"This movie is the best example of the theme “if you love someone, sometimes you have to let them go.” This guy [Rick], he has fallen in love with this woman, and he can’t get over her. She comes back, and she’s married to this freedom fighter, someone that the Nazis are hunting. If he doesn’t give her these two plane tickets, he gets the girl, because the Nazis will find this guy. If he gives her the tickets, her husband is saved and he’ll never see her again. Boy, what a choice. Love often confronts us with some choices that are the toughest things of all. They include compromise and at times, sacrifice. And to me, Casablanca did that phenomenally well."

"I was completely unprepared when I saw Mulholland Dr. in a small art-house cinema in Stockholm, and it blew my mind. I came out of the movie and just felt like I needed to talk to people and ask questions, like, did you see what I saw? It was huge for me, and it almost felt like, you can’t mess with people like this and get away with it, somebody should do something about it. Usually when American cinema tries to be surreal or nonlinear or non-narrative, it turns either really pretentious or really Hollywood. But David Lynch, in this film but also in general, is probably the only person I know who has succeeded in making his own version of American surrealism."

"The Big Lebowski. Jeff Bridges – I almost put Starman down, too, but I really think I kind of don’t remember the movie so much because I haven’t seen it in so many years – but I love Jeff Bridges, and I love the movie he just did. What was it called? Crazy Heart, he’s great in that. But, I mean, there’s something about The Big Lebowski and that combination with the Coen brothers sensibility, which, he nailed that down. I don’t know exactly what you’d even call that, but brilliant. I loved his performance in that, and I loved John Goodman, and I loved Steve Buscemi. And you know who else was great in that, was Philip Seymour Hoffman. He was really good in that movie, too. Yeah, great, great, great fan of that movie."

"Another great live record. Once I started playing the guitar, Judas Priest was one of those bands that went immediately into my playlist, although back then there were obviously no playlists, as we know them now. It was just a case of what vinyl you had. The band that I was in prior to Metallica, a band called Panic, had a guy called Dave Harmon playing in it. He was a huge Judas Priest fan and while we were trying to get that first Panic formation together, he and I would jam 'Victim Of Changes' over and over again. To me it was the heaviest thing I'd heard in my life up to that point. I think we all have our own idea of what a great twin guitar attack is. I always loved K. K. Downing. I haven't seen Priest with this new cat that's in the band, but the key to the dual guitar is how the two interrelate. In Thin Lizzy, for example, the riffs were a little happy. In Iron Maiden they were somewhere in the middle. But with Priest they were a lot darker and I always gravitated towards that. Regarding the rumours that the record was heavily overdubbed, I never heard that and frankly I don't care. We have had to fix some live performances and whenever you say that people automatically assume that you did it because your performance wasn't good or that you want to fake a really great performance. But sometimes stuff just happens. For example, we did a live broadcast of a show in Mesa, Arizona during the Cryptic Writings era. They went ahead and released a live show and I had not heard it. They said: ""Just trust us."" I had never let anything go out unapproved up until that point and the one time I did it, I noticed that one of the kick drums was turned off. And also David Ellefson's background vocals were completely missing. I thought: ""I will never let this happen again."" Sometimes you get into the studio and hear that things are wrong, like a microphone is inverted and it sounds like it was recorded in a fishbowl. But are you going to shitcan all the audio and video just for that? No, you fix it. But if you're going in there and replacing stuff because you play like shit live, then that's different."