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Night Reader Reviews (683 KP) rated The Secrets of the Forest in Books
Mar 19, 2020
Honest Review for Free Copy of Book
The Secrets of the Forest by Helena Brady is a creepy-pasta in a slightly longer book. It takes on elements of the 2016 movie “The Forest” and Slenderman who showed up sometime around 2009. It also talks of depression and suicide a lot, along with murder, death, and abuse. If these topics bother you please be advised.
Sarah-Rose has entered the hardest time of her life. Her father has recently died and her mother blames Sarah-Rose for his death. Not only is Sarah-Rose’s mother blaming her but she has turned to alcohol and beating her daughter as a way to cope. Understandably enough Sarah-Rose can not handle all this, even more so because it is her sixteenth birthday.
To escape all of this Sarah-Rose heads into The Forest that is on the edge of town, the one no one goes into for fear of death. She is hoping that the stories are true and like everyone else who has entered The Forest that she either won’t come out or will come out as a corpse floating in the river. What Sarah-Rose didn’t expect was that The Forest had its own plans for her. Upon entering The Forest, Sarah-Rose starts discovering secret after secret about her town’s past and herself. The only question that remains is if and when The Forest plans on claiming her as well.
It was well thought out as to what the requirements were for someone to become a spirit or not. The same goes for if said person’s spirit becomes bound to The Forest or if they can leave it of their own free will. I did not find this book to be very original at all. It seemed to be a combination of a few different popular stories of recent years. The name and cover even immediately made me think of other things.
This is a young adult book, but it is largely about depression and suicide. With these extremely tough subjects being at the front of the story I encourage anyone extremely sensitive about these topics to put the book down. All others, please enjoy it. I rate this book 2 out of 4. Overall the story was good. It was just too unoriginal for my taste. I do believe this book will be enjoyed by those who choose to read it. There are a few small surprises that the unsuspecting reader will find interesting.
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Sarah-Rose has entered the hardest time of her life. Her father has recently died and her mother blames Sarah-Rose for his death. Not only is Sarah-Rose’s mother blaming her but she has turned to alcohol and beating her daughter as a way to cope. Understandably enough Sarah-Rose can not handle all this, even more so because it is her sixteenth birthday.
To escape all of this Sarah-Rose heads into The Forest that is on the edge of town, the one no one goes into for fear of death. She is hoping that the stories are true and like everyone else who has entered The Forest that she either won’t come out or will come out as a corpse floating in the river. What Sarah-Rose didn’t expect was that The Forest had its own plans for her. Upon entering The Forest, Sarah-Rose starts discovering secret after secret about her town’s past and herself. The only question that remains is if and when The Forest plans on claiming her as well.
It was well thought out as to what the requirements were for someone to become a spirit or not. The same goes for if said person’s spirit becomes bound to The Forest or if they can leave it of their own free will. I did not find this book to be very original at all. It seemed to be a combination of a few different popular stories of recent years. The name and cover even immediately made me think of other things.
This is a young adult book, but it is largely about depression and suicide. With these extremely tough subjects being at the front of the story I encourage anyone extremely sensitive about these topics to put the book down. All others, please enjoy it. I rate this book 2 out of 4. Overall the story was good. It was just too unoriginal for my taste. I do believe this book will be enjoyed by those who choose to read it. There are a few small surprises that the unsuspecting reader will find interesting.
https://www.facebook.com/nightreaderreviews/
https://smashbomb.com/nightreader
https://nightreaderreviews.blogspot.com/
readwithg (6 KP) rated Bad Girls with Perfect Faces in Books
Mar 20, 2018
plot (3 more)
sentence structure
storyline
plot twists
My eyes were physically glued to Weingarten's work.
If you're stuck in a book rut like I was, I'm going to need you to stop what you're doing immediately and listen the hell up, 'cause you're about to sprint to the nearest Target to scoop this bad boy, do you understand? my LAWDY-LAWD, Lynn Weingarten is a creepy little angel baby and I wanna take a little look-see inside dat braaiinnn, ya dig? Not only did she write this mindblowing little gem, but she's the author of one of my top reads of 2016, Suicide Notes from Beautiful Girls (see my review here). She's back with a vengeance and besides this fantastic cover art, this story is going to rock your socks off, and then on, and then back off again once more.
This was my first book purchase of 2016, and because I was wasting my fucking TIME reading the Red Crown series I never had a chance to start it. I immediately sent a picture of the book to my fellow Lynn Weingarten lovers, and had yet to hear anything about it. That is, until I received I text from a friend at 3 AM, filled with expletives regarding the pure love she now had for the book.
That was the precise moment I knew I was royally fucking my shit up by continuing to force-read a bullshit dystopian series. I immediately stopped Red Crown and scrambled into the next room to my library, desperately searching through books for Weingarten's newest gem. and HONEYS, KATIE WAS RIGHT. I shit you not, I started that book at 10:00 PM, went to bed, woke up before work to read some more, and finished it during an "extended" lunch break. And by that, I mean I refused to do any more work until I finished the goddamn book. I read this baby in 16 hours, and that's including 8 hours of sleep and half a work day. I. could. not. stop. Here's a little synopsis for you, boo boos:
"When Sasha's best friend, Xavier, gets back together with his cheating ex, Ivy, Sasha knows she needs to protect him. So she poses as a guy online to lure Ivy away.
But Sasha's plan goes sickeningly wrong. And she soons learns to be careful of who you pretend to be or you might be suprised by who you become...
Told in multiple points of view, Bad Girls with Perfect Faces is sexy and twisted, with shocks at every turn."
I haven't experienced a book like this in a damn long time. You know the kind: you physically cannot do anything productive unless it involves your eyeballs on the novel. Lynn Weingarten, the inside of your mind is a beautifully frightful place. I will read every single book you put out into the universe.
The book is available on Amazon. If you're currently halfway out the door on your way to grab a copy ASAP, I got mine at Target so head straight there. And when you're finished, come back here and let's chat the fuck UP about it cause MY MIND IS STILL BLOWN AND IT'S BEEN TWO WEEKS.
♥ G
This was my first book purchase of 2016, and because I was wasting my fucking TIME reading the Red Crown series I never had a chance to start it. I immediately sent a picture of the book to my fellow Lynn Weingarten lovers, and had yet to hear anything about it. That is, until I received I text from a friend at 3 AM, filled with expletives regarding the pure love she now had for the book.
That was the precise moment I knew I was royally fucking my shit up by continuing to force-read a bullshit dystopian series. I immediately stopped Red Crown and scrambled into the next room to my library, desperately searching through books for Weingarten's newest gem. and HONEYS, KATIE WAS RIGHT. I shit you not, I started that book at 10:00 PM, went to bed, woke up before work to read some more, and finished it during an "extended" lunch break. And by that, I mean I refused to do any more work until I finished the goddamn book. I read this baby in 16 hours, and that's including 8 hours of sleep and half a work day. I. could. not. stop. Here's a little synopsis for you, boo boos:
"When Sasha's best friend, Xavier, gets back together with his cheating ex, Ivy, Sasha knows she needs to protect him. So she poses as a guy online to lure Ivy away.
But Sasha's plan goes sickeningly wrong. And she soons learns to be careful of who you pretend to be or you might be suprised by who you become...
Told in multiple points of view, Bad Girls with Perfect Faces is sexy and twisted, with shocks at every turn."
I haven't experienced a book like this in a damn long time. You know the kind: you physically cannot do anything productive unless it involves your eyeballs on the novel. Lynn Weingarten, the inside of your mind is a beautifully frightful place. I will read every single book you put out into the universe.
The book is available on Amazon. If you're currently halfway out the door on your way to grab a copy ASAP, I got mine at Target so head straight there. And when you're finished, come back here and let's chat the fuck UP about it cause MY MIND IS STILL BLOWN AND IT'S BEEN TWO WEEKS.
♥ G
Lucy Buglass (45 KP) rated Christopher Robin (2018) in Movies
Jun 20, 2019
Return to Hundred Acre Wood
As a child I adored Winnie The Pooh. From owning soft toys of Pooh bear and his friends to playing Pooh sticks in the woods with my grandad, it shaped a lot of my childhood. Perhaps this explains why I was so drawn to this film from the day it was released. I was excited yet quietly apprehensive as you often are when your favourite childhood characters are revived on the big screen. There’s always a risk that it just won’t be the same.
Thankfully Christopher Robin did a fantastic job of bringing audiences back to Hundred Acre Wood, and telling the story of an adult Christopher Robin. As you can probably imagine; he soon outgrows his toys and is forced to grow up very quickly as he’s sent off to boarding school. Beyond that, he is soon conscripted and upon his return, has to work tirelessly to provide for his wife and daughter. This level of stress soon turns Christopher Robin into a serious workaholic who would much rather see his child study hard than play games. All that changes when Robin is reunited with Winnie The Pooh, and he soon remembers all the fun he once had as a child.
Ewan McGregor delivers a stunning performance as an adult Christopher Robin, perfectly encapsulating the serious businessman persona, as well as one filled with child-like glee. It’s refreshing to see McGregor in a much more playful role than usual, and I believe he’s appealing for all audiences, both adult and children alike. His performance made me cry in places, because the script tugs at your heartstrings and delivers a jolt of welcome nostalgia. In all honesty it makes you want to grab your bear and be a child again, just for a few moments. And even more honestly, is there anything wrong with that? It’s a film that reminds you to stop working so hard, and make sure you enjoy those precious moments with those dear to you. Pass the tissues, please!
Pooh and his friends are animated wonderfully, they blend in effortlessly with the scenes and create this illusion of toys coming to life. It’s very easy to forget that they’re not actually real. I especially loved classic grumpy Eeyore, as he resonates well with the adult audience and makes you think “you know what Eeyore, I can relate to that”. He’s a hilarious antidote to the mushier characters, and reminded me why I’ve always loved his character. It was so fun seeing Pooh and friends again, and I’m so happy they were portrayed the way they should’ve been.
Christopher Robin is an all-round beautiful family film, full of playful visuals, genuinely funny one-liners, and moments that make you feel warm and fuzzy inside. It is very cheesy in places but you have to remember that this is a sweet, family film, so overly mushy moments don’t feel too out of place. I soon learned to roll with it and found myself genuinely beaming at the chemistry between characters, and the love that radiated from the screen. Frankly, it’s a welcome change from the blood and guts I’m used to, and I’m happy about that. Sometimes even a die hard horror fan needs a teddy bear in their lives.
https://lucygoestohollywood.com/2018/08/22/return-to-hundred-acre-wood-a-review-of-christopher-robin/
Thankfully Christopher Robin did a fantastic job of bringing audiences back to Hundred Acre Wood, and telling the story of an adult Christopher Robin. As you can probably imagine; he soon outgrows his toys and is forced to grow up very quickly as he’s sent off to boarding school. Beyond that, he is soon conscripted and upon his return, has to work tirelessly to provide for his wife and daughter. This level of stress soon turns Christopher Robin into a serious workaholic who would much rather see his child study hard than play games. All that changes when Robin is reunited with Winnie The Pooh, and he soon remembers all the fun he once had as a child.
Ewan McGregor delivers a stunning performance as an adult Christopher Robin, perfectly encapsulating the serious businessman persona, as well as one filled with child-like glee. It’s refreshing to see McGregor in a much more playful role than usual, and I believe he’s appealing for all audiences, both adult and children alike. His performance made me cry in places, because the script tugs at your heartstrings and delivers a jolt of welcome nostalgia. In all honesty it makes you want to grab your bear and be a child again, just for a few moments. And even more honestly, is there anything wrong with that? It’s a film that reminds you to stop working so hard, and make sure you enjoy those precious moments with those dear to you. Pass the tissues, please!
Pooh and his friends are animated wonderfully, they blend in effortlessly with the scenes and create this illusion of toys coming to life. It’s very easy to forget that they’re not actually real. I especially loved classic grumpy Eeyore, as he resonates well with the adult audience and makes you think “you know what Eeyore, I can relate to that”. He’s a hilarious antidote to the mushier characters, and reminded me why I’ve always loved his character. It was so fun seeing Pooh and friends again, and I’m so happy they were portrayed the way they should’ve been.
Christopher Robin is an all-round beautiful family film, full of playful visuals, genuinely funny one-liners, and moments that make you feel warm and fuzzy inside. It is very cheesy in places but you have to remember that this is a sweet, family film, so overly mushy moments don’t feel too out of place. I soon learned to roll with it and found myself genuinely beaming at the chemistry between characters, and the love that radiated from the screen. Frankly, it’s a welcome change from the blood and guts I’m used to, and I’m happy about that. Sometimes even a die hard horror fan needs a teddy bear in their lives.
https://lucygoestohollywood.com/2018/08/22/return-to-hundred-acre-wood-a-review-of-christopher-robin/
Bob Mann (459 KP) rated Parasite (2019) in Movies
Feb 9, 2020
It’s so metaphorical.
Everyone said “Go see Parasite”. Everyone said “The one rule about Parasite is that you don’t talk about Parasite”. So I went to see Parasite. So this is a review about Parasite without talking about Parasite.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Chris Sawin (602 KP) rated Martyrs (2008) in Movies
Jun 20, 2019 (Updated Jun 22, 2019)
As a young girl, Lucie was able to escape certain death as she was held captive and tortured onto the brink of death. Now, fifteen years later, she seeks revenge on those who hurt her emotionally, physically, and mentally. The only person she's ever been close to is, her friend, Anna. As Lucie leaves a path of destruction and mayhem on her quest for revenge, Anna is dragged along to help pick up the pieces. In an odd twist, Lucie is haunted by a woman whose sole purpose is to hurt her, but only shows up after Lucie unleashes all of her built up pain and anger. Anna begins to question Lucie's sanity as things take a turn for the worst. That is until Anna discovers the chained up woman in the basement...
Martyrs wasn't really what I was expecting at all. I was expecting something along the lines of Haute Tension and À l'intérieur since it's classified as a French horror film. I was left with something completely different as Martyrs tends to be on a level all on its own. It is extremely brutal. I've heard it is more along the lines of Irréversible, but since I haven't seen that I can't really elaborate on it. It left with me with the same feeling The Girl Next Door did. This uneasiness that made me question sitting through the movie again anytime soon. Yet, at the same time, not many horror films are capable of making me feel this way. So I'm not really sure if I should view this as a flaw or a virtue. It also reminded me of Hostel, at times, especially the closing act of the film. Before people grown or anything, let me explain. It reminds me of Hostel if it was done correctly and focused on young girls the entire time. For me, Hostel had an excellent idea but was executed the wrong way. Martyrs pretty much brought what I had in mind for that film to life and did it better. Martyrs is definitely its own film, but its influences and/or homages seem to stick out like a sore thumb to someone who watches a lot of films and/or reviews them.
On first viewing, I can't really say if I liked why this was being done to these girls. It is explained and as it makes sense on one hand, it seems a bit farfetched on the other. It may grow on me during repeat viewings, but it didn't really sit well with me this particular time. The brutality in the film isn't always what is shown on screen either. There's a scene where this bulky guy is beating the snot out of this girl; just punching her in the face repeatedly as hard as he can. You can't really see the damage he's doing to her, but you can hear it and you can tell he's giving her quite a beating. During one of the more gruesome parts, the sound almost completely fades away and the shot relies completely on the girl's facial expressions as you see her begin to shake. As disturbing as it was, it was interesting seeing anguish portrayed a bit differently as the film went on.
Martyrs definitely delivers in more than one department. Those who are looking for another sick, twisted, and brutal French horror film won't be disappointed and let's just say the film lives up to the meaning of its title. Be advised that this is on the same brutality level as High Tension and there are plenty of scenes to cringe to and scream at in this film.
Martyrs wasn't really what I was expecting at all. I was expecting something along the lines of Haute Tension and À l'intérieur since it's classified as a French horror film. I was left with something completely different as Martyrs tends to be on a level all on its own. It is extremely brutal. I've heard it is more along the lines of Irréversible, but since I haven't seen that I can't really elaborate on it. It left with me with the same feeling The Girl Next Door did. This uneasiness that made me question sitting through the movie again anytime soon. Yet, at the same time, not many horror films are capable of making me feel this way. So I'm not really sure if I should view this as a flaw or a virtue. It also reminded me of Hostel, at times, especially the closing act of the film. Before people grown or anything, let me explain. It reminds me of Hostel if it was done correctly and focused on young girls the entire time. For me, Hostel had an excellent idea but was executed the wrong way. Martyrs pretty much brought what I had in mind for that film to life and did it better. Martyrs is definitely its own film, but its influences and/or homages seem to stick out like a sore thumb to someone who watches a lot of films and/or reviews them.
On first viewing, I can't really say if I liked why this was being done to these girls. It is explained and as it makes sense on one hand, it seems a bit farfetched on the other. It may grow on me during repeat viewings, but it didn't really sit well with me this particular time. The brutality in the film isn't always what is shown on screen either. There's a scene where this bulky guy is beating the snot out of this girl; just punching her in the face repeatedly as hard as he can. You can't really see the damage he's doing to her, but you can hear it and you can tell he's giving her quite a beating. During one of the more gruesome parts, the sound almost completely fades away and the shot relies completely on the girl's facial expressions as you see her begin to shake. As disturbing as it was, it was interesting seeing anguish portrayed a bit differently as the film went on.
Martyrs definitely delivers in more than one department. Those who are looking for another sick, twisted, and brutal French horror film won't be disappointed and let's just say the film lives up to the meaning of its title. Be advised that this is on the same brutality level as High Tension and there are plenty of scenes to cringe to and scream at in this film.
Lilyn G - Sci-Fi & Scary (91 KP) rated Avengers: Infinity War (2018) in Movies
May 9, 2018
More entertaining than I expected.
Avengers: Infinity War was surprisingly entertaining. I’m not a huge fan of the Avengers series, especially the big multi-cast productions. I fully expected to go into this one and be bored to tears. However, when it came to movies available in the cinema that we could also take the nine-year-old to… Pickings were slim. So, superheroes it was. And yeah, even though there were a few scenes that weren’t nearly as funny as they were intended to be, it was an enjoyable watch.
I will say this: I did not understand what all the fuss was about the end. I saw people tweeting about crying and whatnot. I felt absolutely nothing. It’s a Marvel movie. The sequel is due out in a year. We all know they’re going to find a way to undo at least half of what happened in Avengers: Infinity War. Dramatic scenes lose much of their power when you know the chance of most of it not being negated in the next movie is practically nil. This Marvel money train is going to chug on until something happens to derail it completely.
I liked the interaction between most of the characters. I felt like they did a better job of making it seem a bit more realistic. I also like how some of the decisions and actions from the previous movies are coming back to bite the Avengers in the butt. Iron Man and Dr. Strange have a bit of a fun relationship. As for Spiderman… Well, he’s slowly winning me over. I still have absolutely zero desire to watch a movie just starring him, but he plays the impulsive teen angle well. Hulk, though, Sweet Baby Cthulhu, I’m getting tired of that character. I didn’t like the direction they took him in the Thor movie, and then for Banner to be the way he was in this one… ugh.
There were several scenes that made me gasp. A few where I was like “NO NO NO NO!” at the screen. Non-stop action and dialogue that wasn’t too groan-worthy do a lot. A lot happier with this movie than I ever expected to be. It’s not nearly as good as Black Panther was, but a solid offering nonetheless.
I will say this: I did not understand what all the fuss was about the end. I saw people tweeting about crying and whatnot. I felt absolutely nothing. It’s a Marvel movie. The sequel is due out in a year. We all know they’re going to find a way to undo at least half of what happened in Avengers: Infinity War. Dramatic scenes lose much of their power when you know the chance of most of it not being negated in the next movie is practically nil. This Marvel money train is going to chug on until something happens to derail it completely.
I liked the interaction between most of the characters. I felt like they did a better job of making it seem a bit more realistic. I also like how some of the decisions and actions from the previous movies are coming back to bite the Avengers in the butt. Iron Man and Dr. Strange have a bit of a fun relationship. As for Spiderman… Well, he’s slowly winning me over. I still have absolutely zero desire to watch a movie just starring him, but he plays the impulsive teen angle well. Hulk, though, Sweet Baby Cthulhu, I’m getting tired of that character. I didn’t like the direction they took him in the Thor movie, and then for Banner to be the way he was in this one… ugh.
There were several scenes that made me gasp. A few where I was like “NO NO NO NO!” at the screen. Non-stop action and dialogue that wasn’t too groan-worthy do a lot. A lot happier with this movie than I ever expected to be. It’s not nearly as good as Black Panther was, but a solid offering nonetheless.
Night Reader Reviews (683 KP) rated But I Don't Want a Haircut in Books
Jan 9, 2020
But I Dont Want A Haircut by Bobbie Taylor & Jenny Kreoska is a great book to get before a childs first haircut. According to the section about the authors, this book was written by two hairdressers. These two specialize in childrens haircuts making them (and this book by extenuation) a viable resource for parents of a scared child.
Joeys hair has gotten so long that he cant see and his parents decide it is time for a haircut. Unfortunately, Joey is afraid of the hairdresser and doesn't want to go. He voices his concerns about things like the hairdresser having sharp teeth and claws. Joeys parents reassure him that he has nothing to worry about and that the hairdresser will be careful. Once they get to the salon Joey decides it doesn't look that bad and that the hairdresser looks nice. She even sits on the floor with him to brush his hair and offers to use an electric razor when the scissors scare him. By the time everything is done Joey is happy, relaxed, and looking forward to his next haircut.
I love how this book acknowledges Joeys fears about the hairdresser without acting like the fears are silly. Joey is reassured that there is nothing to worry about and is able to relax thanks to the approach used. What I did not like was that while the idea behind this book is great unless you have a childrens salon nearby the book might give children false expectations. Parents/caregivers will need to be sure to still discuss what to expect from the salon they will actually be going to.
This book is designed to reassure children going in for a haircut who are scared. Parents can read this to their children but it is simple enough that a child should be able to read this short book on their own. I rate this book 3 out of 4. This is because this is a very cute book and although I would love to give it a perfect score I can not. The rhymes did not flow very well in a few places (although I doubt a child would care) and the warning I gave in my least favorite part. I still want to emphasize that this book is a great resource.
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https://www.austinmacauley.com/book/i-dont-want-haircut
Joeys hair has gotten so long that he cant see and his parents decide it is time for a haircut. Unfortunately, Joey is afraid of the hairdresser and doesn't want to go. He voices his concerns about things like the hairdresser having sharp teeth and claws. Joeys parents reassure him that he has nothing to worry about and that the hairdresser will be careful. Once they get to the salon Joey decides it doesn't look that bad and that the hairdresser looks nice. She even sits on the floor with him to brush his hair and offers to use an electric razor when the scissors scare him. By the time everything is done Joey is happy, relaxed, and looking forward to his next haircut.
I love how this book acknowledges Joeys fears about the hairdresser without acting like the fears are silly. Joey is reassured that there is nothing to worry about and is able to relax thanks to the approach used. What I did not like was that while the idea behind this book is great unless you have a childrens salon nearby the book might give children false expectations. Parents/caregivers will need to be sure to still discuss what to expect from the salon they will actually be going to.
This book is designed to reassure children going in for a haircut who are scared. Parents can read this to their children but it is simple enough that a child should be able to read this short book on their own. I rate this book 3 out of 4. This is because this is a very cute book and although I would love to give it a perfect score I can not. The rhymes did not flow very well in a few places (although I doubt a child would care) and the warning I gave in my least favorite part. I still want to emphasize that this book is a great resource.
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BookInspector (124 KP) rated The Pact in Books
Jul 1, 2021
This novel tells the story of six friends: Talitha, Xav, Felix, Amber, Daniel, Megan. How one night changed their lives forever. This book was quite a slow burner for me, at least in the beginning. All of the characters have a say in this book, and I found all of them very compelling. It is a character-driven novel and I really liked to see how the characters interacted and what they were ready to do to save themselves. 🙂 I felt extremely sorry for Megan throughout this book and I don’t really agree with her decisions. She is really amazing and I think she could have achieved so much without these “friends” of hers.
The narrative of this novel was a little slow for my liking, but I was extremely keen to find out what is going to happen with Megan. I enjoyed the way the author kept me guessing and the suspense growing, and all the twists and turns were a welcome distraction to break the monotony that built up sometimes. The topics discussed were dangerous driving, alcoholism, survival, rich privilege, friendships, belonging, mental health issues, guilt, relationships between friends and families, and many more.
The writing style of this book is easy to read, enjoyable and creative, but something is missing. It is one of the “softer” books by this author, I could say. I am more used to her dark secrets, never-ending suspense and gripping from the first-page kind books, and this book was a little behind with it. I did like the ending of this novel, which was filled with action and rounded this story extremely well. 🙂 The chapters are pretty short, so the pages just fly by. I have pretty bad car anxiety, especially when it comes to accidents and reckless drivers, so parts of this book did not sit well with me because of these nuances. (I was able to enjoy this book never the less, I just screamed at the characters in my head. 😀 ) So if you suffer from it like me, proceed with caution. 😉
So, to conclude, I enjoyed this novel. The characters are very well developed and truly enchanting. They all have to offer so much to this book and I loved reading about them and their lives. The plot has plenty of intrigue, well placed twists and unexpected surprises and kept me guessing.
The narrative of this novel was a little slow for my liking, but I was extremely keen to find out what is going to happen with Megan. I enjoyed the way the author kept me guessing and the suspense growing, and all the twists and turns were a welcome distraction to break the monotony that built up sometimes. The topics discussed were dangerous driving, alcoholism, survival, rich privilege, friendships, belonging, mental health issues, guilt, relationships between friends and families, and many more.
The writing style of this book is easy to read, enjoyable and creative, but something is missing. It is one of the “softer” books by this author, I could say. I am more used to her dark secrets, never-ending suspense and gripping from the first-page kind books, and this book was a little behind with it. I did like the ending of this novel, which was filled with action and rounded this story extremely well. 🙂 The chapters are pretty short, so the pages just fly by. I have pretty bad car anxiety, especially when it comes to accidents and reckless drivers, so parts of this book did not sit well with me because of these nuances. (I was able to enjoy this book never the less, I just screamed at the characters in my head. 😀 ) So if you suffer from it like me, proceed with caution. 😉
So, to conclude, I enjoyed this novel. The characters are very well developed and truly enchanting. They all have to offer so much to this book and I loved reading about them and their lives. The plot has plenty of intrigue, well placed twists and unexpected surprises and kept me guessing.
Kim Pook (101 KP) rated The Prodigy (2019) in Movies
Sep 25, 2020
Contains spoilers, click to show
A woman is seen running away from something or someone and ends up being almost hit by an elderly driver, we discover the woman has had her hand cut off, how did this happen? Why did it happen?
Forward to the present day and a pregnant woman is going into early labour, in between scenes of her giving birth we see this guy who gets shot down by police, he is holding a severed hand (remember the lady at the beginning?)....
Within months of baby Miles being born, his mother starts to notice strange things such as not crying during his shots and even saying words. It is put down to him being a genius. However, he is not really a genius at all he noticeably quite evil. This is evident when he squashes a bug in his bare hands at 5 years old, harms his babysitter at age 8, and starts speaking a strange language in his sleep.
One day Miles end up receiving psychiatric help after beating a child in his class with a wrench. Nobody can understand what's going on though and it seems Miles is hearing voices in his head and reacting to what they tell him to do. Miles' mother Sarah is eventually informed that Miles has a spirit living inside of him and that spirit is dangerous, Sarah refuses to believe this at first but after a disturbing situation happens at home she begins to believe that it must be true and after a series of events, finally gets him help to try and rid him of the evil inside of him.
I do find it shocking sometimes what they get young children to say in movies, but especially in this one. Considering the type of movie it is though its understandable and the boy who plays Miles does a fantastic job, down to the facial expressions, so you always know when it is Miles and when it's the spirit.
The movie very much reminds me of 'orphan' - another film with an evil adult/child. The ending was quite a bummer though and makes everything that happened in the movie a complete waste of time. It was interesting watching it unfold though and the end does leave it open for a sequel.
Forward to the present day and a pregnant woman is going into early labour, in between scenes of her giving birth we see this guy who gets shot down by police, he is holding a severed hand (remember the lady at the beginning?)....
Within months of baby Miles being born, his mother starts to notice strange things such as not crying during his shots and even saying words. It is put down to him being a genius. However, he is not really a genius at all he noticeably quite evil. This is evident when he squashes a bug in his bare hands at 5 years old, harms his babysitter at age 8, and starts speaking a strange language in his sleep.
One day Miles end up receiving psychiatric help after beating a child in his class with a wrench. Nobody can understand what's going on though and it seems Miles is hearing voices in his head and reacting to what they tell him to do. Miles' mother Sarah is eventually informed that Miles has a spirit living inside of him and that spirit is dangerous, Sarah refuses to believe this at first but after a disturbing situation happens at home she begins to believe that it must be true and after a series of events, finally gets him help to try and rid him of the evil inside of him.
I do find it shocking sometimes what they get young children to say in movies, but especially in this one. Considering the type of movie it is though its understandable and the boy who plays Miles does a fantastic job, down to the facial expressions, so you always know when it is Miles and when it's the spirit.
The movie very much reminds me of 'orphan' - another film with an evil adult/child. The ending was quite a bummer though and makes everything that happened in the movie a complete waste of time. It was interesting watching it unfold though and the end does leave it open for a sequel.
Leanne Crabtree (480 KP) rated More Than Just a Pretty Face in Books
Jan 12, 2021
*I received a copy of this book via Netgalley in exchange for an honest review*
This is the first book I've read where the main characters are Muslims. It's a good insight into the religion and the various ways people follow it.
So this starts with Danyal. He's not the best in school, but, as quite a few people point out, he's got a pretty face. It's not that he's stupid or anything. He just has other interests in life such as cooking, which he is very good at and wants to become a chef. His father doesn't agree with his career choice and they have several tense conversations. His mother, on the other hand, cannot wait to marry him off to someone who would be good for the family.
I've just struggled to write the above description without giving too much away about this story.
I did enjoy this. Danyal, as I mentioned above, may not be the brightest guy but I really grew to like him. He was quick witted and passionate about what he cared about. His Renaissance Man speech showed that perfectly. History was far from his favourite subject but the Bengal famine became something he wanted to let people know about and he did it in a way that didn't judge so much as inform. Very well thought out.
I also quite liked the romance. It was a very slow burn. They spent quite a lot of time together but mostly as friends. The more time they spent together, laughing, studying and cooking, the more the feelings grew and I was willing them to get together properly, family be damned. It took a long time, though, with other factors getting in the way.
This book was a great insight for those of us who aren't Muslim into what the religion is like and the broad range of ways you can follow it. Sohrab was very invested in the religion, Intezar wasn't following it that much, if at all, and Danyal was like a happy medium.
This was enjoyable but, for me, it was a little too focused on the history and Churchill for the Renaissance Man challenge. I know it was a big part of the plot but History for me, like Danyal, bores me. I wanted more of the romance.
This is the first book I've read where the main characters are Muslims. It's a good insight into the religion and the various ways people follow it.
So this starts with Danyal. He's not the best in school, but, as quite a few people point out, he's got a pretty face. It's not that he's stupid or anything. He just has other interests in life such as cooking, which he is very good at and wants to become a chef. His father doesn't agree with his career choice and they have several tense conversations. His mother, on the other hand, cannot wait to marry him off to someone who would be good for the family.
I've just struggled to write the above description without giving too much away about this story.
I did enjoy this. Danyal, as I mentioned above, may not be the brightest guy but I really grew to like him. He was quick witted and passionate about what he cared about. His Renaissance Man speech showed that perfectly. History was far from his favourite subject but the Bengal famine became something he wanted to let people know about and he did it in a way that didn't judge so much as inform. Very well thought out.
I also quite liked the romance. It was a very slow burn. They spent quite a lot of time together but mostly as friends. The more time they spent together, laughing, studying and cooking, the more the feelings grew and I was willing them to get together properly, family be damned. It took a long time, though, with other factors getting in the way.
This book was a great insight for those of us who aren't Muslim into what the religion is like and the broad range of ways you can follow it. Sohrab was very invested in the religion, Intezar wasn't following it that much, if at all, and Danyal was like a happy medium.
This was enjoyable but, for me, it was a little too focused on the history and Churchill for the Renaissance Man challenge. I know it was a big part of the plot but History for me, like Danyal, bores me. I wanted more of the romance.