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Solomon Wendt (30 KP) rated A Deadly Education: Lesson One of the Scholomance in Books
Aug 28, 2021
Worldbuilding (2 more)
Magic
Coming of Age
Some descriptions lacking (2 more)
Confused on Series Plot
Good first book but not a stand alone story
A Deadly Slice of Life/Coming of Age Magic School
Magic School. Wizards. Teenage Angst. A lot of reasons I signed up for the giveaway of this novel and glad I got a copy.
For those who want the quick recommendation, if you enjoy wizard teens and magic schools, you will enjoy this book. Outside of that category, it is a decent fantasy novel that is worth a read, but no need to go and get right away.
First and foremost, books like "A Deadly Education" have the unfortunate hurdle of separating itself from the magic school genre alpha that is Harry Potter, to which I believe Naomi Novik did really well. Whenever I read such stories, I can't help compare to the Potter series, but the world that Novik builds is such a stark contrast that I quickly forgot about Hogwarts and Muggles and traded in for the Scholomance and mundanes.
The world that Novik builds is dark and untrusting. Inside the school, there are maleficera, or 'mals,' that try to consume the students' mana at every turn. This puts the place on edge, making almost every character paranoid to open anything or even go anywhere without at least one other person with them, usually at a cost. This darker side is refreshing, especially because the magic in Novik's world is hard magic as opposed to the soft magic of other series. To those who don't know the difference, soft magic is that magic just exists and spells come without consequence. Hard, on the other hand, has limits and comes from a source and takes skills and finesse to learn and use them. Any author who takes it upon themselves to make the magic in their world hard magic gives themselves a challenge, something that Novik clears easily.
The other part of the world that is dangerous are the mals that attack students. There are a lot of them, so much to the point there should be a separate book that could be referenced to know what they are fighting. Although your imagination can run wild, some of the descriptions, or lack there of, leave you to fill in a lot of blanks. I'm still not sure if they are shadows and/or goo with various metal attached or part of their bodies. The variety is so immense that you don't encounter the same thing twice it seems. When reading the encounters, it was hard to picture the exact nature of the fight in my mind. However, the sense of danger was ever present throughout the whole book.
The story itself is coming of age, or more so coming of friendship, mixed with a slice of life feel. Although there is a starting event, Orion saving Galadriel for the second time, there is not an overarching plot for the story. It is just to survive and possibly make an alliance for graduation. This is not my cup of tea when it comes to stories as I enjoy seeing a defined goal or enemy that leads to a finale or into the next book of the series. This story does not have that, which seems to lack an overall plot other that "just survive." Even the climax of this story felt a little out of the blue in terms of action, and then is superseded by a social bombshell and cliffhanger for the next in the series.
To wrap and reiterate, I enjoy the world that this story takes place. It is inventive and unique to standout against others within the magic school genre. There was some plot lacking, but is still enjoyable for not quite knowing what is coming around the next corning. This a clearly the first book of series which is not the strongest as its own installment, but definitely has me waiting for the next in the line.
For those who want the quick recommendation, if you enjoy wizard teens and magic schools, you will enjoy this book. Outside of that category, it is a decent fantasy novel that is worth a read, but no need to go and get right away.
First and foremost, books like "A Deadly Education" have the unfortunate hurdle of separating itself from the magic school genre alpha that is Harry Potter, to which I believe Naomi Novik did really well. Whenever I read such stories, I can't help compare to the Potter series, but the world that Novik builds is such a stark contrast that I quickly forgot about Hogwarts and Muggles and traded in for the Scholomance and mundanes.
The world that Novik builds is dark and untrusting. Inside the school, there are maleficera, or 'mals,' that try to consume the students' mana at every turn. This puts the place on edge, making almost every character paranoid to open anything or even go anywhere without at least one other person with them, usually at a cost. This darker side is refreshing, especially because the magic in Novik's world is hard magic as opposed to the soft magic of other series. To those who don't know the difference, soft magic is that magic just exists and spells come without consequence. Hard, on the other hand, has limits and comes from a source and takes skills and finesse to learn and use them. Any author who takes it upon themselves to make the magic in their world hard magic gives themselves a challenge, something that Novik clears easily.
The other part of the world that is dangerous are the mals that attack students. There are a lot of them, so much to the point there should be a separate book that could be referenced to know what they are fighting. Although your imagination can run wild, some of the descriptions, or lack there of, leave you to fill in a lot of blanks. I'm still not sure if they are shadows and/or goo with various metal attached or part of their bodies. The variety is so immense that you don't encounter the same thing twice it seems. When reading the encounters, it was hard to picture the exact nature of the fight in my mind. However, the sense of danger was ever present throughout the whole book.
The story itself is coming of age, or more so coming of friendship, mixed with a slice of life feel. Although there is a starting event, Orion saving Galadriel for the second time, there is not an overarching plot for the story. It is just to survive and possibly make an alliance for graduation. This is not my cup of tea when it comes to stories as I enjoy seeing a defined goal or enemy that leads to a finale or into the next book of the series. This story does not have that, which seems to lack an overall plot other that "just survive." Even the climax of this story felt a little out of the blue in terms of action, and then is superseded by a social bombshell and cliffhanger for the next in the series.
To wrap and reiterate, I enjoy the world that this story takes place. It is inventive and unique to standout against others within the magic school genre. There was some plot lacking, but is still enjoyable for not quite knowing what is coming around the next corning. This a clearly the first book of series which is not the strongest as its own installment, but definitely has me waiting for the next in the line.
Movie Metropolis (309 KP) rated The Iron Lady (2012) in Movies
Jun 10, 2019
Meryl Streep certainly has an impressive roster of films under her belt. She’s reduced Anne Hathaway to tears in The Devil Wears Prada, she’s played the role of struggling hotelier in the all singing, all dancing Mamma Mia and has racked up an astonishing 16 Oscar nominations for films like Kramer vs. Kramer and Sophie’s Choice. However, here, she perhaps takes on her biggest role to date portraying arguably the most controversial figure in British politics; Baroness Thatcher. Can she pull it off? Did you really need to ask?
Streep teams up with Mammia Mia director Phyllida Lloyd in the Iron Lady, a biopic surrounding the life of ex-Prime Minister, Margaret Thatcher and between the two of them and a wonderful supporting cast, deliver a stunning but disappointingly safe take on the 86 year olds life.
The film opens with a frail looking woman wandering the streets and buying a bottle of milk, we soon learn that this woman is of course, Baroness Thatcher. After a thought provoking moment of silence, the scene is switched to her current home where she is kept under lock and key, struggling with ever worsening dementia. Her constant conversations with dead husband Dennis, played fabulously by Jim Broadbent are emotional and form the basis of the entire film.
It is in these scenes that we begin to ‘study’ Thatcher’s life from her youth right up until the present day. We see her refusing to give up after failing to gain a seat in the 1950 and 1951 general elections as well as her first steps into Number 10 as the first ever female Prime Minister. Lloyd displays these moments with great finesse and integrates Streep’s portrayal with real footage of Thatcher walking into 10 Downing Street amongst other key moments.
Most of the major events in Margaret’s career are carried over into the film, bar a few notable exceptions. The Grand Hotel bombing, the Falklands war, the death of Thatcher’s personal assistant at the hands of the IRA and of course the controversial Poll Tax all make the grade but are explained in a way that isn’t damaging to the reputation of the Baroness and this is perhaps where the film loses its way a little.
There’ll be no prizes in telling you that Margaret Thatcher was either a fantastic woman who turned around the fates of a country struggling with recession or a woman who nearly destroyed everything we hold dear; depending obviously on your thoughts of her. No matter what thoughts we all have, opinions are opinions. Here, however, the film tries to make up the minds of those watching, rather than allowing an opinion to form on its own and this is perhaps the biggest problem with a political biopic, there is always a sense of bias.
Fortunately, Lloyd stays on the right side of mass appeal and doesn’t give in to mindless brown-nosing.
It is in the films present day moments that really shine. Seeing a woman who wanted to change the world struggle to cope with the loss of her husband and fall into dementia is, no matter what your opinion on the ex-Prime Minister, heart-breaking. It is here, that sympathy is found.
Streep’s performance is stunning to say the least and she is a joy to watch. Her transgression from young, enthusiastic Thatcher to the old and frail woman we see today is yes, in part down to the astonishing make-up given to her throughout but mainly because of her ability as an actress. She, like the lady herself takes charge of every scene she is a part of, something which many actresses struggle to do. Streep may have had her critics in being cast for this film, but she has proved them wrong. It will be a crime if she isn’t nominated for an Oscar this year.
Of the films other cast, Olivia Colman does well as Margaret’s daughter Carole and as mentioned previously, Jim Broadbent is brilliant as the deceased Dennis Thatcher; he fits the role perfectly and again should be nominated for an Oscar later this year. The supporting cast includes the likes of Anthony Head as Geoffrey Howe and Nicholas Farrell as Thatcher’s murdered assistant Airey Neave, but the scenes with these characters are often overshadowed by Streep’s presence.
The Iron Lady is a joy to behold. It makes you proud to be British, to know that we as a country can produce films of this calibre and it shows the world just what a woman Margaret Thatcher was. In the scenes showing Thatcher’s spiral into dementia is where it becomes most touching, but throughout, we get a full, if slightly biased view of her 11 and a half years in office and Meryl Streep does the old girl proud.
Think what you will of the former Conservative leader, but The Iron Lady is worth a watch for Streep’s performance alone.
https://moviemetropolis.net/2012/01/12/review-the-iron-lady-2011/
Streep teams up with Mammia Mia director Phyllida Lloyd in the Iron Lady, a biopic surrounding the life of ex-Prime Minister, Margaret Thatcher and between the two of them and a wonderful supporting cast, deliver a stunning but disappointingly safe take on the 86 year olds life.
The film opens with a frail looking woman wandering the streets and buying a bottle of milk, we soon learn that this woman is of course, Baroness Thatcher. After a thought provoking moment of silence, the scene is switched to her current home where she is kept under lock and key, struggling with ever worsening dementia. Her constant conversations with dead husband Dennis, played fabulously by Jim Broadbent are emotional and form the basis of the entire film.
It is in these scenes that we begin to ‘study’ Thatcher’s life from her youth right up until the present day. We see her refusing to give up after failing to gain a seat in the 1950 and 1951 general elections as well as her first steps into Number 10 as the first ever female Prime Minister. Lloyd displays these moments with great finesse and integrates Streep’s portrayal with real footage of Thatcher walking into 10 Downing Street amongst other key moments.
Most of the major events in Margaret’s career are carried over into the film, bar a few notable exceptions. The Grand Hotel bombing, the Falklands war, the death of Thatcher’s personal assistant at the hands of the IRA and of course the controversial Poll Tax all make the grade but are explained in a way that isn’t damaging to the reputation of the Baroness and this is perhaps where the film loses its way a little.
There’ll be no prizes in telling you that Margaret Thatcher was either a fantastic woman who turned around the fates of a country struggling with recession or a woman who nearly destroyed everything we hold dear; depending obviously on your thoughts of her. No matter what thoughts we all have, opinions are opinions. Here, however, the film tries to make up the minds of those watching, rather than allowing an opinion to form on its own and this is perhaps the biggest problem with a political biopic, there is always a sense of bias.
Fortunately, Lloyd stays on the right side of mass appeal and doesn’t give in to mindless brown-nosing.
It is in the films present day moments that really shine. Seeing a woman who wanted to change the world struggle to cope with the loss of her husband and fall into dementia is, no matter what your opinion on the ex-Prime Minister, heart-breaking. It is here, that sympathy is found.
Streep’s performance is stunning to say the least and she is a joy to watch. Her transgression from young, enthusiastic Thatcher to the old and frail woman we see today is yes, in part down to the astonishing make-up given to her throughout but mainly because of her ability as an actress. She, like the lady herself takes charge of every scene she is a part of, something which many actresses struggle to do. Streep may have had her critics in being cast for this film, but she has proved them wrong. It will be a crime if she isn’t nominated for an Oscar this year.
Of the films other cast, Olivia Colman does well as Margaret’s daughter Carole and as mentioned previously, Jim Broadbent is brilliant as the deceased Dennis Thatcher; he fits the role perfectly and again should be nominated for an Oscar later this year. The supporting cast includes the likes of Anthony Head as Geoffrey Howe and Nicholas Farrell as Thatcher’s murdered assistant Airey Neave, but the scenes with these characters are often overshadowed by Streep’s presence.
The Iron Lady is a joy to behold. It makes you proud to be British, to know that we as a country can produce films of this calibre and it shows the world just what a woman Margaret Thatcher was. In the scenes showing Thatcher’s spiral into dementia is where it becomes most touching, but throughout, we get a full, if slightly biased view of her 11 and a half years in office and Meryl Streep does the old girl proud.
Think what you will of the former Conservative leader, but The Iron Lady is worth a watch for Streep’s performance alone.
https://moviemetropolis.net/2012/01/12/review-the-iron-lady-2011/
Zuky the BookBum (15 KP) rated Nightmares: A New Decade of Modern Horror in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/nightmares-a-new-decade-of-modern-horror-by-various-authors
NOW AVAILABLE IN THE UK!
I decided that instead of rating this book overall, it would be better to rate each individual story, so that’s what I’ve done. Obviously I had to rate the overall book so I actually calculated the average of all the ratings lol.
<b><u>Shallaballah</b></u> by Mark Samuels
<i>1 star</i>
Not a good start to the book for me. I was over the stitched up face appearance, creepy hospital, shady operations kind of horror story long ago, so this did pretty much nothing for me. Yes there were creepy elements to it but not enough. I also get what it was trying to do with the whole vanity, television thing, but it didn’t really work and so for me, added nothing to the overall plot.
<b><u>Sob in the Silence</b></u> by Gene Wolfe
<i>3 stars</i>
This was a pretty good creepy story, I much prefer stories that don't really have any paranormal elements to them and are more about the madness of the human brain. This short story had a bit of both to it so it was much preferable to the last! Didn't like the weird abrupt ending though, it felt like the story had been cut short.
<b><u>Our Turn Too Will One Day Come</b></u> by Brian Hodge
<i>4 stars</i>
This definitely had my skin crawling a bit. I love this kind of horror story that incorporates creatures and family secrets, kind of gave me The Village vibes… Is that the name of that film? Anyway, yes, great short!
<b><u>Dead Sea Fruit</b></u> by Kaaron Warren
<i>3 stars</i>
This short was pretty good, the Ash Mouth Man was pretty freaky but the writing was a bit all over the place and I felt too much was squeezed into such a small story. I'd love to read a full length story about this Ash Man, that would definitely be disturbing to read!
<b><u>Closet Dreams</b></u> by Lisa Tuttle
<i>4 stars</i>
Really well written and completely terrifying! I hate abduction stories so much because it could happen to anyone. It's not like the demonic ghost stories that you choose to believe or not believe, men who rape and steal little girls are <b>real.</b> The ending was… Predictable… Done before… Boring… But the rest of it was good enough to warrant it 4 stars!
<b><u>Spectral Evidence</b></u> by Gemma Files
<i>1 star</i>
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I didn’t like the way this was set out, very frustrating to read on a Kindle! Also, I didn’t really get it, it was so all over the place I forgot what was happening previously.
<b><u>Hushabye</b></u> by Simon Bestwick
<i>2 stars.</i>
I wanted to like this one but there was too much missing from the story, maybe it was meant to be mysterious but in my eyes it just felt unfinished. Like what was the man sucking out of the children? And what really happened to Hardiman? Also I thought the narrator was a woman until we finally learnt his name was Paul, don’t know why, I just imagined him that way.
<b><u>Very Low-Flying Aircraft</b></u> by Nicholas Royle
<i>3 stars</i>
I’m not really a big fan of war based novels / stories so from the get go I knew I wasn’t going to get on that well with this story but it wasn’t so bad. I didn’t feel like this story explained itself enough or maybe it did and I just didn’t get it? Like why did it matter that Frankie looked like Victoria and why did Flynn go to the clinic? Also, I didn’t think it of a horror story really, though it was scary and horrible, it didn’t give me the heeby-jeebys like some of the others have done.
<b><u>The Goosle</b></u> by Margo Lanagan
<i>2 stars</i>
Seriously, seriously grotesque. If you have a weak stomach, <i>avoid this.</i> A very peculiar branch off the traditional Hansel and Gretel story we all know. This isn’t my kind of horror at all. I much prefer scary, mysterious human crime and occasionally a paranormal story. Torture porn is not at all my thing. This was very well written though, so props to Lanagan for that.
<b><u>The Clay Party</b></u> by Steve Duffy
<i>4 stars</i>
Again, not exactly what I’d classify as a horror story, but a great read nonetheless. Excellently written and enjoyable the whole way through, up until the end… the ending definitely wasn’t my kind of style so that was disappointing for me personally, but I’m sure others would love it!
<b><u>Strappado</b></u> by Laird Barron
<i>3 stars</i>
Definitely one of the strangest of the shorts in this novel. I thought it was excellently written but I didn’t quite get it? Maybe I was just having an off day when I read this but it didn’t really do anything for me.
<b><u>Lonegan’s Luck</b></u> by Stephen Graham Jones
<i>4 stars</i>
This is one of those stories I don’t know why I like. I never used to be into these kinds of rural town, religious apocalyptic kind of books, but ever since reading Mammoth, I’ve begun to enjoy reading them. Admittedly this had me a little confused to begin with, there were what felt like a lot of characters, but in the end none of the mattered anyway, they were just there to set the scene.
<b><u>Mr Pigsny</b></u> by Reggie Oliver
<i>3 stars</i>
I feel like I’ve read this book a million times. It’s one of those stories that's been redone time and time again with just slight changes here and there. It isn’t a bad plot per say, I certainly enjoyed it, it just had nothing unique about it.
<b><u>At Night, When the Demons Come by</b></u> by Ray Cluley
<i>4 stars</i>
One of the longer stories in this book but also one of the best. It had a pleasing twist to it and some interesting characters. I guess I quite like the whole apocalyptic feel when it comes to stories. I personally don’t feel this one was a horror story, more like a fantasy thriller.
<b><u>Was She Wicked? Was She Good?</b></u> by Mary Rickert
<i>4 stars</i>
This was a sad horror story, but in a way, it was also quite beautiful. I really liked the plot, it was something quite different to all the others in this collection and I thought the way it was written flowed well. Enjoyable short story!
<b><u>The Shallows</b></u> by John Langan
<i>2 stars</i>
I liked how this was written but I didn’t get it? I got bored halfway through it too, it was a half an hour read and I just couldn’t understand it so I skimmed the last 10 minutes or so. Yawn.
<b><u>Little Pig</b></u> by Anna Taborska
<i>3 stars</i>
Meh. This was well written and very different to the rest of the stories in this collection but was it a horror story? No. It was tragic, but not scary. Disappointing because whenever I see the word “pig” in relation to something “scary” I think of AHS.
<b><u>Omphalos</b></u> by Livia Llewellyn
<i>3 stars</i>
<b>TRIGGER WARNING: SEXUAL ABUSE</b>
This story was definitely very unique to the rest of the stories in this collection in the terms that this was a horror story that focused more on the real life horrors of families rather than made up monsters and ghouls. This story isn’t for the faint-hearted, it was horrific and gruesome and very upsetting. It wasn’t the best story in the collection when it came to plot or writing style, but it did bring out strong emotions in me, which other stories have been unable to do.
<b><u>How We Escaped Our Certain Fate</b></u> by Dan Chaon
<i>5 stars</i>
I liked how this was a different take on a classic zombie story - <b><i>”It wasn’t the end of the world… of course, a bite would infect you, but they weren’t terribly aggressive, in general.”</b></i> This was by far my favourite story in the entire book, it was so sad and emotional. It was beautiful.
<b><u>That Tiny Flutter of the Heart I Used to Call Love</b></u> by Robert Shearman
<i>4 stars</i>
Creepy, creepy, creepy. Dolls terrify me thanks to modern horror, although, really, I’ve always felt unsettled by them. Enjoyable story though. Poor Julian.
(This story almost had my name in it! “Suki” is close enough to Zuky.)
<b><u>Interstate Love Song (Murder Ballad No.8)</b></u> by Caitlin R. Kiernan
<i>3 stars</i>
Hmm, why did the shorts at the end of this book get all meaningful and loved up? I think that kinda ruined this for me. Granted it was disturbed and pretty grotesque at times but sadness of the ending ruined that creepy effect of the book and just left this kind of hanging in the space between horror and tragedy.
<b><u>Shay Corsham Worsted</b></u> by Garth Nix
<i>4 stars</i>
This was an interesting story and I liked our harsh but caring main character, Sir David. I wish this story was a little longer so we could find out more about Shay because I feel the missing backstory left this plot wide open. Enjoyable nonetheless.
<b><u>The Atlas of Hell</b></u> by Nathan Ballingrud
<i>3 stars</i>
I really enjoyed this to begin with though I thought it had a little David Wong influence, a writing style I’m not into. All was going well for this story until I got towards the end of it, where it completely lost me. Whether this is down to the annoying man sat on the train next to me, speaking into his phone at 32596 decibels, or just because the plot went AWOL, we’ll never know.
<b><u>Ambitious Boys Like You</b></u> by Richard Kadrey
<i>4 stars</i>
I like these kinds of creepy stories! They’re not particularly unique anymore, because they’ve been done so many different times in so many different, but similar ways, but they’re still fun to read. The old man was especially disturbing just because he was so witty and chilled out. I liked that this story had elements of humour to it, it made a nice change to the more recent emotion filled stories.
I’d like to thank Netgalley and Tachyon Publications for giving me the opportunity to read this in an exchange for an honest review.
NOW AVAILABLE IN THE UK!
I decided that instead of rating this book overall, it would be better to rate each individual story, so that’s what I’ve done. Obviously I had to rate the overall book so I actually calculated the average of all the ratings lol.
<b><u>Shallaballah</b></u> by Mark Samuels
<i>1 star</i>
Not a good start to the book for me. I was over the stitched up face appearance, creepy hospital, shady operations kind of horror story long ago, so this did pretty much nothing for me. Yes there were creepy elements to it but not enough. I also get what it was trying to do with the whole vanity, television thing, but it didn’t really work and so for me, added nothing to the overall plot.
<b><u>Sob in the Silence</b></u> by Gene Wolfe
<i>3 stars</i>
This was a pretty good creepy story, I much prefer stories that don't really have any paranormal elements to them and are more about the madness of the human brain. This short story had a bit of both to it so it was much preferable to the last! Didn't like the weird abrupt ending though, it felt like the story had been cut short.
<b><u>Our Turn Too Will One Day Come</b></u> by Brian Hodge
<i>4 stars</i>
This definitely had my skin crawling a bit. I love this kind of horror story that incorporates creatures and family secrets, kind of gave me The Village vibes… Is that the name of that film? Anyway, yes, great short!
<b><u>Dead Sea Fruit</b></u> by Kaaron Warren
<i>3 stars</i>
This short was pretty good, the Ash Mouth Man was pretty freaky but the writing was a bit all over the place and I felt too much was squeezed into such a small story. I'd love to read a full length story about this Ash Man, that would definitely be disturbing to read!
<b><u>Closet Dreams</b></u> by Lisa Tuttle
<i>4 stars</i>
Really well written and completely terrifying! I hate abduction stories so much because it could happen to anyone. It's not like the demonic ghost stories that you choose to believe or not believe, men who rape and steal little girls are <b>real.</b> The ending was… Predictable… Done before… Boring… But the rest of it was good enough to warrant it 4 stars!
<b><u>Spectral Evidence</b></u> by Gemma Files
<i>1 star</i>
?????????????????????????????????????????????????????????????????
I didn’t like the way this was set out, very frustrating to read on a Kindle! Also, I didn’t really get it, it was so all over the place I forgot what was happening previously.
<b><u>Hushabye</b></u> by Simon Bestwick
<i>2 stars.</i>
I wanted to like this one but there was too much missing from the story, maybe it was meant to be mysterious but in my eyes it just felt unfinished. Like what was the man sucking out of the children? And what really happened to Hardiman? Also I thought the narrator was a woman until we finally learnt his name was Paul, don’t know why, I just imagined him that way.
<b><u>Very Low-Flying Aircraft</b></u> by Nicholas Royle
<i>3 stars</i>
I’m not really a big fan of war based novels / stories so from the get go I knew I wasn’t going to get on that well with this story but it wasn’t so bad. I didn’t feel like this story explained itself enough or maybe it did and I just didn’t get it? Like why did it matter that Frankie looked like Victoria and why did Flynn go to the clinic? Also, I didn’t think it of a horror story really, though it was scary and horrible, it didn’t give me the heeby-jeebys like some of the others have done.
<b><u>The Goosle</b></u> by Margo Lanagan
<i>2 stars</i>
Seriously, seriously grotesque. If you have a weak stomach, <i>avoid this.</i> A very peculiar branch off the traditional Hansel and Gretel story we all know. This isn’t my kind of horror at all. I much prefer scary, mysterious human crime and occasionally a paranormal story. Torture porn is not at all my thing. This was very well written though, so props to Lanagan for that.
<b><u>The Clay Party</b></u> by Steve Duffy
<i>4 stars</i>
Again, not exactly what I’d classify as a horror story, but a great read nonetheless. Excellently written and enjoyable the whole way through, up until the end… the ending definitely wasn’t my kind of style so that was disappointing for me personally, but I’m sure others would love it!
<b><u>Strappado</b></u> by Laird Barron
<i>3 stars</i>
Definitely one of the strangest of the shorts in this novel. I thought it was excellently written but I didn’t quite get it? Maybe I was just having an off day when I read this but it didn’t really do anything for me.
<b><u>Lonegan’s Luck</b></u> by Stephen Graham Jones
<i>4 stars</i>
This is one of those stories I don’t know why I like. I never used to be into these kinds of rural town, religious apocalyptic kind of books, but ever since reading Mammoth, I’ve begun to enjoy reading them. Admittedly this had me a little confused to begin with, there were what felt like a lot of characters, but in the end none of the mattered anyway, they were just there to set the scene.
<b><u>Mr Pigsny</b></u> by Reggie Oliver
<i>3 stars</i>
I feel like I’ve read this book a million times. It’s one of those stories that's been redone time and time again with just slight changes here and there. It isn’t a bad plot per say, I certainly enjoyed it, it just had nothing unique about it.
<b><u>At Night, When the Demons Come by</b></u> by Ray Cluley
<i>4 stars</i>
One of the longer stories in this book but also one of the best. It had a pleasing twist to it and some interesting characters. I guess I quite like the whole apocalyptic feel when it comes to stories. I personally don’t feel this one was a horror story, more like a fantasy thriller.
<b><u>Was She Wicked? Was She Good?</b></u> by Mary Rickert
<i>4 stars</i>
This was a sad horror story, but in a way, it was also quite beautiful. I really liked the plot, it was something quite different to all the others in this collection and I thought the way it was written flowed well. Enjoyable short story!
<b><u>The Shallows</b></u> by John Langan
<i>2 stars</i>
I liked how this was written but I didn’t get it? I got bored halfway through it too, it was a half an hour read and I just couldn’t understand it so I skimmed the last 10 minutes or so. Yawn.
<b><u>Little Pig</b></u> by Anna Taborska
<i>3 stars</i>
Meh. This was well written and very different to the rest of the stories in this collection but was it a horror story? No. It was tragic, but not scary. Disappointing because whenever I see the word “pig” in relation to something “scary” I think of AHS.
<b><u>Omphalos</b></u> by Livia Llewellyn
<i>3 stars</i>
<b>TRIGGER WARNING: SEXUAL ABUSE</b>
This story was definitely very unique to the rest of the stories in this collection in the terms that this was a horror story that focused more on the real life horrors of families rather than made up monsters and ghouls. This story isn’t for the faint-hearted, it was horrific and gruesome and very upsetting. It wasn’t the best story in the collection when it came to plot or writing style, but it did bring out strong emotions in me, which other stories have been unable to do.
<b><u>How We Escaped Our Certain Fate</b></u> by Dan Chaon
<i>5 stars</i>
I liked how this was a different take on a classic zombie story - <b><i>”It wasn’t the end of the world… of course, a bite would infect you, but they weren’t terribly aggressive, in general.”</b></i> This was by far my favourite story in the entire book, it was so sad and emotional. It was beautiful.
<b><u>That Tiny Flutter of the Heart I Used to Call Love</b></u> by Robert Shearman
<i>4 stars</i>
Creepy, creepy, creepy. Dolls terrify me thanks to modern horror, although, really, I’ve always felt unsettled by them. Enjoyable story though. Poor Julian.
(This story almost had my name in it! “Suki” is close enough to Zuky.)
<b><u>Interstate Love Song (Murder Ballad No.8)</b></u> by Caitlin R. Kiernan
<i>3 stars</i>
Hmm, why did the shorts at the end of this book get all meaningful and loved up? I think that kinda ruined this for me. Granted it was disturbed and pretty grotesque at times but sadness of the ending ruined that creepy effect of the book and just left this kind of hanging in the space between horror and tragedy.
<b><u>Shay Corsham Worsted</b></u> by Garth Nix
<i>4 stars</i>
This was an interesting story and I liked our harsh but caring main character, Sir David. I wish this story was a little longer so we could find out more about Shay because I feel the missing backstory left this plot wide open. Enjoyable nonetheless.
<b><u>The Atlas of Hell</b></u> by Nathan Ballingrud
<i>3 stars</i>
I really enjoyed this to begin with though I thought it had a little David Wong influence, a writing style I’m not into. All was going well for this story until I got towards the end of it, where it completely lost me. Whether this is down to the annoying man sat on the train next to me, speaking into his phone at 32596 decibels, or just because the plot went AWOL, we’ll never know.
<b><u>Ambitious Boys Like You</b></u> by Richard Kadrey
<i>4 stars</i>
I like these kinds of creepy stories! They’re not particularly unique anymore, because they’ve been done so many different times in so many different, but similar ways, but they’re still fun to read. The old man was especially disturbing just because he was so witty and chilled out. I liked that this story had elements of humour to it, it made a nice change to the more recent emotion filled stories.
I’d like to thank Netgalley and Tachyon Publications for giving me the opportunity to read this in an exchange for an honest review.
Purple Phoenix Games (2266 KP) rated Niche in Tabletop Games
Mar 3, 2021
I have a gamer confession to make and I am not sure how it will be received. Perhaps it isn’t a gamer confession at all. I will let you be the judge. I am not a fan of Sudoku. There! I said it, and I stand by it. I find it tedious and far too intelligent a game for me. However, if someone would just dumb it down enough for me to get it, I may actually enjoy it. Oh wait, Andy Hopwood did that for me already? Hot dog!
Niche is a puzzly abstracty Sudoku-y card sheddy game for two to seven players that can be played in as few as 10 minutes. In it players attempt to shed their hand and score the most points by adding cards to established lines of cards. As with most of Andy Hopwood’s games, though, there is a twist.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup the dealer will shuffle the deck and, well, deal out seven cards to each player. The cards not dealt form a deck and from this deck a starter card is flipped to the table. Setup is complete and the game may now begin!
On a turn each player will need to perform three steps: Select, Place, Score. When Selecting a card from their hand the player will need to observe the last played card. This card will essentially inform the player of what CANNOT be played. For example (per the photo above), if a yellow triangle was just played, then the next card played can be NEITHER yellow nor a triangle. So from their hand the active player will select a group of cards that can be played this turn and choose one to add adjacently to the most recently played card.
The player then must Place their card such that they do not add the same card to the line that already exists within the line. For an example here (per the photo below), the most recently played card is a blue circle. In hand are two blue squares, a yellow square, and a red square. As the previous card is blue the only choices left are the yellow and red square. However, the card played previous to the blue circle was a yellow square, so that leaves our player with only one choice: the red square connected to the blue circle. Now, the player could actually use the yellow square, but would need to place it below the blue circle forming the beginning of a new line. I will explain why that is a less strategic play.
When players perform the third step in a turn, Scoring, they will count up all cards in the lines extended by their card, both vertically and horizontally. In our previous example the red square continues a line of two cards so their score for that placement is three. Should they place the yellow square below they will only score two as they have added onto only one card. Fans of Azul will be familiar with this scoring system. Players are expected to keep track of their own scores each turn.
Should a player not have any legal plays using cards in their hand they must pass, and await their next turn. Play continues in this manner of players performing these three steps in a turn until a player sheds their entire hand of cards. All other players will have one more chance to play one card to score points. Players add up all the points they have scored throughout the game and the player with the most points is the winner!
Components. This is a deck of cards in a tuckbox. The cards are all fine quality, and the iconography could not be much clearer. I have zero qualms with the components here.
Gameplay is super quick and puzzly, with a great weight for its type of game. This will not be a centerpiece title of the game night, but will offer filler style gameplay for gamers mulling about or waiting for the next game to begin. I enjoy the simplicity of the rules coupled with the puzzly and thinky nature of each turn. Obviously the name of the game is scoring points, so you want to add to an already-long line instead of having to begin a new off-shoot somewhere, but it is near impossible to anticipate what other players will place on their turns. Therefore, more strategic players will find either solace or frustration from the more tactical style of play here.
I do want to mention that this game was originally designed for an event benefiting The Foundation for Conductive Education in the UK. Quote taken from the BGG profile for Niche: “The game aims to promote and support The Foundation for Conductive Education. This method works with children and adults who have conditions such as Cerebral Palsy, Stroke, M.S. or Parkinsons, helping them to lead more independent lives.” I know this organization holds a special place in the designer’s heart and I just wanted to take a moment to give a shout-out to this amazing organization and this amazing person who created a game for the benefit of others. I applaud both entities, and hope for much success.
That said, Niche is a game that can be played with any type of gamer in almost any situation. It takes up little table space (at most nine cards in a line) and is rules-light. Purple Phoenix Games gives this one an extended 8 / 12. If you are a fan of Sudoku and would like to explore a little card game that gives this reviewer the same vibe (but infinitely more fun) then I urge you to grab a copy of Niche. Not only will you be purchasing a good little game, but your purchase also goes toward furthering an organization that is doing very important work in the UK. And if you would like to feel very smart, play Niche with me sometime and watch me struggle to play the right card.
Niche is a puzzly abstracty Sudoku-y card sheddy game for two to seven players that can be played in as few as 10 minutes. In it players attempt to shed their hand and score the most points by adding cards to established lines of cards. As with most of Andy Hopwood’s games, though, there is a twist.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup the dealer will shuffle the deck and, well, deal out seven cards to each player. The cards not dealt form a deck and from this deck a starter card is flipped to the table. Setup is complete and the game may now begin!
On a turn each player will need to perform three steps: Select, Place, Score. When Selecting a card from their hand the player will need to observe the last played card. This card will essentially inform the player of what CANNOT be played. For example (per the photo above), if a yellow triangle was just played, then the next card played can be NEITHER yellow nor a triangle. So from their hand the active player will select a group of cards that can be played this turn and choose one to add adjacently to the most recently played card.
The player then must Place their card such that they do not add the same card to the line that already exists within the line. For an example here (per the photo below), the most recently played card is a blue circle. In hand are two blue squares, a yellow square, and a red square. As the previous card is blue the only choices left are the yellow and red square. However, the card played previous to the blue circle was a yellow square, so that leaves our player with only one choice: the red square connected to the blue circle. Now, the player could actually use the yellow square, but would need to place it below the blue circle forming the beginning of a new line. I will explain why that is a less strategic play.
When players perform the third step in a turn, Scoring, they will count up all cards in the lines extended by their card, both vertically and horizontally. In our previous example the red square continues a line of two cards so their score for that placement is three. Should they place the yellow square below they will only score two as they have added onto only one card. Fans of Azul will be familiar with this scoring system. Players are expected to keep track of their own scores each turn.
Should a player not have any legal plays using cards in their hand they must pass, and await their next turn. Play continues in this manner of players performing these three steps in a turn until a player sheds their entire hand of cards. All other players will have one more chance to play one card to score points. Players add up all the points they have scored throughout the game and the player with the most points is the winner!
Components. This is a deck of cards in a tuckbox. The cards are all fine quality, and the iconography could not be much clearer. I have zero qualms with the components here.
Gameplay is super quick and puzzly, with a great weight for its type of game. This will not be a centerpiece title of the game night, but will offer filler style gameplay for gamers mulling about or waiting for the next game to begin. I enjoy the simplicity of the rules coupled with the puzzly and thinky nature of each turn. Obviously the name of the game is scoring points, so you want to add to an already-long line instead of having to begin a new off-shoot somewhere, but it is near impossible to anticipate what other players will place on their turns. Therefore, more strategic players will find either solace or frustration from the more tactical style of play here.
I do want to mention that this game was originally designed for an event benefiting The Foundation for Conductive Education in the UK. Quote taken from the BGG profile for Niche: “The game aims to promote and support The Foundation for Conductive Education. This method works with children and adults who have conditions such as Cerebral Palsy, Stroke, M.S. or Parkinsons, helping them to lead more independent lives.” I know this organization holds a special place in the designer’s heart and I just wanted to take a moment to give a shout-out to this amazing organization and this amazing person who created a game for the benefit of others. I applaud both entities, and hope for much success.
That said, Niche is a game that can be played with any type of gamer in almost any situation. It takes up little table space (at most nine cards in a line) and is rules-light. Purple Phoenix Games gives this one an extended 8 / 12. If you are a fan of Sudoku and would like to explore a little card game that gives this reviewer the same vibe (but infinitely more fun) then I urge you to grab a copy of Niche. Not only will you be purchasing a good little game, but your purchase also goes toward furthering an organization that is doing very important work in the UK. And if you would like to feel very smart, play Niche with me sometime and watch me struggle to play the right card.
Kara Skinner (332 KP) rated The Robber Knight in Books
Sep 10, 2019
When you are fighting for the freedom of your people, falling in love with your enemy is not a great idea. Or is it? Ayla has to defend her castle and her people all on her own, with nobody to help her but a dark warrior she hates with all her heart.
Sir Reuben, the dreaded robber knight, has long been Ayla’s deadliest enemy. He has prayed on her and her people ever since her father fell ill, and she swore he would hang for his crimes. Now they are both trapped in her castle as the army of a far greater enemy approaches, and they have only one chance: stand together, or fall.
This book wasn’t bad, honestly. I’m a huge fan of historical fiction, and it had been awhile since I’ve read a medieval love story, so that was a nice change of pace.
The author is a historian, so there are a lot of little things in this book that you don’t see in a lot of other historical romance books. For instance,you can’t pull out arrows because there are often barbs attached to cause fatal wounds if pulled out. I did like learning about all of these facts. But sometimes Thier lets the historian in him gets the best of him, but more on that later.
Lady Ayla was a pretty interesting character. Headstrong and wise for her years, she is very noble and progressive. She has all of the makings for a great leader– with the exception of knowledge. I loved how kind and committed she was to her people and I love the fact that she has some spunk. I mean, if I’m getting robbed in the forest by this random stranger, then I hope I would swear him out too (of course, if I could beat him up and get away, then that’s even better, but Ayla doesn’t have much self-defense skills). But there were many times that she was annoying, like her insistence on being near battles, even before she started treating the sick. And how she tried to manage Sir Isenbard during battle. She had called on him for help because he was an experienced knight, and now she was questioning his commands and strategies in the heat of battle!
Mostly, though, I really did like Ayla. She defines the idea of nobility. With war inevitable, she’s willing to ride personally to the edges of her land to warn her subjects and she is always at the outskirts of battle to help care for the wounded. She invites everyone into the castle for their safety and rations herself as well as the others to conserve food. She’s even willing to corrupt herself to save her people.
Reuben is an excellent character as well, although it did take me awhile to like him. In the beginning he fell a little flat. It’s clear that he used to be a knight but something happened and now he robs people for his own greed. A near-death experience and being saved by Lady Ayla reawakens the humanity in him. And apparently also some depth.
In the beginning of the book he spends a lot of his time admiring his loot and laughing about his victims, who thought they had a right to steal from him. But that’s all he does. We have no real insight into his character or backstory until after he’s in Ayla’s care. Only then are there hints of a bad history where he had been arrested many times, been tortured, and had at one point been a member of respectable society. If it weren’t for the fact that I liked Ayla’a character and the plot so far, I probably would have stopped reading.
Thier is a writer who has really good potential in becoming a great romance writer, especially for historical fiction. The plots have some unique twists that are augmented by his knowledge of history and after Reuben’s character shaped up, he was an excellent love interest. But there is one huge problem with this story: the footnotes.
There are so many footnotes throughout most of the book that I feel like I’m reading a history textbook, which is not good when I usually read romance novels to take a break from homework. Not only are they distracting and unnecessary, but they are also rude and condescending. Sure, sometimes they were useful, like in explaining the references to the seven princes of hell. Another one was a pretty funny anecdote about how one of his readers had actually confirmed that lard burns and that burning arrows work because they had actually done it. There is also a lot of wit throughout the footnotes which is pretty amusing. But most of the time, they were annoying.
For instance, Robert Thier thought it was necessary to include a footnote about how witches were considered bad during medieval times. Seriously? Even if someone failed history, we know that witches are not considered fine, upstanding citizens. Or maybe he thinks all of us have been locked in our rooms with no books, internet or television for our entire lives and for the month of October we all miraculously fell into a coma so we couldn’t see the giant blow-up witch in the neighbor’s yard. And then we’d all wake up singing Christmas carols after the month long coma without a care in the world because this happens every year so we don’t know what a witch is. (I’m developing a conspiracy theory about how these strange comas was caused by witchcraft.)
Maybe Thier assumed that instead of us thinking Reuben was scared of witches when he wondered if Ayla was one, we just thought he was commenting on how much Ayla looked like Sandra Bullock.
And one of the footnotes was just plain offensive. Here is the line of text that the footnote is attached to: “Heel! Abominable villain! You dare defy me?” (page 74)
Now, here’s the footnote: “Sorry to disappoint the ladies, but this doesn’t refer to high heels. It is a medieval term for a very nasty person.”
Excuse me? Did you just assume that I thought it meant high heels and that would make me excited? What world do you live in?
Apparently he thinks “the ladies” are so dumb that we are incapable of taking context clues and we immediately think everything relates back to fashion. Maybe I didn’t know it meant “very nasty person”, but it’s pretty clear it’s a swear or insult of sometime, not a freaking Jimmy Choo. Does he just imagine us thinking high heel every time we hear the word?
“She broke his nose with the heel of her hand.” Oh. High heel!
“Heel, fido! I said heel!” Oh. High heel!
“It will take one or two days for your cut to heal.” Oh. High heel! (Because if he thinks we don’t understand the difference between uncomfortable footwear and an insult, then he probably thinks we can’t spell, either).
But hey, at least Robert Thier thinks women can memorize stuff, because the footnote links stop as the vocabulary is repeated instead of new terms being introduced.
Aside from the footnotes, I really do like this book, and I can’t wait to read the second part of it, which I’ll read soon. Thier still has a long way to go, but I think after he has more experience, he’ll write some great books.
Sir Reuben, the dreaded robber knight, has long been Ayla’s deadliest enemy. He has prayed on her and her people ever since her father fell ill, and she swore he would hang for his crimes. Now they are both trapped in her castle as the army of a far greater enemy approaches, and they have only one chance: stand together, or fall.
This book wasn’t bad, honestly. I’m a huge fan of historical fiction, and it had been awhile since I’ve read a medieval love story, so that was a nice change of pace.
The author is a historian, so there are a lot of little things in this book that you don’t see in a lot of other historical romance books. For instance,you can’t pull out arrows because there are often barbs attached to cause fatal wounds if pulled out. I did like learning about all of these facts. But sometimes Thier lets the historian in him gets the best of him, but more on that later.
Lady Ayla was a pretty interesting character. Headstrong and wise for her years, she is very noble and progressive. She has all of the makings for a great leader– with the exception of knowledge. I loved how kind and committed she was to her people and I love the fact that she has some spunk. I mean, if I’m getting robbed in the forest by this random stranger, then I hope I would swear him out too (of course, if I could beat him up and get away, then that’s even better, but Ayla doesn’t have much self-defense skills). But there were many times that she was annoying, like her insistence on being near battles, even before she started treating the sick. And how she tried to manage Sir Isenbard during battle. She had called on him for help because he was an experienced knight, and now she was questioning his commands and strategies in the heat of battle!
Mostly, though, I really did like Ayla. She defines the idea of nobility. With war inevitable, she’s willing to ride personally to the edges of her land to warn her subjects and she is always at the outskirts of battle to help care for the wounded. She invites everyone into the castle for their safety and rations herself as well as the others to conserve food. She’s even willing to corrupt herself to save her people.
Reuben is an excellent character as well, although it did take me awhile to like him. In the beginning he fell a little flat. It’s clear that he used to be a knight but something happened and now he robs people for his own greed. A near-death experience and being saved by Lady Ayla reawakens the humanity in him. And apparently also some depth.
In the beginning of the book he spends a lot of his time admiring his loot and laughing about his victims, who thought they had a right to steal from him. But that’s all he does. We have no real insight into his character or backstory until after he’s in Ayla’s care. Only then are there hints of a bad history where he had been arrested many times, been tortured, and had at one point been a member of respectable society. If it weren’t for the fact that I liked Ayla’a character and the plot so far, I probably would have stopped reading.
Thier is a writer who has really good potential in becoming a great romance writer, especially for historical fiction. The plots have some unique twists that are augmented by his knowledge of history and after Reuben’s character shaped up, he was an excellent love interest. But there is one huge problem with this story: the footnotes.
There are so many footnotes throughout most of the book that I feel like I’m reading a history textbook, which is not good when I usually read romance novels to take a break from homework. Not only are they distracting and unnecessary, but they are also rude and condescending. Sure, sometimes they were useful, like in explaining the references to the seven princes of hell. Another one was a pretty funny anecdote about how one of his readers had actually confirmed that lard burns and that burning arrows work because they had actually done it. There is also a lot of wit throughout the footnotes which is pretty amusing. But most of the time, they were annoying.
For instance, Robert Thier thought it was necessary to include a footnote about how witches were considered bad during medieval times. Seriously? Even if someone failed history, we know that witches are not considered fine, upstanding citizens. Or maybe he thinks all of us have been locked in our rooms with no books, internet or television for our entire lives and for the month of October we all miraculously fell into a coma so we couldn’t see the giant blow-up witch in the neighbor’s yard. And then we’d all wake up singing Christmas carols after the month long coma without a care in the world because this happens every year so we don’t know what a witch is. (I’m developing a conspiracy theory about how these strange comas was caused by witchcraft.)
Maybe Thier assumed that instead of us thinking Reuben was scared of witches when he wondered if Ayla was one, we just thought he was commenting on how much Ayla looked like Sandra Bullock.
And one of the footnotes was just plain offensive. Here is the line of text that the footnote is attached to: “Heel! Abominable villain! You dare defy me?” (page 74)
Now, here’s the footnote: “Sorry to disappoint the ladies, but this doesn’t refer to high heels. It is a medieval term for a very nasty person.”
Excuse me? Did you just assume that I thought it meant high heels and that would make me excited? What world do you live in?
Apparently he thinks “the ladies” are so dumb that we are incapable of taking context clues and we immediately think everything relates back to fashion. Maybe I didn’t know it meant “very nasty person”, but it’s pretty clear it’s a swear or insult of sometime, not a freaking Jimmy Choo. Does he just imagine us thinking high heel every time we hear the word?
“She broke his nose with the heel of her hand.” Oh. High heel!
“Heel, fido! I said heel!” Oh. High heel!
“It will take one or two days for your cut to heal.” Oh. High heel! (Because if he thinks we don’t understand the difference between uncomfortable footwear and an insult, then he probably thinks we can’t spell, either).
But hey, at least Robert Thier thinks women can memorize stuff, because the footnote links stop as the vocabulary is repeated instead of new terms being introduced.
Aside from the footnotes, I really do like this book, and I can’t wait to read the second part of it, which I’ll read soon. Thier still has a long way to go, but I think after he has more experience, he’ll write some great books.
Kyera (8 KP) rated Flame in the Mist in Books
Jan 31, 2018
I received an ARC/e-galley of this book through Penguin's First to Read program - although that did not influence my opinion of the book or the review provided.
Although the story is vastly different from the Wrath and the Dawn, Renée Ahdieh's poetic style of writing comes across just as beautifully in this novel as her previous series. The gorgeous writing is my favourite aspect of the book, followed very closely by the plot, characters, and the world.
I have always been a huge admirer of the Japanese culture and love seeing the (fictional) historical representation of feudal Japan. There aren't a lot of examples of this that I have personally read and truly fallen in love with. This is by far my favorite iteration of that time and I adore the story that accompanies that world.
Mariko is to be wed to one of the Emperor's sons, an act that would bring her family honour and one that she does not wish to partake in. Alas, she is a girl and thus does not get a choice in her future. Halfway to her destination, her litter is attacked and the entire envoy is killed - except Mariko.
This attempt on her life changes everything and leads her on a journey to discover who put a price on her life, to find answers and ensure her family's honour. Mariko knows that a girl cannot accomplish this on her own and takes drastic measures. Her first act is to cut her hair and it gave me such Mulan vibes. It immediately made me so much more excited to read this book, especially if she channeled my favorite Disney heroine (and spoiler alert, she does).
Mariko is a great female character to look up to because no matter what situation she finds herself and she will persist, fight against the odds, learn whatever she can, and never let anyone keep her down. She is such a strong character and it is so empowering to see that in the novel, especially when you don't see that type of character generally in this world.
She masquerades as a peasant boy and is able to fool everyone. I almost immediately fall in love with Mariko as she is curious, intelligent doesn't always know when to stop talking. She is a feisty, strong female character who is not used to being on her own but is intelligent enough to always want to learn and succeed despite the hurdles. We get to know Mariko best and see her grow over the course of the novel.
Her twin brother Kenshin is the brawn to Mariko's brains. He is much more comfortable on a horse or with a weapon in his hand than in conversation with nobles. It is his actions that truly lead her down the path and make her question everything she's ever believed in. Which is so difficult to do because you want to believe in the best of your family until wonder if that's not true, can shake your entire foundation. It's a really authentic feeling in the book and you wonder just as Mariko wonders - could it be true?
Ranmaru and Okami are members of the Black Clan, a band of notorious thieves who may be more than they appear. The two men are like yin and yang, the counterbalances of one another. Ranmaru is an optimist, more talkative and humorous than Okami, who is more serious and hides himself behind a mask.
Renee Ahdieh's beautiful writing extends to the world at large, painting vibrant pictures of cities like Inaka and foreboding ones of the forest where the Black Clan make their home. You are transported into the world with the characters and don't want to leave, even if the situations you're faced with aren't always pleasant.
I fell in love with the story and the characters almost immediately. Flame in the Mist is a wonderful story and I cannot wait to read the next in the series. The book has a satisfying conclusion while also leading you to excitedly anticipate what will happen in the subsequent books. Highly recommended to young adult/teen readers who have enjoyed Renee Ahdieh's previous novels, strong female leads, and beautifully written stories.
Although the story is vastly different from the Wrath and the Dawn, Renée Ahdieh's poetic style of writing comes across just as beautifully in this novel as her previous series. The gorgeous writing is my favourite aspect of the book, followed very closely by the plot, characters, and the world.
I have always been a huge admirer of the Japanese culture and love seeing the (fictional) historical representation of feudal Japan. There aren't a lot of examples of this that I have personally read and truly fallen in love with. This is by far my favorite iteration of that time and I adore the story that accompanies that world.
Mariko is to be wed to one of the Emperor's sons, an act that would bring her family honour and one that she does not wish to partake in. Alas, she is a girl and thus does not get a choice in her future. Halfway to her destination, her litter is attacked and the entire envoy is killed - except Mariko.
This attempt on her life changes everything and leads her on a journey to discover who put a price on her life, to find answers and ensure her family's honour. Mariko knows that a girl cannot accomplish this on her own and takes drastic measures. Her first act is to cut her hair and it gave me such Mulan vibes. It immediately made me so much more excited to read this book, especially if she channeled my favorite Disney heroine (and spoiler alert, she does).
Mariko is a great female character to look up to because no matter what situation she finds herself and she will persist, fight against the odds, learn whatever she can, and never let anyone keep her down. She is such a strong character and it is so empowering to see that in the novel, especially when you don't see that type of character generally in this world.
She masquerades as a peasant boy and is able to fool everyone. I almost immediately fall in love with Mariko as she is curious, intelligent doesn't always know when to stop talking. She is a feisty, strong female character who is not used to being on her own but is intelligent enough to always want to learn and succeed despite the hurdles. We get to know Mariko best and see her grow over the course of the novel.
Her twin brother Kenshin is the brawn to Mariko's brains. He is much more comfortable on a horse or with a weapon in his hand than in conversation with nobles. It is his actions that truly lead her down the path and make her question everything she's ever believed in. Which is so difficult to do because you want to believe in the best of your family until wonder if that's not true, can shake your entire foundation. It's a really authentic feeling in the book and you wonder just as Mariko wonders - could it be true?
Ranmaru and Okami are members of the Black Clan, a band of notorious thieves who may be more than they appear. The two men are like yin and yang, the counterbalances of one another. Ranmaru is an optimist, more talkative and humorous than Okami, who is more serious and hides himself behind a mask.
Renee Ahdieh's beautiful writing extends to the world at large, painting vibrant pictures of cities like Inaka and foreboding ones of the forest where the Black Clan make their home. You are transported into the world with the characters and don't want to leave, even if the situations you're faced with aren't always pleasant.
I fell in love with the story and the characters almost immediately. Flame in the Mist is a wonderful story and I cannot wait to read the next in the series. The book has a satisfying conclusion while also leading you to excitedly anticipate what will happen in the subsequent books. Highly recommended to young adult/teen readers who have enjoyed Renee Ahdieh's previous novels, strong female leads, and beautifully written stories.
Ivana A. | Diary of Difference (1171 KP) rated LifeShift in Books
Sep 13, 2018
www.diaryofdifference.com
Things can change in a moment. All it takes it that tiny second that can turn our lives upside down. This happened to Alex. See, one day, he is just this unpopular boy that goes to school, and works to earn a little something for himself. Then, in one little moment, he is about to be hit by a train. Only - a miracle happens and he remains alive. But something changed. No, EVERYTHING changed. A new girl comes to school the next morning and tells him he is an Eternal, just like her, a person that lives many lives and keeps getting reborn. He is also supposed to remember his past lives once he turns 18. And not only that, but he also needs to go on a mission to find another Eternal, that would lead them to Zeus.
Bonus: This book is filled with Greek Mythology characters, but they are not the Greek Gods as we know them - they are all Eternals and have a special new fictional story.
I know some of you guys messaged me that the synopsis of the book looked so complicated, and it put you off. The story is actually quite interesting and easy to understand, once you start reading it. So go on, and put this on your TBRs!
The story and the plot itself are so unique - I haven’t read anything like this before. Michael managed to recreate a whole new world, and new type of creatures - Eternals. I loved the idea of the Eternals - people that have many lives and remember their previous lives. They can even choose where they want to get born next, and how to look. I also loved the superpowers they have - communicating through thoughts and dreams, healing, reading the past of a person by touching their hand… However, in many places in the book this was described too fast and too wide - there would be 5 pages of an essay of only description. I would much prefer if we could explore the story and history through the characters more.
The characters were likable. All of them. I liked Alex - he was a typical American boy. Sometimes a bit oblivious to everything happening around him. I found it a bit upsetting how he couldn’t choose who he wanted to be with. But on the other side, I quite admired him for how he coped when his world just changed in an instant, and so many people he knew were not what he thought they were, and on top of that he had to choose who to trust and who not to, and he had to agree to go on a mission that risks his life, even though he still couldn’t remember if he was an Eternal, which meant that maybe he is not like them at all.
Circe was an interesting character too. Such an energetic person with a wild personality - she would be the one that brightens up a room as soon as she walks into it. She can also be very possessive of the people she loves. She quite reminds me of myself in my teenage years in everything she did - funny, reckless moments - all worth remembering. Even though I couldn’t find a favourite character, all the people we meet in the book were equally loved by me.
This is an amazing story - a fiction fantasy that gathered Greek Mythology characters and created something entirely new. I enjoyed it a lot and I can’t wait for the next book of the series to come out. This book opens up a great discussion about people that can be reborn and remember their past. My view on life is that once we die, our soul goes into another body that gets born in the exact same moment, and even though we don’t remember it, we always carry a piece of that inside our hearts. There are occasions though, where some people remember their past lives.
What are your thoughts about life after death? Would you maybe pick this book up?
A special thank you to the author, Michael Kott, who send me a copy of LifeShift in exchange for an honest review. All my thoughts are my own, and completely unbiased.
Things can change in a moment. All it takes it that tiny second that can turn our lives upside down. This happened to Alex. See, one day, he is just this unpopular boy that goes to school, and works to earn a little something for himself. Then, in one little moment, he is about to be hit by a train. Only - a miracle happens and he remains alive. But something changed. No, EVERYTHING changed. A new girl comes to school the next morning and tells him he is an Eternal, just like her, a person that lives many lives and keeps getting reborn. He is also supposed to remember his past lives once he turns 18. And not only that, but he also needs to go on a mission to find another Eternal, that would lead them to Zeus.
Bonus: This book is filled with Greek Mythology characters, but they are not the Greek Gods as we know them - they are all Eternals and have a special new fictional story.
I know some of you guys messaged me that the synopsis of the book looked so complicated, and it put you off. The story is actually quite interesting and easy to understand, once you start reading it. So go on, and put this on your TBRs!
The story and the plot itself are so unique - I haven’t read anything like this before. Michael managed to recreate a whole new world, and new type of creatures - Eternals. I loved the idea of the Eternals - people that have many lives and remember their previous lives. They can even choose where they want to get born next, and how to look. I also loved the superpowers they have - communicating through thoughts and dreams, healing, reading the past of a person by touching their hand… However, in many places in the book this was described too fast and too wide - there would be 5 pages of an essay of only description. I would much prefer if we could explore the story and history through the characters more.
The characters were likable. All of them. I liked Alex - he was a typical American boy. Sometimes a bit oblivious to everything happening around him. I found it a bit upsetting how he couldn’t choose who he wanted to be with. But on the other side, I quite admired him for how he coped when his world just changed in an instant, and so many people he knew were not what he thought they were, and on top of that he had to choose who to trust and who not to, and he had to agree to go on a mission that risks his life, even though he still couldn’t remember if he was an Eternal, which meant that maybe he is not like them at all.
Circe was an interesting character too. Such an energetic person with a wild personality - she would be the one that brightens up a room as soon as she walks into it. She can also be very possessive of the people she loves. She quite reminds me of myself in my teenage years in everything she did - funny, reckless moments - all worth remembering. Even though I couldn’t find a favourite character, all the people we meet in the book were equally loved by me.
This is an amazing story - a fiction fantasy that gathered Greek Mythology characters and created something entirely new. I enjoyed it a lot and I can’t wait for the next book of the series to come out. This book opens up a great discussion about people that can be reborn and remember their past. My view on life is that once we die, our soul goes into another body that gets born in the exact same moment, and even though we don’t remember it, we always carry a piece of that inside our hearts. There are occasions though, where some people remember their past lives.
What are your thoughts about life after death? Would you maybe pick this book up?
A special thank you to the author, Michael Kott, who send me a copy of LifeShift in exchange for an honest review. All my thoughts are my own, and completely unbiased.
Kirk Bage (1775 KP) rated Jojo Rabbit (2019) in Movies
Jan 22, 2021
Another favourite from the awards season that came with some strong acclaim from amongst friends and trusted reviewers, WWII satire Jojo Rabbit, from the likeable and unique mind of Taika Waititi, was always high on my list as a must see movie.
I have followed the Kiwi’s original output since way back, and always enjoyed his quirky sense of humour and childlike charm. Either Eagle vs Shark or The Flight of the Conchords would have been my first encounter; and by the time of Hunt for the Wilderpeople and Thor: Ragnarok I had become a tentative fan. Never entirely bowled over by his style and content in the same way as, say, Wes Anderson (to whom some compare his outlook on the creative world), and never rolling around on the floor in hysterics at his naivety and comedy of manners, nevertheless, I like the guy a lot.
So when I heard he had adapted a fantasy novel about Nazi Germany from the point of view of a child, and would be playing Hitler himself, I knew instantly where he would be pitching this. The idea of it being offensive in any way was not a concern or even a thought, and anyone that did react that way is just… ridiculous and deliberately missing the point for the sake of finding something to be outraged about.
Of course subjects of genocide, political repression and evil existing in the world should and must be treated with a sensitivity to a degree, and amongst the silly lampooning and most extreme moments of satire that care is evident. There are moments of real gravity and tenderness in the mix here, thanks in large to some wonderful performances from the adult actors, notably the ever reliable Sam Rockwell and the increasingly strong and impressive Scarlett Johansson, who picked up her second Oscar nomination for this, after Marriage Story ticked the box for true drama.
The film focuses and relies on young Roman Griffin Davis as the eponymous Jojo, a happy little boy who sees goodness and light in an ever darkening world around him. Waititi as director works well with kids, placing the idea of charm and likability above acting prowess per se. And that is both the strength and ultimate weakness of this premise. He is charming and likeable, and cute and sweet and very watchable, but his inexperience in front of the camera and ability to find a range of emotions is often tested beyond his tender years, and can therefore break the magic spell that is woven in the best scenes.
The humour itself also doesn’t always hit the mark. Sometimes it is merely amusing rather than something laugh out loud funny, much as an average Mel Brooks film always was. And that can lead to a feel of something uneven and rambling, as the story struggles to find what it really wants to say. In its final moments it does land on an overlying message that leaves you with a winning impression, and you leave feeling that you saw something you enjoyed, but not something you would unreservedly recommend to everyone. In fact if someone said they didn’t enjoy it, or get the joke at all, then I would respect that view.
Under a microscope of scrutiny it doesn’t hold up that well, and I wonder how a few years of distance will treat it, once our sensibilities shift again with time. There are a few moments when the heart of the film connects with it’s silly bone and resonates, but not nearly enough. I personally wanted more of that. But, sadly, whenever JoJo threatens to grow up it retreats back into childhood and shies away from commenting on anything serious or truly meaningful. But, of course, that is not the point. As an entertainment it is a wonderful, unique and lovely film. And that should really be all that it is judged by.
In conclusion, a curiosity I will look forward to watching again, but don’t think quite makes the grade as an instant classic. It only reinforced however how much I like Rockwell and Johansson, and will always be curious about what Waititi is up to next.
I have followed the Kiwi’s original output since way back, and always enjoyed his quirky sense of humour and childlike charm. Either Eagle vs Shark or The Flight of the Conchords would have been my first encounter; and by the time of Hunt for the Wilderpeople and Thor: Ragnarok I had become a tentative fan. Never entirely bowled over by his style and content in the same way as, say, Wes Anderson (to whom some compare his outlook on the creative world), and never rolling around on the floor in hysterics at his naivety and comedy of manners, nevertheless, I like the guy a lot.
So when I heard he had adapted a fantasy novel about Nazi Germany from the point of view of a child, and would be playing Hitler himself, I knew instantly where he would be pitching this. The idea of it being offensive in any way was not a concern or even a thought, and anyone that did react that way is just… ridiculous and deliberately missing the point for the sake of finding something to be outraged about.
Of course subjects of genocide, political repression and evil existing in the world should and must be treated with a sensitivity to a degree, and amongst the silly lampooning and most extreme moments of satire that care is evident. There are moments of real gravity and tenderness in the mix here, thanks in large to some wonderful performances from the adult actors, notably the ever reliable Sam Rockwell and the increasingly strong and impressive Scarlett Johansson, who picked up her second Oscar nomination for this, after Marriage Story ticked the box for true drama.
The film focuses and relies on young Roman Griffin Davis as the eponymous Jojo, a happy little boy who sees goodness and light in an ever darkening world around him. Waititi as director works well with kids, placing the idea of charm and likability above acting prowess per se. And that is both the strength and ultimate weakness of this premise. He is charming and likeable, and cute and sweet and very watchable, but his inexperience in front of the camera and ability to find a range of emotions is often tested beyond his tender years, and can therefore break the magic spell that is woven in the best scenes.
The humour itself also doesn’t always hit the mark. Sometimes it is merely amusing rather than something laugh out loud funny, much as an average Mel Brooks film always was. And that can lead to a feel of something uneven and rambling, as the story struggles to find what it really wants to say. In its final moments it does land on an overlying message that leaves you with a winning impression, and you leave feeling that you saw something you enjoyed, but not something you would unreservedly recommend to everyone. In fact if someone said they didn’t enjoy it, or get the joke at all, then I would respect that view.
Under a microscope of scrutiny it doesn’t hold up that well, and I wonder how a few years of distance will treat it, once our sensibilities shift again with time. There are a few moments when the heart of the film connects with it’s silly bone and resonates, but not nearly enough. I personally wanted more of that. But, sadly, whenever JoJo threatens to grow up it retreats back into childhood and shies away from commenting on anything serious or truly meaningful. But, of course, that is not the point. As an entertainment it is a wonderful, unique and lovely film. And that should really be all that it is judged by.
In conclusion, a curiosity I will look forward to watching again, but don’t think quite makes the grade as an instant classic. It only reinforced however how much I like Rockwell and Johansson, and will always be curious about what Waititi is up to next.
Christina Haynes (148 KP) rated War of the Cards in Books
Feb 16, 2018
Contains spoilers, click to show
WAR OF THE CARDS
COLLEEN OAKES
352
FAIRYTALE RETELLINGS / FANTASY
She paused and drew a finger dramatically across her neck.
“OFF WITH THEIR HEADS!”
The army answered back.
OFF WITH THEIR HEADS!”
This book gave me chills!
Sypnosis:
The final book in the twisted YA trilogy re-imagining of the origin story of the Queen of Hearts. Dinah has lost everyone she ever loved. Her brother was brutally murdered. The wicked man she believed was her father betrayed her. Her loyal subjects have been devastated by war. And the boy she gave her heart to broke it completely.
Main characters:
– Dinah (the Queen of Hearts)
– Wardley
– Cheshire
– Sir Gorrann
– Mundoo
Main events:
Dinah is now ready for battle against her “father” the King of Hearts. Her and her gang of Yurkei – Spades and friends, head off the palace to battle for the crown.
Most exciting part:
When Dinah steps through the sky curtain. Ooh.
My favourite part:
The battle scene – you see how much Dinah’s character development has changed.
My summary:
Very good book – a great ending to the series. I love retellings and this one is one of my favourites. Great links and references to the original stories with names and descriptions.
My Review:
The Queen of Hearts she made some tarts all on a summer’s day. The Knave of Hearts he stole the tarts and took them clean away. The King of Hearts called for the tarts and beat the Knave full sore. The Knave of Hearts brought back the tarts and vowed he’d steal no more.
This story isn’t a nice as that poem, this story involves heartbreak, love, murder, revenge, family feuds and lots of secret plotting. Colleen Oakes turns a classic story into an amazing retelling of the infamous Queen of Hearts.
SPOILERS
Dinah is born into royalty, daughter of Queen Davianna and the cruel King of Hearts. Dinah’s mother died when she was young, leaving her and her Mad as a Hatter brother Charles alone. After her brother is murdered in cold blood Dinah is soon to be blamed by the King of Hearts and the rest of the Kingdom. She soon flees after a man in a cloak tells her to run and leave the palace.
She leaves her Kingdom and the love of her life Wardley behind and ends up in the Twisted Woods. Throughout the first two books, you see her hate her father and why. She finds out she has a sister called Vittiore who in fact is not her sister and her father lied about who she actually was, by claiming he met someone who later became pregnant, when in fact he found her and made her pretend she was his daughter. The way he treats Dinah and her brother. How the cruel King rules Wonderland and treats his people.
You travel with Dinah and a Spade called Sir Gorrann, (who she meets in the Twisted Woods) to where the Yureki live. You meet them and find out they are in fact good people who later help her take the role as Queen of Hearts.
But most importantly you find out that her father is, in fact, Cheshire the King of Heart’s loyal advisor. Who was “in love” with Queen Davianna and had a secret affair with her which lead to Dinah. I say “in love” because later it’s revealed that all along Cheshire had planned this moment and wanted to be apart of Wonderland more closely like having a daughter as the Queen of Hearts! So it’s unclear whether he did actually love her, or if he loved the fact of her. As we all know Cheshire loves himself.
The third book for me tests Dinah in more ways, what she has been through is a lot. But now she has to face rejection from the man she has always loved. Becoming a leader of many men who in fact don’t get along. Realising all her life she has feared a man who isn’t actually her father, who is the real reason her mother died; through neglect. Her brother wasn’t murdered by who she thought – the King of Hearts. Her sister isn’t her sister. But most importantly Dinah learns how to keep her head.
I loved this series because I loved Dinah. I felt for her the whole time and not once did I hate her. Yes, she did something so bad and later regretted it by cutting off Vittiore’s head when she saw her and Wardley in bed together – which later made him hate her. But she also beat the King of Hearts, led an army of Yurkei and Spades to war and beat the Kings army. Trained a Hornhoov called Morte who was her loyal friend till the end. She even went into the Sky Curtain and came out alive. She kept her promises of peace and followed through by changing the ways of the Wonderlanders lives. She destroyed the horrible Black Tower and changed the lives of the Spades for the better. Gave Cheshire his just desserts, tried to make amends with Wardley and became the Queen Wonderland needs and deserves.
Dinah is amazing and despite a few bad things she has done, she is a good person who knows right and wrong and wants to makes things better and I loved following her on this journey throughout Wonderland.
Rating:
5 ★ – AMAZING
Love, Christina ?
COLLEEN OAKES
352
FAIRYTALE RETELLINGS / FANTASY
She paused and drew a finger dramatically across her neck.
“OFF WITH THEIR HEADS!”
The army answered back.
OFF WITH THEIR HEADS!”
This book gave me chills!
Sypnosis:
The final book in the twisted YA trilogy re-imagining of the origin story of the Queen of Hearts. Dinah has lost everyone she ever loved. Her brother was brutally murdered. The wicked man she believed was her father betrayed her. Her loyal subjects have been devastated by war. And the boy she gave her heart to broke it completely.
Main characters:
– Dinah (the Queen of Hearts)
– Wardley
– Cheshire
– Sir Gorrann
– Mundoo
Main events:
Dinah is now ready for battle against her “father” the King of Hearts. Her and her gang of Yurkei – Spades and friends, head off the palace to battle for the crown.
Most exciting part:
When Dinah steps through the sky curtain. Ooh.
My favourite part:
The battle scene – you see how much Dinah’s character development has changed.
My summary:
Very good book – a great ending to the series. I love retellings and this one is one of my favourites. Great links and references to the original stories with names and descriptions.
My Review:
The Queen of Hearts she made some tarts all on a summer’s day. The Knave of Hearts he stole the tarts and took them clean away. The King of Hearts called for the tarts and beat the Knave full sore. The Knave of Hearts brought back the tarts and vowed he’d steal no more.
This story isn’t a nice as that poem, this story involves heartbreak, love, murder, revenge, family feuds and lots of secret plotting. Colleen Oakes turns a classic story into an amazing retelling of the infamous Queen of Hearts.
SPOILERS
Dinah is born into royalty, daughter of Queen Davianna and the cruel King of Hearts. Dinah’s mother died when she was young, leaving her and her Mad as a Hatter brother Charles alone. After her brother is murdered in cold blood Dinah is soon to be blamed by the King of Hearts and the rest of the Kingdom. She soon flees after a man in a cloak tells her to run and leave the palace.
She leaves her Kingdom and the love of her life Wardley behind and ends up in the Twisted Woods. Throughout the first two books, you see her hate her father and why. She finds out she has a sister called Vittiore who in fact is not her sister and her father lied about who she actually was, by claiming he met someone who later became pregnant, when in fact he found her and made her pretend she was his daughter. The way he treats Dinah and her brother. How the cruel King rules Wonderland and treats his people.
You travel with Dinah and a Spade called Sir Gorrann, (who she meets in the Twisted Woods) to where the Yureki live. You meet them and find out they are in fact good people who later help her take the role as Queen of Hearts.
But most importantly you find out that her father is, in fact, Cheshire the King of Heart’s loyal advisor. Who was “in love” with Queen Davianna and had a secret affair with her which lead to Dinah. I say “in love” because later it’s revealed that all along Cheshire had planned this moment and wanted to be apart of Wonderland more closely like having a daughter as the Queen of Hearts! So it’s unclear whether he did actually love her, or if he loved the fact of her. As we all know Cheshire loves himself.
The third book for me tests Dinah in more ways, what she has been through is a lot. But now she has to face rejection from the man she has always loved. Becoming a leader of many men who in fact don’t get along. Realising all her life she has feared a man who isn’t actually her father, who is the real reason her mother died; through neglect. Her brother wasn’t murdered by who she thought – the King of Hearts. Her sister isn’t her sister. But most importantly Dinah learns how to keep her head.
I loved this series because I loved Dinah. I felt for her the whole time and not once did I hate her. Yes, she did something so bad and later regretted it by cutting off Vittiore’s head when she saw her and Wardley in bed together – which later made him hate her. But she also beat the King of Hearts, led an army of Yurkei and Spades to war and beat the Kings army. Trained a Hornhoov called Morte who was her loyal friend till the end. She even went into the Sky Curtain and came out alive. She kept her promises of peace and followed through by changing the ways of the Wonderlanders lives. She destroyed the horrible Black Tower and changed the lives of the Spades for the better. Gave Cheshire his just desserts, tried to make amends with Wardley and became the Queen Wonderland needs and deserves.
Dinah is amazing and despite a few bad things she has done, she is a good person who knows right and wrong and wants to makes things better and I loved following her on this journey throughout Wonderland.
Rating:
5 ★ – AMAZING
Love, Christina ?
Chris Sawin (602 KP) rated The Dark Knight (2008) in Movies
Jun 19, 2019
The Dark Knight picks up not too long after Batman Begins left off. The way the citizens of Gotham look at Batman is still pretty divided. Some see him as a vigilante in a mask who takes the law into his own hands and others see him as a caped crusader who helps keep scum off the streets. A hero to some and a villain to others. Harvey Dent, the man running for DA, enters the picture and could be the face Gotham is looking for to be its new hero. A man who's not only capable of getting rid of the filth on the streets of Gotham in a more efficient manner, but could be the reason Batman hangs up his cape for good. It seems as though Gotham has found itself with a new criminal psychopath though that's keeping Batman, Harvey Dent, and the Gotham PD busy these days. The Joker is, without a doubt, Batman's most dangerous adversary. A madman whose only desire is to give Gotham a better class of criminal. Bruce Wayne goes beyond his limits as Batman to try and take him down and all The Joker wants is for Gotham to be filled with pure chaos. Can Batman bring The Joker to justice? Will Harvey Dent become Gotham's new white knight? How does Rachel Dawes fit into the picture?
I had been looking forward to this movie for what seemed like an eternity and to make it worse is that I had to sit in the theater for an hour since I got there early. All I could think about was that I was finally seeing this movie that I was so excited about. I have never anticipated a film to this capacity. Ever. I was thinking that there was no way a movie could live up to being that good. So the real question is, "Did the film live up to my expectations?" The answer is no. It didn't. It surpassed my expectations in every way possible. The two hours and thirty two minutes running time went by in a blur as there was little to no down time and my eyes were drawn to the screen the entire time. This movie was epic. I don't toss that word around too often, but there's no way else to describe it. It was epic in every sense of the word. I've never seen a film that had this much of a crowd response to not only the film, its actors, its twists and turns, but the trailers beforehand as well. I lost count how many times I had goosebumps throughout the film because what I was witnessing was exactly what I wanted to see and then some. It is truly an extraordinary experience.
The cast was brilliant. The returning cast from the last film continued to be impressive. Michael Caine always manages to be charming and steal a few laughs as Alfred and the film wouldn't be the same without Morgan Freeman as Lucius Fox. Christian Bale is still the best Batman to ever put on the cape, in my opinion. It was nice seeing more Batman this time around than Bruce Wayne. The way he struggles with if continuing to be Batman is the right thing for Gotham still plagues him and is still equally as amazing. Maggie Gyllenhaal has, as I'm sure you've heard by now, replaced Katie Holmes as Rachel Dawes and actually brings a spark to the role. She brought the charisma and overall talent to The Dark Knight that Katie Holmes should have had in Batman Begins. Gary Oldman is an actor who I still think doesn't deserve the credit he deserves and what he brings to the role of Jim Gordon, especially this time around in The Dark Knight, should hopefully get people talking. Which brings me to Aaron Eckhart. By the time the credits start rolling, I can guarantee you'll be praising his work in this film. I can't really imagine anyone else in the role of Harvey Dent now and what he winds up going through and how he portrays it is just incredible. The intensity he put into the role really caused him to steal quite a few scenes.
Hm. That's the whole cast isn't it? I'm not leaving anyone out, right? Oh, of course. Heath Ledger as The Joker. Did it live up to the hype and was it worth all the fuss? It does, my friends. It's actually better than the hype. Ledger steals every scene he's in. Period. Whatever he tapped into and whatever kind of preparation he went through for this role is truly phenomenal. He WAS The Joker in this film. He was somehow able to embody The Joker in a way that is frightening, maniacal, and even hysterical all at the same time. You will wind up holding your breath and trying not to make a sound every time he comes on screen because you don't want to miss a second of this mesmerizing performance. I was reading that he locked himself up in an empty apartment for a month to prepare for the role to get a true feel for the character; his body language, quirks, his voice, etc. He had The Killing Joke, The Man Who Laughed, and a few of the first issues of Batman that had appearances from the Joker as references. I can tell you this...it truly shows, if that's the case. The way he submerged himself in this character is almost beyond words. He deserves every ounce of praise that he gets.
It is ridiculous how much praise The Dark Knight truly deserves. Even the most elaborate descriptions feel like they're still not doing the movie justice. The film is for Batman fans, for Nolan fans, for fans of good storytelling, for fans of good writing, for fans of amazing cinematography, for fans of some of the strongest acting performances ever to be filmed, for fans of action/crime/dramas...long story short, the film can and probably will be enjoyed by anyone. It is the only film to come out in recent years that not only lived up to the hype, but leaped over it and actually deserved every bit of it. By the time you get to the end credits, you'll immediately want to see it again and you'll be just as excited the second time(and possibly third time) through. It's that good.
I had been looking forward to this movie for what seemed like an eternity and to make it worse is that I had to sit in the theater for an hour since I got there early. All I could think about was that I was finally seeing this movie that I was so excited about. I have never anticipated a film to this capacity. Ever. I was thinking that there was no way a movie could live up to being that good. So the real question is, "Did the film live up to my expectations?" The answer is no. It didn't. It surpassed my expectations in every way possible. The two hours and thirty two minutes running time went by in a blur as there was little to no down time and my eyes were drawn to the screen the entire time. This movie was epic. I don't toss that word around too often, but there's no way else to describe it. It was epic in every sense of the word. I've never seen a film that had this much of a crowd response to not only the film, its actors, its twists and turns, but the trailers beforehand as well. I lost count how many times I had goosebumps throughout the film because what I was witnessing was exactly what I wanted to see and then some. It is truly an extraordinary experience.
The cast was brilliant. The returning cast from the last film continued to be impressive. Michael Caine always manages to be charming and steal a few laughs as Alfred and the film wouldn't be the same without Morgan Freeman as Lucius Fox. Christian Bale is still the best Batman to ever put on the cape, in my opinion. It was nice seeing more Batman this time around than Bruce Wayne. The way he struggles with if continuing to be Batman is the right thing for Gotham still plagues him and is still equally as amazing. Maggie Gyllenhaal has, as I'm sure you've heard by now, replaced Katie Holmes as Rachel Dawes and actually brings a spark to the role. She brought the charisma and overall talent to The Dark Knight that Katie Holmes should have had in Batman Begins. Gary Oldman is an actor who I still think doesn't deserve the credit he deserves and what he brings to the role of Jim Gordon, especially this time around in The Dark Knight, should hopefully get people talking. Which brings me to Aaron Eckhart. By the time the credits start rolling, I can guarantee you'll be praising his work in this film. I can't really imagine anyone else in the role of Harvey Dent now and what he winds up going through and how he portrays it is just incredible. The intensity he put into the role really caused him to steal quite a few scenes.
Hm. That's the whole cast isn't it? I'm not leaving anyone out, right? Oh, of course. Heath Ledger as The Joker. Did it live up to the hype and was it worth all the fuss? It does, my friends. It's actually better than the hype. Ledger steals every scene he's in. Period. Whatever he tapped into and whatever kind of preparation he went through for this role is truly phenomenal. He WAS The Joker in this film. He was somehow able to embody The Joker in a way that is frightening, maniacal, and even hysterical all at the same time. You will wind up holding your breath and trying not to make a sound every time he comes on screen because you don't want to miss a second of this mesmerizing performance. I was reading that he locked himself up in an empty apartment for a month to prepare for the role to get a true feel for the character; his body language, quirks, his voice, etc. He had The Killing Joke, The Man Who Laughed, and a few of the first issues of Batman that had appearances from the Joker as references. I can tell you this...it truly shows, if that's the case. The way he submerged himself in this character is almost beyond words. He deserves every ounce of praise that he gets.
It is ridiculous how much praise The Dark Knight truly deserves. Even the most elaborate descriptions feel like they're still not doing the movie justice. The film is for Batman fans, for Nolan fans, for fans of good storytelling, for fans of good writing, for fans of amazing cinematography, for fans of some of the strongest acting performances ever to be filmed, for fans of action/crime/dramas...long story short, the film can and probably will be enjoyed by anyone. It is the only film to come out in recent years that not only lived up to the hype, but leaped over it and actually deserved every bit of it. By the time you get to the end credits, you'll immediately want to see it again and you'll be just as excited the second time(and possibly third time) through. It's that good.