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Debbiereadsbook (1672 KP) rated The Glasshouse (Lavender Shores #6) in Books
Apr 24, 2018
love love LOVE this series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 6 in the series, but you don't need to have read there other books to follow this one. They can all be read as stand alones. But they are all 4 and 5 star reviews, from me!
I keep flipping from 4 to 5 stars and back to four again, and I have no idea why I keep crossing the numbers out at the top of the page, so gonna split the difference and call it 4.5 stars, rounded up to 5 for the blog!
A little bit more of an emotional read, this one. I felt for Harrison, I really did. I cried for him when he runs, first from Will then from Adrian. And cheered for him when he finds himself, after being someone else for everyone for so very long.
But equally, Adrian wrecks your heart too! While he fights for what he feels for Harrison in the beginning, then letting it all out and going all in, and when he was waiting for Harrison to come back to him. Oh Lord, the waiting was painful!
Harrison's brother Jasper plays a huge part here, and I think he should get a story too. Adrian's brother too, but to a lesser degree. He needs a happy ever after though, after such loss. OH!! Did I see that one being laid out?? Maybe not, we'll see!
But my overwhelming feeling (and ya'll know I'm all about sharing the feelings!) is that I want, no, I NEED the story of Adrian's uncles, Alex and Alan. Alex' diary was found in one of the couples (I forget which) house when they are remodeling. Adrian references Alex' diary here, and I so desperately want to hear their story. Although members of the Founding Families, they didn't have it as easy as the guys in Lavender Shores do now. I think THEIR story would be a welcome addition to this series.
As I read each one of these books, I find once I start, I cannot stop and I have read most of them in one sitting. They aren't short books, some 300 pages but everything just grinds to a halt when I start. So, please, keep them coming!
Ah stuff it!
5 full and shiny stars!
**same worded review will appear elsewhe
This is book 6 in the series, but you don't need to have read there other books to follow this one. They can all be read as stand alones. But they are all 4 and 5 star reviews, from me!
I keep flipping from 4 to 5 stars and back to four again, and I have no idea why I keep crossing the numbers out at the top of the page, so gonna split the difference and call it 4.5 stars, rounded up to 5 for the blog!
A little bit more of an emotional read, this one. I felt for Harrison, I really did. I cried for him when he runs, first from Will then from Adrian. And cheered for him when he finds himself, after being someone else for everyone for so very long.
But equally, Adrian wrecks your heart too! While he fights for what he feels for Harrison in the beginning, then letting it all out and going all in, and when he was waiting for Harrison to come back to him. Oh Lord, the waiting was painful!
Harrison's brother Jasper plays a huge part here, and I think he should get a story too. Adrian's brother too, but to a lesser degree. He needs a happy ever after though, after such loss. OH!! Did I see that one being laid out?? Maybe not, we'll see!
But my overwhelming feeling (and ya'll know I'm all about sharing the feelings!) is that I want, no, I NEED the story of Adrian's uncles, Alex and Alan. Alex' diary was found in one of the couples (I forget which) house when they are remodeling. Adrian references Alex' diary here, and I so desperately want to hear their story. Although members of the Founding Families, they didn't have it as easy as the guys in Lavender Shores do now. I think THEIR story would be a welcome addition to this series.
As I read each one of these books, I find once I start, I cannot stop and I have read most of them in one sitting. They aren't short books, some 300 pages but everything just grinds to a halt when I start. So, please, keep them coming!
Ah stuff it!
5 full and shiny stars!
**same worded review will appear elsewhe
Jessica - Where the Book Ends (15 KP) rated Upside Down (Off the Map, #1) in Books
Jan 30, 2019
*** I received this book in exchange for an honest review. ***
Let me first start off with... WOW! I thoroughly enjoyed this book! The pacing was perfect! The characters are so great! The journey was beautiful. The story on some levels almost made me feel like I was reading a Jessica Park novel.
The setting of Australia was an awesome choice, and something I'm completely unfamiliar with. Also, the way Lia Riley uses slang terms that Australians use really brought the atmosphere and setting to life for me.
I was so happy when I saw Lia Riley was going to tackle OCD (Obsessive Compulsive Disorder), and I wasn't sure how this was going to work, especially with love story and making sure that all the pieces fit perfectly in place. She did it. Boy, did she do it.
Talia its a great character. When you first meet her she's sad, safe, reserved and mourning the loss of her sister Pippa. Talia is on a mission, and going to Australia might be the answer to her problems, but she has no idea. See, Talia has OCD, and her father and her therapist is worried about her trying to move around the world for six months. But she's confidant that this is what she needs to create Talia 2.0.
Enter Bran. He's the perfectly hot surfer, and when he crosses paths with Talia his world changes forever. Bran has his own demons to try and escape, and he's been so emotionally damaged that he doesn't do love. He doesn't get close to people. Bran calls his parents by their first names, and he's slept with more girls than he can count.
The relationship that Talia and Bran have evolves so much throughout this book, and its a beautiful thing watching it grow. It isn't insta love, just add water. Nope, they are both damaged and trying to relearn love at it's basic most primitive level.
Upside Down is the first book in the Off the Map series, and I can't wait for the second book! I am sad I have to part with Bran and Talia, but I know more is coming soon. I gave this book four stars for its creativity and freshness. Upside Down is a beautiful tale of life, death, love, and two lives from opposite sides of the planet that bring two people together who fit perfectly.
Let me first start off with... WOW! I thoroughly enjoyed this book! The pacing was perfect! The characters are so great! The journey was beautiful. The story on some levels almost made me feel like I was reading a Jessica Park novel.
The setting of Australia was an awesome choice, and something I'm completely unfamiliar with. Also, the way Lia Riley uses slang terms that Australians use really brought the atmosphere and setting to life for me.
I was so happy when I saw Lia Riley was going to tackle OCD (Obsessive Compulsive Disorder), and I wasn't sure how this was going to work, especially with love story and making sure that all the pieces fit perfectly in place. She did it. Boy, did she do it.
Talia its a great character. When you first meet her she's sad, safe, reserved and mourning the loss of her sister Pippa. Talia is on a mission, and going to Australia might be the answer to her problems, but she has no idea. See, Talia has OCD, and her father and her therapist is worried about her trying to move around the world for six months. But she's confidant that this is what she needs to create Talia 2.0.
Enter Bran. He's the perfectly hot surfer, and when he crosses paths with Talia his world changes forever. Bran has his own demons to try and escape, and he's been so emotionally damaged that he doesn't do love. He doesn't get close to people. Bran calls his parents by their first names, and he's slept with more girls than he can count.
The relationship that Talia and Bran have evolves so much throughout this book, and its a beautiful thing watching it grow. It isn't insta love, just add water. Nope, they are both damaged and trying to relearn love at it's basic most primitive level.
Upside Down is the first book in the Off the Map series, and I can't wait for the second book! I am sad I have to part with Bran and Talia, but I know more is coming soon. I gave this book four stars for its creativity and freshness. Upside Down is a beautiful tale of life, death, love, and two lives from opposite sides of the planet that bring two people together who fit perfectly.
Debbiereadsbook (1672 KP) rated Confined Desires (Rehoboth Pact #1) in Books
Mar 25, 2021
It's not especially explicit, but it IS full of love and passion
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Mia splits with her boyfriend and comes home, to Sky since she has nowhere else to go. Then the world comes crazy and there is stay at home order. Can Sky and Mia manage in a tiny one bed flat, in close proximity, and keep their hands off each other?
I have to commend Ms McIntyre. For a while she only wrote male/female pairings. The last book I read of her's was a M/M pairing, and this is a F/F pairing. And she nailed this, as she did Midnight Heist!
Sky has lusted, LOVED Mia since high school. She's not sure she can cope with them being so close for an extended time. Mia is, quite simply, the only woman for her. Mia, in turn has had feelings for Sky for equally as long. She just wasn't exactly sure WHAT she was feeling then, but she is now.
It's great watching them dance around each other for a while, and then fall headlong over that cliff. Only for Sky to mess it all up by keeping her mouth shut. Oh, I wanted to punch her then, I really did, especially as Mia poured her heart out to her!
It's not especially explicit, but it IS full of love and passion. It's emotional too, with Sky dealing with the loss of her sister, and Mia's female parental unit (I don't like her, can you tell?!?)
It is the first 'virus' book I've read, and I expect there to be more, but every one of those books will have to stand against this one, in that regard, cos it is so well done!
The title of the series is the Rehoboth Pact. I loved the reason for that, and that Aubrey evokes said pact when Sky acts stoopid! There is a third friend, Kyle, in the pact. We didn't meet her yet though. Aubs is here though, and she's a lot of fun! So, I'm assuming that the series will be around these three girls. Can't wait to read them!
It's not a compliacted read, just a story of two girls seeing who is right in front of them, and acting on your feelings.
4 solid stars
**same worded review will appear elsewhere**
Mia splits with her boyfriend and comes home, to Sky since she has nowhere else to go. Then the world comes crazy and there is stay at home order. Can Sky and Mia manage in a tiny one bed flat, in close proximity, and keep their hands off each other?
I have to commend Ms McIntyre. For a while she only wrote male/female pairings. The last book I read of her's was a M/M pairing, and this is a F/F pairing. And she nailed this, as she did Midnight Heist!
Sky has lusted, LOVED Mia since high school. She's not sure she can cope with them being so close for an extended time. Mia is, quite simply, the only woman for her. Mia, in turn has had feelings for Sky for equally as long. She just wasn't exactly sure WHAT she was feeling then, but she is now.
It's great watching them dance around each other for a while, and then fall headlong over that cliff. Only for Sky to mess it all up by keeping her mouth shut. Oh, I wanted to punch her then, I really did, especially as Mia poured her heart out to her!
It's not especially explicit, but it IS full of love and passion. It's emotional too, with Sky dealing with the loss of her sister, and Mia's female parental unit (I don't like her, can you tell?!?)
It is the first 'virus' book I've read, and I expect there to be more, but every one of those books will have to stand against this one, in that regard, cos it is so well done!
The title of the series is the Rehoboth Pact. I loved the reason for that, and that Aubrey evokes said pact when Sky acts stoopid! There is a third friend, Kyle, in the pact. We didn't meet her yet though. Aubs is here though, and she's a lot of fun! So, I'm assuming that the series will be around these three girls. Can't wait to read them!
It's not a compliacted read, just a story of two girls seeing who is right in front of them, and acting on your feelings.
4 solid stars
**same worded review will appear elsewhere**
BankofMarquis (1832 KP) rated Batman Begins (2005) in Movies
Feb 25, 2018
Good start to the DARK KNIGHT trilogy
BATMAN BEGINS is a seminal film in the oeuvre of Christopher Nolan for a variety of reasons. Certainly, it became his biggest Box Office success to date and marked him as an "A" list Director. Also, you start seeing the recurring actors that I call "the Nolan players" in his films - Michael Caine, Cillian Murphy, Ken Watanabe. But, most importantly, BATMAN BEGINS starts showing the Hallmarks of what a "Christopher Nolan" film is.
What are "hallmarks of a Christopher Nolan" film? Well...the film starts with a long tracking shot.. If you just showed me this shot, I would have instantly said "Christopher Nolan". Nolan plays with time (as usual) in this film, albeit, in a "standard" flash back, flash forward way. And, of course, there is the driving Hans Zimmer score and marvelous Cinematography by frequent Nolan collaborator Wally Pfister. All sure signs that you are watching something directed by Nolan.
BATMAN BEGINS, of course, tells the origin story of Bruce Wayne/Batman. While most of us (including me) rolled their eyes in 2005 at the thought of another Batman flick (the memories of George Clooney and his "Bat-Nipples" still fresh), Nolan had a different idea - a serious take on the material. And it is the realism and grit that make this film work. Instead of making a COMIC BOOK movie, Nolan made a movie BASED ON a comic book (an important distinction) and this spin on this genre works very well.
Downing the cowl in this film is Christian Bale. At the time, he was NOT a household name. As a matter of fact, he was beginning to be branded as a young, talented actor who was somewhat difficult to work with. Casting Bale in the title role was a stroke of genius by Nolan. He is the perfect embodiment of this character. Showing the dark side - and intensity - that this character needs, Bale also brings a bit of playfullness that I did not remember to the part - and this helps balance the character, he is just not all "Dark Knight" (do you hear me current JUSTICE LEAGUE Directors/Writers)?
Michael Caine is also perfectly cast as the fatherly figure, Alfred Pennywise (Bruce Wayne's Butler) as is Gary Oldman as Police Sgt. Jim Gordon. What makes Oldman's casting so interesting is that it was so against type for him. The same can be said for Liam Neeson's casting as Ducard. You could argue that "Liam Neeson - Action Star" grew from this role. Along for the ride is good ol' Morgan Freeman as Lucius Fox, the "Q" of this series, so we get an answer to the age old question "how does Batman get all those wonderful toys". Finally, I have to admit that - upon rewatching this film - I was surprised at how good Katie Holmes is in the role of Rachel Dawes. Sure, it ends up being the typical "damsel in distress" role at the end, but until then she brings a character of strength to the screen that more than holds her own against Bale.
But, make no mistake about it, this film is not just about the characters, it is about the vision - and the action - that Nolan brings to the screen and he brings it hard. This film is dark - and works here. Up until now, SuperHero films were multi-colored, bright COMIC BOOK looking films, but Nolan brings grit, realism and darkness to the proceedings here. It is a jarring change that instantly made this film very interesting to watch (of course, it also ushered in the era of "dark" films, but I can't blame Nolan for poor copycats).
Nolan also relied on - primarily - practical effectst througout this film and the movie has a heaviness to it because of it. When a train crashes, you feel that a train has crashed. When Batman breaks through the window, you can FEEL the window break. This sort of visceral experience just can't be duplicated on a green screen.
Not everything in this film works - Tom Wilkerson's mob boss Falcone is a bit too cartoon-y for my tastes and Cillian Murphy's villain SCARECROW just isn't villiany enough for me - but these are quibbles in a film that was unique for it's time - and ushered in a whole new way to make SuperHero films. A type of film that Nolan will continue to tweak - and improve on - in the subsequent films in this Dark Knight series.
One final note, when rewatching a film from over 10 years ago, it is fun (at least for me) to see "stars before they were stars" in small roles. In this one, Katie Holme's Rachel Dawes character helps a little boy through the carnage of the final battle. I kept looking at that little boy and saying to myself - who is that? GAME OF THRONES fans will recognize that little boy is none other than King Joffrey himself, Jack Gleeson.
If you haven't seen BATMAN BEGINS in awhile, check it out - it holds up well.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
What are "hallmarks of a Christopher Nolan" film? Well...the film starts with a long tracking shot.. If you just showed me this shot, I would have instantly said "Christopher Nolan". Nolan plays with time (as usual) in this film, albeit, in a "standard" flash back, flash forward way. And, of course, there is the driving Hans Zimmer score and marvelous Cinematography by frequent Nolan collaborator Wally Pfister. All sure signs that you are watching something directed by Nolan.
BATMAN BEGINS, of course, tells the origin story of Bruce Wayne/Batman. While most of us (including me) rolled their eyes in 2005 at the thought of another Batman flick (the memories of George Clooney and his "Bat-Nipples" still fresh), Nolan had a different idea - a serious take on the material. And it is the realism and grit that make this film work. Instead of making a COMIC BOOK movie, Nolan made a movie BASED ON a comic book (an important distinction) and this spin on this genre works very well.
Downing the cowl in this film is Christian Bale. At the time, he was NOT a household name. As a matter of fact, he was beginning to be branded as a young, talented actor who was somewhat difficult to work with. Casting Bale in the title role was a stroke of genius by Nolan. He is the perfect embodiment of this character. Showing the dark side - and intensity - that this character needs, Bale also brings a bit of playfullness that I did not remember to the part - and this helps balance the character, he is just not all "Dark Knight" (do you hear me current JUSTICE LEAGUE Directors/Writers)?
Michael Caine is also perfectly cast as the fatherly figure, Alfred Pennywise (Bruce Wayne's Butler) as is Gary Oldman as Police Sgt. Jim Gordon. What makes Oldman's casting so interesting is that it was so against type for him. The same can be said for Liam Neeson's casting as Ducard. You could argue that "Liam Neeson - Action Star" grew from this role. Along for the ride is good ol' Morgan Freeman as Lucius Fox, the "Q" of this series, so we get an answer to the age old question "how does Batman get all those wonderful toys". Finally, I have to admit that - upon rewatching this film - I was surprised at how good Katie Holmes is in the role of Rachel Dawes. Sure, it ends up being the typical "damsel in distress" role at the end, but until then she brings a character of strength to the screen that more than holds her own against Bale.
But, make no mistake about it, this film is not just about the characters, it is about the vision - and the action - that Nolan brings to the screen and he brings it hard. This film is dark - and works here. Up until now, SuperHero films were multi-colored, bright COMIC BOOK looking films, but Nolan brings grit, realism and darkness to the proceedings here. It is a jarring change that instantly made this film very interesting to watch (of course, it also ushered in the era of "dark" films, but I can't blame Nolan for poor copycats).
Nolan also relied on - primarily - practical effectst througout this film and the movie has a heaviness to it because of it. When a train crashes, you feel that a train has crashed. When Batman breaks through the window, you can FEEL the window break. This sort of visceral experience just can't be duplicated on a green screen.
Not everything in this film works - Tom Wilkerson's mob boss Falcone is a bit too cartoon-y for my tastes and Cillian Murphy's villain SCARECROW just isn't villiany enough for me - but these are quibbles in a film that was unique for it's time - and ushered in a whole new way to make SuperHero films. A type of film that Nolan will continue to tweak - and improve on - in the subsequent films in this Dark Knight series.
One final note, when rewatching a film from over 10 years ago, it is fun (at least for me) to see "stars before they were stars" in small roles. In this one, Katie Holme's Rachel Dawes character helps a little boy through the carnage of the final battle. I kept looking at that little boy and saying to myself - who is that? GAME OF THRONES fans will recognize that little boy is none other than King Joffrey himself, Jack Gleeson.
If you haven't seen BATMAN BEGINS in awhile, check it out - it holds up well.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Chris Sawin (602 KP) rated Halloween II (2009) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Contains spoilers, click to show
That fateful night in Haddonfield, Laurie Strode shot and killed Michael Myers or so she thought. As the ambulance that pulled what was thought to be the corpse of the world's most notorious serial killer, Michael Myers made sure everyone knew he was still alive the best way he could; by slaughtering whoever got in his way. Now, two years later, Laurie lives with Sheriff Brackett and his daughter Annie. Laurie struggles with hallucinations and panic attacks while believing the therapy she's receiving is only making her worse. As Laurie struggles with her newfound issues, Michael tries to reunite his family. Michael has visions of his mother with a white horse accompanied by his younger self. Michael is returning to Haddonfield to finish the job.
This film has to set the record for dream sequences, which makes you wonder if the entire film is nothing more than a dream. I wasn't exactly a big fan of the remake from 2007 and expectations for this film were incredibly low, nobody can really be prepared for how terrible this film really is. Since there's so much wrong with this film, we'll try and start with what was actually was enjoyable.
Brad Dourif as Sheriff Brackett is really the highlight of the film as far as acting goes. While that probably isn't saying much and his role isn't as big as you may expect, he does a good job with the screen time he gets. His character is intense right from the start, but as things take a turn for the worse for his character his downward spiral is the most enthralling aspect of the film. A few of the deaths were also really satisfying. Mainly Buddy the Secuirty Guard. There's a night scene where an officer is out on Sheriff Brackett's lawn and we're looking at the silhouette of a tree while the officer searches the premises. Before you know it, we see Michael emerge from that tree silhouette and kill the officer.
Everything else in the film was just horrendous. The flaws are almost so overwhelming that it's nearly impossible to know where to begin. The whole white horse thing is ridiculous. So if Deborah Myers tells young Michael that he can think of her whenever he looks at the white horse figurine she gave him, wouldn't that make her a horse by default? The inconsistencies in the film are incredibly glaring, as well. Laurie and Annie's injuries from the previous film seem more severe at the start of this one, Laurie being able to put weight on an injured leg by walking on it but it causing her extreme pain when she's lifted from a stretcher to a bed at the hospital, Michael chopping off a guy's head with a shard of glass, etc. The "Nights in White Satin" thing was literally beaten into your skull by the time the film ended. If you sit through the film, it's like Rob is sitting next to you each time the song comes on nudging you with his elbow going, "Eh? Do you get it? You get it?"
Michael was way too vocal for my liking. Heavy breathing is one thing, but when we're hearing him grunt loudly every time he stabs somebody then it takes a lot of it. When he actually talked at the end of the film, I was done. He also seemed to spend more time stabbing women than men in the film. Guys get their head chopped off or an axe to the back while women get stabbed a dozen times or have their face smashed against a mirror nine times. The choreography didn't seem as good as the remake either. There's a scene where water gets on the camera and it's on there the entire scene. It's interesting at first, but after a few minutes you just want someone to get a towel to wipe it down.
As powerful as Michael seems to be, it at least made a bit more sense in the original film by John Carpenter. Michael was pure evil. That was the explanation, so him not being able to die at least sort of made sense. Now that he's been given this white trash upbringing in the remake, his super strength and inability to die just seems even more farfetched than it originally did. So when Michael is busting through walls and lifting cars with his bare hands all Incredible Hulk style in this film, it's laughable. Not to mention what happened to the Dr. Loomis character. There are just way too many things wrong with this sequel to list here.
Rob Zombie has certainly made Halloween his own with Halloween II. It's just a shame that it's really not worth watching seriously. Let's put it this way, the highlight of the film is Weird Al's cameo. After five films of dealing with white trash families, it's time for Zombie to move on to something different. It's safe to say he's bled that idea bone dry. I wouldn't seriously recommend this film to anyone, but if you're looking for a film to watch with some friends to laugh at and make fun of while it's going then this is the perfect film.
This film has to set the record for dream sequences, which makes you wonder if the entire film is nothing more than a dream. I wasn't exactly a big fan of the remake from 2007 and expectations for this film were incredibly low, nobody can really be prepared for how terrible this film really is. Since there's so much wrong with this film, we'll try and start with what was actually was enjoyable.
Brad Dourif as Sheriff Brackett is really the highlight of the film as far as acting goes. While that probably isn't saying much and his role isn't as big as you may expect, he does a good job with the screen time he gets. His character is intense right from the start, but as things take a turn for the worse for his character his downward spiral is the most enthralling aspect of the film. A few of the deaths were also really satisfying. Mainly Buddy the Secuirty Guard. There's a night scene where an officer is out on Sheriff Brackett's lawn and we're looking at the silhouette of a tree while the officer searches the premises. Before you know it, we see Michael emerge from that tree silhouette and kill the officer.
Everything else in the film was just horrendous. The flaws are almost so overwhelming that it's nearly impossible to know where to begin. The whole white horse thing is ridiculous. So if Deborah Myers tells young Michael that he can think of her whenever he looks at the white horse figurine she gave him, wouldn't that make her a horse by default? The inconsistencies in the film are incredibly glaring, as well. Laurie and Annie's injuries from the previous film seem more severe at the start of this one, Laurie being able to put weight on an injured leg by walking on it but it causing her extreme pain when she's lifted from a stretcher to a bed at the hospital, Michael chopping off a guy's head with a shard of glass, etc. The "Nights in White Satin" thing was literally beaten into your skull by the time the film ended. If you sit through the film, it's like Rob is sitting next to you each time the song comes on nudging you with his elbow going, "Eh? Do you get it? You get it?"
Michael was way too vocal for my liking. Heavy breathing is one thing, but when we're hearing him grunt loudly every time he stabs somebody then it takes a lot of it. When he actually talked at the end of the film, I was done. He also seemed to spend more time stabbing women than men in the film. Guys get their head chopped off or an axe to the back while women get stabbed a dozen times or have their face smashed against a mirror nine times. The choreography didn't seem as good as the remake either. There's a scene where water gets on the camera and it's on there the entire scene. It's interesting at first, but after a few minutes you just want someone to get a towel to wipe it down.
As powerful as Michael seems to be, it at least made a bit more sense in the original film by John Carpenter. Michael was pure evil. That was the explanation, so him not being able to die at least sort of made sense. Now that he's been given this white trash upbringing in the remake, his super strength and inability to die just seems even more farfetched than it originally did. So when Michael is busting through walls and lifting cars with his bare hands all Incredible Hulk style in this film, it's laughable. Not to mention what happened to the Dr. Loomis character. There are just way too many things wrong with this sequel to list here.
Rob Zombie has certainly made Halloween his own with Halloween II. It's just a shame that it's really not worth watching seriously. Let's put it this way, the highlight of the film is Weird Al's cameo. After five films of dealing with white trash families, it's time for Zombie to move on to something different. It's safe to say he's bled that idea bone dry. I wouldn't seriously recommend this film to anyone, but if you're looking for a film to watch with some friends to laugh at and make fun of while it's going then this is the perfect film.
Purple Phoenix Games (2266 KP) rated Slip Strike in Tabletop Games
Jan 28, 2020
Super spies. We have all dreamed of being one – don’t lie! What about teleporting super spies? What about time-traveling teleporting super spies?! As a huge Doctor Who fan, that is right up my alley. Well, minus the eventual assassination that comes with winning the game. Dat theme tho…
Slip Strike is a card game of bluffing, running, and managing your resources. The goal of the game is to get one hit on your opponent: the final strike. This could come from a bullet, a knife wound, or several other injuries that lead to your opponent’s demise. You each have ways of “slipping” out of trouble, but they are limited and certainly give your opponent the upper hand.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and the final components will probably be different from these shown. Also, it is not my intention to detail every rule in the game, but to give our readers an idea of how the game plays. If you would like to read the rulebook, you may purchase the game through the publisher, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup, each player chooses a color (in this edition either blue or black) and receives the cards and spy-eeple (speeple?) of that color. Randomly place the location cards in a circle, or pentagon shape, to mark the map. Each player will select a location card at which they would like to begin the game, and reveal these simultaneously. Players will place their speeples on those locations and the game is setup and ready to play! For a more hardcore game, you may include one or two special Asset cards. We did that.
Slip Strike has no “turns” in the traditional sense. Instead, players will be choosing two cards to be played in succession. These cards are all from their hands and can include movement, teleportation, and weapon cards. Once the players have set their two cards in front of themselves, the cards in the first slot will be revealed simultaneously and resolved. Movement happens first, then any teleportations, then weapon effects.
If a player chose to play a movement card (left or right), simply move the speeple one space in that direction. Teleportation cards have the speeples moving directly to the location specified on the card. Weapon cards will have text on them referring to which spaces will be affected by the weapon – same space, one space away, or two spaces away usually. Should an enemy speeple reside in a space and is to be hit, the attacking player either wins with a successful strike or the defending player will need to “slip” to another location by playing (and therefore also discarding) a location card. This location card is now out of play and essentially is used as a countdown to their end, as players only have one card per location to use for a future slip.
Each card will also feature a cooldown number on it. This number reflects how many game rounds this card will need to sit on the table before it can be shuffled back into the player’s hand. I believe this to be the greatest aspect of this game: utilizing the cool downs effectively in order to exact the most damaging tactics for victory. Some more powerful cards will also show an asterisk in place of a cool down number. This means that the card must remain out of play for three or more rounds before entering the player’s hand (see photo below for the Flamethrower Asset).
The player that can guess their opponent’s next moves, play their corresponding cards, and whittle down the location slips the fastest will become the ultimate spy and someone I definitely do NOT want to play against.
Components. As previously mentioned, we were provided a prototype copy of Slip Strike, and the components may change during the Kickstarter campaign. That said, this game is a bunch of cards and two speeples. The cards look incredible and the art is spot-in with the theme. I quite enjoy the art style and it stays out of the way while playing, but is also interesting enough that you can spend lots of time inspecting it when playing against AP-prone opponents. The speeples are cool, and I am excited to see where they end up as a result of a successful Kickstarter campaign. All thumbs up from us on components!
The game play is super solid. We had no questions on how to play the game after reading the rules (which are super short – thank you!), and we were off to murder each other in seconds flat. What I really appreciate about this game is that anyone can be successful with it and really get into the theme. Do you want to play as Agent Smith from The Matrix? Go for it! Want to play as Hiro Nakamura from Heroes (when he could control his powers, that is)? Do it! Slip Strike is quick, super engaging, and gives me the feeling of high-stakes, adrenaline rushing, globetrotting secret agents that I have been looking for. If you are interested in picking this one up, consider backing it on Kickstarter, purchasing from the publisher directly, from your FLGS, or your favorite online retailer once this one hits market. You won’t regret it.
Slip Strike is a card game of bluffing, running, and managing your resources. The goal of the game is to get one hit on your opponent: the final strike. This could come from a bullet, a knife wound, or several other injuries that lead to your opponent’s demise. You each have ways of “slipping” out of trouble, but they are limited and certainly give your opponent the upper hand.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and the final components will probably be different from these shown. Also, it is not my intention to detail every rule in the game, but to give our readers an idea of how the game plays. If you would like to read the rulebook, you may purchase the game through the publisher, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup, each player chooses a color (in this edition either blue or black) and receives the cards and spy-eeple (speeple?) of that color. Randomly place the location cards in a circle, or pentagon shape, to mark the map. Each player will select a location card at which they would like to begin the game, and reveal these simultaneously. Players will place their speeples on those locations and the game is setup and ready to play! For a more hardcore game, you may include one or two special Asset cards. We did that.
Slip Strike has no “turns” in the traditional sense. Instead, players will be choosing two cards to be played in succession. These cards are all from their hands and can include movement, teleportation, and weapon cards. Once the players have set their two cards in front of themselves, the cards in the first slot will be revealed simultaneously and resolved. Movement happens first, then any teleportations, then weapon effects.
If a player chose to play a movement card (left or right), simply move the speeple one space in that direction. Teleportation cards have the speeples moving directly to the location specified on the card. Weapon cards will have text on them referring to which spaces will be affected by the weapon – same space, one space away, or two spaces away usually. Should an enemy speeple reside in a space and is to be hit, the attacking player either wins with a successful strike or the defending player will need to “slip” to another location by playing (and therefore also discarding) a location card. This location card is now out of play and essentially is used as a countdown to their end, as players only have one card per location to use for a future slip.
Each card will also feature a cooldown number on it. This number reflects how many game rounds this card will need to sit on the table before it can be shuffled back into the player’s hand. I believe this to be the greatest aspect of this game: utilizing the cool downs effectively in order to exact the most damaging tactics for victory. Some more powerful cards will also show an asterisk in place of a cool down number. This means that the card must remain out of play for three or more rounds before entering the player’s hand (see photo below for the Flamethrower Asset).
The player that can guess their opponent’s next moves, play their corresponding cards, and whittle down the location slips the fastest will become the ultimate spy and someone I definitely do NOT want to play against.
Components. As previously mentioned, we were provided a prototype copy of Slip Strike, and the components may change during the Kickstarter campaign. That said, this game is a bunch of cards and two speeples. The cards look incredible and the art is spot-in with the theme. I quite enjoy the art style and it stays out of the way while playing, but is also interesting enough that you can spend lots of time inspecting it when playing against AP-prone opponents. The speeples are cool, and I am excited to see where they end up as a result of a successful Kickstarter campaign. All thumbs up from us on components!
The game play is super solid. We had no questions on how to play the game after reading the rules (which are super short – thank you!), and we were off to murder each other in seconds flat. What I really appreciate about this game is that anyone can be successful with it and really get into the theme. Do you want to play as Agent Smith from The Matrix? Go for it! Want to play as Hiro Nakamura from Heroes (when he could control his powers, that is)? Do it! Slip Strike is quick, super engaging, and gives me the feeling of high-stakes, adrenaline rushing, globetrotting secret agents that I have been looking for. If you are interested in picking this one up, consider backing it on Kickstarter, purchasing from the publisher directly, from your FLGS, or your favorite online retailer once this one hits market. You won’t regret it.
Midge (525 KP) rated Who (Stalker #1) in Books
Feb 9, 2019
A Touch Of Brilliance!
Who scares you the most, a complete stranger or a person you know that has you in their sight?
Megan Mitcham’s latest novel, "WHO," delivers an intensely evocative story in this first book of her new Stalker series. With intelligently crafted words and an intriguing plot that has plenty of suspenseful twists, this novel made me want to keep on turning the pages. At first, I found the book a little slow and I was worried that the story wouldn’t live up to its promise, however, the pace soon picked up and I knew I was reading a book that I would come to really enjoy.
Billionaire Larkin Ashford is the fiercely independent owner of her fashion empire which was founded on the back of wedlock. When her company has the opportunity to go public, her Board of Directors won’t give her the green light, unless she agrees to marry. A series of threatening messages aren’t making her decision any easier. As she retreats to her rooftop hideaway to clear her head, she finds herself imprisoned in the strong arms of a mysterious chap who thinks she was about to jump…
Despite her friends’ warnings that her knight in shining armour could be her stalker, she can’t get him out of her head. Determined to find the truth, she searches for her mystery man and discovers a dark secret that could destroy everything that she holds dear. With her empire in danger, she’ll have to uncover the truth before her fortune and her life are reduced to tatters.
I loved the character of Larkin who is efficient, imaginative and extremely shrewd. She has deep-rooted issues with trust from her past and she doesn’t believe in love or long-term relationships. Her mother died when she was thirteen, and she has a tense relationship with her emotionally distant father. She does have a few really close friends that are supportive and loyal. I loved that Megan Mitcham introduced us to an abundance of wonderful characters, especially Larkin’s girlfriends, Genevieve, Marlis and Libby. Their exuberance collectively provides many moments of fun, support and girlie laughter.
Larkin’s high profile life is very much lived in the limelight and with major personal and business decisions needing to be made, who is causing so much trouble for her and what will be the price she has to pay?
I had so many different scenarios playing out in my head, and even though I anticipated some of the twists, I couldn’t settle on the outcome and I was kept guessing until the end. The author definitely did not disappoint with the conclusion of this book!
If you love dramatic plots, intrigue and enjoy crime novels with a bit of romance, then Megan Mitcham delivers with abundance in "WHO."
Thank you to Hidden Gems and the author, Megan Mitcham for a free ARC of this book in exchange for a voluntary, honest review.
Megan Mitcham’s latest novel, "WHO," delivers an intensely evocative story in this first book of her new Stalker series. With intelligently crafted words and an intriguing plot that has plenty of suspenseful twists, this novel made me want to keep on turning the pages. At first, I found the book a little slow and I was worried that the story wouldn’t live up to its promise, however, the pace soon picked up and I knew I was reading a book that I would come to really enjoy.
Billionaire Larkin Ashford is the fiercely independent owner of her fashion empire which was founded on the back of wedlock. When her company has the opportunity to go public, her Board of Directors won’t give her the green light, unless she agrees to marry. A series of threatening messages aren’t making her decision any easier. As she retreats to her rooftop hideaway to clear her head, she finds herself imprisoned in the strong arms of a mysterious chap who thinks she was about to jump…
Despite her friends’ warnings that her knight in shining armour could be her stalker, she can’t get him out of her head. Determined to find the truth, she searches for her mystery man and discovers a dark secret that could destroy everything that she holds dear. With her empire in danger, she’ll have to uncover the truth before her fortune and her life are reduced to tatters.
I loved the character of Larkin who is efficient, imaginative and extremely shrewd. She has deep-rooted issues with trust from her past and she doesn’t believe in love or long-term relationships. Her mother died when she was thirteen, and she has a tense relationship with her emotionally distant father. She does have a few really close friends that are supportive and loyal. I loved that Megan Mitcham introduced us to an abundance of wonderful characters, especially Larkin’s girlfriends, Genevieve, Marlis and Libby. Their exuberance collectively provides many moments of fun, support and girlie laughter.
Larkin’s high profile life is very much lived in the limelight and with major personal and business decisions needing to be made, who is causing so much trouble for her and what will be the price she has to pay?
I had so many different scenarios playing out in my head, and even though I anticipated some of the twists, I couldn’t settle on the outcome and I was kept guessing until the end. The author definitely did not disappoint with the conclusion of this book!
If you love dramatic plots, intrigue and enjoy crime novels with a bit of romance, then Megan Mitcham delivers with abundance in "WHO."
Thank you to Hidden Gems and the author, Megan Mitcham for a free ARC of this book in exchange for a voluntary, honest review.
Movie Metropolis (309 KP) rated Final Destination 5 (2011) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Did we really need another Final Destination film? After the last, merely average movie, the answer on everyone’s lips was a firm and resounding no. However, a surprising return to form for the franchise has ensured that even this old goat has life in it yet.
Gone are the cheap, cheesy shocks that littered Final Destination 3 and 4. In their place are the genuine thrills and spills from the first two films. The movie returns the guessing game element to its audience and for that I am thoroughly grateful.
Newcomer Steven Quale helms this instalment which combines excellent 3D with fantastic special effects and a dazzling set of opening credits which showcase the deaths from the films that preceded it. I wasn’t expecting much from this film, I have to admit, but the credits really are a highlight as you try and remember which film each death is from.
As with any film in the Final Destination franchise, an epic opening disaster is the norm. Whilst the motorway pileup from Final Destination 2 has been the best up until now, the bridge collapse in this film is utterly mesmerising and edge of your seat thrilling. From the flawless special effects to the scale of the production, it surpasses anything seen before in the series.
The deaths have also returned to form too. Instead of out and out cheese, they’re shocking to the point of jaw-dropping. It’ll have you checking every loose nut and bolt from now on and probably have you resisting that fashionable laser eye surgery too. Thankfully though, away from the deaths, it errs on the side of humorous without delving into slapstick.
Nicholas D’Agosto leads a small cast as they try and find a way to cheat death after surviving that epic bridge disaster. An interesting storyline this time around has the cast told that they are able to cheat death by killing someone else, therefore having their life swapped with yours. The acting from all corners leaves a lot to be desired and the dialogue and performances are unashamedly wooden but this is a small point in a film that really does shock and surprise.
However, perhaps the best part of the film and the reason why it’s so enjoyable is the final twist, a twist that will leave you shouting at the screen in dismay. It’s practically impossible to see it coming until the last 5 minutes and in these last minutes you realise just how clever director Steven Quale has been in creating this film.
It may not be the most original movie to ever grace the big screen and the cast aren’t going to trouble the Oscars but Final Destination 5 returns a lifeless franchise to what it once was, bloody good fun and as such it is by far, the best in the series.
So, the question now is; do we need Final Destination 6?
https://moviemetropolis.net/2011/09/21/review-final-destination-5-2011/
Gone are the cheap, cheesy shocks that littered Final Destination 3 and 4. In their place are the genuine thrills and spills from the first two films. The movie returns the guessing game element to its audience and for that I am thoroughly grateful.
Newcomer Steven Quale helms this instalment which combines excellent 3D with fantastic special effects and a dazzling set of opening credits which showcase the deaths from the films that preceded it. I wasn’t expecting much from this film, I have to admit, but the credits really are a highlight as you try and remember which film each death is from.
As with any film in the Final Destination franchise, an epic opening disaster is the norm. Whilst the motorway pileup from Final Destination 2 has been the best up until now, the bridge collapse in this film is utterly mesmerising and edge of your seat thrilling. From the flawless special effects to the scale of the production, it surpasses anything seen before in the series.
The deaths have also returned to form too. Instead of out and out cheese, they’re shocking to the point of jaw-dropping. It’ll have you checking every loose nut and bolt from now on and probably have you resisting that fashionable laser eye surgery too. Thankfully though, away from the deaths, it errs on the side of humorous without delving into slapstick.
Nicholas D’Agosto leads a small cast as they try and find a way to cheat death after surviving that epic bridge disaster. An interesting storyline this time around has the cast told that they are able to cheat death by killing someone else, therefore having their life swapped with yours. The acting from all corners leaves a lot to be desired and the dialogue and performances are unashamedly wooden but this is a small point in a film that really does shock and surprise.
However, perhaps the best part of the film and the reason why it’s so enjoyable is the final twist, a twist that will leave you shouting at the screen in dismay. It’s practically impossible to see it coming until the last 5 minutes and in these last minutes you realise just how clever director Steven Quale has been in creating this film.
It may not be the most original movie to ever grace the big screen and the cast aren’t going to trouble the Oscars but Final Destination 5 returns a lifeless franchise to what it once was, bloody good fun and as such it is by far, the best in the series.
So, the question now is; do we need Final Destination 6?
https://moviemetropolis.net/2011/09/21/review-final-destination-5-2011/
Kristy H (1252 KP) rated The Finishing School in Books
Feb 13, 2018
It has been 20 years since Kersti Kuusk set foot on the grounds of the Lycée, the prestigious boarding school she attended as a teen. Kersti was a scholarship student from Canada at the elite school, and she left abruptly in her senior year, after her best friend, Cressida, fell from her balcony one evening. The school declared the event an accident, but now, Kersti finds herself unconvinced. A timely letter from another of her school friends brings up more questions: was Cressida pushed, or did she attempt suicide? Kersti knows that Cressida had become increasingly obsessed with a secret society within the Lycée--banned since the 1970s when two of its members were expelled. As the school plans a celebration of its 100th anniversary, Kersti considers returning. She also starts looking further into Cressida's fall. However, some secrets are meant to stay buried.
THE FINISHING SCHOOL is told in alternating chapters between the present day and Kersti's school years, leading up to Cressida's fall from the balcony. This effective technique certainly creates tension and suspense, leading you to madly flip the pages, trying to figure out what happened - particularly to Kersti's group of friends at the Lycée twenty years ago. The novel pulls you in fairly quickly and hooks you rather rapidly. Goodman is quite adept at capturing the voices of her characters, especially the teens, and the boarding school passages are rather effective. (They are also great at making you want to never send your child to boarding school. Parts of it reminded me of Tana French's THE SECRET PLACE in that way.)
For me, the only thing that held this book back was that some of the plot was a little weird: mostly some of the things relating to Kersti's personal life and her obsession with Cressida. They didn't necessarily seem required for the story to be successful, but they bothered me. It's a shame, because overall I liked Kersti, and I felt a connection with her. Present-day Kersti is suffering from infertility, and, as someone who has been there, I can say that Goodman captures that angst very well. I just wasn't sure about some of her choices.
At times, some of the school drama gets a little tedious, but it picks up as the novel gains momentum, especially near the end. I figured out parts of the plot, but not all of it, and I was quite frantic to finish the last portions of the book to put it all together. It's quite a dark and twisted tale, overall. Certainly worth a read. 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 04/11/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
THE FINISHING SCHOOL is told in alternating chapters between the present day and Kersti's school years, leading up to Cressida's fall from the balcony. This effective technique certainly creates tension and suspense, leading you to madly flip the pages, trying to figure out what happened - particularly to Kersti's group of friends at the Lycée twenty years ago. The novel pulls you in fairly quickly and hooks you rather rapidly. Goodman is quite adept at capturing the voices of her characters, especially the teens, and the boarding school passages are rather effective. (They are also great at making you want to never send your child to boarding school. Parts of it reminded me of Tana French's THE SECRET PLACE in that way.)
For me, the only thing that held this book back was that some of the plot was a little weird: mostly some of the things relating to Kersti's personal life and her obsession with Cressida. They didn't necessarily seem required for the story to be successful, but they bothered me. It's a shame, because overall I liked Kersti, and I felt a connection with her. Present-day Kersti is suffering from infertility, and, as someone who has been there, I can say that Goodman captures that angst very well. I just wasn't sure about some of her choices.
At times, some of the school drama gets a little tedious, but it picks up as the novel gains momentum, especially near the end. I figured out parts of the plot, but not all of it, and I was quite frantic to finish the last portions of the book to put it all together. It's quite a dark and twisted tale, overall. Certainly worth a read. 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 04/11/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Debbiereadsbook (1672 KP) rated Undisclosed (Nights Series #7) in Books
Oct 26, 2018
And Sparks Fly!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
When informed she does not own the land her most lucrative club, Le Secret, sits on, Eveline makes a deal with the devil to escort Lincoln while he is in Tokyo. But Lincoln affects Eveline in ways she never knew were possible and quickly finds herself head over heels in lust. Then that email comes, and Eveline runs and Lincoln race to undo the damage he may have caused: to Eveline, and to his heart.
SO!! This is book 7 in the Nights Series, but you don't need to have read books one through six first. You don't NEED to. But personally, I would recommend that you do. Cos, you know, they are rather awesome! BUT you should know that the other 6 books are all male/male pairings and this is a male/female pairing. I'm not picky, but I know some readers prefer to stick to one or the other.
I think Eveline pops up on most of the others books, and I'm so glad she gets her own story! Didn't expect her to, since the others are all gay erotica, but so pleased!
Eveline is a own boss, and although she will *sometimes* escort, she is extremely selective in her bed partners. When she discovers that the previous owners of the land her club sits on swindled her, she storms off to Lincoln's office to demand he sell it to her.
And
Sparks
Fly!
I talking Bonfire Night, Fourth of July and New Years Eve all condensed into Lincoln's office and I expected the pair of them to spontaneously combust! I mean, I'm sitting there, eating my lunch, and the office scene pops up. And I'm like WHOA!!! This is gonna be hot Hot HOT!!!
And I was not disappointed. Not for the heat level, and for how quickly they both came to the realization that they need each other.
What I AM slightly disappointed about (but it doesn't effect my star rating, I just need to mention it!) was that while there was a scene in Eveline's "special" room at the club, it was tame. And I wanted them to return to the room at some point and for Lincoln to show Eveline the other end of the whip that she usually wields. That would have been the icing on the very hot cake! Maybe they will get another book, and the return visit will be in there, who knows!
Cam and Gabe; Ethan and Joe; and Wade and Rhys all pop up here, if only for a little bit, but it was nice that they did.
So, landing itself firmly on the "fan yourself, its a hot one" shelf I made just for these books...
5 stars
**same worded review will appear elsewhere**
When informed she does not own the land her most lucrative club, Le Secret, sits on, Eveline makes a deal with the devil to escort Lincoln while he is in Tokyo. But Lincoln affects Eveline in ways she never knew were possible and quickly finds herself head over heels in lust. Then that email comes, and Eveline runs and Lincoln race to undo the damage he may have caused: to Eveline, and to his heart.
SO!! This is book 7 in the Nights Series, but you don't need to have read books one through six first. You don't NEED to. But personally, I would recommend that you do. Cos, you know, they are rather awesome! BUT you should know that the other 6 books are all male/male pairings and this is a male/female pairing. I'm not picky, but I know some readers prefer to stick to one or the other.
I think Eveline pops up on most of the others books, and I'm so glad she gets her own story! Didn't expect her to, since the others are all gay erotica, but so pleased!
Eveline is a own boss, and although she will *sometimes* escort, she is extremely selective in her bed partners. When she discovers that the previous owners of the land her club sits on swindled her, she storms off to Lincoln's office to demand he sell it to her.
And
Sparks
Fly!
I talking Bonfire Night, Fourth of July and New Years Eve all condensed into Lincoln's office and I expected the pair of them to spontaneously combust! I mean, I'm sitting there, eating my lunch, and the office scene pops up. And I'm like WHOA!!! This is gonna be hot Hot HOT!!!
And I was not disappointed. Not for the heat level, and for how quickly they both came to the realization that they need each other.
What I AM slightly disappointed about (but it doesn't effect my star rating, I just need to mention it!) was that while there was a scene in Eveline's "special" room at the club, it was tame. And I wanted them to return to the room at some point and for Lincoln to show Eveline the other end of the whip that she usually wields. That would have been the icing on the very hot cake! Maybe they will get another book, and the return visit will be in there, who knows!
Cam and Gabe; Ethan and Joe; and Wade and Rhys all pop up here, if only for a little bit, but it was nice that they did.
So, landing itself firmly on the "fan yourself, its a hot one" shelf I made just for these books...
5 stars
**same worded review will appear elsewhere**