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<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Red Queen</i> by Victoria Aveyard is a futuristic, fantasy novel where society is divided by rich and poor; powerful and weak; elite and commoners; Silver and Red. Those with silver blood have magical abilities which make them believe they are more important than the talentless Reds who are forced to live in dilapidated towns and be sent to their deaths in wars they cannot survive.
Mare Barrow is a Red and knows that her future is doomed. Desperate to escape she confides in a stranger and lands herself a serving position in the Silver palace. Suddenly, however, her world is turned upside down after an accident reveals that, although she has red blood, she has a magical ability too. Instead of killing her as she expected, the king and queen force her to pretend she is a Silver, threatening her family if she steps out of line.
Naturally Mare hates the Silvers and involves herself with the Scarlet Guard – a terrorist group of Red rebels. However a complicated love triangle, and a shocking plot twist, puts Mare in even more danger than she bargained for.
The <i>Cinderella</i>-like idea of Mare coming from a poor background yet finding herself a member of the elite is nothing new. The difference here is that Mare does not want anything to do with the Silvers. She does not trust them and is angry about the way they are treating her family and her people.
<i>Red Queen </i>reminds me slightly of a couple of other young adult novels. It is a mishmash of <i>The Selection </i>by Kiera Cass (the poor become elite) and stories such as <i>The Hunger Games</i> (violence, rich verses poor etc.) Therefore this did not feel like a completely original piece of work. Nevertheless it was still exciting and Mare is such an admirable character.
I recommend this novel to readers of fantasy, dystopia and romance as<i> Red Queen</i> combines all three ideas. It is suitable for teenagers and adults alike, and do not let the word “<i>Queen</i>” make you believe that it is going to be overly girly. It will be interesting to see what happens in the next installment of this series – the ending suggests that there will be a lot more fighting!
Red Queen</i> by Victoria Aveyard is a futuristic, fantasy novel where society is divided by rich and poor; powerful and weak; elite and commoners; Silver and Red. Those with silver blood have magical abilities which make them believe they are more important than the talentless Reds who are forced to live in dilapidated towns and be sent to their deaths in wars they cannot survive.
Mare Barrow is a Red and knows that her future is doomed. Desperate to escape she confides in a stranger and lands herself a serving position in the Silver palace. Suddenly, however, her world is turned upside down after an accident reveals that, although she has red blood, she has a magical ability too. Instead of killing her as she expected, the king and queen force her to pretend she is a Silver, threatening her family if she steps out of line.
Naturally Mare hates the Silvers and involves herself with the Scarlet Guard – a terrorist group of Red rebels. However a complicated love triangle, and a shocking plot twist, puts Mare in even more danger than she bargained for.
The <i>Cinderella</i>-like idea of Mare coming from a poor background yet finding herself a member of the elite is nothing new. The difference here is that Mare does not want anything to do with the Silvers. She does not trust them and is angry about the way they are treating her family and her people.
<i>Red Queen </i>reminds me slightly of a couple of other young adult novels. It is a mishmash of <i>The Selection </i>by Kiera Cass (the poor become elite) and stories such as <i>The Hunger Games</i> (violence, rich verses poor etc.) Therefore this did not feel like a completely original piece of work. Nevertheless it was still exciting and Mare is such an admirable character.
I recommend this novel to readers of fantasy, dystopia and romance as<i> Red Queen</i> combines all three ideas. It is suitable for teenagers and adults alike, and do not let the word “<i>Queen</i>” make you believe that it is going to be overly girly. It will be interesting to see what happens in the next installment of this series – the ending suggests that there will be a lot more fighting!
Hazel (1853 KP) rated Sisterland in Books
Dec 14, 2018
I enjoyed this book much more than I expected to - I had been slightly wary of reading Curtis Sittenfeld’s <i>Sisterland</i> after seeing that it has been listed as Chick Lit on <i>Goodreads</i>. It is a story about two sisters (the title sort of gives that away) – twins in fact: Violet and Daisy. Although for the majority of the novel the narrator, Daisy, is known as Kate.
The chapters alternate between past and present, which helps the reader to understand the characters and their developments whilst the main story line is being played out. I say present but you later discover that Kate is actually narrating these events a couple of years after although this was not clear and the beginning.
Vi and Kate both have ESP or “senses” meaning that they occasionally experience visions, thoughts, or feelings about certain people or events that are yet to occur. When Vi receives a message about an earthquake due to occur in their hometown, the media ends up getting involved, speculating how much truth there is behind this prediction.
As the supposed “doomsday” date approaches, Vi and Kate’s relationship has its ups and down – something which seems to have been the case throughout most of their lives. But the main question is will there be an earthquake or is it, perhaps, a metaphor for events taking place in Kate’s own home and family?
While reading I felt as though I was - I am not really sure how to word it – perhaps growing close to the narrator as she recounted her tale. Learning about Kate as a person and understand and relating to how she felt and acted. This meant, however, that I became disappointed in Kate for making a certain bad decision – or more like giving in to an impulse. I will not reveal what that is as I do not want to spoil the book for anyone who has not yet read it.
As I have already said, I did enjoy this book. Personally I would not label it as Chick Lit, although I will not deny that it is intended for women to read. It is a contemporary, fictional novel with a hint of fantasy or the paranormal about it. I would recommend it to readers who appreciate other novels of a similar genre.
The chapters alternate between past and present, which helps the reader to understand the characters and their developments whilst the main story line is being played out. I say present but you later discover that Kate is actually narrating these events a couple of years after although this was not clear and the beginning.
Vi and Kate both have ESP or “senses” meaning that they occasionally experience visions, thoughts, or feelings about certain people or events that are yet to occur. When Vi receives a message about an earthquake due to occur in their hometown, the media ends up getting involved, speculating how much truth there is behind this prediction.
As the supposed “doomsday” date approaches, Vi and Kate’s relationship has its ups and down – something which seems to have been the case throughout most of their lives. But the main question is will there be an earthquake or is it, perhaps, a metaphor for events taking place in Kate’s own home and family?
While reading I felt as though I was - I am not really sure how to word it – perhaps growing close to the narrator as she recounted her tale. Learning about Kate as a person and understand and relating to how she felt and acted. This meant, however, that I became disappointed in Kate for making a certain bad decision – or more like giving in to an impulse. I will not reveal what that is as I do not want to spoil the book for anyone who has not yet read it.
As I have already said, I did enjoy this book. Personally I would not label it as Chick Lit, although I will not deny that it is intended for women to read. It is a contemporary, fictional novel with a hint of fantasy or the paranormal about it. I would recommend it to readers who appreciate other novels of a similar genre.
Gareth von Kallenbach (977 KP) rated Due Date (2010) in Movies
Aug 8, 2019
What could possibly go wrong when you pair a stressed out father-to-be, Peter (Robert Downey Jr.), with the world’s worst road trip partner, Ethan (Zach Galifianakis), on a trip from Atlanta to Los Angeles? In a karmic way, at least these two men appear to be meant for each other.
Zach Galifianakis’s role as Ethan Tremblay is wildly funny, though he plays a role very similar to the one he played in The Hangover, with a slightly more childish demeanor. If his character in the Hangover was a 14 year old in an adult’s body, in this film he is a 7 year old boy.
Peter Highman, played by Robert Downey Jr., is obviously frustrated because he’s trying to get home to his very pregnant wife. This inevitably creates an anger that is only exacerbated by the stupidity and carelessness of Ethan. The minor truces and cease-fires they found during their trip were constantly being broken by something Ethan would do that was hilariously rude and dumb.
This film walked a fine line with both characters, with Ethan pushing the charm up to keep us from totally hating him, all the while allowing Peter be an asshole from time to time to keep us from being too sympathetic to him. In one particularly funny moment, during a side stop soon after they take off from Atlanta, we see Peter discipline a young boy in a ridiculously inappropriate way that makes us question his fitness as a father. It’s during these times that the movie really shines. The chemistry between them was good for the most part, but the inevitable reconciliation between them was rushed at the end, and while the actors more than did their jobs, the script didn’t give them very much cause to act so suddenly benevolent toward each other.
Overall, the movie was funny, but not quite funny enough. Some of the gags were fairly disgusting, and while most didn’t detract from the movie, only a few really came across as well-executed. This movie had the potential to be very funny, but with some unresolved plot holes and some long stretches where nothing much was going on, I wouldn’t really recommend this to my friends, despite the big name actors and hype.
Zach Galifianakis’s role as Ethan Tremblay is wildly funny, though he plays a role very similar to the one he played in The Hangover, with a slightly more childish demeanor. If his character in the Hangover was a 14 year old in an adult’s body, in this film he is a 7 year old boy.
Peter Highman, played by Robert Downey Jr., is obviously frustrated because he’s trying to get home to his very pregnant wife. This inevitably creates an anger that is only exacerbated by the stupidity and carelessness of Ethan. The minor truces and cease-fires they found during their trip were constantly being broken by something Ethan would do that was hilariously rude and dumb.
This film walked a fine line with both characters, with Ethan pushing the charm up to keep us from totally hating him, all the while allowing Peter be an asshole from time to time to keep us from being too sympathetic to him. In one particularly funny moment, during a side stop soon after they take off from Atlanta, we see Peter discipline a young boy in a ridiculously inappropriate way that makes us question his fitness as a father. It’s during these times that the movie really shines. The chemistry between them was good for the most part, but the inevitable reconciliation between them was rushed at the end, and while the actors more than did their jobs, the script didn’t give them very much cause to act so suddenly benevolent toward each other.
Overall, the movie was funny, but not quite funny enough. Some of the gags were fairly disgusting, and while most didn’t detract from the movie, only a few really came across as well-executed. This movie had the potential to be very funny, but with some unresolved plot holes and some long stretches where nothing much was going on, I wouldn’t really recommend this to my friends, despite the big name actors and hype.
Neon's Nerd Nexus (360 KP) rated The Good Liar (2019) in Movies
Nov 9, 2019
Murder She Wrote
The good liar is creaky but enjoyable little movie that screams 80s British murder mystery Tv show and while its extreamly predictable theres enough twists to keep you entertained. Whats aparent right from the start is Ian Mckellen and Helen Mirren's on screen chemistry, the two are just fantastic to watch interacting with each other and really help to carry the entire film with thier acting skills alone. Sadly I really cant say the same about the rest of the cast most of whomb come across as stiff, lifeless souls with no personality making most of thier scenes dull and unitresting filler (russell toveys character especially). Plot wise its fine and actually tries some quite brave ideas for this kind of film taking the movie places I really didnt expect it to go. Trouble is the film feels caught between what it wants to be switching between grisly violent crime thriller back to tame old light hearted drama randomly without the two ever seeming connected. Also while ian mckellen is fantastic the film tries far to hard to make the viewer dislike him by using seemingly forced reasons eg showing him far to often randomly cursing profoudly, smoking, drinking or comitting a random out of place extreame act of violence its all very unnecisary and seems only there to hide a twist that comes later in the film. Music cues frustrate too cheaply placed into the film to tell us how we should be feeling during certain scenes but instead making the film feel outdated. Theres no real sense of nail biting tension either and while the story is fun to watch play out with no real danger, urgency or any griping scenes its all just one tone throughout. A big plot twist can also be seen coming right from the start too but thankfully theres enough twists and turns to make that not to much of a problem. All this being said I did have a good time with good liar the two leads clearly enjoyed working together and while the film is extreamly out dated as far as film making goes it will no doubt spark nostalgia and bring enjoyment to people that grew up with shows such a Poirot and Coloumbo.
Sophia (Bookwyrming Thoughts) (530 KP) rated A Blade So Black in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><strong>When I first heard of <em>A Blade So Black</em>, I got excited.</strong></h2>
And I mean super excited! Here we have a book that features a black protagonist (we need more POC retellings!) who kicks butt like Buffy the vampire slayer and a retelling of <em>Alice in Wonderland</em> (which I should I get to one day but probably won't happen).
<h2><strong>But L.L. McKinney's debut novel turned out to be a big bummer.</strong></h2>
I didn't hate it, but I very much could not get past 40% of the book - in fact, I suffered more than I should because I <em>hoped</em> the book would get a lot better later. But it didn't get any better.
<h3>The writing style didn't suit me.</h3>
I think this is another "it's not you, it's me," but omg the writing made me want to sleep more than continuing the book. I found watching the 2018 reboot of "Meteor Garden" more interesting and probably watched an episode or two for every chapter that bored me to tears.
<h3>The concept is amazing.</h3>
Buffy the Vampire Slayer meets in Alice in Wonderland in a modern day setting? Hellooooo, please sign me up. This book spells dark and ominous and I definitely got that vibe while reading what I did.
<h3>But it was just <em>sooo</em> boring.</h3>
I checked out of the book by Chapter Four (but I <em>tried</em> to stay with the rest of the book, I swear!). Wonderland is full of action, but it was the same thing over and over again and got repetitive. Alice is juggling being a Dreamwalker, who can destroy the Nightmares that come from Wonderland, while being an ordinary student with a life, but it was all the same thing over and over again. It never really picked up.
<a href="https://bookwyrmingthoughts.com/a-blade-so-black-by-l-l-mckinney-the-disappointment-is-so-real/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><strong>When I first heard of <em>A Blade So Black</em>, I got excited.</strong></h2>
And I mean super excited! Here we have a book that features a black protagonist (we need more POC retellings!) who kicks butt like Buffy the vampire slayer and a retelling of <em>Alice in Wonderland</em> (which I should I get to one day but probably won't happen).
<h2><strong>But L.L. McKinney's debut novel turned out to be a big bummer.</strong></h2>
I didn't hate it, but I very much could not get past 40% of the book - in fact, I suffered more than I should because I <em>hoped</em> the book would get a lot better later. But it didn't get any better.
<h3>The writing style didn't suit me.</h3>
I think this is another "it's not you, it's me," but omg the writing made me want to sleep more than continuing the book. I found watching the 2018 reboot of "Meteor Garden" more interesting and probably watched an episode or two for every chapter that bored me to tears.
<h3>The concept is amazing.</h3>
Buffy the Vampire Slayer meets in Alice in Wonderland in a modern day setting? Hellooooo, please sign me up. This book spells dark and ominous and I definitely got that vibe while reading what I did.
<h3>But it was just <em>sooo</em> boring.</h3>
I checked out of the book by Chapter Four (but I <em>tried</em> to stay with the rest of the book, I swear!). Wonderland is full of action, but it was the same thing over and over again and got repetitive. Alice is juggling being a Dreamwalker, who can destroy the Nightmares that come from Wonderland, while being an ordinary student with a life, but it was all the same thing over and over again. It never really picked up.
<a href="https://bookwyrmingthoughts.com/a-blade-so-black-by-l-l-mckinney-the-disappointment-is-so-real/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated In the Tall Grass (2019) in Movies
Mar 10, 2020
What did I just watch? If someone could enlighten me I would be most grateful. Netflix doesn’t have the best track record when it comes to original films and I have yet to see one that I was genuinely impressed with. Given all the money that Netflix has, you would have thought they might be able to deliver something worth watching.
For Netflix’s latest effort, In The Tall Grass, the film is based on the 2012 novella by Stephen King and son Joe Hill. King’s books, in particular, seem hardest to adapt onto the big screen so it should come as no surprise that this supernatural head-scratcher fails miserably.
Becky (Laysla De Oliveira) and Cal Demuth (Avery Whitted) are making the long trip to San Diego where Becky is planning to give up her baby. Stopping outside an abandoned church they hear a child crying for help from inside a field of tall grass. Not wanting to drive off the pair investigate and become separated and lost in the grass maze. Director Vincenzo Natali is no stranger to maze-like scenarios having helmed The Cube, in which six people are involuntarily placed in an endless maze of deadly traps.
King’s books, in particular, seem hardest to adapt onto the big screen so it should come as no surprise that this supernatural head-scratcher fails miserably.
With Becky and Cal in danger of being consumed by the grass, they encounter the family of the missing boy they were searching for. The Dad, Ross (Patrick Wilson) discovers Becky and promises her safe passage out of the labyrinth. Cal in the meantime has met the young boy, Tobin (Will Buie Jr.), who makes a few sinister statements. A huge rock in the middle of the field that can turn people insane as well as bend time expands the story’s supernatural element. This becomes apparent when Becky’s boyfriend shows up months after she failed to return home and becomes a focal point of the story.
The cast, except for Patrick Wilson who plays the psycho role to great effect, are forgettable. There is a scattering of creepy moments but it’s not enough to carry the film any further. Natali had to make a few changes that were different from the novella to pack it into a feature-length film and this is probably where it falls down.
For Netflix’s latest effort, In The Tall Grass, the film is based on the 2012 novella by Stephen King and son Joe Hill. King’s books, in particular, seem hardest to adapt onto the big screen so it should come as no surprise that this supernatural head-scratcher fails miserably.
Becky (Laysla De Oliveira) and Cal Demuth (Avery Whitted) are making the long trip to San Diego where Becky is planning to give up her baby. Stopping outside an abandoned church they hear a child crying for help from inside a field of tall grass. Not wanting to drive off the pair investigate and become separated and lost in the grass maze. Director Vincenzo Natali is no stranger to maze-like scenarios having helmed The Cube, in which six people are involuntarily placed in an endless maze of deadly traps.
King’s books, in particular, seem hardest to adapt onto the big screen so it should come as no surprise that this supernatural head-scratcher fails miserably.
With Becky and Cal in danger of being consumed by the grass, they encounter the family of the missing boy they were searching for. The Dad, Ross (Patrick Wilson) discovers Becky and promises her safe passage out of the labyrinth. Cal in the meantime has met the young boy, Tobin (Will Buie Jr.), who makes a few sinister statements. A huge rock in the middle of the field that can turn people insane as well as bend time expands the story’s supernatural element. This becomes apparent when Becky’s boyfriend shows up months after she failed to return home and becomes a focal point of the story.
The cast, except for Patrick Wilson who plays the psycho role to great effect, are forgettable. There is a scattering of creepy moments but it’s not enough to carry the film any further. Natali had to make a few changes that were different from the novella to pack it into a feature-length film and this is probably where it falls down.
Life After Life: A Guildford Four Memoir
Book
What is it like to spend 15 years in prison for a crime you didn’t commit? Paddy Armstrong was...
biography crime true crime
BookInspector (124 KP) rated The Girl Next Door in Books
Sep 24, 2020
The story is told from multiple perspectives. Clare is the murdered girl, and she is telling about her life events up to her murder. Jane is Clare’s neighbour, and an example of status, beauty, perfect family, and everybody wants to be her. DS Madeline Shaw is a police officer, investigating Clare’s death. So, we have quite an interesting mix of characters in this book, some flashy and some plain, but the combination of all makes a really great read. For me, the most interesting of all is Jane. She is very deceiving and full of surprises. Even though Jane’s character was very well delivered, some thoughts got a little repetitive at times, which didn’t increase the suspense levels for me as it supposed to but annoyed me a little instead.
I think this novel is more character driven than the plot itself. The investigation is happening, but not many clues are there to go by. The action concentrates around Jane, her family, her thoughts, and her relationship with the community. The suspense was very well kept throughout the book, and the unexpected twists and major turns made this novel a very superb read. I think that the author’s life in the countryside was very well utilized in this book. She portrayed it very well, and I could feel that small community’s spirit. The main topics discussed in this novel was the mother’s love for her children, the importance of the family’s image in a small town, a woman’s dedication to her family, etc.
Phoebe Morgan knows how to attract the reader, the novel is not only very well written but very well constructed as well. The multiple perspectives allowed to have an insight into different people’s minds, lives, and made the reading experience very pleasant, followed by short chapters, and twists and turns in all the right places. She truly knows what she is doing. The ending was unexpected and rounded up the story well, but I wasn’t very happy with the justice aspect of it. 🙂
So, to conclude, I really enjoyed this thriller, filled with very sophisticated and amusing characters and a very deceiving and knotty plot, where things are not as it seems. Do give this book a read, it is truly absorbing, and I hope you will enjoy it as much as I did.
I think this novel is more character driven than the plot itself. The investigation is happening, but not many clues are there to go by. The action concentrates around Jane, her family, her thoughts, and her relationship with the community. The suspense was very well kept throughout the book, and the unexpected twists and major turns made this novel a very superb read. I think that the author’s life in the countryside was very well utilized in this book. She portrayed it very well, and I could feel that small community’s spirit. The main topics discussed in this novel was the mother’s love for her children, the importance of the family’s image in a small town, a woman’s dedication to her family, etc.
Phoebe Morgan knows how to attract the reader, the novel is not only very well written but very well constructed as well. The multiple perspectives allowed to have an insight into different people’s minds, lives, and made the reading experience very pleasant, followed by short chapters, and twists and turns in all the right places. She truly knows what she is doing. The ending was unexpected and rounded up the story well, but I wasn’t very happy with the justice aspect of it. 🙂
So, to conclude, I really enjoyed this thriller, filled with very sophisticated and amusing characters and a very deceiving and knotty plot, where things are not as it seems. Do give this book a read, it is truly absorbing, and I hope you will enjoy it as much as I did.
Neon's Nerd Nexus (360 KP) rated Mulan (2020) in Movies
Sep 10, 2020
No honour
GUEST REVIEW BY THE BEAUTIFUL @fandomfanatichere - PLEASE GO CHECK OUT HER PAGE ON INSTAGRAM TO SEE MORE OF WHAT SHE DOES.
The new Mulan lacks the Disney magic of the other live actions, I found it tiresome, frustrating and the acting very lacking in some parts. The action was reminiscent of a martial arts film, which in itself would be enjoyable, but when you pair it with being a Mulan remake just forms really disappointing and cheesy action scenes. I was also sad to discover that after all of the backlash the film had been getting about its lead actress - Liu Yifei, her acting felt a little wooden. We have an additional character - a witch, whom personally I think brings absolutely nothing to the plot of the film other than irritating camera angels when she attempts to exert her power. One moment she is a strong ominous character and the next she is overthrown in the blink of an eye. We also had the addition of a CGI phoenix, rife with symbolism, a beautiful creature flying around in moments of hope and power, but the whole time I was thinking we have this, and no Mushu?! Our actress was also very unconvincing as a boy, so their surprise upon learning she was in fact a woman, felt very forced. I was, however, delighted to hear instrumental versions of 2 original songs in the background, and some paraphrased lines from the original Mulan subtly added in as Easter eggs for us uber fans of the animated film. The film itself, visually was stunning, sweeping landscape shots, interesting costume design and beautiful colours encapsulated the seductive aesthetics of China. I was also happy to see that whilst we still had hints of romance, it did not take over the plot or cause Mulan to fight for just one man, I still felt she was fighting for her family, her honour, and her right to be a strong woman. Now I feel I have slated the film a lot, but bare in mind I am a HUGE orginal Mulan fan and overall I feel I would have enjoyed the watching experience had it been a general martial arts film set in China, but as it was a highly anticipated Mulan remake, that had been set back multiple times, I was sadly very disappointed.
The new Mulan lacks the Disney magic of the other live actions, I found it tiresome, frustrating and the acting very lacking in some parts. The action was reminiscent of a martial arts film, which in itself would be enjoyable, but when you pair it with being a Mulan remake just forms really disappointing and cheesy action scenes. I was also sad to discover that after all of the backlash the film had been getting about its lead actress - Liu Yifei, her acting felt a little wooden. We have an additional character - a witch, whom personally I think brings absolutely nothing to the plot of the film other than irritating camera angels when she attempts to exert her power. One moment she is a strong ominous character and the next she is overthrown in the blink of an eye. We also had the addition of a CGI phoenix, rife with symbolism, a beautiful creature flying around in moments of hope and power, but the whole time I was thinking we have this, and no Mushu?! Our actress was also very unconvincing as a boy, so their surprise upon learning she was in fact a woman, felt very forced. I was, however, delighted to hear instrumental versions of 2 original songs in the background, and some paraphrased lines from the original Mulan subtly added in as Easter eggs for us uber fans of the animated film. The film itself, visually was stunning, sweeping landscape shots, interesting costume design and beautiful colours encapsulated the seductive aesthetics of China. I was also happy to see that whilst we still had hints of romance, it did not take over the plot or cause Mulan to fight for just one man, I still felt she was fighting for her family, her honour, and her right to be a strong woman. Now I feel I have slated the film a lot, but bare in mind I am a HUGE orginal Mulan fan and overall I feel I would have enjoyed the watching experience had it been a general martial arts film set in China, but as it was a highly anticipated Mulan remake, that had been set back multiple times, I was sadly very disappointed.
LeftSideCut (3778 KP) rated Mulan (2020) in Movies
Dec 6, 2020
I'll start by saying that the original 1998 Mulan is quite possibly my favourite Disney animation, and I personally think it represents the pinnacle of the company's renaissance. With that in mind, I was initially looking forward to seeing the live action adaption when it was first announced, but after last year's re-do of The Lion King, any anticipation I had quickly started to dwindle.
Predictably, the finished result is underwhelming. It's not an inherently bad movie, it's entertaining in parts, and has some decent action scenes, but it's nothing more than a padded out re-tread, and it's hard not to think "what's the point?"
The new material implemented literally adds nothing to the plot, and just draws out the experience, verging on boring more than once, and the familiar stuff just lacks the charm of the original. The decision to ground it more in realism is understandable to a degree - the music would have felt out of place in what is essentially a war film - but the lack of the more outlandish characters such as Mushu impacts the films potential, and the side characters we do get aren't memorable. Honestly? There's just not a lot of fun to be found here.
I did think that Yifei Liu was good in the lead role, and I actually also enjoyed Li Hing, who plays a new character who is probably the most interesting part of the whole thing, and is the only addition that has any worth. It was also a nice touch to see Ming-Na Wen appear for a brief cameo.
As I said, it's not necessarily a bad film, it's just feels pointless and kind of dull. It carries a positive message about being true to yourself and not hiding away. I can always appreciate a movie that gives young girls a hero to look up to, and kids will no doubt have a blast, but the overall experience is a wash out otherwise.
Final thought - obviously, no songs in this one, but I'll Make a Man out of You is a banger and should be present, and replacing it with Donnie Yen doing some cool-as-fuck sword tricks isn't going to distract me from that fact. I see through your mind games Disney...
Predictably, the finished result is underwhelming. It's not an inherently bad movie, it's entertaining in parts, and has some decent action scenes, but it's nothing more than a padded out re-tread, and it's hard not to think "what's the point?"
The new material implemented literally adds nothing to the plot, and just draws out the experience, verging on boring more than once, and the familiar stuff just lacks the charm of the original. The decision to ground it more in realism is understandable to a degree - the music would have felt out of place in what is essentially a war film - but the lack of the more outlandish characters such as Mushu impacts the films potential, and the side characters we do get aren't memorable. Honestly? There's just not a lot of fun to be found here.
I did think that Yifei Liu was good in the lead role, and I actually also enjoyed Li Hing, who plays a new character who is probably the most interesting part of the whole thing, and is the only addition that has any worth. It was also a nice touch to see Ming-Na Wen appear for a brief cameo.
As I said, it's not necessarily a bad film, it's just feels pointless and kind of dull. It carries a positive message about being true to yourself and not hiding away. I can always appreciate a movie that gives young girls a hero to look up to, and kids will no doubt have a blast, but the overall experience is a wash out otherwise.
Final thought - obviously, no songs in this one, but I'll Make a Man out of You is a banger and should be present, and replacing it with Donnie Yen doing some cool-as-fuck sword tricks isn't going to distract me from that fact. I see through your mind games Disney...