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Heather Cranmer (2721 KP) rated Music Box (Dark Carousel #4) in Books
Nov 23, 2020
I've loved the Dark Carousel series by Anya Allyn. I couldn't wait to dive into Music Box, the last book in the series, but at the same time, I was saddened that it was coming to an end. Music Box was definitely a thrilling read!
Cassie has given up hope of not being Balthazar's bride. She's about to just give in to it when she finds a way to the tower where the spooky figure she has seen lives. Scared as she is of the figure, she decides to investigate and is shocked to discover who the figure is. Cassie, with the help of her friends, must find some way to defeat the serpent shadows before they take over the Earth all while battling the humans and spirits of the castle. While she and her friends put their lives in great peril, they never give up hope of returning the Earth to its former glory.
The plot of Music Box did a fantastic job of holding my attention throughout. While there are some parts of this novel that are a bit too fast paced like in previous books in the series, for the most part, the pacing is easy to follow along with. There are a few plot twists that I wasn't able to predict. There was so much action going on in Music Box, and I loved it. It wasn't overwhelming, and it was underwhelming. Anya Allyn did a fantastic job with getting the ratio of action to narrative perfect! I did have a feeling that one of the characters in the Dollhouse would make an appearance, and I wasn't wrong. I liked the way all the loose ends from the previous books in the series were all tied up nicely. While I wasn't really a fan of how the book ended, I will say that it didn't have a rushed ending feel. I just wish things would have turned out a bit differently. However, I did love how the author explains more of the ending and what she believes happened to all the other characters in the afterword, so definitely don't skip out on reading the afterword!
As always, Anya Allyn was amazing at making her characters come alive. It was so easy to relate to all of them (bad guys and girls aside). Cassie was even more hardcore in this book! I loved how Cassie was willing to sacrifice everything to protect her friends and others. Ethan was the same as Cassie. He tried to protect innocents from the bad guys. While I liked Molly, I still don't think her character was needed, same with Frances. Don't get me wrong, they are great characters and written really well, but they seemed a bit pointless. I was happy about Aisha in this book. (I won't go into greater detail due to minor spoilers.) I absolutely loved Zack, and I was always secretly hoping that Cassie would end up with him. Zack turned out to be such a gentlemen from the second book. I loved how he was willing to cut ties from his family to help Cassie even though he knew it was an unrequited love. Henry was another character that I really loved. I felt that he wasn't all bad and that there was some good in him. The book he was seeking in the novel was what brought out the bad. He did have a bunch of redeeming qualities though. I was overjoyed that Jessamine was finally featured a bit more in this book! Jessamine has been my favorite character throughout this series. I was thrilled with how her story ended. I always knew she'd turn out to be awesome!
Trigger warnings for Music Box include violence, death, murder, suicide, attempted rape, minor swearing, the occult, and imprisonment.
While I'm devastated that the Dark Carousel series has come to an end, I am so grateful that Music Box was a great read. All of the characters were still so amazing, the story was thrilling, and everything was so nicely explained. I would definitely recommend Music Box (and all of the Dark Carousel series) by Anya Allyn. If you want a book with lots of action and a great cast of characters, this is your book. Do be prepared to suffer from a book hangover when you're done reading it though!
Cassie has given up hope of not being Balthazar's bride. She's about to just give in to it when she finds a way to the tower where the spooky figure she has seen lives. Scared as she is of the figure, she decides to investigate and is shocked to discover who the figure is. Cassie, with the help of her friends, must find some way to defeat the serpent shadows before they take over the Earth all while battling the humans and spirits of the castle. While she and her friends put their lives in great peril, they never give up hope of returning the Earth to its former glory.
The plot of Music Box did a fantastic job of holding my attention throughout. While there are some parts of this novel that are a bit too fast paced like in previous books in the series, for the most part, the pacing is easy to follow along with. There are a few plot twists that I wasn't able to predict. There was so much action going on in Music Box, and I loved it. It wasn't overwhelming, and it was underwhelming. Anya Allyn did a fantastic job with getting the ratio of action to narrative perfect! I did have a feeling that one of the characters in the Dollhouse would make an appearance, and I wasn't wrong. I liked the way all the loose ends from the previous books in the series were all tied up nicely. While I wasn't really a fan of how the book ended, I will say that it didn't have a rushed ending feel. I just wish things would have turned out a bit differently. However, I did love how the author explains more of the ending and what she believes happened to all the other characters in the afterword, so definitely don't skip out on reading the afterword!
As always, Anya Allyn was amazing at making her characters come alive. It was so easy to relate to all of them (bad guys and girls aside). Cassie was even more hardcore in this book! I loved how Cassie was willing to sacrifice everything to protect her friends and others. Ethan was the same as Cassie. He tried to protect innocents from the bad guys. While I liked Molly, I still don't think her character was needed, same with Frances. Don't get me wrong, they are great characters and written really well, but they seemed a bit pointless. I was happy about Aisha in this book. (I won't go into greater detail due to minor spoilers.) I absolutely loved Zack, and I was always secretly hoping that Cassie would end up with him. Zack turned out to be such a gentlemen from the second book. I loved how he was willing to cut ties from his family to help Cassie even though he knew it was an unrequited love. Henry was another character that I really loved. I felt that he wasn't all bad and that there was some good in him. The book he was seeking in the novel was what brought out the bad. He did have a bunch of redeeming qualities though. I was overjoyed that Jessamine was finally featured a bit more in this book! Jessamine has been my favorite character throughout this series. I was thrilled with how her story ended. I always knew she'd turn out to be awesome!
Trigger warnings for Music Box include violence, death, murder, suicide, attempted rape, minor swearing, the occult, and imprisonment.
While I'm devastated that the Dark Carousel series has come to an end, I am so grateful that Music Box was a great read. All of the characters were still so amazing, the story was thrilling, and everything was so nicely explained. I would definitely recommend Music Box (and all of the Dark Carousel series) by Anya Allyn. If you want a book with lots of action and a great cast of characters, this is your book. Do be prepared to suffer from a book hangover when you're done reading it though!
Mothergamer (1568 KP) rated the PC version of The Witcher III: Wild Hunt in Video Games
Apr 3, 2019
I was excited to play Witcher 3 Complete Edition as I had never played it before, yet I had read all the books about the Witcher Geralt and liked them a lot. I have not played the first two games, but they are both on my to play list. Geralt's world is interesting filled with complex characters, fantastic monsters, and great storytelling. All I can say is that I have a ton of games to play and some things get backlogged. I still have a stack of PS3 games to play and of course, I'll be playing the remastered Skyrim for PS4 when it comes out and that's another game I haven't played yet, but for this moment let's discuss how much I loved Witcher 3.
Yes, I loved Witcher 3. I stayed up way too late many a night playing this game because I was having so much fun running around killing monsters and helping people in need. My vision of Geralt was someone who did his best to do the right thing and that sometimes that meant siding with the occasional monster because there were times when humans were the real monsters. The story drew me in right away and these were characters and lore I was familiar with so I was thrilled to explore the entire world in the game. Truly, I unlocked entire maps because I just had to know what everything was. The areas that were too high a level for me at the time I made a note of where they were and came back later. I think it's great when a game makes exploration fun and it definitely helped having Geralt's horse, Roach to help that exploration go a bit faster.
The environments in Witcher 3 are amazing. I would find myself stopping and just looking around at the scenery whether it was roaming through a forest or wandering the streets of a city. The attention to minute details was quite impressive. The gameplay is great. The gaming controls are fine tuned to make battles fun without feeling frustrating and the camera angles are spot on which made a terrific gaming experience for me. The music for Witcher 3 is beautiful. My favorite music was for the area of Skellige. Skellige was also my favorite place to explore because it was so pretty there with all the wild flowers and forests. I genuinely liked the people there too because many of them did not treat Geralt with complete suspicion or call him a freak the way they did in cities like Novigrad. They respected him and what he did; the fact that he was a Witcher and had cat eyes didn't really come up much. I felt that showed a lot of variety in the thinking of the people in the different areas.
There are mini games to play as well. I enjoyed the horse races because those were fun and worth the time and effort. They gave some great rewards such as saddle bags that increased my inventory space and saddles that increased my horse's stamina and speed. Then there's a card game called Gwent which you can play with various people ranging from innkeepers to some of Geralt's friends. I really tried with Gwent. It was a bit confusing for me and I found myself looking up videos on YouTube just to try and get the gist of it, and it helped a bit. However, a huge shout out to my friend Danny for giving a simple explanation of how it worked and the best strategy to winning because that helped more. I mainly just wanted to finish the Gwent side quests I had and I managed to do that. After that, I no longer bothered playing Gwent. It just wasn't my thing, but I will say graphics wise it was a well designed mini game and while it was a tad frustrating for me, I understood why many of my friends enjoyed it. There's also fist fights tournaments (think Fight Club) that Geralt can participate in. I aced the heck out of those and won all those prize coin purses. My favorite fight was the Rock Troll because it was interesting and I got to learn his name at the end; a reward for winning the fight.
Level grinding was not a chore for me in the game because there were so many quests and Witcher contracts which involves hunting specific monsters or investigating things that might involve monsters. These offer good experience and a lot of money for Geralt. There are times when the leveling feels a bit uneven because sometimes the main story quests give more experience than a few of the contracts and side quests. It's not a big deal, but it is noticeable. The skills menu for unlocking Geralt's Witcher abilities and upgrading them is easy to navigate and quite user friendly. My favorite skill was an upgrade of the Axii skill known as Puppet which could make enemies fight each other. The cutscenes and voice acting are superb; while the loading times are practically seamless which made me very happy.
First of all, I don't like anyone telling me what to do. Ask my parents. There was a time when I was told to eat my vegetables when I was a kid and instead of doing that, I stealthily put them under my chair and claimed my plate was clean because I wanted to go play with my friends. Hey, I was four. What the heck did I know about being a mastermind? My parents bought it for two minutes until they discovered it and yes, it was wrong of me to think that I didn't have to listen and tried to fool my parents but this gives you an idea about how long I've been like this. Don't get me wrong, if you just have a conversation with me and we have a healthy discussion I will listen to what you have to say. What I don't respond well to is comments like, "You should NOT be playing that game because of this, that, or the other thing." Ultimately I like to decide and think for myself and I think everyone should be able to decide for themselves whether or not they want to play a game, read a book, or see a movie.
While playing Witcher 3 two things came up about this which were I should not play the game because there are no people of color in it and that it was sexist to women. I honestly did not know there was a huge hullabaloo about these things when the game was first released because honestly I get busy with things going on in my life and I tend to just choose games that pique my interest. I thought the game looked interesting, so I bought it. That's really all there was to it.
As for the second aspect regarding the game being sexist towards women, I just find myself wondering where this comes from. There are several, I repeat, several strong female characters in the lore of Witcher and in the game. How is any of it sexist towards women? Look, I understand not liking all the boobies in the brothels and the sexual scenes in the game. It's not for everyone and some folks are just not down for it. It never bothered me and some of those sex scenes have some amusing humor in them. The argument that Geralt feels no emotions so it's sexist towards women is utter crap. If a person takes the time to actually read any of the books, read the lore, or actually tried to play the game they would know that Geralt can not express emotions on his face because of all the mutations that Witchers go through. Geralt actually feels very deeply especially when it comes to people like Yennefer who is his true love, Ciri who is like a daughter to him, and of course Vesemir who is a mentor/father figure to him. The fact that he can't physically express those emotions due to him essentially being a mutant shouldn't count against him.
The issues with things like Ciri being called a bitch by men or Yennefer being called a whore; those are things that happen in the real world and they sure as hell happened way too often throughout history. Part of the storytelling of many artistic things is that it finds a creative way to discuss real world issues and inform you hey, this kind of thing happens open your eyes. The part I loved is that these women did not need saving. They handled it themselves. The man who called Ciri a bitch? She broke his nose and she stuck up for herself. Yennefer handled the man who called her a whore and she held her own very well. These are not wilting flowers. These are strong, intelligent, and brave women in the story and I was thrilled that a fantasy game had them. Honestly, as soon as I heard the sentence, "Feminist Frequency said..." I felt my eyes rolling because this is such a stretch. I'm not saying that they're not entitled to their opinion because they are, but I did not see any evidence of that in the game at all and I disagree.
Games are meant to be fun and for me Witcher 3: The Wild Hunt was so much fun and one of the best games I've ever played. The story, the open exploration, and the diverse characters were amazing and I enjoyed it immensely. Now, I'm going to play through again on new game plus because the completionist in me wants to get all the different endings and the game is worth playing multiple times if one wishes.
Yes, I loved Witcher 3. I stayed up way too late many a night playing this game because I was having so much fun running around killing monsters and helping people in need. My vision of Geralt was someone who did his best to do the right thing and that sometimes that meant siding with the occasional monster because there were times when humans were the real monsters. The story drew me in right away and these were characters and lore I was familiar with so I was thrilled to explore the entire world in the game. Truly, I unlocked entire maps because I just had to know what everything was. The areas that were too high a level for me at the time I made a note of where they were and came back later. I think it's great when a game makes exploration fun and it definitely helped having Geralt's horse, Roach to help that exploration go a bit faster.
The environments in Witcher 3 are amazing. I would find myself stopping and just looking around at the scenery whether it was roaming through a forest or wandering the streets of a city. The attention to minute details was quite impressive. The gameplay is great. The gaming controls are fine tuned to make battles fun without feeling frustrating and the camera angles are spot on which made a terrific gaming experience for me. The music for Witcher 3 is beautiful. My favorite music was for the area of Skellige. Skellige was also my favorite place to explore because it was so pretty there with all the wild flowers and forests. I genuinely liked the people there too because many of them did not treat Geralt with complete suspicion or call him a freak the way they did in cities like Novigrad. They respected him and what he did; the fact that he was a Witcher and had cat eyes didn't really come up much. I felt that showed a lot of variety in the thinking of the people in the different areas.
There are mini games to play as well. I enjoyed the horse races because those were fun and worth the time and effort. They gave some great rewards such as saddle bags that increased my inventory space and saddles that increased my horse's stamina and speed. Then there's a card game called Gwent which you can play with various people ranging from innkeepers to some of Geralt's friends. I really tried with Gwent. It was a bit confusing for me and I found myself looking up videos on YouTube just to try and get the gist of it, and it helped a bit. However, a huge shout out to my friend Danny for giving a simple explanation of how it worked and the best strategy to winning because that helped more. I mainly just wanted to finish the Gwent side quests I had and I managed to do that. After that, I no longer bothered playing Gwent. It just wasn't my thing, but I will say graphics wise it was a well designed mini game and while it was a tad frustrating for me, I understood why many of my friends enjoyed it. There's also fist fights tournaments (think Fight Club) that Geralt can participate in. I aced the heck out of those and won all those prize coin purses. My favorite fight was the Rock Troll because it was interesting and I got to learn his name at the end; a reward for winning the fight.
Level grinding was not a chore for me in the game because there were so many quests and Witcher contracts which involves hunting specific monsters or investigating things that might involve monsters. These offer good experience and a lot of money for Geralt. There are times when the leveling feels a bit uneven because sometimes the main story quests give more experience than a few of the contracts and side quests. It's not a big deal, but it is noticeable. The skills menu for unlocking Geralt's Witcher abilities and upgrading them is easy to navigate and quite user friendly. My favorite skill was an upgrade of the Axii skill known as Puppet which could make enemies fight each other. The cutscenes and voice acting are superb; while the loading times are practically seamless which made me very happy.
First of all, I don't like anyone telling me what to do. Ask my parents. There was a time when I was told to eat my vegetables when I was a kid and instead of doing that, I stealthily put them under my chair and claimed my plate was clean because I wanted to go play with my friends. Hey, I was four. What the heck did I know about being a mastermind? My parents bought it for two minutes until they discovered it and yes, it was wrong of me to think that I didn't have to listen and tried to fool my parents but this gives you an idea about how long I've been like this. Don't get me wrong, if you just have a conversation with me and we have a healthy discussion I will listen to what you have to say. What I don't respond well to is comments like, "You should NOT be playing that game because of this, that, or the other thing." Ultimately I like to decide and think for myself and I think everyone should be able to decide for themselves whether or not they want to play a game, read a book, or see a movie.
While playing Witcher 3 two things came up about this which were I should not play the game because there are no people of color in it and that it was sexist to women. I honestly did not know there was a huge hullabaloo about these things when the game was first released because honestly I get busy with things going on in my life and I tend to just choose games that pique my interest. I thought the game looked interesting, so I bought it. That's really all there was to it.
As for the second aspect regarding the game being sexist towards women, I just find myself wondering where this comes from. There are several, I repeat, several strong female characters in the lore of Witcher and in the game. How is any of it sexist towards women? Look, I understand not liking all the boobies in the brothels and the sexual scenes in the game. It's not for everyone and some folks are just not down for it. It never bothered me and some of those sex scenes have some amusing humor in them. The argument that Geralt feels no emotions so it's sexist towards women is utter crap. If a person takes the time to actually read any of the books, read the lore, or actually tried to play the game they would know that Geralt can not express emotions on his face because of all the mutations that Witchers go through. Geralt actually feels very deeply especially when it comes to people like Yennefer who is his true love, Ciri who is like a daughter to him, and of course Vesemir who is a mentor/father figure to him. The fact that he can't physically express those emotions due to him essentially being a mutant shouldn't count against him.
The issues with things like Ciri being called a bitch by men or Yennefer being called a whore; those are things that happen in the real world and they sure as hell happened way too often throughout history. Part of the storytelling of many artistic things is that it finds a creative way to discuss real world issues and inform you hey, this kind of thing happens open your eyes. The part I loved is that these women did not need saving. They handled it themselves. The man who called Ciri a bitch? She broke his nose and she stuck up for herself. Yennefer handled the man who called her a whore and she held her own very well. These are not wilting flowers. These are strong, intelligent, and brave women in the story and I was thrilled that a fantasy game had them. Honestly, as soon as I heard the sentence, "Feminist Frequency said..." I felt my eyes rolling because this is such a stretch. I'm not saying that they're not entitled to their opinion because they are, but I did not see any evidence of that in the game at all and I disagree.
Games are meant to be fun and for me Witcher 3: The Wild Hunt was so much fun and one of the best games I've ever played. The story, the open exploration, and the diverse characters were amazing and I enjoyed it immensely. Now, I'm going to play through again on new game plus because the completionist in me wants to get all the different endings and the game is worth playing multiple times if one wishes.
Emma @ The Movies (1786 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Oct 29, 2019
Why oh why did they rename this film? I always want to call it Ford v Ferrari and several times I've said "Le Mans '66" and got odd looks so had to follow it up with the original.
Sports films are a weakness of mine, I love them but I'm not really sure why as I'm very much a spectator than a participant. Some racing meant this film got an automatic spot in the LFF planning... even with Matt Damon in it.
We've got another "based on true events" film on our hands and taking a glance at what car and racing experts have to say it seems that the events are fairly well done apart from some Hollywood tweaks here and there.
My main love in car movies is the roar of the engine, you can't beat that sound. I was nearly disappointed as almost instantly we get the engine sound but without the oomph, it was a really upsetting feeling. They did redeem themselves shortly after but I didn't enjoy that first moment at all. I did suffer with the audio in general being rather loud but I'm going to lay that firmly at the feet of old age rather than anything else.
There are a lot of people in this film, you only have to go for a scroll in the listings to see that. They add that busy feeling, the urgency of the project, the eagerness for the win. Some scenes feel crowded but they knew when to hold back and that meant that during the chaos we were still able to see some smaller and more powerful moments, moments that really were needed to break everything up.
Christian Bale did a Christian Bale for this film, after putting on all the weight for Vice he dropped it all again for his role as Ken Miles. Someone please cast him as a regular man, I worry about him. Ken's dedication to the sport and the skill really shines in Bale's performance, would we expect anything less from him? No, of course not. One of the most pleasing things is Bale saying "T'ra" in that accent, so soothing to listen to.
Matt Damon isn't a great love of mine, I'll watch his films with a disgruntled look on my face... Downsizing, that's for you... but... yes, there's a but, I thought he played Carroll Shelby exceptionally well, and without a hint of "Matt Damon" in it. This felt like the first time I've seen him in something where he's committed more to the role.
Great performances don't always mean great chemistry on screen but the two played off each other to great effect throughout. There's one fantastic scene (that you can see in one of the trailers) where they tussle together and it's such fun to watch, the full scene holds so much more than the trailer clips do.
Everything comes together in Le Mans '66 (*cough* Ford v Ferrari *cough*). The era is captured perfectly from all angles, the attention to detail on set looks spot on. The script isn't overly complicated and allowed the viewer (or at the very least me) to follow the story. The scenes on track are beautiful to watch with the truly impressive effect for weather and conditions being consistent in each shot. If you're asking me to find a quibble it would be on the crash effects, during one in particular the CGI seemed a little weak but you're drawn into the next shot fairly quickly so it's just a fleeting view.
Le Mans '66 was genuinely one of the highlights of the London Film Festival for me, Bale gives a stellar performance filled with humour and heart, Damon wowed me with his portrayal of Shelby and the way they managed to bring his character full circle... I didn't expect this to be such an emotional movie, I was taken aback by some of the moments and I genuinely can't wait to see this again.
Full review originally published on: http://emmaatthemovies.blogspot.com/2019/10/le-mans-66-movie-review.html
Sports films are a weakness of mine, I love them but I'm not really sure why as I'm very much a spectator than a participant. Some racing meant this film got an automatic spot in the LFF planning... even with Matt Damon in it.
We've got another "based on true events" film on our hands and taking a glance at what car and racing experts have to say it seems that the events are fairly well done apart from some Hollywood tweaks here and there.
My main love in car movies is the roar of the engine, you can't beat that sound. I was nearly disappointed as almost instantly we get the engine sound but without the oomph, it was a really upsetting feeling. They did redeem themselves shortly after but I didn't enjoy that first moment at all. I did suffer with the audio in general being rather loud but I'm going to lay that firmly at the feet of old age rather than anything else.
There are a lot of people in this film, you only have to go for a scroll in the listings to see that. They add that busy feeling, the urgency of the project, the eagerness for the win. Some scenes feel crowded but they knew when to hold back and that meant that during the chaos we were still able to see some smaller and more powerful moments, moments that really were needed to break everything up.
Christian Bale did a Christian Bale for this film, after putting on all the weight for Vice he dropped it all again for his role as Ken Miles. Someone please cast him as a regular man, I worry about him. Ken's dedication to the sport and the skill really shines in Bale's performance, would we expect anything less from him? No, of course not. One of the most pleasing things is Bale saying "T'ra" in that accent, so soothing to listen to.
Matt Damon isn't a great love of mine, I'll watch his films with a disgruntled look on my face... Downsizing, that's for you... but... yes, there's a but, I thought he played Carroll Shelby exceptionally well, and without a hint of "Matt Damon" in it. This felt like the first time I've seen him in something where he's committed more to the role.
Great performances don't always mean great chemistry on screen but the two played off each other to great effect throughout. There's one fantastic scene (that you can see in one of the trailers) where they tussle together and it's such fun to watch, the full scene holds so much more than the trailer clips do.
Everything comes together in Le Mans '66 (*cough* Ford v Ferrari *cough*). The era is captured perfectly from all angles, the attention to detail on set looks spot on. The script isn't overly complicated and allowed the viewer (or at the very least me) to follow the story. The scenes on track are beautiful to watch with the truly impressive effect for weather and conditions being consistent in each shot. If you're asking me to find a quibble it would be on the crash effects, during one in particular the CGI seemed a little weak but you're drawn into the next shot fairly quickly so it's just a fleeting view.
Le Mans '66 was genuinely one of the highlights of the London Film Festival for me, Bale gives a stellar performance filled with humour and heart, Damon wowed me with his portrayal of Shelby and the way they managed to bring his character full circle... I didn't expect this to be such an emotional movie, I was taken aback by some of the moments and I genuinely can't wait to see this again.
Full review originally published on: http://emmaatthemovies.blogspot.com/2019/10/le-mans-66-movie-review.html
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Crash Bandicoot N. Sane Trilogy in Video Games
Jun 19, 2019
When news first arrived that the crash empire would be releasing a new game. The whole world went nuts. It was a childhood favourite for so many households across the world. It was rolled out onto the PS4 platform on the 30th of June 2017. It smashed pre sale records, with tons of people choosing to put a deposit down in order of not missing the game. It consists of three of the crash games; Crash Bandicoot, Cortex Strikes Back, and Warped. The three most iconic of the crash series. All three had a major face lift, which was going to be obvious due to sheer jump in technology and graphics we’ve had. Yet nothing about the actual game has really changed. The levels, characters, and sounds have all stayed the same. Here’s a review of what the game was like to play.
Game Play
The first thing that a lot of people pointed out is, the game is hard to play. Well, harder than when most of us were kids and attempting it. But this shouldn’t be classed as a negative. It added excitement to the game, and if anything, made game play last longer. The graphics were incredible. Everything was so sharp and defined, it really made the characters and scenery pop to life. It also sort of made the game easier to play. Although the levels were hard, moving through them was easy. There were no annoying glitches, the characters were extra responsive to movements, and it really just had a smoother feeling compared to its very older brother. This game was review on a standard PS4, the graphics would have been 10x better on a custom gaming pc, it would have been interesting to compare the difference.
The attention to detail that Vicarious Visions (the developer) has gone to is outstanding. One huge improvement is the enemies. In the first lot of the three games, the enemies were always so hard to kill. It is very noticeable that in the new series, enemies move more fluidly, and are easier to kill or dodge. There’s no lag what so ever during the game which is perfect. The sounds are also crisper, with additional noises such as feet crunching on the floor, or the wind blowing have been added. It doesn’t affect gameplay, but it’s a nice additional touch. The best of the three games is definitely Cortex Strikes Back, it’s much more fun, crash is able to move around better, and it’s just generally more engaging.
Characters
All of the original characters still appear in the new games. There’s Aku Aku, the mask that appears making the funny noise. Crush, Crunch, Coco, Doctor Neo Cortex to name but a few. As with the scenery of the game, they’ve all had a little face lift too. It’s so much easier to see the features of the character’s. They look so crisp and clear in the HD platform. They all play exactly the same role as they did in the beginning, and seeing them all together in a high definition view really offers something nostalgic. Crash still remains the main character throughout the game.
Price
The price of the game when first released was around $35-$55 depending on which store you got it from. It has now rapidly reduced to around $20-$30. There’s also cool collectable extras to take a look at. You can get model figures of most of the main crash characters from the internet. If you can collect all of them, they might be worth something a little more in the future!
Negatives
There’s only two negatives of this game. One being the fact it is only available on the PS4 platform. Many xbox lovers weren’t too happy about this, but at the same time, crash has always been on playstation. It wouldn’t be right to release it on all platforms. If they had done however, there profit could have been exponential compared to what it was. Although this didn’t have PS4 lover’s complaining. The second issue is just how damn hard the levels were. Yes it’s good to have a little bit of a challenge, but not three whole games worth of rock solid challenges. It did anger a lot of people, especially parents. The game was simply just too hard to play for some children. I think if they had the chance to do it again, they should have options that let you choose game play difficulty. That way it’ll be suitable for all ages. But even so, the game did need to be toned down a bit.
http://sknr.net/2017/10/11/crash-bandicoot-n-sane-trilogy-review/
Game Play
The first thing that a lot of people pointed out is, the game is hard to play. Well, harder than when most of us were kids and attempting it. But this shouldn’t be classed as a negative. It added excitement to the game, and if anything, made game play last longer. The graphics were incredible. Everything was so sharp and defined, it really made the characters and scenery pop to life. It also sort of made the game easier to play. Although the levels were hard, moving through them was easy. There were no annoying glitches, the characters were extra responsive to movements, and it really just had a smoother feeling compared to its very older brother. This game was review on a standard PS4, the graphics would have been 10x better on a custom gaming pc, it would have been interesting to compare the difference.
The attention to detail that Vicarious Visions (the developer) has gone to is outstanding. One huge improvement is the enemies. In the first lot of the three games, the enemies were always so hard to kill. It is very noticeable that in the new series, enemies move more fluidly, and are easier to kill or dodge. There’s no lag what so ever during the game which is perfect. The sounds are also crisper, with additional noises such as feet crunching on the floor, or the wind blowing have been added. It doesn’t affect gameplay, but it’s a nice additional touch. The best of the three games is definitely Cortex Strikes Back, it’s much more fun, crash is able to move around better, and it’s just generally more engaging.
Characters
All of the original characters still appear in the new games. There’s Aku Aku, the mask that appears making the funny noise. Crush, Crunch, Coco, Doctor Neo Cortex to name but a few. As with the scenery of the game, they’ve all had a little face lift too. It’s so much easier to see the features of the character’s. They look so crisp and clear in the HD platform. They all play exactly the same role as they did in the beginning, and seeing them all together in a high definition view really offers something nostalgic. Crash still remains the main character throughout the game.
Price
The price of the game when first released was around $35-$55 depending on which store you got it from. It has now rapidly reduced to around $20-$30. There’s also cool collectable extras to take a look at. You can get model figures of most of the main crash characters from the internet. If you can collect all of them, they might be worth something a little more in the future!
Negatives
There’s only two negatives of this game. One being the fact it is only available on the PS4 platform. Many xbox lovers weren’t too happy about this, but at the same time, crash has always been on playstation. It wouldn’t be right to release it on all platforms. If they had done however, there profit could have been exponential compared to what it was. Although this didn’t have PS4 lover’s complaining. The second issue is just how damn hard the levels were. Yes it’s good to have a little bit of a challenge, but not three whole games worth of rock solid challenges. It did anger a lot of people, especially parents. The game was simply just too hard to play for some children. I think if they had the chance to do it again, they should have options that let you choose game play difficulty. That way it’ll be suitable for all ages. But even so, the game did need to be toned down a bit.
http://sknr.net/2017/10/11/crash-bandicoot-n-sane-trilogy-review/
Emma @ The Movies (1786 KP) rated Wonder Woman 1984 (2020) in Movies
Jan 22, 2021
I swung between wanting to see this and not, had it been a normal world then of course I would have gone regardless, but as it is I wasn't having strong feelings about this one.
Diana's dreams come true at the hands of an ancient artefact that can grant wishes. But as a wish is given something is taken away, and when Maxwell Lord, businessman and entrepreneur, makes a wish, the world is about to learn the lesson of the phrase... "be careful what you wish for".
First off... this absolutely would have been better on the big screen. It's never been so apparent to me that a cinema experience of a film holds so much power, it's making me understand the differences in early reviews and home viewing reviews a lot more these days.
The story of WW84 is really a very simple one. Doodad does magic, people are evil, goodie must make them good again. And that somehow fills a whole 2 hour 31 minutes of film... it doesn't feel like a very satisfying experience. For all that opener, the conclusion seems to be fleeting and dare I say it... not entirely believable. Overall the whole thing doesn't get particularly deep at any point despite there being a lot of opportunities around the wishes, and there are some questionable moments that could fill several blog posts.
There's been a long pause between me writing the first part and continuing here. That pause involved me staring at my notes and contemplating just writing "meh" and finishing the review there. I'm really going to try and elaborate on my feelings though.
For a film with two villains it's not got much proper villainy in it. Barbara Minerva becoming Cheetah is massively underwhelming from what felt like a promising build-up, and Maxwell Lord, despite having the potential, was not big bad material. Neither had the drive in them to be a truly powerful force in the film, and what's the point in a villain if you can't get on board to hate them?
Kristen Wiig did give a great performance as Barbara, it was a smooth and interesting transition as she progressed, and it left me a lot less "meh" than everything else. But did anyone else just keep thinking Catwoman though?
I thought Pedro Pascal had 80's businessman down pretty well, but I found him to be a little lacklustre, and the character's story felt like the reason for that.
As with the first film, Gal Gadot is majestic on screen as Diana and Wonder Woman... but even here I found myself shrugging at what was going on, and cringing at some problematic plot points. I'm trying to work out if the appeal of the first film was partially due to the amusement of Diana discovering the world for the first time. Here she's savvy and elegant (even for the 0s), and she didn't have the same humour. Instead, we've got that role filled by Steve (Chris Pine). His discovery of the 80s world was fairly amusing, but the way in which he came back bugged me.
All in all characters really didn't grab me, out two main newbies felt very much like rip-offs of other things rather than a great recreation of their source material.
Visually the film was amazing, the bright colours, the style, all fit the era and you gotta love some parachute pants. But outside of that it just merged into other films for me.
That CGI... how can you get so many things right but somehow not do the villains? It's Steppenwolf all over again, Cheetah looked bad. Not only that, but it took an immense amount of time for us to even get to that full effect... so why wasn't it on point? How are DC incapable of animating their villains?
Will I watch this again? Probably, but I'm not overly fussed about it being anytime soon. It wasn't anywhere near as entertaining as the first for me, and didn't have enough action to cover up the disappointing story and character work. I really wish I felt strongly one way or the other on this and not having just another sitting on the fence swinging my feet review. I did appreciate some early vaguely Quidditchy vibes at the beginning though.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/01/wonder-woman-1984-movie-review.html
Diana's dreams come true at the hands of an ancient artefact that can grant wishes. But as a wish is given something is taken away, and when Maxwell Lord, businessman and entrepreneur, makes a wish, the world is about to learn the lesson of the phrase... "be careful what you wish for".
First off... this absolutely would have been better on the big screen. It's never been so apparent to me that a cinema experience of a film holds so much power, it's making me understand the differences in early reviews and home viewing reviews a lot more these days.
The story of WW84 is really a very simple one. Doodad does magic, people are evil, goodie must make them good again. And that somehow fills a whole 2 hour 31 minutes of film... it doesn't feel like a very satisfying experience. For all that opener, the conclusion seems to be fleeting and dare I say it... not entirely believable. Overall the whole thing doesn't get particularly deep at any point despite there being a lot of opportunities around the wishes, and there are some questionable moments that could fill several blog posts.
There's been a long pause between me writing the first part and continuing here. That pause involved me staring at my notes and contemplating just writing "meh" and finishing the review there. I'm really going to try and elaborate on my feelings though.
For a film with two villains it's not got much proper villainy in it. Barbara Minerva becoming Cheetah is massively underwhelming from what felt like a promising build-up, and Maxwell Lord, despite having the potential, was not big bad material. Neither had the drive in them to be a truly powerful force in the film, and what's the point in a villain if you can't get on board to hate them?
Kristen Wiig did give a great performance as Barbara, it was a smooth and interesting transition as she progressed, and it left me a lot less "meh" than everything else. But did anyone else just keep thinking Catwoman though?
I thought Pedro Pascal had 80's businessman down pretty well, but I found him to be a little lacklustre, and the character's story felt like the reason for that.
As with the first film, Gal Gadot is majestic on screen as Diana and Wonder Woman... but even here I found myself shrugging at what was going on, and cringing at some problematic plot points. I'm trying to work out if the appeal of the first film was partially due to the amusement of Diana discovering the world for the first time. Here she's savvy and elegant (even for the 0s), and she didn't have the same humour. Instead, we've got that role filled by Steve (Chris Pine). His discovery of the 80s world was fairly amusing, but the way in which he came back bugged me.
All in all characters really didn't grab me, out two main newbies felt very much like rip-offs of other things rather than a great recreation of their source material.
Visually the film was amazing, the bright colours, the style, all fit the era and you gotta love some parachute pants. But outside of that it just merged into other films for me.
That CGI... how can you get so many things right but somehow not do the villains? It's Steppenwolf all over again, Cheetah looked bad. Not only that, but it took an immense amount of time for us to even get to that full effect... so why wasn't it on point? How are DC incapable of animating their villains?
Will I watch this again? Probably, but I'm not overly fussed about it being anytime soon. It wasn't anywhere near as entertaining as the first for me, and didn't have enough action to cover up the disappointing story and character work. I really wish I felt strongly one way or the other on this and not having just another sitting on the fence swinging my feet review. I did appreciate some early vaguely Quidditchy vibes at the beginning though.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/01/wonder-woman-1984-movie-review.html
Debbiereadsbook (1454 KP) rated Saved (Breaking Free #1) in Books
Mar 7, 2019
totally blew me away!
I was shared this book, via Amazon's family and friends thingie.
I will be honest here, cos that's what reviewing is all about. I only picked this book to read as a "palette cleanser" an easy read, just for fun, between two heavier books. It sounded just what I needed so I jumped in, expecting a light fluffy read, that wasn't very long.
How wrong I was, because I started this book at 10.15pm and did not stop til I ran out of at 130 am and I had to be up for work at 6am!
I freaking LOVED this book! It totally came out of left field and blew me away! I mean, so much so, I made sure I had book two, which was also shared with me, and I purchased books three and four, so I was ready to go! I haven't come across this author before, but by God they are on my hit list now!
This book is set in the Omegaverse, there are no females and only certain pairings can produce children: alphas and omegas. But omegas are treated badly, as second class citizens, and Braun and his brother Kell suffer. First at the hands of their father, and later, Kell at the hands of his husband.
So it's understandable that Braun be scared of Tarek and what he represents: a lot of suffering for Braun. But Tarek is of a growing breed of Alpha, those who believe omegas should be treasured, not trod down. After all, their race would die out in two generations without any omegas. And Tarek LISTENS to Braun, wants to know if he can help when his heat hits. And Braun tells him: come ONLY when called for, NO knotting and condoms every time. And when Tarek abides by Braun's wishes, Braun knows he can be a trusted ally. The omegas rescued from the group home need one. Braun's brother needs one, and the newborn, but missing nephew of Braun needs one too.
Like I said WAAAAAAAAAAAAAAAAAAY outta left field and totally blew me away!
It's dark: carries a strong abuse line, both from a parent and a spouse. The abuse Kell suffers goes far beyond the beatings Braun knows about (the full story doesn't come clear til Kell's book, I've already read that one on writing this review, and it is horrific) But so well told, sensitively. Tarek knows this happens, what happens to omegas at the hands of their spouses but he hates that it does. He knows he needs to help, starting with Braun.
It's emotional: the abuse line not withstanding, what Braun starts to feel very early for Tarek, as the bonds develop between them, hits him hard and he fights! He fights it so bloody hard! To be fair, they both do, and it's quite hard reading, what they go through before they get there.
It's sexy: I mean two guys? Always gonna float my boat! But refer to above: just because it's hot and heavy, doesn't mean it doesn't have the emotions along with it. Once Braun and Tarek give in to the bonds, they are IN, totally, emotionally and physically.
Both Braun and Tarek have a say, and their voices are strong and clear and so very well written.
I'm starting to gush and I don't want to, but just know this:
I FREAKING LOVED THIS BOOK! I am not ashamed to admit I was wrong, what I expected from this book was so very NOT what I got out of it, and I mean that in a very positive way!
But it's not an easy read, at all, and you need to be prepared for what is here. Some readers might have triggers, I don't, but some points made for difficult reading. Not the writing, just the level of abuse that is systematic for the omegas in this world. But with Tarek and his friends, maybe, just maybe, they can start to change things.
I gotta stop, I'll be writing all day!
5 very unexpected, but bloody amazing stars!
**same worded review will appear elsewhere**
I will be honest here, cos that's what reviewing is all about. I only picked this book to read as a "palette cleanser" an easy read, just for fun, between two heavier books. It sounded just what I needed so I jumped in, expecting a light fluffy read, that wasn't very long.
How wrong I was, because I started this book at 10.15pm and did not stop til I ran out of at 130 am and I had to be up for work at 6am!
I freaking LOVED this book! It totally came out of left field and blew me away! I mean, so much so, I made sure I had book two, which was also shared with me, and I purchased books three and four, so I was ready to go! I haven't come across this author before, but by God they are on my hit list now!
This book is set in the Omegaverse, there are no females and only certain pairings can produce children: alphas and omegas. But omegas are treated badly, as second class citizens, and Braun and his brother Kell suffer. First at the hands of their father, and later, Kell at the hands of his husband.
So it's understandable that Braun be scared of Tarek and what he represents: a lot of suffering for Braun. But Tarek is of a growing breed of Alpha, those who believe omegas should be treasured, not trod down. After all, their race would die out in two generations without any omegas. And Tarek LISTENS to Braun, wants to know if he can help when his heat hits. And Braun tells him: come ONLY when called for, NO knotting and condoms every time. And when Tarek abides by Braun's wishes, Braun knows he can be a trusted ally. The omegas rescued from the group home need one. Braun's brother needs one, and the newborn, but missing nephew of Braun needs one too.
Like I said WAAAAAAAAAAAAAAAAAAY outta left field and totally blew me away!
It's dark: carries a strong abuse line, both from a parent and a spouse. The abuse Kell suffers goes far beyond the beatings Braun knows about (the full story doesn't come clear til Kell's book, I've already read that one on writing this review, and it is horrific) But so well told, sensitively. Tarek knows this happens, what happens to omegas at the hands of their spouses but he hates that it does. He knows he needs to help, starting with Braun.
It's emotional: the abuse line not withstanding, what Braun starts to feel very early for Tarek, as the bonds develop between them, hits him hard and he fights! He fights it so bloody hard! To be fair, they both do, and it's quite hard reading, what they go through before they get there.
It's sexy: I mean two guys? Always gonna float my boat! But refer to above: just because it's hot and heavy, doesn't mean it doesn't have the emotions along with it. Once Braun and Tarek give in to the bonds, they are IN, totally, emotionally and physically.
Both Braun and Tarek have a say, and their voices are strong and clear and so very well written.
I'm starting to gush and I don't want to, but just know this:
I FREAKING LOVED THIS BOOK! I am not ashamed to admit I was wrong, what I expected from this book was so very NOT what I got out of it, and I mean that in a very positive way!
But it's not an easy read, at all, and you need to be prepared for what is here. Some readers might have triggers, I don't, but some points made for difficult reading. Not the writing, just the level of abuse that is systematic for the omegas in this world. But with Tarek and his friends, maybe, just maybe, they can start to change things.
I gotta stop, I'll be writing all day!
5 very unexpected, but bloody amazing stars!
**same worded review will appear elsewhere**
BookwormMama14 (18 KP) rated The Silent Songbird in Books
Jan 2, 2019
This story may be a retelling of The Little Mermaid...but there are no sea witches or talking seagulls in this book. What you will find is a beautiful maiden with the voice of an angel.
Eva longs to be free...Free of the restraints that have been cast upon her by her status. Even if it means to work hard as a servant for the rest of her life. When King Richard decrees that she marry Lord Shiveley, Evangeline decides that she must run away or face a life of fear and abuse. In order to avoid detection, she pretends she is mute. But when her secret is revealed will those she has come to care for be able to forgive her? When Westley's life is in danger, yet Eva is the only witness...Will they heed her word? Or has the seed of mistrust been buried too deep?
Throughout her life Evangeline's voice has brought comfort and pleasure to herself and those around her. But she must stifle that gift in order to hide her identity. Throughout the story we see Westley encourage and draw out the voice, her true identity, that she has hidden. He is so gentle and sweet with her. Evangeline eventually learns that faith and trust in God is the strength she must lean on.
My only knowledge of The Little Mermaid is the animated Disney version. But as you compare the stories, there are several parallel characters. I think what I love most about Melanie Dickerson is that she takes the classic childhood fairy tales and creates a world, a story, that is realistic, yet still so full of "magic". There is also the added element of faith that adds a whole new dimension to the story. Set in medieval England, the way of life was much different then. But I so enjoy immersing myself into the time period and Melanie Dickerson's books. To be swept away by the adventure and live alongside the people of Glynval.
There are a few twists in the storyline that prove to be heartbreaking, exciting, and romantic. A quick read, The Silent Songbird will keep you turning the pages until you are finished. Even though this is a part of the Hagenheim Series. I did not recognize any of the characters (I have only read The Golden Braid and The Silent Songbird so far). You can read this book by itself and not have any confusion. This story is for "Young Adults" (I am still young right?), but is also great for adults. I am so thankful to Melanie for writing stories that are clean and faith filled for our teenagers.
I received a free copy of The Silent Songbird. I was not required to write a review and this does not influence my review, positive or otherwise. All opinions expressed are mine alone.
Eva longs to be free...Free of the restraints that have been cast upon her by her status. Even if it means to work hard as a servant for the rest of her life. When King Richard decrees that she marry Lord Shiveley, Evangeline decides that she must run away or face a life of fear and abuse. In order to avoid detection, she pretends she is mute. But when her secret is revealed will those she has come to care for be able to forgive her? When Westley's life is in danger, yet Eva is the only witness...Will they heed her word? Or has the seed of mistrust been buried too deep?
Throughout her life Evangeline's voice has brought comfort and pleasure to herself and those around her. But she must stifle that gift in order to hide her identity. Throughout the story we see Westley encourage and draw out the voice, her true identity, that she has hidden. He is so gentle and sweet with her. Evangeline eventually learns that faith and trust in God is the strength she must lean on.
My only knowledge of The Little Mermaid is the animated Disney version. But as you compare the stories, there are several parallel characters. I think what I love most about Melanie Dickerson is that she takes the classic childhood fairy tales and creates a world, a story, that is realistic, yet still so full of "magic". There is also the added element of faith that adds a whole new dimension to the story. Set in medieval England, the way of life was much different then. But I so enjoy immersing myself into the time period and Melanie Dickerson's books. To be swept away by the adventure and live alongside the people of Glynval.
There are a few twists in the storyline that prove to be heartbreaking, exciting, and romantic. A quick read, The Silent Songbird will keep you turning the pages until you are finished. Even though this is a part of the Hagenheim Series. I did not recognize any of the characters (I have only read The Golden Braid and The Silent Songbird so far). You can read this book by itself and not have any confusion. This story is for "Young Adults" (I am still young right?), but is also great for adults. I am so thankful to Melanie for writing stories that are clean and faith filled for our teenagers.
I received a free copy of The Silent Songbird. I was not required to write a review and this does not influence my review, positive or otherwise. All opinions expressed are mine alone.
365Flicks (235 KP) rated Peelers (2016) in Movies
Nov 20, 2019
Last night I watched a movie that was so rotten that not only was I not able to write a review for it, but I felt like a needed a palette cleanser. When I received the trailer for Peelers I thought to myself ‘A Zombie Horror Comedy set in a Strip Club sooooo Boobies’ okay I am in lets have a look at Peelers. Holy crap was this the palette cleanser I needed.
Blue Jean (Wren Walker) is an ex Major League Baseball player seeing out her days as the super sexy, super sassy owner of a small-town strip club. BJ (ha BJ) has decided tonight is going to be her last night as she sells up to some local douche-bag who has every intention of pulling the place down. So with this being Blue’s last night she wants it to go out with a bang and we are introduced to all the right characters to make this happen (Mostly diaper wearing peeing on stage strippers). Throw in some recently exposed to some crazy shit coal miners, a mass blood bath and shenanigans and this movie becomes less Striptease and more From Dusk till Dawn.
This movie is an absolute riot, I had so much fun watching this and was pleasantly surprised with what waited around every corner. So often an independent movie can either be great but look terrible or Terrible but look great. I found Peelers to be both it looks great and is great. The movie looks polished as hell for a movie that I assume didn’t have the biggest budget. The script from Lisa DeVita is refreshingly original but manages to throw most of the Zombie tropes at us that we know and love, remember people jump scares can still be effective. Dialogue wise the chemistry and banter just flows.
Seve Schlenz has turned out a great movie here and considering this is second Feature as a director you really wouldn’t know it. Lets talk about effects for a second. Its pretty much all practical, which you would expect. Great care and attention has been taken by the team to make them A. Scary but B. not shit. The cast is on point making this a fun as hell enjoyable romp (with Boobies) from start to finish. Wren Walker as Blue Jean is incredible and you could easily draw comparisons to Uma Thurman in the bad ass stakes with this actress, I look forward to seeing her in more.
This is a solid recommend from me, it was exactly what I needed after the tripe I watched the night before. It may be indie and low budget as balls but it has more fun being exactly that than most. I genuinely thoroughly enjoyed this Flick and think you will too. You have to seek this one out. Did I mention it has Boobies???
Blue Jean (Wren Walker) is an ex Major League Baseball player seeing out her days as the super sexy, super sassy owner of a small-town strip club. BJ (ha BJ) has decided tonight is going to be her last night as she sells up to some local douche-bag who has every intention of pulling the place down. So with this being Blue’s last night she wants it to go out with a bang and we are introduced to all the right characters to make this happen (Mostly diaper wearing peeing on stage strippers). Throw in some recently exposed to some crazy shit coal miners, a mass blood bath and shenanigans and this movie becomes less Striptease and more From Dusk till Dawn.
This movie is an absolute riot, I had so much fun watching this and was pleasantly surprised with what waited around every corner. So often an independent movie can either be great but look terrible or Terrible but look great. I found Peelers to be both it looks great and is great. The movie looks polished as hell for a movie that I assume didn’t have the biggest budget. The script from Lisa DeVita is refreshingly original but manages to throw most of the Zombie tropes at us that we know and love, remember people jump scares can still be effective. Dialogue wise the chemistry and banter just flows.
Seve Schlenz has turned out a great movie here and considering this is second Feature as a director you really wouldn’t know it. Lets talk about effects for a second. Its pretty much all practical, which you would expect. Great care and attention has been taken by the team to make them A. Scary but B. not shit. The cast is on point making this a fun as hell enjoyable romp (with Boobies) from start to finish. Wren Walker as Blue Jean is incredible and you could easily draw comparisons to Uma Thurman in the bad ass stakes with this actress, I look forward to seeing her in more.
This is a solid recommend from me, it was exactly what I needed after the tripe I watched the night before. It may be indie and low budget as balls but it has more fun being exactly that than most. I genuinely thoroughly enjoyed this Flick and think you will too. You have to seek this one out. Did I mention it has Boobies???
BankofMarquis (1832 KP) rated The Lighthouse (2019) in Movies
Jan 25, 2021
Weird - and I couldn't look away
I have viewed some really strange films in my day. When asked, I often mention MIRRORMASK (based on a Neil Gaiman story) and mother! (the Darren Aronofsky oddity) as the strangest films I have ever seen.
Add Robert Eggers’ THE LIGHTHOUSE to this list.
Based on a real life tragedy from 1801, THE LIGHTHOUSE follows 2 isolated Lighthouse keepers as they interact with each other, slowly going mad in the process…or did they? Is one of them mad and the other sane? Are they both mad? Or…is it the viewer who is going mad? Eggers let’s you, the viewer, decide.
And…good for him. I have now encountered 2 films directed by former Production Designer Eggers - THE WITCH and now this film. In both cases, the movies are interestingly shot and intriguing to view but almost incomprehensible. The more so with THE LIGHTHOUSE, it is almost as if Eggers heard the criticism of THE WITCH of being incomprehensible and said “hold my beer”.
Besides the production values - which really are quite good (especially Eggers use of Black and White) - what holds this movie in high regards is the acting of the 2 people in film. These 2 characters are the only speaking parts in this movie.
Willem Dafoe portrays the older, veteran Lighthouseman who tells the tales of Mermaids and Curses and has a generally air of foreboding from the start. It is a masterwork by Dafoe - his best work of his career (and that’s saying something). He is unnerving to view from the start. The only thing the viewer needs to figure out is whether he is insane or very, very, very sane.
The surprise for me in this movie is the work of Robert Pattinson, the younger Lighthouseman who is in his first assignment. He is the audience’s eyes into this weird world and he is very much sane at the beginning. At the end…well…you decide. He was able to go toe-to-toe with DaFoe and held his own very well. This young actor has made a conscious choice following the Twilight films and with this movie and with Christopher Nolan's TENANT he is establishing himself as a darn good performer.
As for the film itself, my one recommendation for you is to not be too concerned of making sense of what is going on in the scene you are watching…you’ll drive yourself mad doing this (at least it was driving me mad). After awhile I just sat back and drank in the weirdness - and the quality acting and production values - that was enfolding in front of me and the ending was satisfying (enough).
All in all one of the stranger times I’ve had at the movies.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Add Robert Eggers’ THE LIGHTHOUSE to this list.
Based on a real life tragedy from 1801, THE LIGHTHOUSE follows 2 isolated Lighthouse keepers as they interact with each other, slowly going mad in the process…or did they? Is one of them mad and the other sane? Are they both mad? Or…is it the viewer who is going mad? Eggers let’s you, the viewer, decide.
And…good for him. I have now encountered 2 films directed by former Production Designer Eggers - THE WITCH and now this film. In both cases, the movies are interestingly shot and intriguing to view but almost incomprehensible. The more so with THE LIGHTHOUSE, it is almost as if Eggers heard the criticism of THE WITCH of being incomprehensible and said “hold my beer”.
Besides the production values - which really are quite good (especially Eggers use of Black and White) - what holds this movie in high regards is the acting of the 2 people in film. These 2 characters are the only speaking parts in this movie.
Willem Dafoe portrays the older, veteran Lighthouseman who tells the tales of Mermaids and Curses and has a generally air of foreboding from the start. It is a masterwork by Dafoe - his best work of his career (and that’s saying something). He is unnerving to view from the start. The only thing the viewer needs to figure out is whether he is insane or very, very, very sane.
The surprise for me in this movie is the work of Robert Pattinson, the younger Lighthouseman who is in his first assignment. He is the audience’s eyes into this weird world and he is very much sane at the beginning. At the end…well…you decide. He was able to go toe-to-toe with DaFoe and held his own very well. This young actor has made a conscious choice following the Twilight films and with this movie and with Christopher Nolan's TENANT he is establishing himself as a darn good performer.
As for the film itself, my one recommendation for you is to not be too concerned of making sense of what is going on in the scene you are watching…you’ll drive yourself mad doing this (at least it was driving me mad). After awhile I just sat back and drank in the weirdness - and the quality acting and production values - that was enfolding in front of me and the ending was satisfying (enough).
All in all one of the stranger times I’ve had at the movies.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
The first half of The Serpent and the Moon mainly deals with Francois I's reign as king and has little to do with the love triangle. Frankly, the whole book itself hasn't much to do with the love triangle or "one of the great love stories of all time," but more to do with the political intrigue of Henri I and his father's reigns. Oh, and lest I forget, Henri, Diane, and both of their symbols, monograms, etc. I honestly don't know what the whole fascination of that was all about, but it showed up everywhere.
On page 187 the princess tells us that it is a man's way of thinking that Diane wouldn't have become Henri's mistress if he hadn't become dauphin. I disagree, it is a realist's view, and frankly, I think it's fully possible that was how it started. Yes, maybe she was flattered by his attention too, but to consider having him as a lover in light of how much she was in his life growing up, it's a bit creepy. Oedipus comes to mind. I believe he was infatuated with her from a young age and it most likely progressed into love, for both of them. I envision her grabbing the chance at being the mistress of a king and being older, she knew how to mould and persuade him. Whether or not it was a true love story, I really don't know; I'm not sure anyone does and I don't care all that much.
As many other reviewers have stated, there is an obvious bias. The readers are warned in the introduction, but even if you know that, there's still the possibility that the work as a whole might be neutral. Unfortunately, that's not the case. Maybe if it had only been a slight bias, I wouldn't have cared so much, but when an author heaps praise on one person and how they accomplish everything, and then turn around and bash someone else for the exact same thing. Well, that's just hypocrisy.
From the book, the author would have you believe that Diane de Poitiers got to where she was merely by being a good, honest, gracious, and pious woman and Catherine de' Medici did it by being a cold, heartless, evil, spiteful person. I'm sorry but you cannot have climbed to the heights Diane did, especially in those times, without being conniving in one way or the other. I'm sure she did the same things Catherine did, so quit holding Diane up on a pedestal; she's really not a goddess, just a woman. Diane is a white light, Catherine is black as death and there isn't any grey between them for most of the book. By the end of the book I really took the "history" lightly, mainly that of these two women, more than anything else; it was just an unfair assessment. And with the author's snarky and catty remarks directed towards Catherine, saying she has a "fat little heart," well, that was just uncalled for. Then at the end, her words were so disgusting about Catherine's behavior towards Diane, saying how petty she was and she did things purely due to "feminine spite". Catherine could have done much worse to her but she didn't! Of course, Ms. Perfect D. was always so respectful and exemplary of Catherine. Give me a break. Maybe some of the things said in the book were true about both women, but then again, maybe not. Most is lost to history.
If Princess Michael of Kent's plan was for me to sympathize and idolize Diane de Poitiers, as she does, it backfired. Now I don't ever care to ever hear about her again, and I love history of all kinds. On the other hand, I have already ordered two books about Catherine de' Medici from the library. Most likely the opposite of what she wanted. I honestly don't blame Catherine if she was bitter, who wouldn't be in that situation? Even if it was a different time, circumstance, and an arranged marriage? I refuse to believe Diane was this perfect being, a goddess, virtuous as can be, a victim - nobody is all these things and I don't know why the author cannot see any imperfections and insists on romanticizing her.
Even though I hated how biased this book was, I still appreciate the amount of research this must have taken, it was fairly well-written in form, and there was loads of information. I'd only recommend this to Catherine haters, loathers, or serious dislikers. With the princess's flair for the dramatic and speculation on feelings and actions, she might want to focus on writing works of fiction instead. I have no desire to read anything by this author again.
On page 187 the princess tells us that it is a man's way of thinking that Diane wouldn't have become Henri's mistress if he hadn't become dauphin. I disagree, it is a realist's view, and frankly, I think it's fully possible that was how it started. Yes, maybe she was flattered by his attention too, but to consider having him as a lover in light of how much she was in his life growing up, it's a bit creepy. Oedipus comes to mind. I believe he was infatuated with her from a young age and it most likely progressed into love, for both of them. I envision her grabbing the chance at being the mistress of a king and being older, she knew how to mould and persuade him. Whether or not it was a true love story, I really don't know; I'm not sure anyone does and I don't care all that much.
As many other reviewers have stated, there is an obvious bias. The readers are warned in the introduction, but even if you know that, there's still the possibility that the work as a whole might be neutral. Unfortunately, that's not the case. Maybe if it had only been a slight bias, I wouldn't have cared so much, but when an author heaps praise on one person and how they accomplish everything, and then turn around and bash someone else for the exact same thing. Well, that's just hypocrisy.
From the book, the author would have you believe that Diane de Poitiers got to where she was merely by being a good, honest, gracious, and pious woman and Catherine de' Medici did it by being a cold, heartless, evil, spiteful person. I'm sorry but you cannot have climbed to the heights Diane did, especially in those times, without being conniving in one way or the other. I'm sure she did the same things Catherine did, so quit holding Diane up on a pedestal; she's really not a goddess, just a woman. Diane is a white light, Catherine is black as death and there isn't any grey between them for most of the book. By the end of the book I really took the "history" lightly, mainly that of these two women, more than anything else; it was just an unfair assessment. And with the author's snarky and catty remarks directed towards Catherine, saying she has a "fat little heart," well, that was just uncalled for. Then at the end, her words were so disgusting about Catherine's behavior towards Diane, saying how petty she was and she did things purely due to "feminine spite". Catherine could have done much worse to her but she didn't! Of course, Ms. Perfect D. was always so respectful and exemplary of Catherine. Give me a break. Maybe some of the things said in the book were true about both women, but then again, maybe not. Most is lost to history.
If Princess Michael of Kent's plan was for me to sympathize and idolize Diane de Poitiers, as she does, it backfired. Now I don't ever care to ever hear about her again, and I love history of all kinds. On the other hand, I have already ordered two books about Catherine de' Medici from the library. Most likely the opposite of what she wanted. I honestly don't blame Catherine if she was bitter, who wouldn't be in that situation? Even if it was a different time, circumstance, and an arranged marriage? I refuse to believe Diane was this perfect being, a goddess, virtuous as can be, a victim - nobody is all these things and I don't know why the author cannot see any imperfections and insists on romanticizing her.
Even though I hated how biased this book was, I still appreciate the amount of research this must have taken, it was fairly well-written in form, and there was loads of information. I'd only recommend this to Catherine haters, loathers, or serious dislikers. With the princess's flair for the dramatic and speculation on feelings and actions, she might want to focus on writing works of fiction instead. I have no desire to read anything by this author again.