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This one's a bit too close for comfort...
Well, this was a bit of a disconcerting and frankly worrying book. but it's one that made me really think.
Set in present day, it follows Jon Keller, an American Historian, and his fellow guests at a hotel in Switzerland, following a nuclear war. Pretty much every major city in the world has been bombed. The majority of guests have left, trying to get back to their homes even thought the media has advised them against doing so (no aeroplanes, no public transport). Jon and a small group of other guests decide to stay and make the best of it.
Whilst checking water supplies in the roof storage tanks, they find the body of a child, and Jon decides to investigate.
The book is written in Jon's voice as he writes a diary, a history, of his and the other guests survival, and his investigation.
I really liked this. It wasn't sensationalised, it all seemed so reasonable, and in our current worldwide political climate, so plausible - which is what made it really scary. It did have a bit of the "Huis Clos" (a play by Jean Paul Sartre) feeling about it: a feeling of being trapped with the same day coming around again and again, no escape, stuck with the same people that you neither particularly like or trust. And I liked that about it.
By the way, in the advent of a nuclear holocaust, Switzerland would seem to be a pretty civilised place to be 'stuck'.
Many thanks to NetGalley and Viking for the copy of this book to read and review!
Set in present day, it follows Jon Keller, an American Historian, and his fellow guests at a hotel in Switzerland, following a nuclear war. Pretty much every major city in the world has been bombed. The majority of guests have left, trying to get back to their homes even thought the media has advised them against doing so (no aeroplanes, no public transport). Jon and a small group of other guests decide to stay and make the best of it.
Whilst checking water supplies in the roof storage tanks, they find the body of a child, and Jon decides to investigate.
The book is written in Jon's voice as he writes a diary, a history, of his and the other guests survival, and his investigation.
I really liked this. It wasn't sensationalised, it all seemed so reasonable, and in our current worldwide political climate, so plausible - which is what made it really scary. It did have a bit of the "Huis Clos" (a play by Jean Paul Sartre) feeling about it: a feeling of being trapped with the same day coming around again and again, no escape, stuck with the same people that you neither particularly like or trust. And I liked that about it.
By the way, in the advent of a nuclear holocaust, Switzerland would seem to be a pretty civilised place to be 'stuck'.
Many thanks to NetGalley and Viking for the copy of this book to read and review!
This is only a fairly short book with a limited focus, but nevertheless I found it very interesting. It's odd really, because opinion on the subject tends to be so polarised that it's easy to lose sight of a few simple facts and some of what Ashdown-Hill presents here should really be so obvious! For starters, for all the association of Bosworth with Richard III he didn't know it was going to happen and obviously didn't go in 'knowing' that he was going to be defeated - hindsight may be a great thing, but not if you want to look at historical events in context!
The Portuguese marriage proposals was something that I did know about, but here it's presented so logically it makes absolute sense. The chosen bride was a princes of Portugal, with a Spanish Infanta also in the playing as a reserve option. Both of these princesses were descended from the legitimate and senior branch of the House of Lancaster! Furthermore, it seems that a Portuguese marriage was also in the offing for Elizabeth of York. That being so, the letter supposedly written by her (reported by Buck, but now seemingly lost) makes more sense as does the confusion over Richard II wanting to marry Elizabeth, his niece, which never made any real sort of sense as, if we accept the truth of the Eleanor Butler pre-contract, then the children of Edward IV by Elizabeth Woodville were undoubtedly illegitimate, so there would be absolutely no point in Richard marrying her. On the other hand, Elizabeth and her sisters were the closest things available to Royal Princesses to be traded on the dynastic marriage market.
The Portuguese marriage proposals was something that I did know about, but here it's presented so logically it makes absolute sense. The chosen bride was a princes of Portugal, with a Spanish Infanta also in the playing as a reserve option. Both of these princesses were descended from the legitimate and senior branch of the House of Lancaster! Furthermore, it seems that a Portuguese marriage was also in the offing for Elizabeth of York. That being so, the letter supposedly written by her (reported by Buck, but now seemingly lost) makes more sense as does the confusion over Richard II wanting to marry Elizabeth, his niece, which never made any real sort of sense as, if we accept the truth of the Eleanor Butler pre-contract, then the children of Edward IV by Elizabeth Woodville were undoubtedly illegitimate, so there would be absolutely no point in Richard marrying her. On the other hand, Elizabeth and her sisters were the closest things available to Royal Princesses to be traded on the dynastic marriage market.
Leigh J (71 KP) rated Midsommar (2019) in Movies
Nov 11, 2019
The Wicker Man 2.0
Contains spoilers, click to show
Grieving over the Murder/Suicide of her mentally ill Sister and Parents, Dani decides to get away for a while to Hårga, in Hälsingland, the Swedish community that her and her Boyfriend Christian's mutual friend Pele lives in. Christian and Dani's relationship is at breaking point (unbeknownst to Dani) and the other 2 friends of Christian are encouraging him to finally split with Dani. However, feeling bad about what happened to her Family, Christian and Pele ask Dani to take the trip with them and on to Hälsingland the group of 5 friends go. On the first leg of the road to Hälsinglang, where it is their time to have a special festival called Midsommar, they hang out in a field where they are prompted to partake in some Magic Mushrooms, to which they all have a nice trip before moving on to the "Community". Hälsinglang is a beautiful and seemingly gentle and friendly community, however small cracks start to appear... and Dani's friends start to go missing. Is this community, in fact, a Cult? Or will Dani find the salvation she so desperately needs...
I have to admit, Ari Aster hasn't had me from the jump. Hereditary in my opinion is a bit beige and "meh", but the Culty look of Midsommar attracted my attention straight away and did not disappoint! It's visually beautiful and the story is actually very tragic and gives you a realistic look as to why and how some people actually do join cults. It's an absolutely mind blowing watch and a Movie that I see myself watching many more times in the future. Well done, Ari Aster!
I have to admit, Ari Aster hasn't had me from the jump. Hereditary in my opinion is a bit beige and "meh", but the Culty look of Midsommar attracted my attention straight away and did not disappoint! It's visually beautiful and the story is actually very tragic and gives you a realistic look as to why and how some people actually do join cults. It's an absolutely mind blowing watch and a Movie that I see myself watching many more times in the future. Well done, Ari Aster!
Phil Leader (619 KP) rated The Last Child of Leif in Books
Nov 18, 2019
Did you hear about the child who ran away to join the circus? How about if that child was a crown prince called Valiant who escapes the murder of his father, barely escaping with his mother and faithful swordsman Sebastian?
That's an extremely simplistic rendering of the start of this book, but one that is quite illustrative of the way that the whole story unfolds. What starts as something very simple evolves into something a whole lot more complicated.
Valiant does indeed end up hiding in a travelling circus as its traction engines slowly pull it across an alternate 19th Century Eastern Europe. But this is no ordinary circus and among it's various performers and other attractions much skill and knowledge is hidden. As the journey continues it becomes clear that forces want Valiant dead and really will stop at nothing to achieve this.
With a story this complex and with the very big cast of characters it would be easy for the reader to get confused, but Pridmore is very careful to introduce everything and everybody gradually, giving each time and space so the reader becomes familiar. The characterisation is outstanding, everybody in the circus is very much their own person and very well realised and each character develops throughout the book, sometimes with some surprising revelations.
The plot itself is really good, building at each turn, becoming gradually more complex and more expansive as each chapter passes. The threats appear credible and the efforts to repel them are completely in line with how the characters have been developed up to that point.
Overall this is an utterly compelling read that has been very well written
That's an extremely simplistic rendering of the start of this book, but one that is quite illustrative of the way that the whole story unfolds. What starts as something very simple evolves into something a whole lot more complicated.
Valiant does indeed end up hiding in a travelling circus as its traction engines slowly pull it across an alternate 19th Century Eastern Europe. But this is no ordinary circus and among it's various performers and other attractions much skill and knowledge is hidden. As the journey continues it becomes clear that forces want Valiant dead and really will stop at nothing to achieve this.
With a story this complex and with the very big cast of characters it would be easy for the reader to get confused, but Pridmore is very careful to introduce everything and everybody gradually, giving each time and space so the reader becomes familiar. The characterisation is outstanding, everybody in the circus is very much their own person and very well realised and each character develops throughout the book, sometimes with some surprising revelations.
The plot itself is really good, building at each turn, becoming gradually more complex and more expansive as each chapter passes. The threats appear credible and the efforts to repel them are completely in line with how the characters have been developed up to that point.
Overall this is an utterly compelling read that has been very well written
Tim McGuire (301 KP) rated The Invisible Man (2020) in Movies
Mar 14, 2020
403. The Invisible Man. One of the most uninteresting versions of this tale I've seen. It should be called The Woman that fled the Invisible Man, well he's not invisible during the actual fleeing, which is right at the start of the film. Cecilla wakes up in the middle of the night and books it from the compound, um, home, that she and husband Adrian share, because he's a controlling abusive dick, this has all happened at this point already. So with the help of her lawyer sister she escapes her psychopath boyfriend by stashing her with a cop friend James and his teen daughter. So they are totally safe here, I mean Cecilla can't go outside due to crippling fear, and the teen girl,are perfectly safe and can take care of themselves if Adrian, the psychopathic, rich genius could never get at them while policeman James is at work. But then, Adrian kills himself, and leaves Cece 5 million bucks. Yay she's safe. Then for the next hour, she stares into corners and hears things, and thinks Adrian is there but invisible, because he's a rich genius and has a thing in his basement that looks like you can strap a person into it! But when this invisible Adrian starts killing people and guess who's going to get blamed? Elisabeth Moss did great with what she had to work with, which wasn't much. Lots of logic goes out the window with this one. And the trailer for it, is literally the whole movie! Watch a few a those stringed together and save yourself 2 hours! Filmbufftim on FB
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Hazel (2934 KP) rated How I Lost You in Books
Jun 20, 2020
Oooooo ... this was good and I am annoyed with myself for not reading it earlier when it first came out in 2015 but better late than never I always say!
The book starts with a letter written by convicted child killer Susan Webster to the Parole Board seeking early release from her prison sentence that was handed down following her conviction for the murder of her 3 month old son, Dylan ... a murder she has absolutely no recollection of but had to admit she committed the crime because everyone was telling her she did. On release, Susan, now called Emma, is making attempts to rebuild her life however when she receives a picture of a toddler called Dylan, she starts to ask questions and so begins Susan/Emma's search for the truth of what actually happened on that fateful day.
Written mainly from the perspective of Susan/Emma with flashbacks of other characters, it's told at a good pace with good tension and twists. The characters are excellent and well developed but if I have one gripe, it's that Susan/Emma is a little naive and quick to trust despite her situation of having to live under a new identity to protect herself which I found a little odd.
Overall, I found this a gripping story that had me captivated until the end and I will most definitely read more from this author.
Thank you to Headline via NetGalley for my copy in return for an honest and unedited review and I can only apologise that it has taken me so long to get round to reading it.
The book starts with a letter written by convicted child killer Susan Webster to the Parole Board seeking early release from her prison sentence that was handed down following her conviction for the murder of her 3 month old son, Dylan ... a murder she has absolutely no recollection of but had to admit she committed the crime because everyone was telling her she did. On release, Susan, now called Emma, is making attempts to rebuild her life however when she receives a picture of a toddler called Dylan, she starts to ask questions and so begins Susan/Emma's search for the truth of what actually happened on that fateful day.
Written mainly from the perspective of Susan/Emma with flashbacks of other characters, it's told at a good pace with good tension and twists. The characters are excellent and well developed but if I have one gripe, it's that Susan/Emma is a little naive and quick to trust despite her situation of having to live under a new identity to protect herself which I found a little odd.
Overall, I found this a gripping story that had me captivated until the end and I will most definitely read more from this author.
Thank you to Headline via NetGalley for my copy in return for an honest and unedited review and I can only apologise that it has taken me so long to get round to reading it.
