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Purple Phoenix Games (2266 KP) rated Evolution in Tabletop Games
Sep 12, 2019
I very much have a science-based mind. I like facts, figures, data, charts, timelines, etc. Yes, I can be a dreamer, too, but at the end of the day, I need verification to really believe in something. That’s why I’ve always been on Team Evolution vs. Team Creationism. It fascinates me how these huge beings like dinosaurs (oh yeah, I love dinosaurs a lot, too) could be preserved in time well past their deaths. But it leads to questions like, “What happened to them? Why couldn’t they make it in the end?” And the game Evolution by North Star Games attempts to answer those.
Disclaimer: There are several expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. Furthermore, I do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. – B
You start the game in control of one species of animal. One non-descript, traitless species that you will slowly (or maybe quickly) build up to be something bigger and better. You evolve it. (Huh.) You’ll start each round by contributing plant food to the watering hole. Each card in your hand is worth a certain amount of plant food. Once that food is in the watering hole, it’s fair game for anyone to eat. Depending on your strategy, you may want a lot of food in that watering hole, or you may want to starve your opponents out (some cards are even worth negative food!). Once all the food is in the watering hole, it’s time to evolve your critters. The cards in your hand have unique traits on them. To imbue your species with that trait, simply place the card next to your species’ gameboard and voila! You now have horns, or intelligence, or the ability to forage, or many other possibilities. You may also take this opportunity to evolve your creature into a carnivore (more on that later). At this point in the game, you may also discard cards in order to increase the population of your species, or to increase the body size of your cute little guys. This will be important later. You can also discard a card to create a whole new species. There’s no limit to how many species you can have, but there is a limit to the available food, so be wise with the number of species you create.
After everyone has evolved, it’s time to feed! You’ll take turns taking plant food from the watering hole. Yummy! You want to eat enough food to sustain your whole population size (1 piece of food per population). If not, your population size will decrease, meaning your species is dying. If you are unable to sustain the last remaining member of your species, that species will become extinct for eternity. Sad face. But don’t worry. You’ll get a new species for free at the beginning of your next turn. Once everyone is fed and happy, the round is over and you start a new round. The winner of the game goes to whoever has eaten the most food because, just like in real life, the success of your population is based on its ability to sustain itself, which, in this case, means eating the proper amount of food.
It SOUNDS simple, but I haven’t told you about all the curveballs yet. As stated before, you may choose to make your species a carnivore, which means that you will no longer take plant food from the watering hole. In order to eat, you have to attack another species! You can only attack other species who have smaller body sizes than you (I told you body size would be important. It’s your first means of defense against predators!). But some of those smaller species might have evolved some defensive traits, like a hard shell or the ability to burrow underground or to climb trees and taunt their predators from on high. This is the beauty of the game. How well can you evolve your herbivore creature in order to keep it well-fed and also free from predators? If you’re a carnivore, how well can you adapt to your surroundings and your ever-evolving prey before you can no longer feed on them? (I should also mention that you may find yourself in the truly depressing situation where all of your opponents have out-evolved your carnivores and the only other option left to feed them is to attack one of YOUR other species. The rules clearly state that every species MUST feed if able to, so you may have to sacrifice your other friends. VERY sad face.)
Components: Evolution comes in a standard cardboard box containing lots of high-quality trait cards, plant and meat food tokens and a large watering hole token (on which you put the plant food tokens). It also comes with cardboard food screens so you can conceal how much food your little (or maybe not so little) critters have eaten. You’ll get a stack of thick, double-sided species boards for you to keep track of your body size and population. I love that they’re double-sided because it gives you the flexibility to change their orientation (portrait or landscape) to save on table space. Body size and population are tracked using little brown and green cubes, which fit nicely in little holes on your species board. And to top it all off, the first player token is a a very large dinosaur-shaped meeple. Adorbs. The cards do tell you how to use them, but the rulebook has extra clarification for each card in case you need it. The cards are even color-coded so you’ll know if the trait is used for defense or eating, or maybe only usable by carnivores. Everything is very top-notch quality and the artwork is quite beautiful, creating new creatures and using bright, vivid colors. The artwork alone drew me to the box in the first place.
I really love this game. The theme is very on-brand for me, but I also really like that it’ll take a bit of luck (by hopefully drawing usable cards) and a ton of strategy to try to outwit your opponents. It’ll never be played the same way twice. Evolution is so spot-on, in fact, that it’s actually been used in the evolutionary biology department of the University of Oxford, so come on. It’s fun AND educational. I’ve also downloaded and quickly become obsessed with the mobile version, which is available on Google Play, in the App Store and on Steam. As of this writing, there are two expansions available: Flight and Climate, but there’s also a Climate stand-alone game, and an Evolution: The Beginning game, which is suitable for our younger friends. I own the Flight expansion but have yet to play it and I can’t wait to change that! Give this game a go. You’ll be happy you did. In the words of esteemed Dr. Ian Malcolm, “Life, uh, finds a way.” Purple Phoenix Games gives this one a (r)evolutionary 13 / 18.
Disclaimer: There are several expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. Furthermore, I do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. – B
You start the game in control of one species of animal. One non-descript, traitless species that you will slowly (or maybe quickly) build up to be something bigger and better. You evolve it. (Huh.) You’ll start each round by contributing plant food to the watering hole. Each card in your hand is worth a certain amount of plant food. Once that food is in the watering hole, it’s fair game for anyone to eat. Depending on your strategy, you may want a lot of food in that watering hole, or you may want to starve your opponents out (some cards are even worth negative food!). Once all the food is in the watering hole, it’s time to evolve your critters. The cards in your hand have unique traits on them. To imbue your species with that trait, simply place the card next to your species’ gameboard and voila! You now have horns, or intelligence, or the ability to forage, or many other possibilities. You may also take this opportunity to evolve your creature into a carnivore (more on that later). At this point in the game, you may also discard cards in order to increase the population of your species, or to increase the body size of your cute little guys. This will be important later. You can also discard a card to create a whole new species. There’s no limit to how many species you can have, but there is a limit to the available food, so be wise with the number of species you create.
After everyone has evolved, it’s time to feed! You’ll take turns taking plant food from the watering hole. Yummy! You want to eat enough food to sustain your whole population size (1 piece of food per population). If not, your population size will decrease, meaning your species is dying. If you are unable to sustain the last remaining member of your species, that species will become extinct for eternity. Sad face. But don’t worry. You’ll get a new species for free at the beginning of your next turn. Once everyone is fed and happy, the round is over and you start a new round. The winner of the game goes to whoever has eaten the most food because, just like in real life, the success of your population is based on its ability to sustain itself, which, in this case, means eating the proper amount of food.
It SOUNDS simple, but I haven’t told you about all the curveballs yet. As stated before, you may choose to make your species a carnivore, which means that you will no longer take plant food from the watering hole. In order to eat, you have to attack another species! You can only attack other species who have smaller body sizes than you (I told you body size would be important. It’s your first means of defense against predators!). But some of those smaller species might have evolved some defensive traits, like a hard shell or the ability to burrow underground or to climb trees and taunt their predators from on high. This is the beauty of the game. How well can you evolve your herbivore creature in order to keep it well-fed and also free from predators? If you’re a carnivore, how well can you adapt to your surroundings and your ever-evolving prey before you can no longer feed on them? (I should also mention that you may find yourself in the truly depressing situation where all of your opponents have out-evolved your carnivores and the only other option left to feed them is to attack one of YOUR other species. The rules clearly state that every species MUST feed if able to, so you may have to sacrifice your other friends. VERY sad face.)
Components: Evolution comes in a standard cardboard box containing lots of high-quality trait cards, plant and meat food tokens and a large watering hole token (on which you put the plant food tokens). It also comes with cardboard food screens so you can conceal how much food your little (or maybe not so little) critters have eaten. You’ll get a stack of thick, double-sided species boards for you to keep track of your body size and population. I love that they’re double-sided because it gives you the flexibility to change their orientation (portrait or landscape) to save on table space. Body size and population are tracked using little brown and green cubes, which fit nicely in little holes on your species board. And to top it all off, the first player token is a a very large dinosaur-shaped meeple. Adorbs. The cards do tell you how to use them, but the rulebook has extra clarification for each card in case you need it. The cards are even color-coded so you’ll know if the trait is used for defense or eating, or maybe only usable by carnivores. Everything is very top-notch quality and the artwork is quite beautiful, creating new creatures and using bright, vivid colors. The artwork alone drew me to the box in the first place.
I really love this game. The theme is very on-brand for me, but I also really like that it’ll take a bit of luck (by hopefully drawing usable cards) and a ton of strategy to try to outwit your opponents. It’ll never be played the same way twice. Evolution is so spot-on, in fact, that it’s actually been used in the evolutionary biology department of the University of Oxford, so come on. It’s fun AND educational. I’ve also downloaded and quickly become obsessed with the mobile version, which is available on Google Play, in the App Store and on Steam. As of this writing, there are two expansions available: Flight and Climate, but there’s also a Climate stand-alone game, and an Evolution: The Beginning game, which is suitable for our younger friends. I own the Flight expansion but have yet to play it and I can’t wait to change that! Give this game a go. You’ll be happy you did. In the words of esteemed Dr. Ian Malcolm, “Life, uh, finds a way.” Purple Phoenix Games gives this one a (r)evolutionary 13 / 18.
Debbiereadsbook (1444 KP) rated Homeward Bound (Pine Cove #3) in Books
Sep 29, 2019 (Updated Dec 6, 2019)
can't fault it!
I was gifted my copy of this book, that I write a review was not required.
Swift finds out he is a father, 5 years after Imogen’s birth. But Imogen’s mum is struggling and Swift takes custody of his daughter while mum sorts herself out. Micha is home, after some time in custody, and is struggling being at home. He loves his family, he really does, but they don’t know who he is, deep down, he can’t tell them, not after what he did before he left. Swift comes to Micha’s aid and vice versa. The things start to spiral out of control with Micha being in such close proximity to Imogen, when his past finds and threatens those he has come to love, and Micha makes a dreadful decision. Can Swift get to him in time?
Ms Welch has out done herself, AGAIN!
I mean, the whole previously undiscovered bisexuality genre is growing on me, big time, and it is almost entirely due to Ms Welch’s skill at writing these characters!
Swift is Robin’s (from book 1, Safe Harbor) older brother, and Swift is Micha’s older brother’s best friend. Micha makes no bones about his attraction to Swift, from when they all hung out together when he was a teenager. But Micha is a grown man now, and surely can’t still be crushing on Swift, right? Clearly, he is. And he struggles so much with that attraction with Swift’s little, entirely innocent, touches, because Micha doesn’t want them to be innocent. But Swift is straight, cos he has a child. And Micha just suffers in silence.
Swift, however, is questioning everything. His daughter just landed on his doorstep, and he has no idea what to do! Having Micha help is a godsend. Having Micha in his space is . .nice. Having Micha OUT his space, is not so nice and it’s not till Swift thinks he might lose Micha that he questions why he feels like that. And Swift is just like, Okay then! Micha is MINE and I want him back. And he goes all out!
When Micha tells Swift about why he can’t tell his family he is gay, I cried, I really did. It breaks your heart, the pain he has been carrying around all this time.
It’s a well told tale, of getting what and WHO you want, it really is!
But PULEEEEEZE, Ms Welch, write Ava and Peyton a full story!!
5 full and shiny stars!
Nick J Russo narrates this series.
And just as Ms Welch outdid herself WRITING this book, Russo outdid himself NARRATING it.
I mean, I rarely react out loud (verbally, shouitng, crying at what I'm reading) when I am READING. When I am LISTENING, however, its a totally different ball game and I don't think I was ever more verbal with this book than maybe one other, in years of being an audio book listener!
Right from the start, Russo broke my heart for Micha. Well Welch did of course, but HEARING how broken Micha feels he is? I think I was crying right at the first chapter!
But when Micha is telling Swift why they can't be together?? Oh dear Lord. I had to stop what I was doing and just listen to poor Micha pour his heart out to Swift and I sobbed my bloody socks off! So much so, my daughter came in to ask if I was okay!
But equally, Russo gets over Swift's emotions too. Not quite as dramatically and gut wrenching as Micha's but Swift goes through a lot here, and Russo gets all of that across.
The voices for the other characters are carried across the series perfectly, and most of them pop uo here are some point.
While I was listening, I made a connection to book 4 that I hadn't made when I was reading. Elias and Ben pop up here and it was great to figure out where they fit in into the Pine Cove bigger picture. I have their book to read next.
5 stars for the book
5 stars for the narration!
**same worded review will appear elsewhere**
Swift finds out he is a father, 5 years after Imogen’s birth. But Imogen’s mum is struggling and Swift takes custody of his daughter while mum sorts herself out. Micha is home, after some time in custody, and is struggling being at home. He loves his family, he really does, but they don’t know who he is, deep down, he can’t tell them, not after what he did before he left. Swift comes to Micha’s aid and vice versa. The things start to spiral out of control with Micha being in such close proximity to Imogen, when his past finds and threatens those he has come to love, and Micha makes a dreadful decision. Can Swift get to him in time?
Ms Welch has out done herself, AGAIN!
I mean, the whole previously undiscovered bisexuality genre is growing on me, big time, and it is almost entirely due to Ms Welch’s skill at writing these characters!
Swift is Robin’s (from book 1, Safe Harbor) older brother, and Swift is Micha’s older brother’s best friend. Micha makes no bones about his attraction to Swift, from when they all hung out together when he was a teenager. But Micha is a grown man now, and surely can’t still be crushing on Swift, right? Clearly, he is. And he struggles so much with that attraction with Swift’s little, entirely innocent, touches, because Micha doesn’t want them to be innocent. But Swift is straight, cos he has a child. And Micha just suffers in silence.
Swift, however, is questioning everything. His daughter just landed on his doorstep, and he has no idea what to do! Having Micha help is a godsend. Having Micha in his space is . .nice. Having Micha OUT his space, is not so nice and it’s not till Swift thinks he might lose Micha that he questions why he feels like that. And Swift is just like, Okay then! Micha is MINE and I want him back. And he goes all out!
When Micha tells Swift about why he can’t tell his family he is gay, I cried, I really did. It breaks your heart, the pain he has been carrying around all this time.
It’s a well told tale, of getting what and WHO you want, it really is!
But PULEEEEEZE, Ms Welch, write Ava and Peyton a full story!!
5 full and shiny stars!
Nick J Russo narrates this series.
And just as Ms Welch outdid herself WRITING this book, Russo outdid himself NARRATING it.
I mean, I rarely react out loud (verbally, shouitng, crying at what I'm reading) when I am READING. When I am LISTENING, however, its a totally different ball game and I don't think I was ever more verbal with this book than maybe one other, in years of being an audio book listener!
Right from the start, Russo broke my heart for Micha. Well Welch did of course, but HEARING how broken Micha feels he is? I think I was crying right at the first chapter!
But when Micha is telling Swift why they can't be together?? Oh dear Lord. I had to stop what I was doing and just listen to poor Micha pour his heart out to Swift and I sobbed my bloody socks off! So much so, my daughter came in to ask if I was okay!
But equally, Russo gets over Swift's emotions too. Not quite as dramatically and gut wrenching as Micha's but Swift goes through a lot here, and Russo gets all of that across.
The voices for the other characters are carried across the series perfectly, and most of them pop uo here are some point.
While I was listening, I made a connection to book 4 that I hadn't made when I was reading. Elias and Ben pop up here and it was great to figure out where they fit in into the Pine Cove bigger picture. I have their book to read next.
5 stars for the book
5 stars for the narration!
**same worded review will appear elsewhere**
Hazel (1853 KP) rated Hyacinth Girls in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Hyacinth Girls</i> is the beautifully written debut novel by Lauren Frankel. Rebecca is the guardian of thirteen-year-old Callie who, despite phone calls from school, believes Callie can do no wrong. When Callie is accused of bullying another student, Rebecca easily turns the story around to make Callie the victim.
The story begins with a prologue in which a billboard is being erected featuring Callie’s face and the words “Do you know your children?” This implies that something tragic happens to Callie, but as we read, we question exactly what this is. Was Callie involved with the bullying at school, or was she the one being bullied? Callie has not exactly had an easy life with both her parents dying when she was five, and therefore Rebecca often glosses over the true meanings of Callie’s behaviour, insisting that Callie is acting out of grief.
As well as the question of what happens to Callie, the readers are plagued with many other questions as the story goes on. For example: How did Callie’s mother, Joyce, die? How did her father die? Who is her father? Who is sending Rebecca letters from prison? These queries get answered toward the end of the book thus encouraging readers to continue in order to sate their curiosity.
It is interesting to see how an adult interprets children’s behaviour based upon their own lives and experiences as well as jumping to conclusion about the way the child is feeling. <i>Hyacinth Girls</i> provides both the adult and the child the opportunity to express their point of view. Rebecca begins by trying to understand what Callie is going through, and getting it wrong, as well as introducing the reader to the past and present situation. Callie, on the other hand, reveals the truth.
Although not essentially a young adult novel, Callie’s narrative makes it suitable for teenagers as well as adults. The theme of bullying is something many young people may be familiar with from either being a victim, the cause or a bystander. Parents, on the other hand, will easily relate to Rebecca as she tries to understand her best friends daughter.
Overall <i>Hyacinth Girls</i> is a great book with a very intense theme. It is so realistic that it creates a sense of shock as we realize that there are school children around the world experiencing all the things mentioned within the story. Hopefully this novel will open readers’ eyes and make them more aware of the things they do and how they affect other people.
Hyacinth Girls</i> is the beautifully written debut novel by Lauren Frankel. Rebecca is the guardian of thirteen-year-old Callie who, despite phone calls from school, believes Callie can do no wrong. When Callie is accused of bullying another student, Rebecca easily turns the story around to make Callie the victim.
The story begins with a prologue in which a billboard is being erected featuring Callie’s face and the words “Do you know your children?” This implies that something tragic happens to Callie, but as we read, we question exactly what this is. Was Callie involved with the bullying at school, or was she the one being bullied? Callie has not exactly had an easy life with both her parents dying when she was five, and therefore Rebecca often glosses over the true meanings of Callie’s behaviour, insisting that Callie is acting out of grief.
As well as the question of what happens to Callie, the readers are plagued with many other questions as the story goes on. For example: How did Callie’s mother, Joyce, die? How did her father die? Who is her father? Who is sending Rebecca letters from prison? These queries get answered toward the end of the book thus encouraging readers to continue in order to sate their curiosity.
It is interesting to see how an adult interprets children’s behaviour based upon their own lives and experiences as well as jumping to conclusion about the way the child is feeling. <i>Hyacinth Girls</i> provides both the adult and the child the opportunity to express their point of view. Rebecca begins by trying to understand what Callie is going through, and getting it wrong, as well as introducing the reader to the past and present situation. Callie, on the other hand, reveals the truth.
Although not essentially a young adult novel, Callie’s narrative makes it suitable for teenagers as well as adults. The theme of bullying is something many young people may be familiar with from either being a victim, the cause or a bystander. Parents, on the other hand, will easily relate to Rebecca as she tries to understand her best friends daughter.
Overall <i>Hyacinth Girls</i> is a great book with a very intense theme. It is so realistic that it creates a sense of shock as we realize that there are school children around the world experiencing all the things mentioned within the story. Hopefully this novel will open readers’ eyes and make them more aware of the things they do and how they affect other people.
Night Reader Reviews (683 KP) rated The Secrets of the Forest in Books
Mar 19, 2020
Honest Review for Free Copy of Book
The Secrets of the Forest by Helena Brady is a creepy-pasta in a slightly longer book. It takes on elements of the 2016 movie “The Forest” and Slenderman who showed up sometime around 2009. It also talks of depression and suicide a lot, along with murder, death, and abuse. If these topics bother you please be advised.
Sarah-Rose has entered the hardest time of her life. Her father has recently died and her mother blames Sarah-Rose for his death. Not only is Sarah-Rose’s mother blaming her but she has turned to alcohol and beating her daughter as a way to cope. Understandably enough Sarah-Rose can not handle all this, even more so because it is her sixteenth birthday.
To escape all of this Sarah-Rose heads into The Forest that is on the edge of town, the one no one goes into for fear of death. She is hoping that the stories are true and like everyone else who has entered The Forest that she either won’t come out or will come out as a corpse floating in the river. What Sarah-Rose didn’t expect was that The Forest had its own plans for her. Upon entering The Forest, Sarah-Rose starts discovering secret after secret about her town’s past and herself. The only question that remains is if and when The Forest plans on claiming her as well.
It was well thought out as to what the requirements were for someone to become a spirit or not. The same goes for if said person’s spirit becomes bound to The Forest or if they can leave it of their own free will. I did not find this book to be very original at all. It seemed to be a combination of a few different popular stories of recent years. The name and cover even immediately made me think of other things.
This is a young adult book, but it is largely about depression and suicide. With these extremely tough subjects being at the front of the story I encourage anyone extremely sensitive about these topics to put the book down. All others, please enjoy it. I rate this book 2 out of 4. Overall the story was good. It was just too unoriginal for my taste. I do believe this book will be enjoyed by those who choose to read it. There are a few small surprises that the unsuspecting reader will find interesting.
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Sarah-Rose has entered the hardest time of her life. Her father has recently died and her mother blames Sarah-Rose for his death. Not only is Sarah-Rose’s mother blaming her but she has turned to alcohol and beating her daughter as a way to cope. Understandably enough Sarah-Rose can not handle all this, even more so because it is her sixteenth birthday.
To escape all of this Sarah-Rose heads into The Forest that is on the edge of town, the one no one goes into for fear of death. She is hoping that the stories are true and like everyone else who has entered The Forest that she either won’t come out or will come out as a corpse floating in the river. What Sarah-Rose didn’t expect was that The Forest had its own plans for her. Upon entering The Forest, Sarah-Rose starts discovering secret after secret about her town’s past and herself. The only question that remains is if and when The Forest plans on claiming her as well.
It was well thought out as to what the requirements were for someone to become a spirit or not. The same goes for if said person’s spirit becomes bound to The Forest or if they can leave it of their own free will. I did not find this book to be very original at all. It seemed to be a combination of a few different popular stories of recent years. The name and cover even immediately made me think of other things.
This is a young adult book, but it is largely about depression and suicide. With these extremely tough subjects being at the front of the story I encourage anyone extremely sensitive about these topics to put the book down. All others, please enjoy it. I rate this book 2 out of 4. Overall the story was good. It was just too unoriginal for my taste. I do believe this book will be enjoyed by those who choose to read it. There are a few small surprises that the unsuspecting reader will find interesting.
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readwithg (6 KP) rated Bad Girls with Perfect Faces in Books
Mar 20, 2018
plot (3 more)
sentence structure
storyline
plot twists
My eyes were physically glued to Weingarten's work.
If you're stuck in a book rut like I was, I'm going to need you to stop what you're doing immediately and listen the hell up, 'cause you're about to sprint to the nearest Target to scoop this bad boy, do you understand? my LAWDY-LAWD, Lynn Weingarten is a creepy little angel baby and I wanna take a little look-see inside dat braaiinnn, ya dig? Not only did she write this mindblowing little gem, but she's the author of one of my top reads of 2016, Suicide Notes from Beautiful Girls (see my review here). She's back with a vengeance and besides this fantastic cover art, this story is going to rock your socks off, and then on, and then back off again once more.
This was my first book purchase of 2016, and because I was wasting my fucking TIME reading the Red Crown series I never had a chance to start it. I immediately sent a picture of the book to my fellow Lynn Weingarten lovers, and had yet to hear anything about it. That is, until I received I text from a friend at 3 AM, filled with expletives regarding the pure love she now had for the book.
That was the precise moment I knew I was royally fucking my shit up by continuing to force-read a bullshit dystopian series. I immediately stopped Red Crown and scrambled into the next room to my library, desperately searching through books for Weingarten's newest gem. and HONEYS, KATIE WAS RIGHT. I shit you not, I started that book at 10:00 PM, went to bed, woke up before work to read some more, and finished it during an "extended" lunch break. And by that, I mean I refused to do any more work until I finished the goddamn book. I read this baby in 16 hours, and that's including 8 hours of sleep and half a work day. I. could. not. stop. Here's a little synopsis for you, boo boos:
"When Sasha's best friend, Xavier, gets back together with his cheating ex, Ivy, Sasha knows she needs to protect him. So she poses as a guy online to lure Ivy away.
But Sasha's plan goes sickeningly wrong. And she soons learns to be careful of who you pretend to be or you might be suprised by who you become...
Told in multiple points of view, Bad Girls with Perfect Faces is sexy and twisted, with shocks at every turn."
I haven't experienced a book like this in a damn long time. You know the kind: you physically cannot do anything productive unless it involves your eyeballs on the novel. Lynn Weingarten, the inside of your mind is a beautifully frightful place. I will read every single book you put out into the universe.
The book is available on Amazon. If you're currently halfway out the door on your way to grab a copy ASAP, I got mine at Target so head straight there. And when you're finished, come back here and let's chat the fuck UP about it cause MY MIND IS STILL BLOWN AND IT'S BEEN TWO WEEKS.
♥ G
This was my first book purchase of 2016, and because I was wasting my fucking TIME reading the Red Crown series I never had a chance to start it. I immediately sent a picture of the book to my fellow Lynn Weingarten lovers, and had yet to hear anything about it. That is, until I received I text from a friend at 3 AM, filled with expletives regarding the pure love she now had for the book.
That was the precise moment I knew I was royally fucking my shit up by continuing to force-read a bullshit dystopian series. I immediately stopped Red Crown and scrambled into the next room to my library, desperately searching through books for Weingarten's newest gem. and HONEYS, KATIE WAS RIGHT. I shit you not, I started that book at 10:00 PM, went to bed, woke up before work to read some more, and finished it during an "extended" lunch break. And by that, I mean I refused to do any more work until I finished the goddamn book. I read this baby in 16 hours, and that's including 8 hours of sleep and half a work day. I. could. not. stop. Here's a little synopsis for you, boo boos:
"When Sasha's best friend, Xavier, gets back together with his cheating ex, Ivy, Sasha knows she needs to protect him. So she poses as a guy online to lure Ivy away.
But Sasha's plan goes sickeningly wrong. And she soons learns to be careful of who you pretend to be or you might be suprised by who you become...
Told in multiple points of view, Bad Girls with Perfect Faces is sexy and twisted, with shocks at every turn."
I haven't experienced a book like this in a damn long time. You know the kind: you physically cannot do anything productive unless it involves your eyeballs on the novel. Lynn Weingarten, the inside of your mind is a beautifully frightful place. I will read every single book you put out into the universe.
The book is available on Amazon. If you're currently halfway out the door on your way to grab a copy ASAP, I got mine at Target so head straight there. And when you're finished, come back here and let's chat the fuck UP about it cause MY MIND IS STILL BLOWN AND IT'S BEEN TWO WEEKS.
♥ G
Lucy Buglass (45 KP) rated Christopher Robin (2018) in Movies
Jun 20, 2019
Return to Hundred Acre Wood
As a child I adored Winnie The Pooh. From owning soft toys of Pooh bear and his friends to playing Pooh sticks in the woods with my grandad, it shaped a lot of my childhood. Perhaps this explains why I was so drawn to this film from the day it was released. I was excited yet quietly apprehensive as you often are when your favourite childhood characters are revived on the big screen. There’s always a risk that it just won’t be the same.
Thankfully Christopher Robin did a fantastic job of bringing audiences back to Hundred Acre Wood, and telling the story of an adult Christopher Robin. As you can probably imagine; he soon outgrows his toys and is forced to grow up very quickly as he’s sent off to boarding school. Beyond that, he is soon conscripted and upon his return, has to work tirelessly to provide for his wife and daughter. This level of stress soon turns Christopher Robin into a serious workaholic who would much rather see his child study hard than play games. All that changes when Robin is reunited with Winnie The Pooh, and he soon remembers all the fun he once had as a child.
Ewan McGregor delivers a stunning performance as an adult Christopher Robin, perfectly encapsulating the serious businessman persona, as well as one filled with child-like glee. It’s refreshing to see McGregor in a much more playful role than usual, and I believe he’s appealing for all audiences, both adult and children alike. His performance made me cry in places, because the script tugs at your heartstrings and delivers a jolt of welcome nostalgia. In all honesty it makes you want to grab your bear and be a child again, just for a few moments. And even more honestly, is there anything wrong with that? It’s a film that reminds you to stop working so hard, and make sure you enjoy those precious moments with those dear to you. Pass the tissues, please!
Pooh and his friends are animated wonderfully, they blend in effortlessly with the scenes and create this illusion of toys coming to life. It’s very easy to forget that they’re not actually real. I especially loved classic grumpy Eeyore, as he resonates well with the adult audience and makes you think “you know what Eeyore, I can relate to that”. He’s a hilarious antidote to the mushier characters, and reminded me why I’ve always loved his character. It was so fun seeing Pooh and friends again, and I’m so happy they were portrayed the way they should’ve been.
Christopher Robin is an all-round beautiful family film, full of playful visuals, genuinely funny one-liners, and moments that make you feel warm and fuzzy inside. It is very cheesy in places but you have to remember that this is a sweet, family film, so overly mushy moments don’t feel too out of place. I soon learned to roll with it and found myself genuinely beaming at the chemistry between characters, and the love that radiated from the screen. Frankly, it’s a welcome change from the blood and guts I’m used to, and I’m happy about that. Sometimes even a die hard horror fan needs a teddy bear in their lives.
https://lucygoestohollywood.com/2018/08/22/return-to-hundred-acre-wood-a-review-of-christopher-robin/
Thankfully Christopher Robin did a fantastic job of bringing audiences back to Hundred Acre Wood, and telling the story of an adult Christopher Robin. As you can probably imagine; he soon outgrows his toys and is forced to grow up very quickly as he’s sent off to boarding school. Beyond that, he is soon conscripted and upon his return, has to work tirelessly to provide for his wife and daughter. This level of stress soon turns Christopher Robin into a serious workaholic who would much rather see his child study hard than play games. All that changes when Robin is reunited with Winnie The Pooh, and he soon remembers all the fun he once had as a child.
Ewan McGregor delivers a stunning performance as an adult Christopher Robin, perfectly encapsulating the serious businessman persona, as well as one filled with child-like glee. It’s refreshing to see McGregor in a much more playful role than usual, and I believe he’s appealing for all audiences, both adult and children alike. His performance made me cry in places, because the script tugs at your heartstrings and delivers a jolt of welcome nostalgia. In all honesty it makes you want to grab your bear and be a child again, just for a few moments. And even more honestly, is there anything wrong with that? It’s a film that reminds you to stop working so hard, and make sure you enjoy those precious moments with those dear to you. Pass the tissues, please!
Pooh and his friends are animated wonderfully, they blend in effortlessly with the scenes and create this illusion of toys coming to life. It’s very easy to forget that they’re not actually real. I especially loved classic grumpy Eeyore, as he resonates well with the adult audience and makes you think “you know what Eeyore, I can relate to that”. He’s a hilarious antidote to the mushier characters, and reminded me why I’ve always loved his character. It was so fun seeing Pooh and friends again, and I’m so happy they were portrayed the way they should’ve been.
Christopher Robin is an all-round beautiful family film, full of playful visuals, genuinely funny one-liners, and moments that make you feel warm and fuzzy inside. It is very cheesy in places but you have to remember that this is a sweet, family film, so overly mushy moments don’t feel too out of place. I soon learned to roll with it and found myself genuinely beaming at the chemistry between characters, and the love that radiated from the screen. Frankly, it’s a welcome change from the blood and guts I’m used to, and I’m happy about that. Sometimes even a die hard horror fan needs a teddy bear in their lives.
https://lucygoestohollywood.com/2018/08/22/return-to-hundred-acre-wood-a-review-of-christopher-robin/
Bob Mann (459 KP) rated Parasite (2019) in Movies
Feb 9, 2020
It’s so metaphorical.
Everyone said “Go see Parasite”. Everyone said “The one rule about Parasite is that you don’t talk about Parasite”. So I went to see Parasite. So this is a review about Parasite without talking about Parasite.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Chris Sawin (602 KP) rated Martyrs (2008) in Movies
Jun 20, 2019 (Updated Jun 22, 2019)
As a young girl, Lucie was able to escape certain death as she was held captive and tortured onto the brink of death. Now, fifteen years later, she seeks revenge on those who hurt her emotionally, physically, and mentally. The only person she's ever been close to is, her friend, Anna. As Lucie leaves a path of destruction and mayhem on her quest for revenge, Anna is dragged along to help pick up the pieces. In an odd twist, Lucie is haunted by a woman whose sole purpose is to hurt her, but only shows up after Lucie unleashes all of her built up pain and anger. Anna begins to question Lucie's sanity as things take a turn for the worst. That is until Anna discovers the chained up woman in the basement...
Martyrs wasn't really what I was expecting at all. I was expecting something along the lines of Haute Tension and À l'intérieur since it's classified as a French horror film. I was left with something completely different as Martyrs tends to be on a level all on its own. It is extremely brutal. I've heard it is more along the lines of Irréversible, but since I haven't seen that I can't really elaborate on it. It left with me with the same feeling The Girl Next Door did. This uneasiness that made me question sitting through the movie again anytime soon. Yet, at the same time, not many horror films are capable of making me feel this way. So I'm not really sure if I should view this as a flaw or a virtue. It also reminded me of Hostel, at times, especially the closing act of the film. Before people grown or anything, let me explain. It reminds me of Hostel if it was done correctly and focused on young girls the entire time. For me, Hostel had an excellent idea but was executed the wrong way. Martyrs pretty much brought what I had in mind for that film to life and did it better. Martyrs is definitely its own film, but its influences and/or homages seem to stick out like a sore thumb to someone who watches a lot of films and/or reviews them.
On first viewing, I can't really say if I liked why this was being done to these girls. It is explained and as it makes sense on one hand, it seems a bit farfetched on the other. It may grow on me during repeat viewings, but it didn't really sit well with me this particular time. The brutality in the film isn't always what is shown on screen either. There's a scene where this bulky guy is beating the snot out of this girl; just punching her in the face repeatedly as hard as he can. You can't really see the damage he's doing to her, but you can hear it and you can tell he's giving her quite a beating. During one of the more gruesome parts, the sound almost completely fades away and the shot relies completely on the girl's facial expressions as you see her begin to shake. As disturbing as it was, it was interesting seeing anguish portrayed a bit differently as the film went on.
Martyrs definitely delivers in more than one department. Those who are looking for another sick, twisted, and brutal French horror film won't be disappointed and let's just say the film lives up to the meaning of its title. Be advised that this is on the same brutality level as High Tension and there are plenty of scenes to cringe to and scream at in this film.
Martyrs wasn't really what I was expecting at all. I was expecting something along the lines of Haute Tension and À l'intérieur since it's classified as a French horror film. I was left with something completely different as Martyrs tends to be on a level all on its own. It is extremely brutal. I've heard it is more along the lines of Irréversible, but since I haven't seen that I can't really elaborate on it. It left with me with the same feeling The Girl Next Door did. This uneasiness that made me question sitting through the movie again anytime soon. Yet, at the same time, not many horror films are capable of making me feel this way. So I'm not really sure if I should view this as a flaw or a virtue. It also reminded me of Hostel, at times, especially the closing act of the film. Before people grown or anything, let me explain. It reminds me of Hostel if it was done correctly and focused on young girls the entire time. For me, Hostel had an excellent idea but was executed the wrong way. Martyrs pretty much brought what I had in mind for that film to life and did it better. Martyrs is definitely its own film, but its influences and/or homages seem to stick out like a sore thumb to someone who watches a lot of films and/or reviews them.
On first viewing, I can't really say if I liked why this was being done to these girls. It is explained and as it makes sense on one hand, it seems a bit farfetched on the other. It may grow on me during repeat viewings, but it didn't really sit well with me this particular time. The brutality in the film isn't always what is shown on screen either. There's a scene where this bulky guy is beating the snot out of this girl; just punching her in the face repeatedly as hard as he can. You can't really see the damage he's doing to her, but you can hear it and you can tell he's giving her quite a beating. During one of the more gruesome parts, the sound almost completely fades away and the shot relies completely on the girl's facial expressions as you see her begin to shake. As disturbing as it was, it was interesting seeing anguish portrayed a bit differently as the film went on.
Martyrs definitely delivers in more than one department. Those who are looking for another sick, twisted, and brutal French horror film won't be disappointed and let's just say the film lives up to the meaning of its title. Be advised that this is on the same brutality level as High Tension and there are plenty of scenes to cringe to and scream at in this film.
Lilyn G - Sci-Fi & Scary (91 KP) rated Avengers: Infinity War (2018) in Movies
May 9, 2018
More entertaining than I expected.
Avengers: Infinity War was surprisingly entertaining. I’m not a huge fan of the Avengers series, especially the big multi-cast productions. I fully expected to go into this one and be bored to tears. However, when it came to movies available in the cinema that we could also take the nine-year-old to… Pickings were slim. So, superheroes it was. And yeah, even though there were a few scenes that weren’t nearly as funny as they were intended to be, it was an enjoyable watch.
I will say this: I did not understand what all the fuss was about the end. I saw people tweeting about crying and whatnot. I felt absolutely nothing. It’s a Marvel movie. The sequel is due out in a year. We all know they’re going to find a way to undo at least half of what happened in Avengers: Infinity War. Dramatic scenes lose much of their power when you know the chance of most of it not being negated in the next movie is practically nil. This Marvel money train is going to chug on until something happens to derail it completely.
I liked the interaction between most of the characters. I felt like they did a better job of making it seem a bit more realistic. I also like how some of the decisions and actions from the previous movies are coming back to bite the Avengers in the butt. Iron Man and Dr. Strange have a bit of a fun relationship. As for Spiderman… Well, he’s slowly winning me over. I still have absolutely zero desire to watch a movie just starring him, but he plays the impulsive teen angle well. Hulk, though, Sweet Baby Cthulhu, I’m getting tired of that character. I didn’t like the direction they took him in the Thor movie, and then for Banner to be the way he was in this one… ugh.
There were several scenes that made me gasp. A few where I was like “NO NO NO NO!” at the screen. Non-stop action and dialogue that wasn’t too groan-worthy do a lot. A lot happier with this movie than I ever expected to be. It’s not nearly as good as Black Panther was, but a solid offering nonetheless.
I will say this: I did not understand what all the fuss was about the end. I saw people tweeting about crying and whatnot. I felt absolutely nothing. It’s a Marvel movie. The sequel is due out in a year. We all know they’re going to find a way to undo at least half of what happened in Avengers: Infinity War. Dramatic scenes lose much of their power when you know the chance of most of it not being negated in the next movie is practically nil. This Marvel money train is going to chug on until something happens to derail it completely.
I liked the interaction between most of the characters. I felt like they did a better job of making it seem a bit more realistic. I also like how some of the decisions and actions from the previous movies are coming back to bite the Avengers in the butt. Iron Man and Dr. Strange have a bit of a fun relationship. As for Spiderman… Well, he’s slowly winning me over. I still have absolutely zero desire to watch a movie just starring him, but he plays the impulsive teen angle well. Hulk, though, Sweet Baby Cthulhu, I’m getting tired of that character. I didn’t like the direction they took him in the Thor movie, and then for Banner to be the way he was in this one… ugh.
There were several scenes that made me gasp. A few where I was like “NO NO NO NO!” at the screen. Non-stop action and dialogue that wasn’t too groan-worthy do a lot. A lot happier with this movie than I ever expected to be. It’s not nearly as good as Black Panther was, but a solid offering nonetheless.
Night Reader Reviews (683 KP) rated But I Don't Want a Haircut in Books
Jan 9, 2020
But I Dont Want A Haircut by Bobbie Taylor & Jenny Kreoska is a great book to get before a childs first haircut. According to the section about the authors, this book was written by two hairdressers. These two specialize in childrens haircuts making them (and this book by extenuation) a viable resource for parents of a scared child.
Joeys hair has gotten so long that he cant see and his parents decide it is time for a haircut. Unfortunately, Joey is afraid of the hairdresser and doesn't want to go. He voices his concerns about things like the hairdresser having sharp teeth and claws. Joeys parents reassure him that he has nothing to worry about and that the hairdresser will be careful. Once they get to the salon Joey decides it doesn't look that bad and that the hairdresser looks nice. She even sits on the floor with him to brush his hair and offers to use an electric razor when the scissors scare him. By the time everything is done Joey is happy, relaxed, and looking forward to his next haircut.
I love how this book acknowledges Joeys fears about the hairdresser without acting like the fears are silly. Joey is reassured that there is nothing to worry about and is able to relax thanks to the approach used. What I did not like was that while the idea behind this book is great unless you have a childrens salon nearby the book might give children false expectations. Parents/caregivers will need to be sure to still discuss what to expect from the salon they will actually be going to.
This book is designed to reassure children going in for a haircut who are scared. Parents can read this to their children but it is simple enough that a child should be able to read this short book on their own. I rate this book 3 out of 4. This is because this is a very cute book and although I would love to give it a perfect score I can not. The rhymes did not flow very well in a few places (although I doubt a child would care) and the warning I gave in my least favorite part. I still want to emphasize that this book is a great resource.
https://nightreaderreviews.blogspot.com/
https://www.facebook.com/nightreaderreviews
https://www.austinmacauley.com/book/i-dont-want-haircut
Joeys hair has gotten so long that he cant see and his parents decide it is time for a haircut. Unfortunately, Joey is afraid of the hairdresser and doesn't want to go. He voices his concerns about things like the hairdresser having sharp teeth and claws. Joeys parents reassure him that he has nothing to worry about and that the hairdresser will be careful. Once they get to the salon Joey decides it doesn't look that bad and that the hairdresser looks nice. She even sits on the floor with him to brush his hair and offers to use an electric razor when the scissors scare him. By the time everything is done Joey is happy, relaxed, and looking forward to his next haircut.
I love how this book acknowledges Joeys fears about the hairdresser without acting like the fears are silly. Joey is reassured that there is nothing to worry about and is able to relax thanks to the approach used. What I did not like was that while the idea behind this book is great unless you have a childrens salon nearby the book might give children false expectations. Parents/caregivers will need to be sure to still discuss what to expect from the salon they will actually be going to.
This book is designed to reassure children going in for a haircut who are scared. Parents can read this to their children but it is simple enough that a child should be able to read this short book on their own. I rate this book 3 out of 4. This is because this is a very cute book and although I would love to give it a perfect score I can not. The rhymes did not flow very well in a few places (although I doubt a child would care) and the warning I gave in my least favorite part. I still want to emphasize that this book is a great resource.
https://nightreaderreviews.blogspot.com/
https://www.facebook.com/nightreaderreviews
https://www.austinmacauley.com/book/i-dont-want-haircut