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Charlie Cobra Reviews (1840 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Jul 7, 2020
Fast and Furious Johnson/Statham Style
Fast And Furious Presents Hobbs & Shaw is a 2019 action movie directed by David Leitch and written by Chris Morgan and Drew Pearce from a story by Morgan. It was produced by Seven Bucks Productions and Chris Morgan Productions and distributed by Universal Pictures. The film also had Jason Statham, Dwayne Johnson, Chris Morgan and Hiram Garcia as producers. The movie stars Dwayne Johnson, Jason Statham, Idris Elba, Vanessa Kirby and Ryan Reynolds.
When a team of MI6 agents try to retrieve a virus called "Snowflake", which could kill millions, from terrorist organization Eteon; Brixton Lore (Idris Elba), a cybernetically enhanced member of Eteon, arrives killing all the agents except Hattie Shaw (Vanessa Kirby). She is able to inject herself with the virus and escape but Brixton forces her to go on the run by framing her as a traitor who killed her team and stole "Snowflake". Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) are both recruited by the CIA, to work together to track it down and recover it.
This movie definitely fit in with the Fast and Furious series and was what you expected from a spin-off of the main franchise. That being said, it also didn't feel like a good fit in a lot of ways. Dwayne Johnson's character Hobbs felt diminished in a way because of how they tried to humanize him and make him more relatable by introducing family like his daughter. Also Deckard Shaw, Statham's character was given the same treatment by introducing family characters as well. Since the Fast and Furious franchise is all about family, I guess this was to be expected but it came off as contrived and "trope-ish". Vanessa Kirby did an awesome job as kick ass Hattie Shaw and delivered a strong performance as did Idris Elba although his character felt like a stereo-typed villain. The stunts and action sequences of course were crazy as hell but if you like the Fast and Furious movies than you will like this film. For me though, I'm with most fans and feel that the team up with Shaw is a stab in the back to Han since he was killed by Shaw in the franchise. But I guess the movie makers didn't really care or maybe they'll do something else about it later and he'll wind up being alive. All in all, it's a decent movie but just didn't do it for me, even with the great action, the funny dialogue/banter between Statham and Johnson and solid performances from some of the actors. I give this movie a 6/10.
When a team of MI6 agents try to retrieve a virus called "Snowflake", which could kill millions, from terrorist organization Eteon; Brixton Lore (Idris Elba), a cybernetically enhanced member of Eteon, arrives killing all the agents except Hattie Shaw (Vanessa Kirby). She is able to inject herself with the virus and escape but Brixton forces her to go on the run by framing her as a traitor who killed her team and stole "Snowflake". Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) are both recruited by the CIA, to work together to track it down and recover it.
This movie definitely fit in with the Fast and Furious series and was what you expected from a spin-off of the main franchise. That being said, it also didn't feel like a good fit in a lot of ways. Dwayne Johnson's character Hobbs felt diminished in a way because of how they tried to humanize him and make him more relatable by introducing family like his daughter. Also Deckard Shaw, Statham's character was given the same treatment by introducing family characters as well. Since the Fast and Furious franchise is all about family, I guess this was to be expected but it came off as contrived and "trope-ish". Vanessa Kirby did an awesome job as kick ass Hattie Shaw and delivered a strong performance as did Idris Elba although his character felt like a stereo-typed villain. The stunts and action sequences of course were crazy as hell but if you like the Fast and Furious movies than you will like this film. For me though, I'm with most fans and feel that the team up with Shaw is a stab in the back to Han since he was killed by Shaw in the franchise. But I guess the movie makers didn't really care or maybe they'll do something else about it later and he'll wind up being alive. All in all, it's a decent movie but just didn't do it for me, even with the great action, the funny dialogue/banter between Statham and Johnson and solid performances from some of the actors. I give this movie a 6/10.
Becs (244 KP) rated Mom's Perfect Boyfriend in Books
Sep 4, 2019
Not what I was expecting but overall decent read
You can also find this review on my blog: bookingwayreads.wordpress.com
TRIGGER WARNINGS: fixation on weight and appearance
Review:
Thank you to Galbadia Press for sending me an Advanced Reader's Copy of Mom's Perfect Boyfriend for review purposes and my honest opinion.
Mom's Perfect Boyfriend is a fast-paced romantic comedy set in an epistolary format that tells the story of a mother-daughter relationship and the pitfalls of trying to please overly demanding parents. It's told through mostly emails, texts, and journal entries and makes for a perfect summer read! It released on July 16, 2019 and is similar to Where'd You Go, Bernadette and Bridget Jones. Mom's Perfect Boyfriend is also perfect for those who are fans of Sophie Kinsella and Meg Cabot.
Crystal and her mother, Margot are at the core of this story and it follows their relationship with one another and others. Margot is a bit demanding of her daughter Crystal, calling and texting all the time. She wants to be in the middle of everything in Crystal's life but Crystal wants limits and to live her own life without having an overbearing mother. One day her boyfriend leaves on an adventure by himself and Crystal loses her job, resulting in her having to move back in with her mom.
I ended up giving Mom's Perfect Boyfriend a 3.5 out of 5 star rating because I found it to be a really strange read. It wasn't a bad type of strange, but I also don't think it was generally a style of book I'd normally pick up.
This was supposed to be a book about a cyborg boyfriend and that didn't come into play until almost halfway through the book. Once it did though, nothing really interesting happened. This wasn't a detriment though as I stilled pretty much enjoyed the read. I did enjoy watching Crystal and Margot grow not only closer but also within themselves as well. They both had their own journeys and watching them navigate through their relationship was a fun perspective!
Mom's Perfect Boyfriend was a fun read at times but I also found it a bit boring in other parts. One thing that really urked me was how the characters fixated on their weights and appearances and I know that's a reality that most people go through, but it was a bit too much at times.
When I first read the synopsis of Mom's Perfect Boyfriend I was intrigued and was not expecting how the story actually unfolded. It was fun in parts and the messages were comical at times. The pacing could have used a bit of oomph, but the different formats provided an easy and light read.
TRIGGER WARNINGS: fixation on weight and appearance
Review:
Thank you to Galbadia Press for sending me an Advanced Reader's Copy of Mom's Perfect Boyfriend for review purposes and my honest opinion.
Mom's Perfect Boyfriend is a fast-paced romantic comedy set in an epistolary format that tells the story of a mother-daughter relationship and the pitfalls of trying to please overly demanding parents. It's told through mostly emails, texts, and journal entries and makes for a perfect summer read! It released on July 16, 2019 and is similar to Where'd You Go, Bernadette and Bridget Jones. Mom's Perfect Boyfriend is also perfect for those who are fans of Sophie Kinsella and Meg Cabot.
Crystal and her mother, Margot are at the core of this story and it follows their relationship with one another and others. Margot is a bit demanding of her daughter Crystal, calling and texting all the time. She wants to be in the middle of everything in Crystal's life but Crystal wants limits and to live her own life without having an overbearing mother. One day her boyfriend leaves on an adventure by himself and Crystal loses her job, resulting in her having to move back in with her mom.
I ended up giving Mom's Perfect Boyfriend a 3.5 out of 5 star rating because I found it to be a really strange read. It wasn't a bad type of strange, but I also don't think it was generally a style of book I'd normally pick up.
This was supposed to be a book about a cyborg boyfriend and that didn't come into play until almost halfway through the book. Once it did though, nothing really interesting happened. This wasn't a detriment though as I stilled pretty much enjoyed the read. I did enjoy watching Crystal and Margot grow not only closer but also within themselves as well. They both had their own journeys and watching them navigate through their relationship was a fun perspective!
Mom's Perfect Boyfriend was a fun read at times but I also found it a bit boring in other parts. One thing that really urked me was how the characters fixated on their weights and appearances and I know that's a reality that most people go through, but it was a bit too much at times.
When I first read the synopsis of Mom's Perfect Boyfriend I was intrigued and was not expecting how the story actually unfolded. It was fun in parts and the messages were comical at times. The pacing could have used a bit of oomph, but the different formats provided an easy and light read.
Kristy H (1252 KP) rated Somebody's Daughter in Books
Apr 4, 2019
So this is a very timely book--as it seems like sexting and its repercussions is everywhere right now--and its horrifying to see how quickly one bad decision can affect the course of so many kids' lives. Unfortunately, this one fell flat for me. I actually really liked Zoe--and even her twin, though she wasn't as prominently featured--but the book was told from Emma's perspective, and she drove me crazy.
It's made clear from the beginning that Zoe's incident parallels something Emma herself did as a teen or young woman. But, of course, we can't just be told what that is. Heaven forbid. Instead, there are constant allusions to whatever happened, or Emma mentioning it (to herself, since it's a secret) and agonizing whether she should tell Zoe or her husband, or blah blah blah. We go over half the book before finding out what really happened and by then I was way too annoyed to care.
Not to mention, Emma's husband, Bobby, is a total jerk. The guy turns on his teenage daughter when she needs him and then spends the majority of the book being a total a** to his wife and kids. I had zero sympathy for him and honestly wished either Emma or the kids would just kick him to the curb. Most of the book is Bobby sniping at Emma (or his fifteen-year-old daughter, who has just been through a huge trauma!), or Emma endlessly worrying about Bobby and the state of things. Ugh. Rinse and repeat. I found myself sort of skimming waiting to see if more was going to happen. (It really didn't.)
It's a shame, because there was real potential with Zoe's character, and the message of the book--about the dangers of sexting--is a good one, I think.
“There’s a monster out there,” she says. “It can be anyone pushing a button and ruining my life. I can’t see them, but they’re out there, and I’m terrified.”
Alas, the book was just too melodramatic and repetitive for me. I couldn't handle how long it took to reveal Emma's past, especially after all the build-up to said revelation. The rehashed bickering between Emma and Bobby is just way too much (and I couldn't stand Bobby whatsoever). I felt so bad for those poor kids. And, of course, to end it all, we have a predictable ending that you could see coming a mile away. I should have abandoned this one, but I kept holding out hope it would surprise me. It did not. 2 stars.
It's made clear from the beginning that Zoe's incident parallels something Emma herself did as a teen or young woman. But, of course, we can't just be told what that is. Heaven forbid. Instead, there are constant allusions to whatever happened, or Emma mentioning it (to herself, since it's a secret) and agonizing whether she should tell Zoe or her husband, or blah blah blah. We go over half the book before finding out what really happened and by then I was way too annoyed to care.
Not to mention, Emma's husband, Bobby, is a total jerk. The guy turns on his teenage daughter when she needs him and then spends the majority of the book being a total a** to his wife and kids. I had zero sympathy for him and honestly wished either Emma or the kids would just kick him to the curb. Most of the book is Bobby sniping at Emma (or his fifteen-year-old daughter, who has just been through a huge trauma!), or Emma endlessly worrying about Bobby and the state of things. Ugh. Rinse and repeat. I found myself sort of skimming waiting to see if more was going to happen. (It really didn't.)
It's a shame, because there was real potential with Zoe's character, and the message of the book--about the dangers of sexting--is a good one, I think.
“There’s a monster out there,” she says. “It can be anyone pushing a button and ruining my life. I can’t see them, but they’re out there, and I’m terrified.”
Alas, the book was just too melodramatic and repetitive for me. I couldn't handle how long it took to reveal Emma's past, especially after all the build-up to said revelation. The rehashed bickering between Emma and Bobby is just way too much (and I couldn't stand Bobby whatsoever). I felt so bad for those poor kids. And, of course, to end it all, we have a predictable ending that you could see coming a mile away. I should have abandoned this one, but I kept holding out hope it would surprise me. It did not. 2 stars.
Heather Cranmer (2721 KP) rated Shattered in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I'm a huge fan of horror books, so when Shattered by C.S. Kane was offered for review, I knew it was a book I had to read! However, I was really disappointed with this book.
I don't think the title suits the book at all. I don't really understand what is being shattered unless it's talking about Stacey's sanity.
The cover is alright. It is a scene from the book. It took me awhile to realize that the red thing on the cover was a heart pinned to the wall.
I didn't really have any problems with the world building except that it didn't come across as a creepy world. Not once was I the slightest bit scared or creeped out.
I felt the pacing of this book was slow. If it had been a longer book, I probably would've added it to my DNF (did not finish) shelf. It took forever, or so I thought, before the action really started, and when it did, it felt like it wasn't much.
The plot idea itself was a good one but sadly fell flat with poor execution. I would've liked this story to involve more of a haunting with more goings on. This story was poorly lacking I believe.
I found all the characters to be a bit dull and on dimensional. I couldn't connect with Stacey on any level, and I found myself not really caring what happened to her. There's a few other characters that are minor but I felt that they are also just sub par.
The dialogue doesn't feel disjointed or awkward in this novel, so it does have that going for it. The character interactions also flow well. There may be a slight amount of swearing in this book. (To be honest, I was a bit bored with this book, so I just wanted to get to the end). There is some blood and gore as well.
Overall, the idea for Shattered was a good one but was just poorly executed. Personally, I found it to be a bit dull and lacking depth. However, there are some good reviews for this book, so I encourage you to form your own opinion.
Personally, I wouldn't recommend this book to anyone.
I'd give Shattered by C.S. Kane a 1.75 out of 5.
(I received a free ecopy of this title from the publisher in exchange for a fair and honest review).
I'm a huge fan of horror books, so when Shattered by C.S. Kane was offered for review, I knew it was a book I had to read! However, I was really disappointed with this book.
I don't think the title suits the book at all. I don't really understand what is being shattered unless it's talking about Stacey's sanity.
The cover is alright. It is a scene from the book. It took me awhile to realize that the red thing on the cover was a heart pinned to the wall.
I didn't really have any problems with the world building except that it didn't come across as a creepy world. Not once was I the slightest bit scared or creeped out.
I felt the pacing of this book was slow. If it had been a longer book, I probably would've added it to my DNF (did not finish) shelf. It took forever, or so I thought, before the action really started, and when it did, it felt like it wasn't much.
The plot idea itself was a good one but sadly fell flat with poor execution. I would've liked this story to involve more of a haunting with more goings on. This story was poorly lacking I believe.
I found all the characters to be a bit dull and on dimensional. I couldn't connect with Stacey on any level, and I found myself not really caring what happened to her. There's a few other characters that are minor but I felt that they are also just sub par.
The dialogue doesn't feel disjointed or awkward in this novel, so it does have that going for it. The character interactions also flow well. There may be a slight amount of swearing in this book. (To be honest, I was a bit bored with this book, so I just wanted to get to the end). There is some blood and gore as well.
Overall, the idea for Shattered was a good one but was just poorly executed. Personally, I found it to be a bit dull and lacking depth. However, there are some good reviews for this book, so I encourage you to form your own opinion.
Personally, I wouldn't recommend this book to anyone.
I'd give Shattered by C.S. Kane a 1.75 out of 5.
(I received a free ecopy of this title from the publisher in exchange for a fair and honest review).
Heather Cranmer (2721 KP) rated Two Can Keep a Secret in Books
Jan 5, 2019
Great plot twists (1 more)
Great Characters
A Good Mystery!
When I read about Karen M. McManus' new book Two Can Keep a Secret, I added it to the top of my to read list. I loved her previous book One of Us is Lying, so I figured her new book would be just as good. Luckily, Ms. McManus did not let me down.
The synopsis of Two Can Keep a Secret really drew me in. I enjoyed they mystery behind who had killed the first homecoming queen, Lacey, and who was responsible for the current missing homecoming queen nominee as well as the mystery surrounding Ellery's and Ezra's aunt Sarah. Every time I thought I had figured out who the culprit was, another spanner was thrown into the works, and I would suspect someone else. This book definitely kept me guessing throughout, and I was wrong about who was responsible. The plot twist are great, and I can't say that I ever saw any of the plot twists coming.
The pacing starts out slow up until Chapter 14, and I found myself wondering if I had made a mistake with reading Two Can Keep a Secret. Once I got to Chapter 14, the pacing picked up, and I found myself fully immersed in what was happening. Not once did the pacing become too slow again. I couldn't wait to find out what would happen next.
The characters in Two Can Keep a Secret were all believable and fully fleshed out although I would have liked to know more about Sarah. There was some closure to Sarah's disappearance, but I felt like more information would have been nice. My favorite characters were Malcolm, Ellery, and Katrin. I loved watching Malcolm's and Ellery's relationship bloom. There was just something about Kartin that I really liked. I also liked the character of Brooke.
Trigger warnings for Two Can Keep a Secret include some underage drinking, profanities, some sexual innuendos, violence, attempted murder, and murder.
Overall, Two Can Keep a Secret isn't as good as One of Us Is Lying by Karen M. McManus. However, it's still a great read. It has some great plot twists and well written characters. I would definitely recommend Two Can Keep a Secret by Karen M. McManus to those aged 16+ who love a good mystery.
--
(A special thank you to Delacorte Press for providing me with a hardback of Two Can Keep a Secret by Karen M. McManus in exchange for an honest and unbiased review.)
The synopsis of Two Can Keep a Secret really drew me in. I enjoyed they mystery behind who had killed the first homecoming queen, Lacey, and who was responsible for the current missing homecoming queen nominee as well as the mystery surrounding Ellery's and Ezra's aunt Sarah. Every time I thought I had figured out who the culprit was, another spanner was thrown into the works, and I would suspect someone else. This book definitely kept me guessing throughout, and I was wrong about who was responsible. The plot twist are great, and I can't say that I ever saw any of the plot twists coming.
The pacing starts out slow up until Chapter 14, and I found myself wondering if I had made a mistake with reading Two Can Keep a Secret. Once I got to Chapter 14, the pacing picked up, and I found myself fully immersed in what was happening. Not once did the pacing become too slow again. I couldn't wait to find out what would happen next.
The characters in Two Can Keep a Secret were all believable and fully fleshed out although I would have liked to know more about Sarah. There was some closure to Sarah's disappearance, but I felt like more information would have been nice. My favorite characters were Malcolm, Ellery, and Katrin. I loved watching Malcolm's and Ellery's relationship bloom. There was just something about Kartin that I really liked. I also liked the character of Brooke.
Trigger warnings for Two Can Keep a Secret include some underage drinking, profanities, some sexual innuendos, violence, attempted murder, and murder.
Overall, Two Can Keep a Secret isn't as good as One of Us Is Lying by Karen M. McManus. However, it's still a great read. It has some great plot twists and well written characters. I would definitely recommend Two Can Keep a Secret by Karen M. McManus to those aged 16+ who love a good mystery.
--
(A special thank you to Delacorte Press for providing me with a hardback of Two Can Keep a Secret by Karen M. McManus in exchange for an honest and unbiased review.)
JT (287 KP) rated Halloween (1978) in Movies
Mar 10, 2020
Without a doubt Halloween was one of the finest horror films ever made, John Carpenter was spot on with his portrayal of a serial killer descending on a small American town.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Brett Anderson recommended The Queen Is Dead by The Smiths in Music (curated)
Emma @ The Movies (1786 KP) rated Five Feet Apart (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Firstly, I think it's nice to see a film partnering with a charity and bringing awareness to a wider audience. The advert for the charity before the film was a nice touch too.
Secondly, it appears that they shook the Disney tree hard for this one. Cole Sprouse and Moises Arias both had big roles on top Disney shows and Haley Lu Richardson appeared once in a show I've never heard of before.
Five Feet Apart opens really nicely with Stella and her friends. Everything is jolly old teen movie until they leave and Stella's demeanour changes. She isn't happy, her face is instantly one of resolve and sadness. The transformation of the room shows you everything that was hiding behind the camera, homely teen bedroom to sterile hospital room. It's a simple scene but it sets up Stella's character nicely.
This isn't a new tale, the idea is tried and tested over the years. A love story through the battle of illness is a guaranteed tearjerker, and this certainly delivered on that point.
Will's arrival at the hospital intrigues her almost instantly. He's the polar opposite of Stella, she has her reasons to battle through while Will is more for living for the moment, consequences be damned.
It's an enjoyable film, but the thing I think stands in the way for some people is the fact that we've never been in this sort of situation so everything seems farfetched. I can't imagine what it's like, but I can imagine emotions running high and recklessness coming from it. As an adult (ugh) I can't imagine putting my life in danger like the characters do, but I'm certain that teenage me would have done the same things... boy was she an idiot.
During the scene where Stella goes under general anaesthetic she's looking up at a drawing placed on the ceiling above her, as the drugs take hold the picture starts to come to life. It was a little whimsical for the film, but being that they use illustration in different areas it was a nice inclusion.
Stella's optimism and determination in the face of her CF is so strong and Haley Lu Richardson does a great job of dealing with the wide range of emotions that she cycles through. (Am I the only one who was getting Olivia Cooke vibes through this?)
The cheese to Stella's chalk is Will played by Cole Sprouse. Will is the fun-at-any-price sort of rebel so of course those two are perfect for each other. If I'm being brutally honest I always thought Cole Sprouse was the one that couldn't act. His performance in this has convinced me otherwise. As frustrating as I found Will's actions I thought he was an interesting character and that Sprouse brought him to life in a very believable way.
The pair make for a great lead couple, even if we are subjected to a rather condensed romance. I didn't really get much sense of how time flowed in this movie, it could be weeks, months, I couldn't tell. Due to the nature of their condition there's a necessary separation throughout the film and as you watch you wonder how they're going to deal with that when romances are traditionally full of closeness... I didn't think that something so simple could make me cry, but somehow there I was with tears rolling down my face. It was a bizarre idea but it worked really well visually even if it did get a little weird at one point.
At the end we ramp up fairly quickly and we see a swift change in our main characters. Emotions are so high that everything gets a little crazier. While the change in Stella didn't feel quite right to me, Will's change was a nice move and Sprouse's performance really showed the panic and reality behind the situation.
When we come to the conclusion of the film I could not have been more annoyed. If someone did that to me I think I'd punch their lights out, five feet rule or not.
Oh! And that five feet rule, you know, the one in the title of the film? We see it referred to early on and it's actually a six feet rule... that discrepancy annoyed me for longer than it probably should have done.
This might not be groundbreaking in its genre but it was an enjoyable watch. It gives you a different take on this popular medi-romance trend.
What you should do
If you like these devastating romances then this is definitely worth catching at some point.
Movie thing you wish you could take home
There's a lot of artistic talent flying around between the main characters and I'd love to pinch a little bit of that.
Secondly, it appears that they shook the Disney tree hard for this one. Cole Sprouse and Moises Arias both had big roles on top Disney shows and Haley Lu Richardson appeared once in a show I've never heard of before.
Five Feet Apart opens really nicely with Stella and her friends. Everything is jolly old teen movie until they leave and Stella's demeanour changes. She isn't happy, her face is instantly one of resolve and sadness. The transformation of the room shows you everything that was hiding behind the camera, homely teen bedroom to sterile hospital room. It's a simple scene but it sets up Stella's character nicely.
This isn't a new tale, the idea is tried and tested over the years. A love story through the battle of illness is a guaranteed tearjerker, and this certainly delivered on that point.
Will's arrival at the hospital intrigues her almost instantly. He's the polar opposite of Stella, she has her reasons to battle through while Will is more for living for the moment, consequences be damned.
It's an enjoyable film, but the thing I think stands in the way for some people is the fact that we've never been in this sort of situation so everything seems farfetched. I can't imagine what it's like, but I can imagine emotions running high and recklessness coming from it. As an adult (ugh) I can't imagine putting my life in danger like the characters do, but I'm certain that teenage me would have done the same things... boy was she an idiot.
During the scene where Stella goes under general anaesthetic she's looking up at a drawing placed on the ceiling above her, as the drugs take hold the picture starts to come to life. It was a little whimsical for the film, but being that they use illustration in different areas it was a nice inclusion.
Stella's optimism and determination in the face of her CF is so strong and Haley Lu Richardson does a great job of dealing with the wide range of emotions that she cycles through. (Am I the only one who was getting Olivia Cooke vibes through this?)
The cheese to Stella's chalk is Will played by Cole Sprouse. Will is the fun-at-any-price sort of rebel so of course those two are perfect for each other. If I'm being brutally honest I always thought Cole Sprouse was the one that couldn't act. His performance in this has convinced me otherwise. As frustrating as I found Will's actions I thought he was an interesting character and that Sprouse brought him to life in a very believable way.
The pair make for a great lead couple, even if we are subjected to a rather condensed romance. I didn't really get much sense of how time flowed in this movie, it could be weeks, months, I couldn't tell. Due to the nature of their condition there's a necessary separation throughout the film and as you watch you wonder how they're going to deal with that when romances are traditionally full of closeness... I didn't think that something so simple could make me cry, but somehow there I was with tears rolling down my face. It was a bizarre idea but it worked really well visually even if it did get a little weird at one point.
At the end we ramp up fairly quickly and we see a swift change in our main characters. Emotions are so high that everything gets a little crazier. While the change in Stella didn't feel quite right to me, Will's change was a nice move and Sprouse's performance really showed the panic and reality behind the situation.
When we come to the conclusion of the film I could not have been more annoyed. If someone did that to me I think I'd punch their lights out, five feet rule or not.
Oh! And that five feet rule, you know, the one in the title of the film? We see it referred to early on and it's actually a six feet rule... that discrepancy annoyed me for longer than it probably should have done.
This might not be groundbreaking in its genre but it was an enjoyable watch. It gives you a different take on this popular medi-romance trend.
What you should do
If you like these devastating romances then this is definitely worth catching at some point.
Movie thing you wish you could take home
There's a lot of artistic talent flying around between the main characters and I'd love to pinch a little bit of that.
BankofMarquis (1832 KP) rated Tenet (2020) in Movies
Jan 2, 2021
Nolan's PhD Thesis on time
And…on the first day of 2021…the BankofMarquis viewed the best film of 2020.
Christopher Nolan’s TENET is dense, beautifully shot, confusing, wonderfully acted, well staged, mind bending…and brilliant.
Starring John David Washington (Denzel’s kid - more on him later), TENET is Christopher Nolan’s “Spy Movie”. Much like what he did with the Murder Mystery genre (MEMENTO), the Heist Genre (INCEPTION), the Sci-Fi flick (INTERSTELLAR) and the war picture (DUNKIRK), Nolan takes the Spy film and turns it upside by playing with the one thing we all take for granted - time.
While all of these previous films were Nolan’s “warm up” to this film, TENET is Nolan’s PhD Thesis on playing with time - and the audience’s expectations of how time works. Not only does Nolan play with moving people and action forward and backwards through time, he also plays scenes where you don’t realize that the two folks talking are actually speaking at 2 different places in time.
It is a mind-bender to be sure - and I cannot imagine what the filmmakers, stunt personnel and actors went through in making it - but there is one thing I can guarantee you - you will be confused for (at least) the first part of the film while you retrain your mind to forget all preconceived notions on how time works.
But, if you are able to get your mind around this, Director Nolan has crafted a strong, well-acted, beautiful, exciting and action packed film that, in the end, is very satisfying.
Let’s start with the acting - top to bottom the performances are stellar. John David Washington (BLACK KkKLANSMAN) is “The Protagonist” (that is how he is billed, we never learn his name) and he is a charming and charismatic screen presence to experience this film with. Washington is a former professional football player and he uses this physicality throughout the film. But he is not a “lumbering brute”. He is intelligent and thoughtful as he learns things and adapts his plans as the audience learns them and helps lead us through the often complex plot and concepts throughout.
Elizabeth Debicki builds on her strong work in 2019’s WIDOWS (if you haven’t seen this film, check it out). Her character is much, much more than a “Femme Fatale” and goes mano-a-mano with the men in this film and more than holds her own. Nolan favorite Michael Caine (ALFIE) shows up as does Himesh Patel (INCEPTION), Dimple Kapadia (a major Bollywood star) and Aaron Taylor-Johnson (KICKASS) - all 3 of them bring their “A” game to this film and supports the story very very well.
Kenneth Branagh (TV’s WALLANDER) shows that he still has his fastball - when he is interested - as the film’s main villain. He has some very intense scenes where he just acts the pants off the others in the room (this is a compliment). Sir Kenneth has had a long, storied career (including many, many Shakespearean roles) and he plays the villain as a Shakespeare villain - and is very successful doing so. I’m glad he didn’t waste his “villain turn” on a Marvel or James Bond flick - he saved it for the right film.
Special notice should be made to the work of Robert Pattinson (TWILIGHT) - he has spent his “post-Twilight” years reinventing himself as a performer, mostly working in small, actor-led independent films, and this performance bears the fruits of those efforts. He is charming and mysterious as The Protagonist’s partner and proves that he can, indeed, act.
Like most Nolan films, the Cinematography is mesmerizing and beautiful to behld. Hats off to frequent Nolan Cinematographer Hoyte Van Hoytema who was able to create a mood and feeling of evil riding just under the surface of beauty - as well as to be able to distinguish those that are going forward in time versus those that are going backwards all while framing shots that are pictures of artistic beauty.
Nolan did not work with frequent musical collaborator Hans Zimmer on this film. He stated he felt that this film needed a “new, more modern” sound and turned to Ludwig Goransson (the Disney+ series THE MANDALORIAN) and he was smart to do so. The music/sound of this film is another character and helps drive the story forward in so many ways.
But make no mistake about it, this film is Nolan’s baby - and it is very “Nolan-y”. The action scenes are smartly put together, the plot and concepts are strong - but very dense - and the performances are strong. All trademarks of my favorite Director working today.
This film is not for everyone. The complexities of the plot are going to be too much for some folks, but if you just “roll with the flow” when your mind can’t quite catch up to the concepts, you will be rewarded with a very rich - very original - film experience. One that, I am sure, will become deeper and richer on the many, many re watches this film deserves.
Letter Grade: A
9 stars (out of 10) - and you can take that to the Bank(ofMarquis)
Christopher Nolan’s TENET is dense, beautifully shot, confusing, wonderfully acted, well staged, mind bending…and brilliant.
Starring John David Washington (Denzel’s kid - more on him later), TENET is Christopher Nolan’s “Spy Movie”. Much like what he did with the Murder Mystery genre (MEMENTO), the Heist Genre (INCEPTION), the Sci-Fi flick (INTERSTELLAR) and the war picture (DUNKIRK), Nolan takes the Spy film and turns it upside by playing with the one thing we all take for granted - time.
While all of these previous films were Nolan’s “warm up” to this film, TENET is Nolan’s PhD Thesis on playing with time - and the audience’s expectations of how time works. Not only does Nolan play with moving people and action forward and backwards through time, he also plays scenes where you don’t realize that the two folks talking are actually speaking at 2 different places in time.
It is a mind-bender to be sure - and I cannot imagine what the filmmakers, stunt personnel and actors went through in making it - but there is one thing I can guarantee you - you will be confused for (at least) the first part of the film while you retrain your mind to forget all preconceived notions on how time works.
But, if you are able to get your mind around this, Director Nolan has crafted a strong, well-acted, beautiful, exciting and action packed film that, in the end, is very satisfying.
Let’s start with the acting - top to bottom the performances are stellar. John David Washington (BLACK KkKLANSMAN) is “The Protagonist” (that is how he is billed, we never learn his name) and he is a charming and charismatic screen presence to experience this film with. Washington is a former professional football player and he uses this physicality throughout the film. But he is not a “lumbering brute”. He is intelligent and thoughtful as he learns things and adapts his plans as the audience learns them and helps lead us through the often complex plot and concepts throughout.
Elizabeth Debicki builds on her strong work in 2019’s WIDOWS (if you haven’t seen this film, check it out). Her character is much, much more than a “Femme Fatale” and goes mano-a-mano with the men in this film and more than holds her own. Nolan favorite Michael Caine (ALFIE) shows up as does Himesh Patel (INCEPTION), Dimple Kapadia (a major Bollywood star) and Aaron Taylor-Johnson (KICKASS) - all 3 of them bring their “A” game to this film and supports the story very very well.
Kenneth Branagh (TV’s WALLANDER) shows that he still has his fastball - when he is interested - as the film’s main villain. He has some very intense scenes where he just acts the pants off the others in the room (this is a compliment). Sir Kenneth has had a long, storied career (including many, many Shakespearean roles) and he plays the villain as a Shakespeare villain - and is very successful doing so. I’m glad he didn’t waste his “villain turn” on a Marvel or James Bond flick - he saved it for the right film.
Special notice should be made to the work of Robert Pattinson (TWILIGHT) - he has spent his “post-Twilight” years reinventing himself as a performer, mostly working in small, actor-led independent films, and this performance bears the fruits of those efforts. He is charming and mysterious as The Protagonist’s partner and proves that he can, indeed, act.
Like most Nolan films, the Cinematography is mesmerizing and beautiful to behld. Hats off to frequent Nolan Cinematographer Hoyte Van Hoytema who was able to create a mood and feeling of evil riding just under the surface of beauty - as well as to be able to distinguish those that are going forward in time versus those that are going backwards all while framing shots that are pictures of artistic beauty.
Nolan did not work with frequent musical collaborator Hans Zimmer on this film. He stated he felt that this film needed a “new, more modern” sound and turned to Ludwig Goransson (the Disney+ series THE MANDALORIAN) and he was smart to do so. The music/sound of this film is another character and helps drive the story forward in so many ways.
But make no mistake about it, this film is Nolan’s baby - and it is very “Nolan-y”. The action scenes are smartly put together, the plot and concepts are strong - but very dense - and the performances are strong. All trademarks of my favorite Director working today.
This film is not for everyone. The complexities of the plot are going to be too much for some folks, but if you just “roll with the flow” when your mind can’t quite catch up to the concepts, you will be rewarded with a very rich - very original - film experience. One that, I am sure, will become deeper and richer on the many, many re watches this film deserves.
Letter Grade: A
9 stars (out of 10) - and you can take that to the Bank(ofMarquis)