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Allison Anders recommended Monterey Pop (1968) in Movies (curated)

 
Monterey Pop (1968)
Monterey Pop (1968)
1968 |
(0 Ratings)
Movie Favorite

"Most people think that the concert at Altamont was the antithesis of Woodstock. But one of my students at UCSB recently commented that you could tell a lot about what went wrong at Altamont by watching what went right at Monterey. I couldn’t agree more . . . It’s fascinating to watch both of these films and compare what happened just a few years and less than a hundred miles apart. First off, Monterey Pop, which may be my favorite of all Criterion DVD packages. The booklet is printed on nature-rough hippy-grade paper stock that you would have first encountered on the streets of Haight-Ashbury, in the form of a free press or psychedelic poster on a telephone pole, and later on your thrift-store coffee table with a pile of pot about to be rolled next to it! Yes, it is this evocative! The DVD box set includes amazing outtake performances with Laura Nyro, Quicksilver Messenger Service, TINY TIM (!), and Buffalo Springfield . . . and another DVD, Jimi Plays Monterey and Shake! Otis at Monterey, contains the complete performances by Jimi Hendrix and Otis Redding (with commentary by the ever-enlightening Peter Guralnick, who knows the history of Memphis musicians better than anyone alive). The accompanying doc of a conversation between record producer Lou Adler and filmmaker D. A. Pennebaker is such a coup—not only do you hear how the concert came together and how it was organized during the entire event, but you also get to hear Lou Adler’s story. A lot of people don’t know (although smarty-pants me did) that Adler started his music career with Herb Alpert, as songwriting and producing partners . . . and he has awesome stories of Paul McCartney hanging out at Cass Elliot’s house in Laurel Canyon . . . There’s endless music-nerd gold like that! The color in the film is all that psychedelia had to offer—vibrant, otherworldly, and hyperreal. There’s an innocence throughout Monterey Pop that exceeds the “positive vibes” of Woodstock a few years later and that is of course completely nonexistent in Gimme Shelter. You can also see in Monterey Pop the cops in the crowd (who were replaced by Hells Angels at Altamont) and SEATING! My student pointed out there were folding chairs on the lawns at Monterey—very civilized. Now that wasn’t throughout the concert grounds, but it was more in the tradition of the Newport Folk Festival than the mayhem to follow in Altamont. Also like Newport, the performers were in the audience—they were not in some rarefied backstage area, cut off from the fans or their fellow performers—and you get to see the moment when Mama Cass Elliot in the audience has her mind blown by the powerful performance of young Janis Joplin. There’s a fabulous interview with Papa John Phillips, who cofounded the event with Adler, and a gorgeous photo exhibit by photographer Elaine Mayes. Gimme Shelter director Albert Maysles was one of seven cameramen on Monterey Pop. And I need to point out that you do see a few Hells Angels on the lawn toward the end of Monterey Pop. So the Angels already had a presence at large outdoor rock events that far back. I’ve talked to a lot of people who were at Altamont as performers, friends of bands, and audience members, and the consensus is that nothing in this film was manipulated in the least: the vibe was bad from the very start, and the filmmakers didn’t create that in the editing room. Interestingly, the film is shot much darker than the saturated colors in Monterey Pop—but then again colors were becoming less vibrant in pop culture and fashion at that time too. But interestingly—here you have some of the same players—you have Jefferson Airplane, who are almost humble on the Monterey Pop stage (despite the fact that Grace Slick shows off her powerful rock pipes at Monterey—she was the first true female rock singer and very underrated in my opinion), having to stop their set at Altamont when singer Marty Balin is dragged off the stage and beat up by the Hells Angels. The Grateful Dead play a soothing jam at Monterey and don’t even make it to the stage at Altamont. Chris Hillman with the Byrds plays an evening set to the Monterey audience, and in Gimme Shelter his band, the Flying Burrito Brothers, only get two songs done before the mayhem drives them off the stage at the Speedway. Watching Charlie Watts listening to the interviews with the promoter and with Hells Angel Sonny Barger makes Watts your favorite member of the band if he wasn’t already . . . His quiet devastation over the murder at his band’s concert is profound to witness (and you do feel as though you are let in on a very private event)."

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HIS Fantasy (HIS #8)
HIS Fantasy (HIS #8)
Sheila Kell | 2018 | Romance
9
9.0 (1 Ratings)
Book Rating
a fitting end
I was gifted my copy of this book, direct from the author, that I write a review was not required.

This is book 8 in the HIS series, but they all can be read as stand alones. However reading them in order will give you a better understanding of how the Hamilton family works, and just why Brad fights so hard against falling in love.

Brad Hamilton is the last man standing. (had to say, I chuckled when that appeared in the book!) The last brother to meet t after he said something, she left him. Now Madison is back in town and in danger, so of course Brad goes all ALPHA male on her. But Brad has secrets. and when those secrets threaten Madison, the Hamilton brothers pull out all the stops, to not only keep Madison safe, but to clear their brother's name.

It's always sad to come to the end of a series, especially one you have watched grow from the very first one, one you have watched the author's skill grow with every book along the way. Brad's story is a fitting end to an amazing journey.

Brad's secret has been hinted at along the way, but never fully revealed until now, and I did like being kept waiting on that front. That Brad didn't actually do anything wrong, he just thought he had, shows the depth of character Brad has. His brothers never doubted him, and neither does Madison when she gets the full story.

Brad and Madison's chemistry is hot off the charts, but I liked that it takes them time to finally give in to their feelings, and when Brad falls, he falls HARD and he falls FAST. Madison is half in love with Brad from the very beginning, I think!

I loved that ALL the brothers pop in and out at some part of this story, and Blake and Elizabeth too. We get to catch up with all the babies born, and those on the way, and I really don't think it will be long before Brad and Madison have their own news to share.

I loved the planning of them all being together at Thanksgiving, and the table cloth idea was a fabulous idea I may well steal! Maybe at some point in the future, we can drop in on their Thanksgiving, just to catch up with everyone. I often wonder whether, when their series is finished whether characters actually shut up on their authors, or just lurk in the background waiting to pounce!

It did not feel as long a read as the others, but page length is pretty consistent through the brothers books, but dad's book is only short.

A fitting end, I think. I can't wait to see what Ms Kell comes up with next.

Thank you, for writing these books, I will miss them all.

5 full and shiny stars

**same worded review will appear elsewhere**
  
Serenade (The Dark Nocturne #1)
Serenade (The Dark Nocturne #1)
Morgan Shamy | 2022 | Paranormal, Science Fiction/Fantasy, Young Adult (YA)
9
9.0 (1 Ratings)
Book Rating
I don't normally read young adult books anymore, but when I read the synopsis for Serenade by Morgan Shamy, I was intrigued. I decided to get the eBook, and I am happy I did because I ended up loving Serenade!

I felt as if the plot of Serenade by Morgan Shamy was very original. Yes, it does have some of the other elements of paranormal fantasy that others of the same genre have such as the evil supernatural and paranormal creatures, but Shamy uses all of that and changes it all around to form a very different narrative. Her background in music and dance really shines through throughout Serenade. Whilst reading this novel, I was kept on the edge of my seat waiting to see what would happen next to November and her school. I also enjoyed how Morgan Shamy is not afraid of killing off any character whether they are minor or major. It made the book that much more suspenseful. There was one major plot twist that I didn't see coming. Although Serenade is a series, there's no major cliff hanger which was a plus.

I loved each and every character in Serenade. Each was well fleshed out, and I felt as if I was reading about actual people instead of characters in a book. November was an awesome main character! While there were a few times, I felt as if she made the wrong decision, I could easily see why she chose to do/act the way she did. It was interesting to see her hatch her plan to take on the baddies of the book as well as how she would stand up for her cousin. There was something very endearing about April, and I think she was my favorite character. There was something so innocent and sweet about her. I wanted a friend like April. In fact, I think I kind of was like April in high school - low self-esteem and never quite fitting in. I never liked Cam, not because he wasn't written well, but I hated how assured of himself he was. I was always drawn to Vincent even if he was moody and broody a lot of the time. My favorite creatures in Serenade were definitely the sylphs. I loved how they could go from being beautiful and alluring to deadly quite suddenly.

Trigger warnings for Serenade include violence, death, and murder.

Overall, Serenade is an original take on the whole paranormal fantasy genre that's full of relatable characters and a plot that sucks you in from the very first page. Once you start reading this novel, you will struggle to put it down. It will have that affect on you. I would definitely recommend Serenade by Morgan Shamy to those aged 14+ who are after a book with a fresh new plot full of action, adventure, and some really cool monsters. I have already started reading Etude, the next book in The Dark Nocturne series by Morgan Shamy!
  
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Kristy H (1252 KP) rated The Imposter in Books

Mar 11, 2021  
The Imposter
The Imposter
Marin Montgomery | 2021 | Philosophy, Psychology & Social Sciences, Thriller
4
4.0 (1 Ratings)
Book Rating
A confusing mess of a thriller
Attorney Sibley Sawyer's life goes down in flames when her drinking finally catches up with her. Forced to take a leave of absence from her firm, Sibley seeks the perceived source of her problems: her mother, Deborah. The two have been estranged since Sibley fled home in her late teens. But when Sibley returns to the Midwestern farm where she grew up, she realizes her mother is acting odd. Perhaps it's due to her recent attack, when an intruder brutally beat her. Either way, as Sidney tries to make peace with Deborah, she starts to recall why she left in the first place--and uncovers even more shocking secrets about long ago happenings on the farm.

Well, the synopsis for this one sounded interesting, but this was a hot mess for me. I did not like much of this book at all, but kept reading because I needed to find out what happened. I think I was as confused as these hapless and unlikable characters, honestly. Deborah is clearly disoriented and bewildered throughout the book--alone and terrified on the farm--and it's nearly impossible to muddle through what's going on in her brain. Sidney is drinking heavily, and while I have complete sympathy for the disease of alcoholism, having lost a beloved relative to it, I'm tired of authors using the trope to give us an unreliable narrator with no real effort for a backstory or anything else.

Neither character comes across as particularly sympathetic, and I got rather tired of reading a book with my brow perpetually furrowed. It was not exciting, just confusing. The plot is truly bizarre, with some weird twists, but I felt I was reading to work out a bad puzzle. Maybe all this befuddlement would have been worth it if the probable "bad guy" had not been telegraphed from a mile away, but I had the outline of this figured out from the start.

Overall, as much as I regret it, this thriller did not work for me at all. It's confusing--but not in an exciting, psychological way, predictable, and filled with narrative threads that never seem to link back together. Others seemed to enjoy it more, so I hope that's the case for you if you pick it up.

I received a copy from Netgalley and Thomas & Mercer in return for an unbiased review.
  
The Returners
The Returners
8
8.0 (1 Ratings)
Book Rating
I have a vague recollection of reading this some time in the past which is kind of ironic considering the topic of the book itself. While I felt a repeated deja vu throughout this book, I can't seem to remember when I actually would have read it before. I also couldn't remember much of the main plot, which is pretty weird.

Anyway, the review.

It's a good book. honestly, the opening paragraph of this review sums the book up quite well - it's good, but not overly memorable. When you read it, you often think, "this is good" or "cool" or whatever, but a few months later you'll forget all about it. At least, that's how I felt.

Gemma Malley is an author I used to love when I was in my preteens, and I'm not sure if that's why her books feel very adolescent to me, or if it's because they actually are. Basically, I feel too old for them now. The protagonists are usually "cool" mid-teens, who the reader is supposed to look up to in some way. But I'm older than most characters and actually find their attitudes a bit pathetic and petty.

The story was good but I felt like there were a few loopholes, honestly. The idea of the "Returners" is interesting but not developed enough - who actually 'controls' them? Where did they come from? What is their real purpose? I felt like their purpose was a bit wishy-washy. Douglas's refusal to change his attitude because it "isn't their role" or whatever just sounded a bit... lame. Like a cop-out, I guess. I really would've liked to know more about the Returners and why they actually exist.

It's only short and this may contribute to it feeling quite young, but it is well written and really enjoyable to read. Will is almost an anti-hero, and as the reader I both loved and hated him. His thoughts and attitudes were quite sporadic and it was sometimes hard to keep up, but that may have been the intention. I did like how we learned things at the same time as Will - we followed him through his own story. It was also really interesting how Will decided to handle the life he'd been forced into.

4 stars.
  
Twilight Heist (Outlaws #2)
Twilight Heist (Outlaws #2)
Katherine McIntyre | 2023 | Contemporary, LGBTQ+, Romance, Thriller
10
10.0 (3 Ratings)
Book Rating
awesome follow up to Midnight Heist!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the second book in the Outlaws series, and I think it would help to have read book one, Midnight Heist before this one. Not strictly necessary, but it will give you a better view of this group of people and what they do. And you know, cos I said so!
This is a multi-layered story, and it took me a little bit of time to fully immerse myself into Leo and Tuck's story. It doesn't quite grab as much as Danny and Grif's does, but it packs a no less powerful punch.
Leo changed his name and ran from the Stockyard after his parents died. Tuck left the circus after his died too. When those two paths cross in the here and now, Leo knows he has to keep Tuck safe, without revealing his past.
This is a proper "kinda creeps up on ya" book! I mean, it came outta nowhere, whooping me upside the head with things I did not see coming! Once I started, and I should have read this AGES ago, I could not put it down.
It's dark and deadly, given both Leo's and Tuck's past. It's emotional and difficult reading in places, again due to their past, but also their fears for the future. Neither knows there can be anything long term between them, right? They are both damaged beyond repair. Super smexy! But I really wanted more smexy times on those silks! (I'm just greedy, don't judge me!)
The banter between the Outlaws is awesome and I loved that we got to catch up with Danny and Grif. I'm reading between the lines about who might be next, but I'm not voicing those words, cos I might be way, WAAAAAAAAAAAAAAAAAAAAAAAAY off the mark there! But Scarlet is growing on me, I love the way they flip from male to female pronouns and the guys just run with them. It did take me a while it book one to get Scarlet, but not so here, since I was aware of their fluidity.
An awesome follow-up to Midnight Heist.
5 full and shiny stars
*same worded review will appear elswhere
  
Donnie Darko (2001)
Donnie Darko (2001)
2001 | Comedy, Drama, Mystery, Sci-Fi
Wasn't Feeling it
High school student Donnie Darko (Jake Gyllenhaal) is beset with visions of a six-foot bunny and premonitions of the world ending in less than a month.

Acting: 10


Beginning: 1

Characters: 9
One of the things Donnie Darko excelled at for me. The film relies on its quirkiness which is best exhibited in its depth of characters. Darko is a troubled kid who is completely unpredictable and doesn't care much who he offends. I wasn't his biggest fan, but there were a number of moments where he caught me off guard in a good way. The Fear/Love classroom scene was one of my particular favorites.

His sister Elizabeth (Maggie Gyllenhaal) stands out as the character I liked the most. She thinks that Donnie is indeed strange fruit and is never afraid to call him on his crap. At the same time, she is also protective of him with a family-first mentality. You can tell she's got it all figured out and now she's trying to help the others around her do the same. It's interesting watching the two characters in contrast.

Cinematography/Visuals: 9

Conflict: 0
Seriously, what was the conflict here? What was the, "Why should I care?" portion of the film? If I'm shooting holes in the movie, this is definitely bullet #1. I guess one could argue that Donnie's conflict is within himself and what ultimately is happening to him. I'm sorry, but unless Donnie is dealing with a vampire change or a zombie turn, I don't think internal conflict is enough. Sure weird things are happening throughout the film, but you get the feeling that it's all much ado about nothing.

Genre: 3

Memorability: 1

Pace: 6
There seems to be quite a few moving parts throughout the course of the film, most of which I didn't really care much to follow. There wasn't enough consistent intrigue to keep the mystery afloat. Very slow. I need a coffee just thinking about it. Or perhaps a nice tea...

Plot: 3
Original? Sure, I'll absolutely give it a handful of points for looking at cinema in a unique way. All in all, though, the film feels like I'm wading through a swamp to get to work. I know I'm going the right way or rather I know cutting through this swamp will get me to where I need to be...But why the hell am I in this swamp? What am I trying to prove? I guess I'm saying I just didn't quite get it. I'm also willing to admit that maybe it's just me.

Resolution: 0

Overall: 42
Critics loved it. So did audiences. I thought the characters were solid and the film succeeds with a number of memorable shots, but falls short with shoddy pacing that left me more confused than when I started. Just one man's opinion.
  
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Andy K (10821 KP) Mar 27, 2018

Is this your first time seeing? You have to give it like ten more times before it sinks in ! :)

Jim & Andy: The Great Beyond (2017)
Jim & Andy: The Great Beyond (2017)
2017 |
7
8.8 (4 Ratings)
Movie Rating
Documentaries, they can’t be trusted, can they? There is always a purpose and a message the film-maker’s have manufactured and edited to suit themselves, I find. They often leave you with more questions than answers. The best ones are open to interpretation enough to allow you in; allowing the source material to speak for itself. The worst ones rely on talking heads too much and can feel very manipulative.

Jim and Andy: The Great Beyond, is fortunately much more of the former than the latter. However, two days after watching this mind-blowing exposé of how Jim Carrey behaved on set of the excellent Man On The Moon, playing genius / lunatic Andy Kaufman, I am still left pondering what to think of it all. Is Carrey an ego maniac who belongs in a straight-jacket, or is he a hippie genius, dedicated to his art, who would do anything to achieve a perfect performance?

It focuses on a fully bearded Carrey reliving his memories of 20 years ago. Reinforced by a plethora of behind the scenes footage, which at turns is hilarious, shocking, confusing and revealing, in uncomfortable and fascinating ways. The premise is that at the time of being cast Kaufman’s spirit inhabited Carrey, allowing him to channel the actual man, and BE him, rather than merely play him!

Whatever your thoughts on method acting, and how indulgent that can be, it is always astonishing to see just how far he went! And why everyone else allowed him to get away with it? Director Milos Forman is forced to cope with never talking to “Jim”, only to “Andy”, and seems often at the point of break-down. Fellow cast members seem to deal with it in different ways too. Danny DeVito seems in awe; Courtney Love seems to embrace it; Paul Giamatti seems very uncomfortable. But the whole show goes ahead with Carrey as king. Simply extraordinary!

The thing is, both 1999 Jim and 2017 Jim never seem entirely insane, but rather totally in control and eloquent. It seems as if every “crazy” thing he did was a choice, conscious or unconscious, that as an actor he was happy to be part of; as if the performance was all that mattered. There have always been mental health questions about Carrey, and this throws a bright spotlight on his technique, personality and self-awareness. At some point you just have to say “wow” and to a degree applaud it.

Your enjoyment of it hinges on how much of a Carrey fan you are? If you have never liked or got him as a performer then you will be screaming at the screen in consternation. If you love his work then this is indespesible viewing! Either way, there is something wondrous about it! Just consider, Carrey won a Golden Globe for this role, and remains the only person ever to do so not to be Oscar nominated…

There is also a suggestion the whole thing is a joke, in typical Kaufman style, using the footage to create a trick on the audience… Documentaries, they can’t be trusted, can they? You decide.
  
TT
The Third Floor (Angel Hill, #1)
10
10.0 (1 Ratings)
Book Rating
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).


The feels with this book! This book scared me, and I loved it! It was the blurb that made me want to read this book. Even reading the blurb now sends chills down my neck. This is the kind of horror I wish more authors would write.

The title is perfect for the book. Most of the ghostly goings on happen on the third floor. While it's not an overly creepy title, it still works.

I don't really like the cover. Yes, it is the house the story is about, but it doesn't give off any spooky vibes. I, personally, would've liked to see some creepy stuff on the cover like ghosts, but to each their own I guess.

The world building was eerie and perfect for a horror novel. I got chills so many times while reading this book. Moore did an excellent job as portraying just how scary Angel Hill is as well as the spooky house the Kitches live in. (Oh, and if you're a fan of Silent Hill, I just want to say that Angel Hill reminded me a bit of Silent Hill). I read this book at night, so every noise and shadow scared me thanks to this book. (I did like being scared though).

The pacing was fantastic!! I was hooked from the first page. In fact, I was actually hooked from the first sentence. I love the way the story unfolded and flowed easily from one paragraph to the next.

The story line was great! While the whole plot of a house being haunted isn't new at all, Moore did a fantastic job of making it feel like it was a whole new concept. There was a skeptic and a believer in the same household, and while it was frustrating that Jack didn't believe Liz, I was interested in finding out what it'd take to make Jack believe. There was a minor plot twist that I wouldn't have predicted either. For those of you who don't like cliff hanger endings, then this a book for you. No cliff hanger endings are found in The Third Floor.

I thought all the characters, even minor ones, were very well written. I sympathized with Liz because she had to experience all the ghostly activity first hand. I felt scared for her, and I was also worried that something bad would happen to her in that house. I found myself wanting to protect Liz. I didn't really like Jack to much, not because he was a poorly written character which he's quite the opposite. I just didn't like how he, to me, tried to make Liz feel like she was crazy. He'd get angry with her about things that she didn't do. It was like he didn't trust her at all. I understand that he's a big time skeptic, but I thought, maybe, he could've been a little bit nicer to her and more willing to listen. I loved little Joey. He came across as such a sweet child. He was also experiencing supernatural events firsthand and even more so than Liz. I just wanted to go over to that house, get Joey, and never bring him back until Jack realized what was going on.

The dialogue in this book was never awkward or disjointed. The character interactions felt realistic and never forced. There were a few grammar mistakes that I came across in the book, but nothing major that would take away from how fantastic the book is. There is violence and swearing in the book as well as a few sexual references (though not many).

Overall, The Third Floor is an incredibly spooky read which I think most horror fans will love. It has a fantastic plot, great world building, and likable characters. This is a story that you may want to leave the lights on when you read it though.

I'd recommend this book to those aged 17+ who are into spooky ghost stories and those who like being scared.

<b>I'd give The Third Floor by C. Dennis Moore a 4.75 out of 5.</b>


(I borrowed this book for free from the Amazon's Kindle Owners' Lending Library. I was not required to write a review).