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Bloodshot (2020)
Bloodshot (2020)
2020 | Action, Drama, Fantasy
It's nice to get a different side of the comic book genre for once, I'm still suffering from Marvel/Avengers fatigue so this was a welcome diversion.

After a successful operation, soldier Ray Garrison has come home to take his beautiful wife of a well deserved break. What he doesn't realise is that he's being tracked by a team who are looking for information, and they'll do anything it takes to get it.

Waking up in a high tech lab with no memory Ray discovers that his body has been donated to a company after his death. RSC are pioneers in enhancements to the human body, taking people who might otherwise be given up on and giving them a new lease of life.

When you've had one of those days and you need some gratuitous violence you can't really go wrong with a Vin Diesel films... can you?

I can't say I ever go into films like this expecting a "masterpiece" of cinema, I was just hoping for some solid entertainment and it certainly gives that.

Enhanced humans always offer that level of escapism that allows for a few faux pas to come across as less obvious, but the trailer made me raise an eyebrow. The effects didn't look great in the few snippets we got, luckily, on seeing the final product thought I was pleasantly surprised. The close up action that wouldn't require major stunts were excellent and believable, I didn't feel like there were any holes to pick... until the elevator scene. You'll clearly see the graphic work and it's a real shame it is so bad in comparison to the rest, there's also a terrible chase scene that has no natural movement in it either.

It's not often Vin strays from a certain type of character so we get exactly what you'd expect from his portrayal of Ray Garrison, a driven "bad guy" with a reason to be mad at a lot of stuff. It's not groundbreaking but it's always fun to see.

Eiza Gonzalez as KT gets a good range to work with, she gives us an excellent character with a reasonable amount of depth compared to her counterparts... who I had to call Legs and Eyes in my notes because at no point did I notice if they had names or not.

Our bad guy was obviously Guy Pearce seems about right for him. It wasn't really out of his comfort zone either though and despite him being great as Dr Emil Harting it wasn't really pushing any boundaries.

Visually this film is pretty good, the fight sequence we get glimpses of during the trailer uses colour well and has some amusing little touches in it. A bit of humour and some shots that I'd associate with horror/thriller movies build that excitement and tension well. There's also a well edited montage that's used to great effect to show the audience an event succinctly without it becoming boring, which is always greatly appreciated in films.

There are a few comments I have but they definitely constitute spoilers so I'll keep them to myself, but there's nothing that majorly added or detracted from the film for me beyond what I've mentioned already.

As I said at the beginning, it's nice to have a different comic book entity on our screens and I think the story is a good one, we're thankfully given an interesting set of characters to focus on and that helps the story stay a little lighter. You know how I like an origin tale though and this seems a bit short on that bit of discovery. I've got the graphic novel to read though so I'm interested to see where it deviates. Despite its minor (and slightly major action CGI) issues I really enjoyed Bloodshot, Ray's anger issues really helped get out some frustration.

Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/bloodshot-movie-review.html
  
This Adventure Ends
This Adventure Ends
Emma Mills | 2016 | Contemporary, Romance, Young Adult (YA)
8
8.3 (3 Ratings)
Book Rating
"They never really say that they love each other, but it's so freaking obvious. Like, Sherlock would straight up kill for Watson.

This is the second book I've read by Emma Mills. The first one was Foolish Hearts. I never did write a review about it, except on my Instagram. It was one of the first boxes I got from OwlCrate and I was excited cause the story was so interesting and the cover was gorgeous. This cover is, of course, gorgeous as well.

Sloane moves to a new place and doesn't have a problem around people, nor does she have a problem confronting a douche being a douche at a party. Unfortunately, when she did that, the guy whom douche was being a douche to, didn't appreciate it. I always wondered WHY it's such a bad thing with a woman/girl comes to a guy's aid. Sure, they 'got it covered' but still. I wonder what exactly started as it being 'weak' or 'embarrassing' if a woman stood up for someone, even if it was a guy. Just saying.

Sloane is sarcastic, laid back, and sometimes a bit off putting when she uses humor to deflect from a serious situation, or a situation that seems to get serious. I adored her, however. One of the things that killed me was that she didn't realize, or acknowledge, that people did genuinely like her.

I just ADORED each character in this book. Vera and her twin brother, Gabe, were one of the first people she meets at that party. Gabe is a bit put off by her because, as a guy, he didn't like that she stood up to the douche who was being a douche to him. Vera is absolutely lovable and kind of adopts Sloane into their little circle of friends. Vera is a passionate character and even I was immediately drawn to her and would totally come out of my introvert shell to hang with her if she simply asked.

"We should all find something to be weirdly passionate about, don't you think?"

I loved the relationship (platonic) between Sloane and Frank. He doesn't have a HUGE part in the book, but he was so much fun to read. We should all have a Frank in our lives! Sloane's father is an author who is struggling with writers block, but becomes with a show called WereSchool and starts writing fanfics. The show is a school for different kind of creatures like werewolves, vampires, ghosts...

"Mermaids aren't real in the WereSchool canon."

I'm sorry but how can all the others exist and NOT mermaids!

The story centers around the twins' mother passing away but their father gave away a good chunk of her paintings. One in particular called The Dream, so Sloane literally goes out of her way to try to track down this painting so she could bring it back to them. Sloane does this as a way to really express herself, because not everybody is great with words - even if your father is a best selling author.

"All epic quest start somewhere, right?"

The story is a great journey with Sloane and even though she can be frustrating, simple friendships and compassion break through that wall eventually. This is only the second novel that I've read by Emma Mills, but right now, I'd rank this to be the top one I like the most, so far. I have her recent novel on my to be read list, but I don't have a copy of it just yet. If anything, it would be just to read about Frank and then Vera.

I only have one slight complaint. The constant use of the word 'like' was getting a bit old. I'm sure that's how some teenagers still talk these days (lord knows I did when I was younger), but I started to hate that word. That's all.

If you haven't read a book by Mills yet, I'd start with this one. Foolish Hearts is also a great novel, but this would be the one I would recommend first.
  
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Heather Cranmer (2721 KP) rated Hello Again in Books

Dec 26, 2018 (Updated Dec 26, 2018)  
Hello Again
Hello Again
Stan Schatt | 2018 | Mystery, Paranormal, Thriller
4
7.0 (2 Ratings)
Book Rating
Held my Interest (1 more)
Interesting Premise
Not enough character backstory (2 more)
Pacing all over the place
Not very paranormal
Not Very Paranormal
I love the premise of Hello Again by Stan Schatt. I'm very much into ghosts, so I knew I had to read this book. When it came up for review, I knew I had to read it. Unfortunately, this book was just okay, nothing special.

The plot for Hello Again sounded interesting enough. I loved the idea of a guy getting texts from his dead girlfriend. However, there just wasn't enough of the paranormal aspect for me which was disappointing. Personally, I wouldn't really label Hello Again as a paranormal read at all. It was fun to read about though. I kept trying to figure out who was sending the texts from Amber's phone after she died especially since they were coming from her apartment. I also found it interesting to read about Bill's cafe and how he was struggling to get the money to renew the lease. Anyway, the story did take awhile to get going before he meets his girlfriend, Amber Love, at a speed dating event. Amber is very mysterious and doesn't reveal too much of herself to Ben. I found their relationship to be a bit forced and stagnant myself. They hadn't even been on very many dates before she is blown up by a car bomb. What I found weird was that Ben never even googled Amber's name when he found out she had given him a false last name. If it were me, this day in age, I would have been googling her as soon as I had free time. I also felt like we need more information about how Ben found out about Amber's funeral. I will say that by the time this book ended, all of my questions were answered. There are no cliff hangers, and I felt like what was supposed to be the plot twist was too predictable.

I never really connected to any of the characters in Hello Again, and as much as I tried, I never really found myself caring for any of them. I would have liked a bit more backstory into Ben and Amber. I would have liked it if Ben and Amber's relationship had a chance to flourish instead of them just going on about 3 or 4 dates. I would have even liked more backstory for Josh, the psychic. It was hard to connect to these characters when I didn't know much about them. Oh, one of the characters is described as looking like a terrorist and of Middle Eastern descent. I found this to be stereotypical and thought that some readers may find this offensive.

The pacing for Hello Again starts out slow. About halfway through, the pacing does pick up, but I feel it does go too fast in many places which left scratching my head wondering what had happened. Sometimes, I had to go back to see if I missed anything which I didn't. The pacing just didn't flow very well in the second half. However, this book did hold my attention until the very end though, but I wasn't in a rush to finish it. Luckily, it's a short read.

Trigger warnings for Hello Again include some profanity, a couple of sex scenes although they aren't graphic, violence, murder, and alcoholic drinking.

All in all, Hello Again was an okay albeit disappointing read for me. I had been expecting more of a paranormal read which this really wasn't. I could never connect to the characters which left me feeling empty. However, I did find that this book held my attention on the plus side. Because it held my attention and was a short read, I would recommend Hello Again by Stan Schatt for those aged 18+ who are looking for a short read.
--
(A special thank you to Xpresso Book Tours for providing me with an eBook of Hello Again in exchange for an honest and unbiased review.)
  
The Glasshouse (Lavender Shores #6)
The Glasshouse (Lavender Shores #6)
Rosalind Abel | 2018 | Contemporary, LGBTQ+, Romance
10
10.0 (1 Ratings)
Book Rating
love love LOVE this series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

This is book 6 in the series, but you don't need to have read there other books to follow this one. They can all be read as stand alones. But they are all 4 and 5 star reviews, from me!

I keep flipping from 4 to 5 stars and back to four again, and I have no idea why I keep crossing the numbers out at the top of the page, so gonna split the difference and call it 4.5 stars, rounded up to 5 for the blog!

A little bit more of an emotional read, this one. I felt for Harrison, I really did. I cried for him when he runs, first from Will then from Adrian. And cheered for him when he finds himself, after being someone else for everyone for so very long.

But equally, Adrian wrecks your heart too! While he fights for what he feels for Harrison in the beginning, then letting it all out and going all in, and when he was waiting for Harrison to come back to him. Oh Lord, the waiting was painful!

Harrison's brother Jasper plays a huge part here, and I think he should get a story too. Adrian's brother too, but to a lesser degree. He needs a happy ever after though, after such loss. OH!! Did I see that one being laid out?? Maybe not, we'll see!

But my overwhelming feeling (and ya'll know I'm all about sharing the feelings!) is that I want, no, I NEED the story of Adrian's uncles, Alex and Alan. Alex' diary was found in one of the couples (I forget which) house when they are remodeling. Adrian references Alex' diary here, and I so desperately want to hear their story. Although members of the Founding Families, they didn't have it as easy as the guys in Lavender Shores do now. I think THEIR story would be a welcome addition to this series.

As I read each one of these books, I find once I start, I cannot stop and I have read most of them in one sitting. They aren't short books, some 300 pages but everything just grinds to a halt when I start. So, please, keep them coming!

Ah stuff it!

5 full and shiny stars!

**same worded review will appear elsewhe
  
UD
Upside Down (Off the Map, #1)
Lia Riley | 2014
8
8.0 (1 Ratings)
Book Rating
*** I received this book in exchange for an honest review. ***

Let me first start off with... WOW! I thoroughly enjoyed this book! The pacing was perfect! The characters are so great! The journey was beautiful. The story on some levels almost made me feel like I was reading a Jessica Park novel.

The setting of Australia was an awesome choice, and something I'm completely unfamiliar with. Also, the way Lia Riley uses slang terms that Australians use really brought the atmosphere and setting to life for me.

I was so happy when I saw Lia Riley was going to tackle OCD (Obsessive Compulsive Disorder), and I wasn't sure how this was going to work, especially with love story and making sure that all the pieces fit perfectly in place. She did it. Boy, did she do it.

Talia its a great character. When you first meet her she's sad, safe, reserved and mourning the loss of her sister Pippa. Talia is on a mission, and going to Australia might be the answer to her problems, but she has no idea. See, Talia has OCD, and her father and her therapist is worried about her trying to move around the world for six months. But she's confidant that this is what she needs to create Talia 2.0.

Enter Bran. He's the perfectly hot surfer, and when he crosses paths with Talia his world changes forever. Bran has his own demons to try and escape, and he's been so emotionally damaged that he doesn't do love. He doesn't get close to people. Bran calls his parents by their first names, and he's slept with more girls than he can count.

The relationship that Talia and Bran have evolves so much throughout this book, and its a beautiful thing watching it grow. It isn't insta love, just add water. Nope, they are both damaged and trying to relearn love at it's basic most primitive level.

Upside Down is the first book in the Off the Map series, and I can't wait for the second book! I am sad I have to part with Bran and Talia, but I know more is coming soon. I gave this book four stars for its creativity and freshness. Upside Down is a beautiful tale of life, death, love, and two lives from opposite sides of the planet that bring two people together who fit perfectly.
  
Confined Desires (Rehoboth Pact #1)
Confined Desires (Rehoboth Pact #1)
Katherine McIntyre | 2021 | Contemporary, LGBTQ+, Romance
8
8.0 (2 Ratings)
Book Rating
It's not especially explicit, but it IS full of love and passion
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

Mia splits with her boyfriend and comes home, to Sky since she has nowhere else to go. Then the world comes crazy and there is stay at home order. Can Sky and Mia manage in a tiny one bed flat, in close proximity, and keep their hands off each other?

I have to commend Ms McIntyre. For a while she only wrote male/female pairings. The last book I read of her's was a M/M pairing, and this is a F/F pairing. And she nailed this, as she did Midnight Heist!

Sky has lusted, LOVED Mia since high school. She's not sure she can cope with them being so close for an extended time. Mia is, quite simply, the only woman for her. Mia, in turn has had feelings for Sky for equally as long. She just wasn't exactly sure WHAT she was feeling then, but she is now.

It's great watching them dance around each other for a while, and then fall headlong over that cliff. Only for Sky to mess it all up by keeping her mouth shut. Oh, I wanted to punch her then, I really did, especially as Mia poured her heart out to her!

It's not especially explicit, but it IS full of love and passion. It's emotional too, with Sky dealing with the loss of her sister, and Mia's female parental unit (I don't like her, can you tell?!?)

It is the first 'virus' book I've read, and I expect there to be more, but every one of those books will have to stand against this one, in that regard, cos it is so well done!

The title of the series is the Rehoboth Pact. I loved the reason for that, and that Aubrey evokes said pact when Sky acts stoopid! There is a third friend, Kyle, in the pact. We didn't meet her yet though. Aubs is here though, and she's a lot of fun! So, I'm assuming that the series will be around these three girls. Can't wait to read them!

It's not a compliacted read, just a story of two girls seeing who is right in front of them, and acting on your feelings.

4 solid stars

**same worded review will appear elsewhere**
  
In a Lonely Place (1950)
In a Lonely Place (1950)
1950 | Classics, Drama, Mystery
(0 Ratings)
Movie Favorite

"“I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me.” One of the great lines of this story, again based on a novel by Dorothy B. Hughes. I have recommended this movie to many a brooding actor, one of whom called me the next day only to admonish me, “Why did you think I needed to see this film?” I’m a dame, so don’t crawl all over me, but I think men like this film because they can watch it and be tormented, with a glass of scotch in hand, and think about all the dames who ruined them. In a Lonely Place asks: Can violence be romantic? Are all men violent by nature? Do women drive men to be violent toward them? Do women sometimes desire men to be violent? The film touches disturbingly on the psychology of physical abuse, so women, beware. It seems to say: I beat you because I love you, because I can’t live without you. And if I can’t have you, if you want to leave me, I may have to kill you. The fact that a love-hate relationship was going on during the making of the film between the people who made it—director Nicholas Ray and Ray’s then wife, star Gloria Grahame—only gives it an added dimension. It’s interesting to note that In a Lonely Place was made during a time when that sort of behavior toward women was more acceptable, was even considered love. Read up on Bogart’s third marriage, to actress Mayo Methot. They nearly killed each other but, while married, were affectionately referred to as “the battling Bogarts.” Humphrey Bogart always played a tough guy on-screen. He had an inner violence that escaped in a knowing snarl, or a slap or two for poor Peter Lorre in The Maltese Falcon. This Bogart is pretty ugly. Was he playing himself? He’s the producer here, so it seems obvious he wanted to expose himself within the confines of the story. Bogart plays Dixon Steele, a washed-up, once-famous screenwriter. He’s a loner, he’s an alcoholic, and he’s also quite the snappy dresser—which I thought was a great touch. It’s a signal that he sets himself apart. He’s better than everyone else. He doesn’t have to follow the rules. He has his own code of behavior, and if you don’t like it, he’ll smash your face in. He’s someone who seems so far removed from his own actions that it’s hard to even root for him. Although he is a violent drunk, he never sees it that way. He’s noble. There’s some kind of masculine honor in Dix that Bogart and Ray seem to say is lacking in every other man in Hollywood. Ah, when men were men, and you could booze and brawl all night. Every sadist needs a masochist, and no one plays sexy-doomed better than Gloria Grahame. Her suffering was usually some sort of retribution. Lee Marvin throws hot coffee in her face in The Big Heat. She becomes a prostitute in the nightmare vision of Bedford Falls, Pottersville, in It’s a Wonderful Life. She dies in a plane crash after cheating on Dick Powell in The Bad and the Beautiful. She shines here. And could someone explain to me the undercurrent of her relationship with her female masseuse? “She beats me black and blue.” Hmmm . . . In In a Lonely Place, she is the wrong girl who moved into the wrong place and got hooked up with the wrong guy while running away from another wrong guy. Laurel Gray. Wonder if they took the name from Laurel Canyon, a winding road in LA. She’s never going to find happiness, especially with a man like Dix, and you know that from the minute you see her. The original ending of In a Lonely Place has Laurel strangled by Dix in the heat of their last argument as she attempts to leave him. He then calmly finishes his screenplay as the police come to arrest him. That’s Hollywood. In spite of killing his girlfriend, he finishes his screenplay. I would have preferred that, because I think that’s a reflection of what Ray and Bogart really felt. Instead, Ray got cold feet, and the ending, though tragic, lets Dix off the hook, leaving us to believe he will forever be in that lonely place. He’s the victim. Is there nobility in that? Maybe Ray was looking for his own happy ending. He and Grahame divorced in 1952. In 1956, Ray made Bigger Than Life, another film I love that explores a man driven to almost killing his wife."

Source
  
Scarlet Princess
Scarlet Princess
10
10.0 (1 Ratings)
Book Rating
Death was a hefty price to pay for vodka.

I mean with an opening line like that you know it’s going to be a great book right?!

Regular readers will know I’m a bit of an ElBin fangirl and often devour their books in 1 or 2 days. Scarlet Princess was no exception: I kept my kids fed and held down my full-time job for the day but the rest of the time was spent reading this amazing return into the Lochlann world.

Scarlet Princess is the first in the Lochlann Feuds series which is based approximately 20 years after Autumn’s Reign, the final in the Lochlann Treaty series. However, you don’t have to read the Lochlann Treaty in order to read Scarlet Princess: the world building, plot and characters shine just as brightly for this to be a standalone novel.

“It’s a lotus flower. They’re rare, complex flowers. Difficult to keep alive.”

“That doesn’t sound like anyone I know”

Scarlet Princess introduces us to Rowan, the Princess of Lochlann and her cousin Davin, whom we briefly met in the Lochlann Treaty. The cousins give the impression that they either go looking for trouble, or trouble just finds them! Therefore, it shouldn’t be so surprising that when we meet them, Rowan and Davin are just about to find themselves imprisoned in the neighbouring kingdom of Socair.

Sadly, Socair and Lochlann don’t have the friendliest history so getting home will be no easy feat for the cousins, if they can escape death first.

“Amicable and accommodating, Princess. I wonder if you are capable of either.“

Rowan is, without a doubt, a product of her parents: with her fiery red curls and equally fiery attitude it is easy for us to assume that Rowan takes after her father but then you find yourself internally shouting (or externally- no judgement) “why did you do that?!” and suddenly you see her mother's emotional, impulsive nature.

The smart mouth and the booziness? Well that’s just what makes Rowan, Rowan! And we love her for it!

“Am I boring you Princess Rowan?” He sighed.

“Always”

As Rowan’s journey continues though we see that she has been deeply affected by her parents’ quest for love. Our princess is quite closed off to love and is happy for a marriage to be arranged for her. At her young age Rowan equates love with warring kingdoms, losing children, losing husbands: ultimately, she equates love with loss.

Maybe that is why Rowan hides behind a mask of sarcasm and glib comments, seldom ever facing the reality of her predicament until it is too late.

I didn’t want the kind of love that could break you.

Behind her sarcasm though it is clear Rowan cares deeply about issues such as poverty and equality. She is forced to see that her life is very different in Lochlann, where villagers are not suffering and are looked after by their leaders; women are not seen as quiet mice who need protecting as they are in Socair. Maybe, just maybe, her life in Lochlann wasn’t as bad as she thought? But will Rowan ever see Lochlann again?

Besides, I never had been good at making the smart choice.

The cast of characters surrounding Rowan are equally as amazing as our princess. Davin is a ladies’ man just like his father, Iiro is authoritative one minute but then casually tortures his brother sensibilities the next and Mila is a great friend who comes swooping into Rowan’s life – there is definitely more to Mila than meets the eye though.

Rowan’s escort through Socair and the poor soul on the other end of most of her sarcasm is Lord Theodore, her captor and the heir to the Elk clan. Theo is fair where Rowan is fiery; stoic where she is scandalous and the tension between them …. oof it’s enough to make you swoon!

“You know when something just catches your attention and you can’t explain it?“

I loved revisiting Lochlann only to be immersed in the Kingdom of Socair: the mysterious enemy lurking behind the mountain. The 9 clans created a whole new dynamic from the previous books and the plot arc could have easily got lost within all the clan politics but it flowed beautifully.

All I will say is that I really shouldn’t trust Robin and Elle with happy endings – they will always rip it away with a few chapters to go. These two are the Queens of cliff-hangers!

Grab your copy of Scarlet Princess on August 27th 2021. Devour it in one day and then join me anxiously anticipating the sequel, Tarnished Crown in November 2021.
  
Antebellum (2020)
Antebellum (2020)
2020 | Thriller
Monae shines - the rest falls flat
One of the films that I circled on my calendar back in the beginning of 2020 was a trippy looking "Civil War anachronism" film (my term) ANTEBELLUM starring Janelle Monae. I'm a sucker for these kinds of films, so was a little sad that I couldn't see it in the theater, but was thrilled when this "horror film" debuted on pay-per-view in time for Halloween.

I now know why the producers of this film decided to get this out now vs. waiting to release it theatrically sometime in 2021.

Billed as "Jordan Peel's GET OUT meets an M. Night Shyamalan film", ANTEBELLUM is a movie told in 3 acts. In the first act, Janelle Monae's character (who is given the slave name Eden) is brought into a Southern, Antebellum, plantation. This part of the film shows the desperation and despair that slaves lived in at a time that they had no rights and were under the whims of their White Slave Owners. The character of Eden is fiesty and is constantly looking to escape, but...eventually...is worn down by her masters and capitulates...to a point. This is the most successful part of this film, but has been better covered in other films like 12 YEARS A SLAVE.

The 2nd part of this movie takes place in "modern day" and concerns a successful author, Veronica Henley (also played by Monae). This character specializes in books and motivational speeches designed to empower the African-American woman. This part of the movie highlights Monae's appeal as a screen presence and she overcomes some weak writing to rise above. This part of the film, ultimately, falls flat for me, but I was curious as to how these 2 very different pieces of this movie fit together.

The 3rd part of this movie answers that question. If only, it answered it better....for pieces of this part of the movie works well...but others fall very, very flat resulting, ultimately, in a less than satisfying film-going experience that could have used some further work.

Monae's performance (for the most part) shines in this movie. She handles both characters that she is playing in a sharp, charismatic way. I could really buy that she is a popular "motivational" speaker (in the modern part of the movie). I could also see the fire in her spirit during the "Antebellum" part. What I didn't buy (and a weakness in the script doesn't help this part) is her "capitulation" to her slave owners.

And...that's about if for performances that stood out. All of the white actors playing the slave owners (mainly Eric Lange, Jena Malone and Jack Huston) are capital "E" evil. While this is probably historically accurate, they weren't evil enough - or multi-dimensional enough - to keep my attention. Compounding that issue is that the other characters in the "modern part" of the film are very generic and forgettable.

And then we get to the 3rd part of this film - where the first 2 parts are melded together.

It is one of those types of storytelling tropes that either you "go with it" or you don't. If you don't, the movie will lose you right there. If you do (and I did), then it is an interesting place to go and blends the first 2 parts of the film "well enough". My problem is that I didn't care enough about the characters to care about what happens.

I lay the blame of this on filmmakers Gerard Bush and Christopher Renz. They co-wrote and co-directed this movie. I had never heard of them, or (I don't think) I've encountered their work before, but upon reading up on them, they are listed as "Visionary Filmmakers Bush+Renz". If they are visionaries, they sure didn't bring much vision here. It was all pretty straightforward and could have used some other kind of "visionary" to lift this movie to a higher level.

You know, like Jordan Peele or even M. Night Shyamalan.

Letter Grade C+

5 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
Tiny Epic Western
Tiny Epic Western
2016 | American West, Bluff, Business / Industrial
It’s no secret that we at Purple Phoenix Games are fans of the Tiny Epic series. But one that had evaded our reviews until this point was Tiny Epic Western. Admittedly, this one has been sitting on my shelf of shame for quite some time, so I finally decided it was time to take it off the shelf and bring it to the table! After squaring up with TEW, how does it compare to the rest in the series? Is this the rootinest tootinest of the bunch, or should it be bucked off my shelf?

Disclaimer: I do not intend to rehash the entire rulebook in this review, as there are just too many details, but will instead provide a more general overview of the rules and gameplay. -L

Tiny Epic Western is a game of worker placement and set collection in which players are trying to amass the most end-game victory points. Played over a series of rounds, players will be placing their Posse (Meeples), collecting Influence and taking actions, dueling opponents (if necessary), playing a bit of poker, and buying buildings in an effort to become the most powerful boss in this wild west town. To setup for a game, place the Location Mats as described in the rules, dealing a Building Card where appropriate. Each player receives a Boss card, 3 Posse tokens (Meeples), and one of each of the Influence trackers (Money, Law, and Force), placed on the 1 space of their card. Shuffle the decks of Building Cards and Poker Cards separately, choose a starting player (who receives the Dealer token), place the Wanted card/Gunslinger dice in the center of the play area, and the game is ready to begin! Pictured below is the starting setup for a 3-player game.

The game is played over 6 total rounds, each of which is broken into 4 phases: Shuffle and Deal, Posse Placement, Resolution, and Buy. To start a round, the Dealer shuffles the deck of Poker cards, and then deals 1 card face-up to the 6 empty spaces between the Location Mats. One Poker card is dealt face-down to the Rival Space (under the Town Hall Location Mat), and 2 Poker cards are dealt face-down to each player. Players look at both of their cards and pick 1 to keep, discarding the other. The round then moves to phase 2: Posse Placement. Starting with the Dealer, players will take turns placing Posse tokens onto the placement spots on any of the Location mats. All placement spots grant unique benefits (collecting different Influence or performing Building card actions) that are performed either immediately or during later phases of the round. What happens if an opponent took a placement spot that you wanted? Then it’s time for an old-fashioned duel! The dueling players each roll a Gunslinger die, modify it if they so choose, and determine a winner. Players continue taking turns placing Posse tokens until all available Posse tokens have been placed.

When all Posse tokens have been placed, the round moves to phase 3: Resolution. The first step of this phase is to reveal Poker cards – all players reveal their cards, and the card in the Rival Space is also revealed. Moving clockwise from the Town Hall, each Location will be resolved by ‘playing’ three-card poker. Each Location has 2 Poker cards directly adjacent to it (placed between the Locations in phase 1), and those 2 cards plus the one in your hand will form your Poker hand. Any players with Posse tokens on the Location will compare their Poker hands to determine a winner. If you win the hand, you collect the Winner’s Pot (extra benefits) and are able to collect any delayed benefits from placement spots in the Posse Placement phase. Losing the hand earns you nothing *womp womp*. If you are the only Posse on a Location (with no opponents) you will compare your hand to that of the Rival. The Rival’s hand uses the cards adjacent to the Town Hall, plus the revealed card in the Rival Space. If you have a better hand, you win the benefits on your Location. If the Rival wins, though, you do not collect these benefits. All Locations are resolved in this fashion before the last phase of the round, Buy, begins.

To start this phase, all players will compare their three-card Poker hands using the 2 Poker cards adjacent to the Town Hall. The player with the best hand will act first in this phase, followed by the next best hand, and so on. The first player may now choose to buy a Building card from any Location on which they have a Posse token. Pay the requisite amount of Influence to purchase a Building, and add it to the Porch Slot on your color-corresponding Location Mat. The power granted by this Building card is now available for use in future rounds. Once all players have had the option to purchase a Building, the player with the best hand will advance one of the Industry Tokens at Town Hall. The placements of Industry Tokens will affect end-game scoring, so keep that in mind as the game progresses. When all steps of the Buy phase are performed, the round now ends. Players collect all their Posse tokens back to their boss cards, all Poker cards are collected and re-shuffled, new Building cards are dealt to Locations from which they were purchased this round, and the Dealer token is passed to the next clockwise player. If a player did not buy a Building at all during the round, they have gained the Third Posse Benefit for the coming round – granting them an additional Posse token to place during phase 2. Otherwise, all players will only ever have 2 Posse tokens to place.


After a total of 6 complete rounds, the game ends and points are tallied. Victory Points are earned from Building cards bought throughout the game. Building cards have a specified VP amount, and also have a collection of Industry Icons on them. Using the final placement of the Industry Tokens on the board, players will earn points for Industry Icon sets they have collected. And finally, whomever holds the Wanted card (won the last duel) gains an additional 2 VP. Points are all counted, and the player with the highest score is the winner.
That all probably sounds pretty complicated. But I do have to say that verbally explaining/teaching the game (and being able to use components for examples) is waaaaay easier than doing so through a text review. So please do not let the seemingly complex gameplay turn you off from this game. Once you get a basic understanding of the phases of each round, the game moves along pretty seamlessly. Honestly, the biggest learning curve for me to conquer was playing three-card poker. As someone who has never played any form of poker before, this was probably what had me most hesitant about learning TEW. After having played it now, three-card poker really isn’t too complicated, and there are some nice player reference cards to help you figure it out.

Aside from the poker element, this game really comes down to worker placement and strategy. Each Location card only has a finite number of placement spots, and the resources required to buy Buildings are not exactly in abundance. This affects your strategy, as you must decide which resources to collect at what times, as well as deciding whether you need to duel someone for a coveted resource. Another element to your strategy? You may only buy Building cards from Locations on which you have a Posse token. Maybe none of those placement spots really appeal to you this round, but you reaaaaally want that specific Building card. Are you willing to ‘burn’ a Posse token for the chance to buy it? Or is there a different Location that offers a useful resources and a desirable Building card? Also, keep in mind how your poker hand will come into play. Since poker cards are dealt to each Location at the start of a round, you are able to see what your hand will be for each Location. Maybe you have a pretty strong hand at the Bank Location, but at the Courthouse the cards end up being a bust. Are you willing to risk a placement in hopes that you have the best hand of the bunch? Because remember – if you don’t have the best hand at a Location, you get no resources/rewards! There are so many elements to a successful strategy with this game, and it really keeps all players engaged at all times. Be warned though – the variety of strategic options could be difficult for some AP-prone players.


Let me touch on components for a minute. As with all Tiny Epic games, the production quality of TEW is pretty stellar. The cards are nice and sturdy, and the iconography is clear. The Posse tokens are cute Meeples with cowboy hats, and they are nice and chunky. The only thing I don’t really like about this game are the Gunslinger dice. In theory, they are super cool, but in actual execution, they leave much to be desired. The numbers aren’t really clearly define, so they’re a bit tricky to read. Aside from that, a pretty high quality game here.
So all in all, how does Tiny Epic Western stand up in the series? It is definitely one of the heavier games of the bunch, and there is so much more going on than initially meets the eye. It feels daunting for the first few plays, but once you get the phases under your belt, it really flows pretty well. I can’t say that it is my favorite Tiny Epic game, as I just personally feel like there are too many elements going on at the same time. You’re strategizing your worker placement, but also need to consider buying Buildings for VP and to collect sets of Industry Icons and for their specific abilities, as well as figuring out your poker hand for 5 different Locations, and dealing with duels. Some people might really be into that amount of strategic forethought, but it feels a bit cumbersome to me. That being said, Purple Phoenix Games gives this three-card poker game a 3/6. The gameplay is decent, just not really my kind of game.