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KalJ95 (25 KP) rated Marvel's Spider-Man in Video Games
Jun 19, 2020
All Round Performances Are Fantastic. (4 more)
Combat Is Arkham-esque.
New York Sandbox Is The Definition Of Fun.
Story Feels Fresh And Thrilling.
The Webswinging.
Frame Rate Issues. (1 more)
Few Missed Opportunities With The Story.
The Best Superhero Game Ever?
When I was nine years old, I fell thirty feet out of a tree on a British summers day. Coincidently, because of damp moss on a branch. I spent seven days in a hospital, recovering from a punctured lung, caused by impact on my ribs. In that week, I spent most of my time playing Spider-Man 2, a tie in with the Sam Raimi film, on a hospital owned PlayStation 2. Why am I telling you this story? Well, I spent quite a substantial amount of time playing that game, and it slowly made me realise the mechanics and skill that go into making a video game. Spider-Man wouldn't just shoot his web up in the sky and start swinging, like the Spider-Man game previous. Spider-Man would have to attach his webs to buildings he flew by, and this blew my mind and kept me occupied for hours and hours. For me, it encapsulated a feeling of being so immersed within a medium, you forget everything around you, and in my case it just so happened to be bed ridden in a hospital with a punctured lung. Spider-Man games have come and gone since that 2004 classic, but none have ever been as fun to play.
Marvel’s Spider-Man is the best Spider-Man game ever made, and an even bolder statement, it just might be the best superhero game ever made. Insomniac have crafted an original experience, whilst keeping the spirit and tone of Spidey the same of that from the comics. You can tell right from the opening cinematic, Insomniac have done their research extensively, from the witty dialogue of Peter Parker’s banter, to the wise cracks he makes as his alter ego when punching the pulp out of thugs and villains. The fundamental idea of what this game strives to be is fun, and this is the very definition.
The story is follows Peter, as he juggles the responsibility of being a superhero, with the very normal aspects of everyday life, like holding down an apartment, or retaining a relationship with his Aunt May and Mary Jane Watson. While this remains the core of the narrative, villainy is taking shape in the background, as multiple antagonists are preparing to take down the web-slinger, once and for all. Included in the story comes a variety of side missions, activities to complete, collectables to find, and costumes to unlock. The sheer amount of things to do in this game is unbelievable. The costumes alone ranks up to thirty eight (with DLC included), all in ridiculously beautiful detail. I specifically remember a moment when the rising sun over the Big Apple shone over the windows of a skyscraper, bouncing onto the red of Spider-Man’s suit. I was in awe. In fact, I was in awe over the entire map of New York City, which feels alive, even a character within itself. The major monuments all bring such authenticity to the overall feel of a city you can fully explore. Its a massive playground for Spider-Man, and I never felt the need to fast travel at all.
The characters make the story worth playing multiple times. Certain characters can’t be mentioned due to spoiling aspects of the narrative, but stand-out performances happen time and time again. This also brings a dynamic between characters that shines over the entire experience. Peter and MJ are partners, yet their relationship seems distanced from past troubles. We never find out specifically, but the seeds are planted from dialogue that we can only guess from an audiences’ perspective. It brings so much back story to the characters, making them seem so fleshed out and real. No Uncle Ben death scenes either, so that is a plus in my book.
The combat, at first, felt all to familiar with Rocksteady’s Arkham Series, which isn't a problem, but instead I wanted something a little new to engage with. Then a collection of gadgets are introduced, and this mixes everything up. Everything feels so fluid and silky smooth, from webbing thugs against a wall, or sending out a spiderdrone to fire rounds of electric bullets to incapacitate an opponent. Again, this never feels stale, even when I had collected every collectable and finished all activities, I spent hours just waiting for police calls so I could attend crimes an battle enemies. This is perhaps where Insomniac need to be commended most. Games are all too disposable at times, once its done you're done with it, but Marvel’s Spider-Man is so damn fun, even when everything is done. You feel the need to explore, the need to finish the side missions and activities, because every aspect is so well produced.
I do however have minor issues to mention. I did experience tiny pauses in gameplay whilst the city loaded more buildings, I don't know if this was down to playing on a standard PS4 rather than a Pro. The story does sometimes cut a few beats short in areas, and the DLC feels like it could of been included within the game, which ultimately feels like it was, and was decided to be DLC for an extra cost. But, these are little gripes for an overall fantastic package. I can’t wait to see what happens next.
Marvel’s Spider-Man is the best Spider-Man game ever made, and an even bolder statement, it just might be the best superhero game ever made. Insomniac have crafted an original experience, whilst keeping the spirit and tone of Spidey the same of that from the comics. You can tell right from the opening cinematic, Insomniac have done their research extensively, from the witty dialogue of Peter Parker’s banter, to the wise cracks he makes as his alter ego when punching the pulp out of thugs and villains. The fundamental idea of what this game strives to be is fun, and this is the very definition.
The story is follows Peter, as he juggles the responsibility of being a superhero, with the very normal aspects of everyday life, like holding down an apartment, or retaining a relationship with his Aunt May and Mary Jane Watson. While this remains the core of the narrative, villainy is taking shape in the background, as multiple antagonists are preparing to take down the web-slinger, once and for all. Included in the story comes a variety of side missions, activities to complete, collectables to find, and costumes to unlock. The sheer amount of things to do in this game is unbelievable. The costumes alone ranks up to thirty eight (with DLC included), all in ridiculously beautiful detail. I specifically remember a moment when the rising sun over the Big Apple shone over the windows of a skyscraper, bouncing onto the red of Spider-Man’s suit. I was in awe. In fact, I was in awe over the entire map of New York City, which feels alive, even a character within itself. The major monuments all bring such authenticity to the overall feel of a city you can fully explore. Its a massive playground for Spider-Man, and I never felt the need to fast travel at all.
The characters make the story worth playing multiple times. Certain characters can’t be mentioned due to spoiling aspects of the narrative, but stand-out performances happen time and time again. This also brings a dynamic between characters that shines over the entire experience. Peter and MJ are partners, yet their relationship seems distanced from past troubles. We never find out specifically, but the seeds are planted from dialogue that we can only guess from an audiences’ perspective. It brings so much back story to the characters, making them seem so fleshed out and real. No Uncle Ben death scenes either, so that is a plus in my book.
The combat, at first, felt all to familiar with Rocksteady’s Arkham Series, which isn't a problem, but instead I wanted something a little new to engage with. Then a collection of gadgets are introduced, and this mixes everything up. Everything feels so fluid and silky smooth, from webbing thugs against a wall, or sending out a spiderdrone to fire rounds of electric bullets to incapacitate an opponent. Again, this never feels stale, even when I had collected every collectable and finished all activities, I spent hours just waiting for police calls so I could attend crimes an battle enemies. This is perhaps where Insomniac need to be commended most. Games are all too disposable at times, once its done you're done with it, but Marvel’s Spider-Man is so damn fun, even when everything is done. You feel the need to explore, the need to finish the side missions and activities, because every aspect is so well produced.
I do however have minor issues to mention. I did experience tiny pauses in gameplay whilst the city loaded more buildings, I don't know if this was down to playing on a standard PS4 rather than a Pro. The story does sometimes cut a few beats short in areas, and the DLC feels like it could of been included within the game, which ultimately feels like it was, and was decided to be DLC for an extra cost. But, these are little gripes for an overall fantastic package. I can’t wait to see what happens next.
Chris Sawin (602 KP) rated A Nightmare on Elm Street (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Nancy (Rooney Mara) thinks she's suffering from an average case of nightmares that are causing her to lose sleep. A burned man with blades on his fingers haunts her dreams. She doesn't think much of it until her friends start getting picked off one by one while they sleep and are dreaming of the same man. Something happened during their childhood that connects them to this man that their parents are trying to cover up. As far as anyone else is concerned, Freddy Krueger (Jackie Earle Haley) never existed. What their parents refuse to believe is that Freddy exists in the dreams of their children causing them to remember their past and kill them. Now it's up to Nancy and her friend Quentin (Kyle Gallner) to figure out how the pieces of the puzzle fit before they become Freddy's next victims.
A Nightmare on Elm Street is one of the most beloved horror classics of all time. The original introduced us to Fred Krueger who would later be known as "Freddy" and evolve into one of the most popular icons in the horror genre. 26 years later, the film has been remade and Jackie Earle Haley has replaced Robert Englund as the dream-stalking child killer. Fans of the original franchise were left wondering if there was a slight chance of this being somewhat decent and if Haley's version of Freddy wouldn't be cringeworthy. Truth be told, the film may not be as bad as you're expecting.
This remake rests on the shoulders of Haley's portrayal of Freddy. If die hard horror fans can get past constantly comparing him to Englund, then they'll realize that Haley doesn't do a bad job. His Rorschach voice was actually a great choice for the role as it seemed to reverberate off the walls of the theater throughout the entire film. His stalking methods were a bit different than expected. Haley's Freddy doesn't talk as much as Englund's and seems to be off-screen just as often as he is on. The wisecracking has been toned way down, as well, but he does manage to squeeze in, "How's this for a wet dream?" Haley's version of Freddy is angry. He is PISSED that these kids squealed on him and he wants them to pay, but wants to dish out his revenge in a way that lets him have fun at the same time. His body language speaks volumes, too. His bladed fingers itch in anticipation of the kill. In fact, it seems like his fingers talk more than he does. The realistic burn victim route with the make-up seems like it's just as much a blessing as it is a curse. Freddy's eyes look really weird. They're too small and beady. He looks like kind of like a monkey when you do catch a full glimpse of his face. That's a shame, too. Since everything else looks pretty fantastic.
The storyline seems to basically follow the same path as the original film, but it probably should have skipped some of the new detours it makes along the way. Kris dreams of herself as a child with bloody claw marks across her torso and then finds the same dress with four gashes in her attic, but she doesn't have any scars from this rather severe injury she obtained when she was five? Even if the explanation was she had some sort of cosmetic surgery, wouldn't that be just as traumatic for a child? The CG version of the scene where we see Freddy coming out of the wall in the remake is probably the weakest in the entire film. The scene in the original is one of its most memorable visuals. In the remake, it's botched thanks to crummy CG. Even in comparison to the rest of the CG in the film, it doesn't measure up. It's the one scene that I wasn't able to look past. However, the micronaps idea is truly fantastic for the film. That was one thing I highly approved of going into it. The way that is pulled off is one of the highlights of the remake. It's one of those ideas that fits so perfectly, you're surprised it wasn't in the original film. Fred Krueger's background is where the film really goes into its own territory though. Fred was a gardener who lived in the basement of Badham Pre-School and the children were his life. He apparently took them to his "cave" where they emerged with scratches on their bodies. The parents of Elm Street don't bother trying to inform the police. They just burn Krueger alive as retribution to what he did to their children. While the original franchise never really came right out and said that Freddy was a child molester, it always strongly hinted at it. The remake seems to basically come right out and say that he is one without actually saying it. The evidence they find in his "cave" solidifies that fact. Maybe they felt like they needed to do that since this is such a "serious" version of Freddy...? Certain things just don't add up in the long run. Quentin and Nancy are driving in a car at one point and Quentin has a micronap where he sees Freddy in front of the car. He swerves out of the way to avoid hitting him and winds up in this boggy marsh off the side of the road. The question is WHY would you swerve out of the way of a man who was trying to kill you?
The kills seem to get more gruesome as the film goes on. It's a nice route to go, really. The last kill of the film is probably the one you'll remember most. I wasn't too incredibly attached to Nancy in the original film, but Rooney Mara's version was really boring. You don't care about what happens to her at all. You're more interested in what happens to her friends. She's an art student that can't sleep and is connected to Freddy somehow. That's pretty much all that's revealed. Why should we care that she may die?
A Nightmare on Elm Street certainly has its misfires when it comes to special effects and its storyline, but the problems it has aren't really any different than the problems most modern day horror movies have. At least the acting wasn't terrible like in an 80s slasher and the CG effects aren't incredibly outdated or anything. The film was designed to appeal to the demographic going to movie theaters to see a horror movie in 2010 and it seems to do that very well. Sure, it probably doesn't live up to the original film, but not many remakes do. If people see this without seeing the original film first, they'll probably love the remake. For original Freddy fans though, it'll probably come down to Haley's portrayal of Freddy. If you can see the film without any expectations or with finally accepting the fact that Robert Englund is no longer Freddy, it actually isn't quite as terrible as you may have originally thought. Strangely enough, it's even entertaining at times. Go figure.
A Nightmare on Elm Street is one of the most beloved horror classics of all time. The original introduced us to Fred Krueger who would later be known as "Freddy" and evolve into one of the most popular icons in the horror genre. 26 years later, the film has been remade and Jackie Earle Haley has replaced Robert Englund as the dream-stalking child killer. Fans of the original franchise were left wondering if there was a slight chance of this being somewhat decent and if Haley's version of Freddy wouldn't be cringeworthy. Truth be told, the film may not be as bad as you're expecting.
This remake rests on the shoulders of Haley's portrayal of Freddy. If die hard horror fans can get past constantly comparing him to Englund, then they'll realize that Haley doesn't do a bad job. His Rorschach voice was actually a great choice for the role as it seemed to reverberate off the walls of the theater throughout the entire film. His stalking methods were a bit different than expected. Haley's Freddy doesn't talk as much as Englund's and seems to be off-screen just as often as he is on. The wisecracking has been toned way down, as well, but he does manage to squeeze in, "How's this for a wet dream?" Haley's version of Freddy is angry. He is PISSED that these kids squealed on him and he wants them to pay, but wants to dish out his revenge in a way that lets him have fun at the same time. His body language speaks volumes, too. His bladed fingers itch in anticipation of the kill. In fact, it seems like his fingers talk more than he does. The realistic burn victim route with the make-up seems like it's just as much a blessing as it is a curse. Freddy's eyes look really weird. They're too small and beady. He looks like kind of like a monkey when you do catch a full glimpse of his face. That's a shame, too. Since everything else looks pretty fantastic.
The storyline seems to basically follow the same path as the original film, but it probably should have skipped some of the new detours it makes along the way. Kris dreams of herself as a child with bloody claw marks across her torso and then finds the same dress with four gashes in her attic, but she doesn't have any scars from this rather severe injury she obtained when she was five? Even if the explanation was she had some sort of cosmetic surgery, wouldn't that be just as traumatic for a child? The CG version of the scene where we see Freddy coming out of the wall in the remake is probably the weakest in the entire film. The scene in the original is one of its most memorable visuals. In the remake, it's botched thanks to crummy CG. Even in comparison to the rest of the CG in the film, it doesn't measure up. It's the one scene that I wasn't able to look past. However, the micronaps idea is truly fantastic for the film. That was one thing I highly approved of going into it. The way that is pulled off is one of the highlights of the remake. It's one of those ideas that fits so perfectly, you're surprised it wasn't in the original film. Fred Krueger's background is where the film really goes into its own territory though. Fred was a gardener who lived in the basement of Badham Pre-School and the children were his life. He apparently took them to his "cave" where they emerged with scratches on their bodies. The parents of Elm Street don't bother trying to inform the police. They just burn Krueger alive as retribution to what he did to their children. While the original franchise never really came right out and said that Freddy was a child molester, it always strongly hinted at it. The remake seems to basically come right out and say that he is one without actually saying it. The evidence they find in his "cave" solidifies that fact. Maybe they felt like they needed to do that since this is such a "serious" version of Freddy...? Certain things just don't add up in the long run. Quentin and Nancy are driving in a car at one point and Quentin has a micronap where he sees Freddy in front of the car. He swerves out of the way to avoid hitting him and winds up in this boggy marsh off the side of the road. The question is WHY would you swerve out of the way of a man who was trying to kill you?
The kills seem to get more gruesome as the film goes on. It's a nice route to go, really. The last kill of the film is probably the one you'll remember most. I wasn't too incredibly attached to Nancy in the original film, but Rooney Mara's version was really boring. You don't care about what happens to her at all. You're more interested in what happens to her friends. She's an art student that can't sleep and is connected to Freddy somehow. That's pretty much all that's revealed. Why should we care that she may die?
A Nightmare on Elm Street certainly has its misfires when it comes to special effects and its storyline, but the problems it has aren't really any different than the problems most modern day horror movies have. At least the acting wasn't terrible like in an 80s slasher and the CG effects aren't incredibly outdated or anything. The film was designed to appeal to the demographic going to movie theaters to see a horror movie in 2010 and it seems to do that very well. Sure, it probably doesn't live up to the original film, but not many remakes do. If people see this without seeing the original film first, they'll probably love the remake. For original Freddy fans though, it'll probably come down to Haley's portrayal of Freddy. If you can see the film without any expectations or with finally accepting the fact that Robert Englund is no longer Freddy, it actually isn't quite as terrible as you may have originally thought. Strangely enough, it's even entertaining at times. Go figure.
Hazel (1853 KP) rated Grave Mercy (His Fair Assassin, #1) in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Grave Mercy</i> is the first book in Robin LaFevers’ trilogy <i>His Fair Assassin</i> set in Brittany in the middle ages. Young Ismae Rienne escapes from her new, abusive husband to the sanctuary of the convent of St. Mortain, where she learns that she was sired by the god of death. She, like the other sisters of the convent, has been blessed with certain gifts as a result. Their job is to be the handmaidens of death and help to kill people on behalf of St. Mortain.
Ismae’s task is to live in the high courts with a man named Gavriel Duval in order to remove the traitors that threaten the soon to be crowned duchess, Anne. While she is there she begins to suspect that one of the allies is a traitor, but whom? She also begins to fall in love and feels torn in two when the convent demands his death.
It takes a long time to understand what is going on in <i>Grave Mercy</i> especially as a lot of it involves politics of an era of long ago. Towards the end it begins to become more exciting once the reader has worked out who are the good characters and who are the bad and all that is left is to discover how it all resolves itself.
There is something about death and murder in historical fiction that is more gruesome than in contemporary novels. This is another reason why the book was difficult to read.
Initially the amount of names listed on the “Dramatis Personae” at the start of the book was a little daunting however not all of them are key to the plot. The main character, Ismae, is likable and her strength and independence is admirable especially as women did not have much control over their lives at that time. Most of the other characters also existed in real life as, although in part a fantasy novel, LaFevers’ has kept it as historically accurate as possible.
Looking at the reviews on <i>Goodreads</i>, over 900 readers have listed <i>Grave Mercy</i> as Young Adult. After reading the book there is nothing to suggest that it was written for that age group. Admittedly the characters are very young: Ismae, 17, and Anne, 12; but in the 1400s they would have seemed older than society regards people of that age today. The romantic element of the novel is the kind you would expect to find in adult historical novels rather than books for younger readers.
Overall this is a book for people who appreciate historical and political fiction but also like an element of fantasy and romance. It is written really well but to be able to engage fully with the story you need to be really interested in the subject matter.
<i>Grave Mercy</i> is the first book in Robin LaFevers’ trilogy <i>His Fair Assassin</i> set in Brittany in the middle ages. Young Ismae Rienne escapes from her new, abusive husband to the sanctuary of the convent of St. Mortain, where she learns that she was sired by the god of death. She, like the other sisters of the convent, has been blessed with certain gifts as a result. Their job is to be the handmaidens of death and help to kill people on behalf of St. Mortain.
Ismae’s task is to live in the high courts with a man named Gavriel Duval in order to remove the traitors that threaten the soon to be crowned duchess, Anne. While she is there she begins to suspect that one of the allies is a traitor, but whom? She also begins to fall in love and feels torn in two when the convent demands his death.
It takes a long time to understand what is going on in <i>Grave Mercy</i> especially as a lot of it involves politics of an era of long ago. Towards the end it begins to become more exciting once the reader has worked out who are the good characters and who are the bad and all that is left is to discover how it all resolves itself.
There is something about death and murder in historical fiction that is more gruesome than in contemporary novels. This is another reason why the book was difficult to read.
Initially the amount of names listed on the “Dramatis Personae” at the start of the book was a little daunting however not all of them are key to the plot. The main character, Ismae, is likable and her strength and independence is admirable especially as women did not have much control over their lives at that time. Most of the other characters also existed in real life as, although in part a fantasy novel, LaFevers’ has kept it as historically accurate as possible.
Looking at the reviews on <i>Goodreads</i>, over 900 readers have listed <i>Grave Mercy</i> as Young Adult. After reading the book there is nothing to suggest that it was written for that age group. Admittedly the characters are very young: Ismae, 17, and Anne, 12; but in the 1400s they would have seemed older than society regards people of that age today. The romantic element of the novel is the kind you would expect to find in adult historical novels rather than books for younger readers.
Overall this is a book for people who appreciate historical and political fiction but also like an element of fantasy and romance. It is written really well but to be able to engage fully with the story you need to be really interested in the subject matter.
Debbiereadsbook (1110 KP) rated The Alcove (Lavender Shores #7) in Books
Jul 21, 2018
I ADORE this series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 7 in the Lavender Shores series, and I would recommend you read the other books before this one. Not totally necessary, but you should, not least because I said so!
Jasper is happy in Lavender Shores, working his bookshop, Lavender Pages. That is, until someone he thought long gone turns up. So Harrison, Jasper's older brother, hires a bodyguard for Jasper while he is out of town. But Jasper and Russell have met before, 7 years ago. While neither immediately remembers their encounter, its clear the attraction is felt from both sides. When Jasper's ex gets nasty, can Russell keep his head to save Jasper??
In another review for this series, I said I was enjoying these books because there were no nutty exes or no violence to deal with but I LOVED this because there is both of these in this book! Go Figure!
I really am struggling to word what I need to say about this book, I loved it that much! So bare with me, okay?? I might waffle!
Jasper is happy. He doesn't want a relationship but he can get as much or as little male companionship as he wants. That is, til Russell walks through his door and then all bets are off. I loved that neither Jasper or Russell believed they deserved to be truly happy, but they each thought the other did.
Russell's reason for being in that bathhouse 7 years ago comes out all in one go, and your heart breaks for him, it really does. I'm not gonna go into details, cos spoilers and all but know this, it really is painful reading.
I'm not usually one for professions of love early on. While the words are bandied about in each guy's head early, they aren't SAID early. They were said at the right and proper time, I thought.
Loved that Jasper managed to dig deep inside himself to bring things to a head with the nutty ex. I won't say how.
Harrison obviously plays a part here, and there are some pop ups along the way of other couples who have had their stories.
But now I'm left wanting another story. One which has already gone. Pete, from the coffee shop, already had his happy ever after, but his husband has passed away. And now I want THEIR story!
Abel keeps doing that to me, making me want stories, stories and MORE stories!! A sign of an accomplished author, that, making me want more, more MORE!!
Who is next?? No idea, and I really don't care so long as I can get my grubby little mitts on it!
310 pages; one sitting; wanting more, means I can't give it anything other than...
5 full stars
**same worded review will appear elsewhere**
This is book 7 in the Lavender Shores series, and I would recommend you read the other books before this one. Not totally necessary, but you should, not least because I said so!
Jasper is happy in Lavender Shores, working his bookshop, Lavender Pages. That is, until someone he thought long gone turns up. So Harrison, Jasper's older brother, hires a bodyguard for Jasper while he is out of town. But Jasper and Russell have met before, 7 years ago. While neither immediately remembers their encounter, its clear the attraction is felt from both sides. When Jasper's ex gets nasty, can Russell keep his head to save Jasper??
In another review for this series, I said I was enjoying these books because there were no nutty exes or no violence to deal with but I LOVED this because there is both of these in this book! Go Figure!
I really am struggling to word what I need to say about this book, I loved it that much! So bare with me, okay?? I might waffle!
Jasper is happy. He doesn't want a relationship but he can get as much or as little male companionship as he wants. That is, til Russell walks through his door and then all bets are off. I loved that neither Jasper or Russell believed they deserved to be truly happy, but they each thought the other did.
Russell's reason for being in that bathhouse 7 years ago comes out all in one go, and your heart breaks for him, it really does. I'm not gonna go into details, cos spoilers and all but know this, it really is painful reading.
I'm not usually one for professions of love early on. While the words are bandied about in each guy's head early, they aren't SAID early. They were said at the right and proper time, I thought.
Loved that Jasper managed to dig deep inside himself to bring things to a head with the nutty ex. I won't say how.
Harrison obviously plays a part here, and there are some pop ups along the way of other couples who have had their stories.
But now I'm left wanting another story. One which has already gone. Pete, from the coffee shop, already had his happy ever after, but his husband has passed away. And now I want THEIR story!
Abel keeps doing that to me, making me want stories, stories and MORE stories!! A sign of an accomplished author, that, making me want more, more MORE!!
Who is next?? No idea, and I really don't care so long as I can get my grubby little mitts on it!
310 pages; one sitting; wanting more, means I can't give it anything other than...
5 full stars
**same worded review will appear elsewhere**
Bong Mines Entertainment (15 KP) rated Focused - Single by Lilly Whyte in Music
Jun 17, 2019
Lilly Whyte is an Atlanta-based rapper-singer from Loris, South Carolina. Not too long ago, she released a motivational rap tune, entitled, “Focused”.
“I been working hard, I know its gonna take time. I can’t let down my guard, can’t let nobody take my shine, I need to just focus. Please just let me focus. I been down before and I ain’t never going back. I’m hungry for more so tell me where the money at. I’m just being honest. I’m gonna get it regardless.” – lyrics
‘Focused’ tells an encouraging tale of a determined young woman who is focused on getting what’s hers. But, as she gets closer to accomplishing her goals, there’s a guy in her life who’s trying to get close to her.
Even though she’s not looking for closure with him, she knows deep down she can’t afford to lose her concentration to distractions. Therefore, she chooses to stay motivated and refuses to let him come remotely close to disrupting her grind.
‘Focused’ contains a relatable storyline, harmonious rap vocals, and melodic instrumentation flavored with contemporary R&B and hip-hop elements.
“So excited about this record because it’s the first song I actually recorded all by myself. I literally wrote this song in my head as I was teaching myself how to engineer. FOCUSING on my craft and not letting anything stop me. FOCUSED is the product of me staying up all night in my little at-home-studio and not giving up. This song is very motivational which is why it’s one of my all-time favorites. I’ve always had a hard time focusing on what I’m supposed to be doing because I’m always so easily distracted. It can be really frustrating sometimes. I literally have to tell myself to just FOCUS, but this song is way more than that.” – Lilly Whyte
Lilly Whyte struggled with health and addiction issues, along with becoming a mother at a young age.
With a determination and drive inherent only to single mothers, she overcame her hardships by using music as an outlet for healing and growth.
She represents love, peace, and diversity, writing lyrics that are rich, fiery and full of meaning. Her stories cover themes such as empowerment, positivity, and self-acceptance.
Also, she’s an accomplished dancer, and her love for Lil Wayne’s music has garnered her the nickname, Lil Wheezy.
“I call out a certain someone for trying to come into my life and distract me. I have way too many trust issues from past experiences and I’m sure a few of you can relate. The beat was produced by DrellOnTheTrack and it has a guitar in the melody which is ironic as I also play the guitar. Hope you gain as much from this track as I did and don’t forget to STAY FOCUSED!” – Lilly Whyte
https://www.bongminesentertainment.com/lilly-whyte-focused/
“I been working hard, I know its gonna take time. I can’t let down my guard, can’t let nobody take my shine, I need to just focus. Please just let me focus. I been down before and I ain’t never going back. I’m hungry for more so tell me where the money at. I’m just being honest. I’m gonna get it regardless.” – lyrics
‘Focused’ tells an encouraging tale of a determined young woman who is focused on getting what’s hers. But, as she gets closer to accomplishing her goals, there’s a guy in her life who’s trying to get close to her.
Even though she’s not looking for closure with him, she knows deep down she can’t afford to lose her concentration to distractions. Therefore, she chooses to stay motivated and refuses to let him come remotely close to disrupting her grind.
‘Focused’ contains a relatable storyline, harmonious rap vocals, and melodic instrumentation flavored with contemporary R&B and hip-hop elements.
“So excited about this record because it’s the first song I actually recorded all by myself. I literally wrote this song in my head as I was teaching myself how to engineer. FOCUSING on my craft and not letting anything stop me. FOCUSED is the product of me staying up all night in my little at-home-studio and not giving up. This song is very motivational which is why it’s one of my all-time favorites. I’ve always had a hard time focusing on what I’m supposed to be doing because I’m always so easily distracted. It can be really frustrating sometimes. I literally have to tell myself to just FOCUS, but this song is way more than that.” – Lilly Whyte
Lilly Whyte struggled with health and addiction issues, along with becoming a mother at a young age.
With a determination and drive inherent only to single mothers, she overcame her hardships by using music as an outlet for healing and growth.
She represents love, peace, and diversity, writing lyrics that are rich, fiery and full of meaning. Her stories cover themes such as empowerment, positivity, and self-acceptance.
Also, she’s an accomplished dancer, and her love for Lil Wayne’s music has garnered her the nickname, Lil Wheezy.
“I call out a certain someone for trying to come into my life and distract me. I have way too many trust issues from past experiences and I’m sure a few of you can relate. The beat was produced by DrellOnTheTrack and it has a guitar in the melody which is ironic as I also play the guitar. Hope you gain as much from this track as I did and don’t forget to STAY FOCUSED!” – Lilly Whyte
https://www.bongminesentertainment.com/lilly-whyte-focused/
Gareth von Kallenbach (971 KP) rated The Last of Us Remastered in Video Games
Jun 19, 2019
There are those who think that remakes of films and games are a bad idea
as they believe that they show a lack of creativity and originality.
However when a game is remastered it can be another story entirely.
Many classics from the past have had a graphical update especially PS 1-2
classics that were brought up to modern standards for the PS 3.
However when a game is remastered less than a year after the original game
was released, many are sure to have questions.
With The Last of Us Remastered, Naughty Dog has given Playstation 4 fans
what they have wanted, a top-flight game with a winning online component
and the amazing DLC that extended the story behind the award winning
original game for the PS 3.
The original game was a defining statement for the PS 3 but the game
pushed the system to the limits and with the PS 4 following soon after and
not being backwards compatible, a PS 4 version of the game was the best
option.
The game shines as the graphics have been taken to an even higher level
and the faster frame rates and smooth play let you really enjoy the
immersive world of the game as well as taking the horror to the next
level.
Playing as survivors from a Zombie like outbreak, players embark on an
escort mission to take a young girl to safety who may just hold the fate
of humanity in her blood.
The horror, violence, weapon crafting, and great narrative are all here,
and better than ever.
As a fan of the game, I had wondered if remastered graphics would be
enough to get players to want to play through a game again or if it was
mainly for those who had yet to purchase the game.
I have enjoyed the multiplay although I did have some long waits in my
connection, which thankfully have been addressed in the latest patch.
My wife had a interest in the PS 3 version of the game although horror
games are not her thing. When I started up the PS 4 version of the game
she was riveted to the tense opening scenes and narratives.
In the end there will be those who say that they do not want to play for a
game they have only recently purchased but Naughty Dog reduced the price $10.00 and added on the bonus content to make the investment a much better deal.
When you look at all the DLC content, episodes, as well as the ability to
screen cap and stream your action on the PS 4, to say nothing of the jaw
dropping visuals, The Last of Us Remastered is a must own for PS 4 fans as
they have made a near perfect game even better.
http://sknr.net/2014/08/12/the-last-of-us-remastered/
as they believe that they show a lack of creativity and originality.
However when a game is remastered it can be another story entirely.
Many classics from the past have had a graphical update especially PS 1-2
classics that were brought up to modern standards for the PS 3.
However when a game is remastered less than a year after the original game
was released, many are sure to have questions.
With The Last of Us Remastered, Naughty Dog has given Playstation 4 fans
what they have wanted, a top-flight game with a winning online component
and the amazing DLC that extended the story behind the award winning
original game for the PS 3.
The original game was a defining statement for the PS 3 but the game
pushed the system to the limits and with the PS 4 following soon after and
not being backwards compatible, a PS 4 version of the game was the best
option.
The game shines as the graphics have been taken to an even higher level
and the faster frame rates and smooth play let you really enjoy the
immersive world of the game as well as taking the horror to the next
level.
Playing as survivors from a Zombie like outbreak, players embark on an
escort mission to take a young girl to safety who may just hold the fate
of humanity in her blood.
The horror, violence, weapon crafting, and great narrative are all here,
and better than ever.
As a fan of the game, I had wondered if remastered graphics would be
enough to get players to want to play through a game again or if it was
mainly for those who had yet to purchase the game.
I have enjoyed the multiplay although I did have some long waits in my
connection, which thankfully have been addressed in the latest patch.
My wife had a interest in the PS 3 version of the game although horror
games are not her thing. When I started up the PS 4 version of the game
she was riveted to the tense opening scenes and narratives.
In the end there will be those who say that they do not want to play for a
game they have only recently purchased but Naughty Dog reduced the price $10.00 and added on the bonus content to make the investment a much better deal.
When you look at all the DLC content, episodes, as well as the ability to
screen cap and stream your action on the PS 4, to say nothing of the jaw
dropping visuals, The Last of Us Remastered is a must own for PS 4 fans as
they have made a near perfect game even better.
http://sknr.net/2014/08/12/the-last-of-us-remastered/
Gareth von Kallenbach (971 KP) rated Mission: Impossible – Rogue Nation (2015) in Movies
Jun 19, 2019
Cue the iconic theme music as Tom Cruise is back for a 5th outing as Ethan Hunt in the latest film in the Mission Impossible Series. “Mission Impossible: Rogue Nation” finds Ethan and his Impossible Mission Force Team shut down by a government oversite committee as they are nearing the source of a mysterious organization known as “The Syndicate”
Ethan believes that the Syndicate is an elite organization comprised of several former agents from all over the world who have officially been declared dead.
This allows them to operate outside any law or jurisdiction and their mysterious leader Lane (Sean Harris), seems to be connected to several killings, heists, and bizarre happening which seem to be connected in a plot to undermine the governments of the world.
Naturally Ethan is not going to let the closure of his organization go without a fight and opts to go on the run with an unsanctioned operation. This action causes CIA Chief Alan Hunley (Alec Baldwin) to hotly pursuit Ethan.
With foes surrounding him, Ethan enlists his friend Benji (Simon Pegg), to help him as they must deal with a mysterious new element in Isla Faust (Rebecca Ferguson), a former British Agent who appears to work for Lane but has helped Ethan along the way.
In a race against time, locales ranging from Vienna to Morocco and London come into play as Ethan and crew try to retrieve a valuable item that Lane wants that may be the key to defeating a skilled and deadly enemy that seems to know and anticipate their every move.
The action in the film is first-rate and Cruise himself did his own stunts which is amazing when you see how daring, dangerous, and complex they were.
Many of the Mission Impossible films have used overly complicated plots to fuel the action and this film is not as complex but still has many nice twists to it. My only issue was the ending was a bit to “Hollywood” for my liking as certain individuals seemed to operate against type and established patterns for the sake of the finale.
I also wish that Jeremy Renner and Ving Rhames were given more to do than talk and hover over a computer as it would have been nice seeing them more involved in the action.
Fortunately Cruise and Ferguson fill that requirement as the film is a very satisfying action film that shows that there is plenty of life in the series.
Director Christopher Mc Quarrie has worked with Cruise many times in the past and knows what his lead is capable of and also gets the chemistry between the stars to show when it is needed without letting the action overshadow the human element of the film.
Rogue Nation is a fast, clever, and entertaining action film which will keep you entertained throughout.
http://sknr.net/2015/07/31/mission-impossible-rogue-nation/
Ethan believes that the Syndicate is an elite organization comprised of several former agents from all over the world who have officially been declared dead.
This allows them to operate outside any law or jurisdiction and their mysterious leader Lane (Sean Harris), seems to be connected to several killings, heists, and bizarre happening which seem to be connected in a plot to undermine the governments of the world.
Naturally Ethan is not going to let the closure of his organization go without a fight and opts to go on the run with an unsanctioned operation. This action causes CIA Chief Alan Hunley (Alec Baldwin) to hotly pursuit Ethan.
With foes surrounding him, Ethan enlists his friend Benji (Simon Pegg), to help him as they must deal with a mysterious new element in Isla Faust (Rebecca Ferguson), a former British Agent who appears to work for Lane but has helped Ethan along the way.
In a race against time, locales ranging from Vienna to Morocco and London come into play as Ethan and crew try to retrieve a valuable item that Lane wants that may be the key to defeating a skilled and deadly enemy that seems to know and anticipate their every move.
The action in the film is first-rate and Cruise himself did his own stunts which is amazing when you see how daring, dangerous, and complex they were.
Many of the Mission Impossible films have used overly complicated plots to fuel the action and this film is not as complex but still has many nice twists to it. My only issue was the ending was a bit to “Hollywood” for my liking as certain individuals seemed to operate against type and established patterns for the sake of the finale.
I also wish that Jeremy Renner and Ving Rhames were given more to do than talk and hover over a computer as it would have been nice seeing them more involved in the action.
Fortunately Cruise and Ferguson fill that requirement as the film is a very satisfying action film that shows that there is plenty of life in the series.
Director Christopher Mc Quarrie has worked with Cruise many times in the past and knows what his lead is capable of and also gets the chemistry between the stars to show when it is needed without letting the action overshadow the human element of the film.
Rogue Nation is a fast, clever, and entertaining action film which will keep you entertained throughout.
http://sknr.net/2015/07/31/mission-impossible-rogue-nation/
Gareth von Kallenbach (971 KP) rated Blades of Glory (2007) in Movies
Aug 14, 2019
Chazz Michael Michaels (Will Ferrell), and Jimmy MacElroy (Jon Heder), are as opposite as two men can be. Chazz is loud, boisterous, and highly sexual, whereas Jimmy is soft, artistic, and reserved.
In the new comedy Blades of Glory the two rivals are about to become the talk of their sport when both lose their medals and are banned from competitive skating after an on ice incident shortly after they tie for the gold medal.
While both are devastated by the events, Jimmy has an even higher cost to pay as his adoptive father disowns him since he is no longer a star athlete who will bring him fame an attention.
Flash forward 3.5 years and we find that life has not been easy for the former two stars. Jimmy toils away in a sporting good shop, while Chazz is reduced to playing a masked character in a themed ice show.
Fate steps in when a stalker informs Jimmy that he is only banned from singles skating and is able to compete in pairs competitions. With the signup for qualifications two days away, Jimmy heads to a local ice show in hopes of finding a partner for the competition.
Sadly Jimmy has chosen the same show were Chazz works, and the two bitter rivals soon find themselves fighting once again.
When the footage makes the local news, Jimmy’s old coach (Craig T. Nelson), hits upon the idea of having the two men compete as the first male team in skating history.
Naturally the two men hate the idea, but with a deadline looming and no other options, Chazz and Jimmy begin to train.
As shocking as this turn of events is to the sporting world, it draws the ire of the reigning champions the Van Waldenberg’s (Will Arnett and Amy Poehler), who setout to ruin Jimmy and Chazz so they can once again capture the gold.
As they train, one hilarious situation after another arises, as the two men with vastly different lifestyles and outlooks must find a way to work with one another to recapture their former glory.
At first I was worried that the films premise would grow old after a few minutes, but I am happy to say it did not. The film is very silly and filled with juvenile humor, but has an easygoing charm that makes it a fun if forgettable film.
Heder and Ferrell work well with one another, and their skating sequences have some truly funny and inspired moments. I do not think I will soon forget the look on Chazz’s face when he has to lift Jimmy one handed while balancing him in a sensitive area.
The film will not be confused anytime soon for a comedic work of genius, but if you want some laughs and are not expecting a deep plot or characters, then this film may be what you are looking for.
In the new comedy Blades of Glory the two rivals are about to become the talk of their sport when both lose their medals and are banned from competitive skating after an on ice incident shortly after they tie for the gold medal.
While both are devastated by the events, Jimmy has an even higher cost to pay as his adoptive father disowns him since he is no longer a star athlete who will bring him fame an attention.
Flash forward 3.5 years and we find that life has not been easy for the former two stars. Jimmy toils away in a sporting good shop, while Chazz is reduced to playing a masked character in a themed ice show.
Fate steps in when a stalker informs Jimmy that he is only banned from singles skating and is able to compete in pairs competitions. With the signup for qualifications two days away, Jimmy heads to a local ice show in hopes of finding a partner for the competition.
Sadly Jimmy has chosen the same show were Chazz works, and the two bitter rivals soon find themselves fighting once again.
When the footage makes the local news, Jimmy’s old coach (Craig T. Nelson), hits upon the idea of having the two men compete as the first male team in skating history.
Naturally the two men hate the idea, but with a deadline looming and no other options, Chazz and Jimmy begin to train.
As shocking as this turn of events is to the sporting world, it draws the ire of the reigning champions the Van Waldenberg’s (Will Arnett and Amy Poehler), who setout to ruin Jimmy and Chazz so they can once again capture the gold.
As they train, one hilarious situation after another arises, as the two men with vastly different lifestyles and outlooks must find a way to work with one another to recapture their former glory.
At first I was worried that the films premise would grow old after a few minutes, but I am happy to say it did not. The film is very silly and filled with juvenile humor, but has an easygoing charm that makes it a fun if forgettable film.
Heder and Ferrell work well with one another, and their skating sequences have some truly funny and inspired moments. I do not think I will soon forget the look on Chazz’s face when he has to lift Jimmy one handed while balancing him in a sensitive area.
The film will not be confused anytime soon for a comedic work of genius, but if you want some laughs and are not expecting a deep plot or characters, then this film may be what you are looking for.
Gareth von Kallenbach (971 KP) rated The Wedding Date (2005) in Movies
Aug 14, 2019
The first romantic comedy of the year has arrived and sadly, it is likely to do about as much for romantics as the Black Plaque did for European Travel. The film stars Debra Messing stars as Kat Ellis, a successful career woman who is about to travel to England for the wedding of her younger sister.
Sadly for Kat, her ex is the best man at the wedding, and since he left Kat high and dry with only an engagement ring and no explanation. Desperate to get back at her ex, Kat hires a male escort named Nick (Dermot Mulrony), to pose as her boyfriend.
One would think that with a premise such as this, there would be amble opportunity for laughter, romance, and drama; sadly there is precious little of any of this in the film. Messing tries her best but there is nothing in the material for her to work with. The characters are so weak and one dimensional, that you never really connect with them nor care for their plight.
Mulrony is wasted in the film as he generally seems bored and generates zero chemistry with his co star. He is forced to drift from one scene to another without the benefit of well placed transitions or build up, making the film come across as desperately in search of a direction.
Further complicating the film was an apparent overabundance of editing as scenes concluded only to be followed by scenes that took place much later without the benefit of any transition. As if this matter was not bad enough, references to the past scene and events that were not shown to the audience are constant throughout the film.
While all this could be excused, what can’t be excused is the bizarre lack of humor and romance in the film. It does not take a rocket scientist to see where the film is going, but we never get to see the how and why the characters came to this decision. Nick is a professional escort, and as such, it would stand to reason that he would have hard and fast rules about becoming involved with his clients on a serious basis. Yet, for reasons unknown, he is ready to pledge his undying love in just a couple of days to a person he has spent precious little time with, and seems to have next to zero chemistry with.
Some viewers may also take issue with the notion that a career woman feels the need to parade a man around to show her worth and value, and the fact that she had to hire one as she is seemingly incapable of getting and keeping one on her own.
Somewhere along the way, a good concept for a film went horribly wrong, as The Wedding Date is a clich filled effort that is lacking heart and warmth leaving you wanting more.
Sadly for Kat, her ex is the best man at the wedding, and since he left Kat high and dry with only an engagement ring and no explanation. Desperate to get back at her ex, Kat hires a male escort named Nick (Dermot Mulrony), to pose as her boyfriend.
One would think that with a premise such as this, there would be amble opportunity for laughter, romance, and drama; sadly there is precious little of any of this in the film. Messing tries her best but there is nothing in the material for her to work with. The characters are so weak and one dimensional, that you never really connect with them nor care for their plight.
Mulrony is wasted in the film as he generally seems bored and generates zero chemistry with his co star. He is forced to drift from one scene to another without the benefit of well placed transitions or build up, making the film come across as desperately in search of a direction.
Further complicating the film was an apparent overabundance of editing as scenes concluded only to be followed by scenes that took place much later without the benefit of any transition. As if this matter was not bad enough, references to the past scene and events that were not shown to the audience are constant throughout the film.
While all this could be excused, what can’t be excused is the bizarre lack of humor and romance in the film. It does not take a rocket scientist to see where the film is going, but we never get to see the how and why the characters came to this decision. Nick is a professional escort, and as such, it would stand to reason that he would have hard and fast rules about becoming involved with his clients on a serious basis. Yet, for reasons unknown, he is ready to pledge his undying love in just a couple of days to a person he has spent precious little time with, and seems to have next to zero chemistry with.
Some viewers may also take issue with the notion that a career woman feels the need to parade a man around to show her worth and value, and the fact that she had to hire one as she is seemingly incapable of getting and keeping one on her own.
Somewhere along the way, a good concept for a film went horribly wrong, as The Wedding Date is a clich filled effort that is lacking heart and warmth leaving you wanting more.
Veronica Pena (690 KP) rated Call Me by Your Name (2017) in Movies
Jan 19, 2020
I think this film is wonderfully made. I love the story, the characters, the plot, the setting, all of it. I almost wish they didn't set it in time though. It's supposed to be 1983, but what I loved so much about the book is how timeless the story felt. It didn't feel like it belonged to any one decade, it felt like something that could withstand the tests of time and I wish they would've let that play in the movie too.
I love Timothée Chalamet as Elio so much, I think he's perfect. I loved Armie Hammer as Oliver too, there were some points, though, where he definitely seemed older than 24. I loved their chemistry, I think it's obvious that they got along and they had a lot of trust in one another. My favorite character though is Mr. Pearlman. I love his love for Elio and the way that he talks to him, especially after Oliver leaves and he sees that Elio is so obviously heartbroken. I love that he is just accepting and loves him unconditionally but also pushes him to not run from his feelings and to allow them to wash over him. I hope to be that kind of parent when I have kids.
I think this is the type of film that the LGBTQ+ community has been asking for for so long. I love coming out stories and coming of age stories as much as the next person but the stories where it's just comfortable and it's already there and there isn't any need for them to question who they are, those stories are important too. I don't know that this film entirely fits that box, but I think it fits more into that one than the coming of age type. I don't think Elio ever questioned whether or not he liked boys, I think he just questioned whether or not he should if that makes any sense.
I would've loved to see some scenes in the book make it to the screen, but I know that that isn't always possible. Additionally, the only other downside to this film in it's comparison to the book is that the book is written from Elio's perspective so you get all his thoughts and his loves and his assumptions about Oliver as he falls for him and you can only portray so much of that on film without a narration of sorts and if they did that, it would just take away from the story and the things that aren't said.
Lastly, a random side note, in this film, Timothée reminds me a lot of Shia LaBeouf. I have absolutely no idea why, but he does. I wonder if this would be a film Shia would've done if it was made when he was younger.
Anyways, phenomenal film.
I love Timothée Chalamet as Elio so much, I think he's perfect. I loved Armie Hammer as Oliver too, there were some points, though, where he definitely seemed older than 24. I loved their chemistry, I think it's obvious that they got along and they had a lot of trust in one another. My favorite character though is Mr. Pearlman. I love his love for Elio and the way that he talks to him, especially after Oliver leaves and he sees that Elio is so obviously heartbroken. I love that he is just accepting and loves him unconditionally but also pushes him to not run from his feelings and to allow them to wash over him. I hope to be that kind of parent when I have kids.
I think this is the type of film that the LGBTQ+ community has been asking for for so long. I love coming out stories and coming of age stories as much as the next person but the stories where it's just comfortable and it's already there and there isn't any need for them to question who they are, those stories are important too. I don't know that this film entirely fits that box, but I think it fits more into that one than the coming of age type. I don't think Elio ever questioned whether or not he liked boys, I think he just questioned whether or not he should if that makes any sense.
I would've loved to see some scenes in the book make it to the screen, but I know that that isn't always possible. Additionally, the only other downside to this film in it's comparison to the book is that the book is written from Elio's perspective so you get all his thoughts and his loves and his assumptions about Oliver as he falls for him and you can only portray so much of that on film without a narration of sorts and if they did that, it would just take away from the story and the things that aren't said.
Lastly, a random side note, in this film, Timothée reminds me a lot of Shia LaBeouf. I have absolutely no idea why, but he does. I wonder if this would be a film Shia would've done if it was made when he was younger.
Anyways, phenomenal film.