I want it all. I want it all. I want it all. And I want it now
Contains spoilers, click to show
“I want it all. I want it all. I want it all. And I want it now.”
“I Want It All,” Queen, The Miracle, 1989
I am hating having to write this review though I feel compelled to do so. I bought this movie knowing I would like it. I didn’t have much money left in my checking account, but I thought, yes, this would be worth what little I had left to spend. I gifted it to my kiddo for Valentine’s Day knowing she would surely love it, too.
I didn’t love it. I didn’t even really like it.
I haven’t made a mistake this bad since the much-renowned Lost in Translation. Why the ire? Because Bohemian Rhapsody taught me some things, but not enough. Not what I wanted to know. I wanted to learn more than what a rudimentary Google search would have taught me about the band. Instead, I obtained only basic information about the band’s success. I think to really do the band justice you would need a series. Maybe that is my problem. The film had too much general information crammed into it, and I needed MORE, PEOPLE.
I should have liked this film because it revolved around Queen’s music. The best thing about this film is the soundtrack. I think contemplating some of Queen’s lyrics throughout would have really enhanced the film, though. They talked about the poetry but didn’t examine it. And I was disappointed.
Malek’s Mercury just didn’t do it for me though I admire his dedication to the craft. I do think he did an excellent job, but there was something missing that I can’t put my finger on. It felt very much like pretending. And I can’t even adequately explain why. I did love the costuming though. Especially the hair. The transformation of Mercury from boy to man was impressive. It made me want to grow a mustache.
The supporting characters were stereotypical. The supporting cast members might have been cardboard cutouts for all of the attachment I felt to them. The film also didn’t undertake the concept of what it meant to be LGBT in that era. Therefore, it didn’t fully explore the ramifications of the risks that Mercury was taking both professionally and personally. Conflicts just didn’t resonate with the high drama I felt they should have especially considering the in-your-face elements of Mercury’s personality. The passion just wasn’t there. And a real miracle would have been adequately examining the collaboration between the musicians.
I also felt the film was generally stilted by the writing, which seemed comprised of the most overused clichés in the English language.
Bohemian Rhapsody didn’t delve into the AIDS crisis deep enough to evoke much of an emotional response in me. I appreciate that Freddie Mercury didn’t want his life to be a “cautionary tale.” I get that. But the tragedy of his death seemed really downplayed to me for some reason. I wasn’t expecting the emotional response you would get from a film like Philadelphia. But something close would have been nice. Maybe I’ve seen too many films that focus on tragedy and expected to be weeping by the end of the film. Or the beginning of the film, or at any point during the film. But I was left feeling hollow.
The crowd scene from Live Aid and the Live Aid performance rightfully stole what remained of this show. The looks on the faces of the crowd. The expanse of the crowd. The scene reflected what it must have felt like to be a performer or a fan in such a large venue. Malek was awesome in this scene and deserves his due. It might be what earns him the Oscar.
I hate to say it, but I liked Mark Wahlberg and Rock Star (2001) better than I liked this movie. I just felt they could have done a better job with it. It didn’t live up to the hype.
And now I’ve touched upon the real issue. I could never get enough of this band, or of Mercury, and DAMNIT. The experience they provided fans around the world was just gone too soon.
And I just don’t feel the movie did the band or Mercury’s life justice.
I spent my Saturday listening to music in my car, wondering what a septuagenarian Mercury would have thought of today’s saturated music market. I imagine he would have been like my late father, fascinated by both the popular and the underground.
Ok, NOW I’m crying.
But touch my tears, with your lips
Touch my world, with your fingertips.
And we can have forever
And we can love forever
Forever is our today…
Queen, “Who Wants to Live Forever,” It’s Kind of Magic, 1986
“I Want It All,” Queen, The Miracle, 1989
I am hating having to write this review though I feel compelled to do so. I bought this movie knowing I would like it. I didn’t have much money left in my checking account, but I thought, yes, this would be worth what little I had left to spend. I gifted it to my kiddo for Valentine’s Day knowing she would surely love it, too.
I didn’t love it. I didn’t even really like it.
I haven’t made a mistake this bad since the much-renowned Lost in Translation. Why the ire? Because Bohemian Rhapsody taught me some things, but not enough. Not what I wanted to know. I wanted to learn more than what a rudimentary Google search would have taught me about the band. Instead, I obtained only basic information about the band’s success. I think to really do the band justice you would need a series. Maybe that is my problem. The film had too much general information crammed into it, and I needed MORE, PEOPLE.
I should have liked this film because it revolved around Queen’s music. The best thing about this film is the soundtrack. I think contemplating some of Queen’s lyrics throughout would have really enhanced the film, though. They talked about the poetry but didn’t examine it. And I was disappointed.
Malek’s Mercury just didn’t do it for me though I admire his dedication to the craft. I do think he did an excellent job, but there was something missing that I can’t put my finger on. It felt very much like pretending. And I can’t even adequately explain why. I did love the costuming though. Especially the hair. The transformation of Mercury from boy to man was impressive. It made me want to grow a mustache.
The supporting characters were stereotypical. The supporting cast members might have been cardboard cutouts for all of the attachment I felt to them. The film also didn’t undertake the concept of what it meant to be LGBT in that era. Therefore, it didn’t fully explore the ramifications of the risks that Mercury was taking both professionally and personally. Conflicts just didn’t resonate with the high drama I felt they should have especially considering the in-your-face elements of Mercury’s personality. The passion just wasn’t there. And a real miracle would have been adequately examining the collaboration between the musicians.
I also felt the film was generally stilted by the writing, which seemed comprised of the most overused clichés in the English language.
Bohemian Rhapsody didn’t delve into the AIDS crisis deep enough to evoke much of an emotional response in me. I appreciate that Freddie Mercury didn’t want his life to be a “cautionary tale.” I get that. But the tragedy of his death seemed really downplayed to me for some reason. I wasn’t expecting the emotional response you would get from a film like Philadelphia. But something close would have been nice. Maybe I’ve seen too many films that focus on tragedy and expected to be weeping by the end of the film. Or the beginning of the film, or at any point during the film. But I was left feeling hollow.
The crowd scene from Live Aid and the Live Aid performance rightfully stole what remained of this show. The looks on the faces of the crowd. The expanse of the crowd. The scene reflected what it must have felt like to be a performer or a fan in such a large venue. Malek was awesome in this scene and deserves his due. It might be what earns him the Oscar.
I hate to say it, but I liked Mark Wahlberg and Rock Star (2001) better than I liked this movie. I just felt they could have done a better job with it. It didn’t live up to the hype.
And now I’ve touched upon the real issue. I could never get enough of this band, or of Mercury, and DAMNIT. The experience they provided fans around the world was just gone too soon.
And I just don’t feel the movie did the band or Mercury’s life justice.
I spent my Saturday listening to music in my car, wondering what a septuagenarian Mercury would have thought of today’s saturated music market. I imagine he would have been like my late father, fascinated by both the popular and the underground.
Ok, NOW I’m crying.
But touch my tears, with your lips
Touch my world, with your fingertips.
And we can have forever
And we can love forever
Forever is our today…
Queen, “Who Wants to Live Forever,” It’s Kind of Magic, 1986
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