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Gareth von Kallenbach (980 KP) rated Warm Bodies (2013) in Movies
Aug 7, 2019
Considering how many movies are typically released in the first quarter of the year, Warm Bodies is by far the best movie of 2013 so far. “Zombie Love Story” was the first term that came to my mind when I was first made aware of the movie, but it is so much more than that. Part “Romeo and Juliet”, part “Zombieland”, this adaptation of Isaac Marion’s critically acclaimed young adult novel is a humorous and surprisingly fresh zombie movie that gives its own unique look at love.
R, the zombie in our “Romeo” role, is your typical walker (excuse me while I borrow terms from another hit zombie medium). He moves around without purpose, mostly spending his days at the airport. He carries “conversations” with another zombie, M, and his internal monologue certainly lets the viewer know that zombies are fully aware of what they are. As a result of their condition, they no longer have control over what they do. Nor does R try to make excuses for it; they are what they are. This is demonstrated when he and a horde of walkers attack a group of humans. In this group is Julie, who as I am sure you have guessed is our “Juliet”. R immediately falls for her and is determined to have her reciprocate the feelings. This might prove to be difficult, considering that humans and zombies at their core just want to kill each other. It is this feeling, this emotion, that humans thought zombies incapable of, that begins to change R, and other zombies around him.
After the attack, R takes Julie back to his… er, safe haven comes to mind, but it’s really just an abandoned airplane sitting on a tarmac filled with wacky items that R has collected in the time since he became a zombie. Writer/Director Jonathan Levine, who adapted Marion’s novel, has managed to create very smart, witty dialogue, but in a cute way as he did with The Wackness (which Levine also wrote). The sincerity of the dialogue in the movie keeps you interested in a growing relationship that’s way, way outside the box. There is plenty of violence in the movie too, as we see R attack a human, bite their arm, and hide their brains away for a snack later. Speaking of brain, the film explains that when a zombie eats a human’s brains, they remember our memories. This is kind of important.
Despite being a very different romantic comedy, the film also delivers a healthy horror flick. Zombies are not the only thing that is a result of the zombie outbreak. In this post-apocalyptic world there is another threat: bonies. Bonies are zombies that are so far gone they do not care anymore. They’ve given up, have peeled off their skin and attack anything with beating hearts. R says it best in the film. “Zombies do this also, but at least they are conflicted about eating it.” Even though the bonies are fully CG creations, and utterly obviously so, Levine has done it in such a way that you only get quick glances, which is a nice way to keep the PG-13 rating considering all of the blood flowing in the film.
Nicholas Hoult is fantastic in the lead role of R, and he finds a way to turn on the creepy just as easily as he can turn the funny on. Everything our “Romeo” character is supposed to be is remarkably portrayed by Hoult. Of course it helps to have a great supporting cast, Teresa Palmer strong and sweet as Julie and John Malkovich as her father who is the hardened general who is leading the human survivors.
Warm Bodies is a great zombie movie, with an excellent sound track to set the mood throughout the film. But it’s more than that. It is also a charming story of unconventional love. Telling the story from R’s point of view gives it a very fresh feel, but it’s the thought and care that Levine and the cast members put into it that make it such a superb film. Warm Bodies is a love story between woman and monster, and the screenwriting and execution delivers a charm that cannot be denied. Warm Bodies is funny, but it’s also sweet, a bit dark at times, and highly original. All of this combined makes it the first must-see film of 2013.
R, the zombie in our “Romeo” role, is your typical walker (excuse me while I borrow terms from another hit zombie medium). He moves around without purpose, mostly spending his days at the airport. He carries “conversations” with another zombie, M, and his internal monologue certainly lets the viewer know that zombies are fully aware of what they are. As a result of their condition, they no longer have control over what they do. Nor does R try to make excuses for it; they are what they are. This is demonstrated when he and a horde of walkers attack a group of humans. In this group is Julie, who as I am sure you have guessed is our “Juliet”. R immediately falls for her and is determined to have her reciprocate the feelings. This might prove to be difficult, considering that humans and zombies at their core just want to kill each other. It is this feeling, this emotion, that humans thought zombies incapable of, that begins to change R, and other zombies around him.
After the attack, R takes Julie back to his… er, safe haven comes to mind, but it’s really just an abandoned airplane sitting on a tarmac filled with wacky items that R has collected in the time since he became a zombie. Writer/Director Jonathan Levine, who adapted Marion’s novel, has managed to create very smart, witty dialogue, but in a cute way as he did with The Wackness (which Levine also wrote). The sincerity of the dialogue in the movie keeps you interested in a growing relationship that’s way, way outside the box. There is plenty of violence in the movie too, as we see R attack a human, bite their arm, and hide their brains away for a snack later. Speaking of brain, the film explains that when a zombie eats a human’s brains, they remember our memories. This is kind of important.
Despite being a very different romantic comedy, the film also delivers a healthy horror flick. Zombies are not the only thing that is a result of the zombie outbreak. In this post-apocalyptic world there is another threat: bonies. Bonies are zombies that are so far gone they do not care anymore. They’ve given up, have peeled off their skin and attack anything with beating hearts. R says it best in the film. “Zombies do this also, but at least they are conflicted about eating it.” Even though the bonies are fully CG creations, and utterly obviously so, Levine has done it in such a way that you only get quick glances, which is a nice way to keep the PG-13 rating considering all of the blood flowing in the film.
Nicholas Hoult is fantastic in the lead role of R, and he finds a way to turn on the creepy just as easily as he can turn the funny on. Everything our “Romeo” character is supposed to be is remarkably portrayed by Hoult. Of course it helps to have a great supporting cast, Teresa Palmer strong and sweet as Julie and John Malkovich as her father who is the hardened general who is leading the human survivors.
Warm Bodies is a great zombie movie, with an excellent sound track to set the mood throughout the film. But it’s more than that. It is also a charming story of unconventional love. Telling the story from R’s point of view gives it a very fresh feel, but it’s the thought and care that Levine and the cast members put into it that make it such a superb film. Warm Bodies is a love story between woman and monster, and the screenwriting and execution delivers a charm that cannot be denied. Warm Bodies is funny, but it’s also sweet, a bit dark at times, and highly original. All of this combined makes it the first must-see film of 2013.
Haley Mathiot (9 KP) rated Running on the Cracks in Books
Apr 27, 2018
Rating: 3-ish/5
<b> My Summary: </b> Leo is scared. She’s not quite sure what to think of her kooky uncle anymore, and she doesn’t want to take chances. What if he does something to her… Leo runs away. She goes in search of her grandparents, her only living relatives. She accidently gets her photo in the newspaper, and had to hide. She meets a boy named Finlay, who seems to be the one who’s going to put an end to her new freedom… at first anyway. But then Finlay becomes a friend to Leo, and he becomes her key to staying away from her uncle. Leo will do anything to keep from being found and being sent back there. She ends up staying with a crazy lady who is hospitable enough, but refuses to take her medication and whose friends aren’t much better. Then she realizes that her Uncle is on her tail. How will she stay away?
<b> What I thought: </b> Running on the Cracks was an enjoyable read. When I first saw the cover, I imagined an action filled YA novel with a lot of suspense. Although there was suspense, it wasn’t anything that got your blood racing. I thoroughly enjoyed this book when I sat down to read it, but I had to be in the right mood to do it.
<b> The Writing: </b> The format of writing was different than I’d read before, but it was very engaging. It switched viewpoints, had pieces of the story in written-story form (meaning a whole chapter was just a letter or a newspaper article or an e-mail), had whole sections where it was just dialogue (those were my favorite sections—mostly it was when characters were on the phone, and they were all very funny) and even had a few chapters from the “crazy” person’s perspective (it’s always interesting being inside the head of a madman…). Also, the writer has written the book in an accent, meaning that some of the words are spelled wrong so that you can hear it pronounced with an accent in your head—quite engaging and welcoming. The writing was good, but as it was foreign it was a little odd (i.e. “lead” instead of “leash” etc), but not in a bad way.
<b> The Characters: </b> The characters were pretty relatable. I felt scared for Leo when she was running from her Uncle, and sorry for Finlay when we was stressed about lying to his mom. The characters were really cool, well developed, and some of them were kooky. I really liked Leo and Finlay. They had such cool names! I loved the “President”, but the “Godfather” was my favorite. He was just so… weirdly cool… (I don’t know, maybe that’s because I’m a little insane myself). Not too much, I rather enjoyed it actually. It’s always fun to read something a little different.
<b> The Plot: </b> The plot was pretty believable, and I know that (sadly) there are true stories like this all the time. I don’t know how the police are over in Scotland but I doubt very seriously that Leo would have gotten away with hiding from the American police for as long as she did from the Scottish police (but that’s my opinion as a police and spy novel writer). Although there was suggestion of the Uncle trying to sexually abuse women in the book, it never actually happened, and it was very age appropriate.
<b> My Recommendation: </b> I would recommend it to a friend ages 11-15, maybe even a little younger, but not older than that. Again, I enjoyed it when I sat down to read it, but it wasn’t quite my personal attention level (I’m 18). All in all, I enjoyed this book a lot.
<i> Thank you to Henry Holt In Group for supplying my review copy of this book! </i>
For more reviews and giveaways,, please visit haleymathiot.blogspot.com
~Haleyknitz
<a href="http://haleymathiot.blogspot.com/2009/09/win-lockdown.html">PS- don’t forget—enter my giveaway for LOCKDOWN before October 20!
</a>
<b> My Summary: </b> Leo is scared. She’s not quite sure what to think of her kooky uncle anymore, and she doesn’t want to take chances. What if he does something to her… Leo runs away. She goes in search of her grandparents, her only living relatives. She accidently gets her photo in the newspaper, and had to hide. She meets a boy named Finlay, who seems to be the one who’s going to put an end to her new freedom… at first anyway. But then Finlay becomes a friend to Leo, and he becomes her key to staying away from her uncle. Leo will do anything to keep from being found and being sent back there. She ends up staying with a crazy lady who is hospitable enough, but refuses to take her medication and whose friends aren’t much better. Then she realizes that her Uncle is on her tail. How will she stay away?
<b> What I thought: </b> Running on the Cracks was an enjoyable read. When I first saw the cover, I imagined an action filled YA novel with a lot of suspense. Although there was suspense, it wasn’t anything that got your blood racing. I thoroughly enjoyed this book when I sat down to read it, but I had to be in the right mood to do it.
<b> The Writing: </b> The format of writing was different than I’d read before, but it was very engaging. It switched viewpoints, had pieces of the story in written-story form (meaning a whole chapter was just a letter or a newspaper article or an e-mail), had whole sections where it was just dialogue (those were my favorite sections—mostly it was when characters were on the phone, and they were all very funny) and even had a few chapters from the “crazy” person’s perspective (it’s always interesting being inside the head of a madman…). Also, the writer has written the book in an accent, meaning that some of the words are spelled wrong so that you can hear it pronounced with an accent in your head—quite engaging and welcoming. The writing was good, but as it was foreign it was a little odd (i.e. “lead” instead of “leash” etc), but not in a bad way.
<b> The Characters: </b> The characters were pretty relatable. I felt scared for Leo when she was running from her Uncle, and sorry for Finlay when we was stressed about lying to his mom. The characters were really cool, well developed, and some of them were kooky. I really liked Leo and Finlay. They had such cool names! I loved the “President”, but the “Godfather” was my favorite. He was just so… weirdly cool… (I don’t know, maybe that’s because I’m a little insane myself). Not too much, I rather enjoyed it actually. It’s always fun to read something a little different.
<b> The Plot: </b> The plot was pretty believable, and I know that (sadly) there are true stories like this all the time. I don’t know how the police are over in Scotland but I doubt very seriously that Leo would have gotten away with hiding from the American police for as long as she did from the Scottish police (but that’s my opinion as a police and spy novel writer). Although there was suggestion of the Uncle trying to sexually abuse women in the book, it never actually happened, and it was very age appropriate.
<b> My Recommendation: </b> I would recommend it to a friend ages 11-15, maybe even a little younger, but not older than that. Again, I enjoyed it when I sat down to read it, but it wasn’t quite my personal attention level (I’m 18). All in all, I enjoyed this book a lot.
<i> Thank you to Henry Holt In Group for supplying my review copy of this book! </i>
For more reviews and giveaways,, please visit haleymathiot.blogspot.com
~Haleyknitz
<a href="http://haleymathiot.blogspot.com/2009/09/win-lockdown.html">PS- don’t forget—enter my giveaway for LOCKDOWN before October 20!
</a>
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Emma @ The Movies (1786 KP) rated Sonic the Hedgehog (2020) in Movies
Mar 1, 2020
Growing up I wasn't a Sonic gamer but even I was majorly sceptical when they released the first trailer, that wasn't a look that worked for me.
Sonic is an excitable little fellow and he can't help but zip around his planet constantly against orders, when his speedy secret is uncovered he's sent to Earth and told to find a safe place to hide. He eventually finds a town to settle in and makes himself at home in the woods away from the people, but it's lonely watching the locals without being able to make friends with them.
When Sonic accidentally exposes his existence he enlists the help of the local sheriff so he might have a chance of evading a government scientist sent to track him down.
Simply said, this is an enjoyable film and it certainly went down well with the kids in the audience... but I'm not sure it would hold up to repeated viewings.
For all the moments I enjoyed there were moments that made my eyes roll. You remember in X-Men where Quicksilver runs fast and moves everything around in an action sequence? Well, you'll be wondering if Sonic happened to watch that one movie night. Sure it's cute, but I don't think it's cute enough to see it more than once in the same film.
Despite that, the effects themselves aren't bad, there are a few moments where real life and animation look a little off together but on the whole it works.
Sonic is an adorable hyperactive kid and he manages to experience a lot of things in the space of the film, they play out well and not at all like he's been stalking an entire town for years.
James Marsden plays Sheriff Tom. Watching him in any film after X-Men is extremely strange to me, and none of the roles seem quite right, potentially I just don't appreciate his comedic value. Tom's character is and a little average, it wasn't bad but at no point did I make a note about something that stood out.
And so to Jim Carrey... I enjoy Carrey as an actor but I'd like to seem him in more things that weren't "90s him". Every scene with Robotnik is classic Carrey, the character is that crazed scientist stereotype but it just never seemed to let up. It feels like they just brought him in to do what everyone expects him to do, and for a while I was okay with that... until that one point. As Robotnik searches for Sonic he waits for some analysis from the computer and he puts on his playlist. Then, for an inexplicably long time, he dances for absolutely no reason. It's not funny, it's just completely irrelevant and excessive. Rather than a subtle bit of nostalgia for the adults and some funny physical comedy for the kids every scene was taken just that step too far and turned into an awkward slapstick moment.
The story isn't bad, but perhaps it would have been slightly more interesting if Sonic had to rescue Tom from Robotnik or something similar. The middle of the film could have had some sort of purpose instead of a road trip... which, no matter how you look at it, was not necessary and could have been replaced with a minute of footage of Sonic running.
But... as I said at the beginning, this IS enjoyable, but once you start thinking about things it starts to unravel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/sonic-hedgehog-movie-review.html
Sonic is an excitable little fellow and he can't help but zip around his planet constantly against orders, when his speedy secret is uncovered he's sent to Earth and told to find a safe place to hide. He eventually finds a town to settle in and makes himself at home in the woods away from the people, but it's lonely watching the locals without being able to make friends with them.
When Sonic accidentally exposes his existence he enlists the help of the local sheriff so he might have a chance of evading a government scientist sent to track him down.
Simply said, this is an enjoyable film and it certainly went down well with the kids in the audience... but I'm not sure it would hold up to repeated viewings.
For all the moments I enjoyed there were moments that made my eyes roll. You remember in X-Men where Quicksilver runs fast and moves everything around in an action sequence? Well, you'll be wondering if Sonic happened to watch that one movie night. Sure it's cute, but I don't think it's cute enough to see it more than once in the same film.
Despite that, the effects themselves aren't bad, there are a few moments where real life and animation look a little off together but on the whole it works.
Sonic is an adorable hyperactive kid and he manages to experience a lot of things in the space of the film, they play out well and not at all like he's been stalking an entire town for years.
James Marsden plays Sheriff Tom. Watching him in any film after X-Men is extremely strange to me, and none of the roles seem quite right, potentially I just don't appreciate his comedic value. Tom's character is and a little average, it wasn't bad but at no point did I make a note about something that stood out.
And so to Jim Carrey... I enjoy Carrey as an actor but I'd like to seem him in more things that weren't "90s him". Every scene with Robotnik is classic Carrey, the character is that crazed scientist stereotype but it just never seemed to let up. It feels like they just brought him in to do what everyone expects him to do, and for a while I was okay with that... until that one point. As Robotnik searches for Sonic he waits for some analysis from the computer and he puts on his playlist. Then, for an inexplicably long time, he dances for absolutely no reason. It's not funny, it's just completely irrelevant and excessive. Rather than a subtle bit of nostalgia for the adults and some funny physical comedy for the kids every scene was taken just that step too far and turned into an awkward slapstick moment.
The story isn't bad, but perhaps it would have been slightly more interesting if Sonic had to rescue Tom from Robotnik or something similar. The middle of the film could have had some sort of purpose instead of a road trip... which, no matter how you look at it, was not necessary and could have been replaced with a minute of footage of Sonic running.
But... as I said at the beginning, this IS enjoyable, but once you start thinking about things it starts to unravel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/sonic-hedgehog-movie-review.html
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Kirk Bage (1775 KP) rated Gerald's Game (2017) in Movies
Mar 3, 2020
When I first heard about the Stephen King book called Gerald’s Game I was about 16 years old, and it scared the shit out of me! Just the concept and the idea of it happening to you. So I never read the book. In my mind, I had imagined the worst already and did not want to go there.
It was with some trepidation, then, that I stepped into this Netflix production, and may never have done so at all, were it not for some interesting reviews suggesting this was not normal horror fare, but more of a psychological exploration. Carla Gugino I barely knew. I have always liked Bruce Greenwood as an actor, however, so in I plunged…
For the next hour or so I was transfixed! The simplicity of the premise, the economy of the direction, and an innovative way of telling the story visually, had me hooked. It always felt like not a lot of money had been spent, but in a good way – no fancy tricks and gimmicks, just storytelling. And a few well placed shocks to the system that left me gasping out loud! (One moment in particular that had me jump to my feet shouting FFS involuntarily)
It isn’t a horror film in the way that genre has become in the last 20 years. No real jump shocks or manipulation, but some stomach churning moments of discomfort that genuinely disturb and make you want to look away! And all because we are invited to imagine ourselves in this situation. What would we do? How would we feel. And I always felt that was the power of this particular idea.
Psychologically, the notion that we may never truly know anyone, even ourselves, until the very worst happens is a compelling theme. The secrets we hide; the traumas that build our personalities, and just how strong would we be in a survival situation. And that is where this film is at its best. Gugino is never less than believable and occasionally incredible in achieving this. Greenwood is fine, and plays his part, but it is her film, no doubt at all.
Sadly, where this film fails is the last 15 minutes, when inexplicably the entire mood shifts and we find ourselves watching a completely different film, with a different message, and some of the worst backward facing exposition I have even seen! I won’t go into details here for spoilers sake… but, anything good achieved to that point was ruined by the ending.
Perhaps in the book the twist end makes sense this way, somehow. Here it is laughable. So much so that I need to know why they chose to do it? 30 years on from first hearing about it, I am going to be brave and read the book, because I can only believe loyalty to the source material could have led this production to such a preposterous ant-climax.
It was with some trepidation, then, that I stepped into this Netflix production, and may never have done so at all, were it not for some interesting reviews suggesting this was not normal horror fare, but more of a psychological exploration. Carla Gugino I barely knew. I have always liked Bruce Greenwood as an actor, however, so in I plunged…
For the next hour or so I was transfixed! The simplicity of the premise, the economy of the direction, and an innovative way of telling the story visually, had me hooked. It always felt like not a lot of money had been spent, but in a good way – no fancy tricks and gimmicks, just storytelling. And a few well placed shocks to the system that left me gasping out loud! (One moment in particular that had me jump to my feet shouting FFS involuntarily)
It isn’t a horror film in the way that genre has become in the last 20 years. No real jump shocks or manipulation, but some stomach churning moments of discomfort that genuinely disturb and make you want to look away! And all because we are invited to imagine ourselves in this situation. What would we do? How would we feel. And I always felt that was the power of this particular idea.
Psychologically, the notion that we may never truly know anyone, even ourselves, until the very worst happens is a compelling theme. The secrets we hide; the traumas that build our personalities, and just how strong would we be in a survival situation. And that is where this film is at its best. Gugino is never less than believable and occasionally incredible in achieving this. Greenwood is fine, and plays his part, but it is her film, no doubt at all.
Sadly, where this film fails is the last 15 minutes, when inexplicably the entire mood shifts and we find ourselves watching a completely different film, with a different message, and some of the worst backward facing exposition I have even seen! I won’t go into details here for spoilers sake… but, anything good achieved to that point was ruined by the ending.
Perhaps in the book the twist end makes sense this way, somehow. Here it is laughable. So much so that I need to know why they chose to do it? 30 years on from first hearing about it, I am going to be brave and read the book, because I can only believe loyalty to the source material could have led this production to such a preposterous ant-climax.
Gareth von Kallenbach (980 KP) rated This is 40 (2012) in Movies
Aug 7, 2019
The last time we saw Pete and Debbie in the movie “Knocked Up”, they were just reconciling after a short separation. Pete found Debbie too controlling and regularly escaped the house leading Debbie to believe he was having an affair when really he was in a fantasy baseball draft. Five years later, Pete is no longer a band promoter but trying to keep his own record label afloat, while Debbie owns and manages a clothing boutique.
To the casual observer, Pete and Debbie, played with great chemistry by Paul Rudd and Leslie Mann, live an idyllic life with a nice house, two daughters and promising businesses. But a closer look finds Pete would rather play Scrabble on his iPad while on the toilet than spend time playing with his daughters. Most would never guess Debbie is a stress smoker since she goes to great lengths to hide her habit. Stressing over turning 40 isn’t helping her quit and neither is trying to figure out which of her employees is stealing from her. Is it the sexpot Desi, played easily by Megan Fox, or is it the strange Jodi, played with eerie weirdness by Charlyne Yi? As for Pete’s business, his stubborn antipathy towards popular music is driving his record label towards bankruptcy. But that’s not all that’s troubling Pete and Debbie. Both have daddy issues and neither know how quite to handle their over-emotional 14 year old daughter.
Sound like a hodge-podge of dilemmas? It certainly is. What started out as an amusing tale of turning 40 quickly devolved into a manic mess of pointing fingers, curse words, teenage angst and mental breakdowns. At one point in the film, Debbie’s dad, played by John Lithgow, looked utterly confused and I could empathize. If this movie had a storyline, it got lost along with any sympathy for Pete or Pete’s dad played by Albert Brooks. You know it’s bad when you start hoping the 8 year old daughter, Charlotte, says something funny again to break the tension.
With this strong cast of actors, including director Judd Apatow’s daughters Maude and Iris who played Pete and Debbie’s daughters, Sadie and Charlotte, there was no issue with the performances. Maybe some of the story was trimmed away in the editing room, but with a run time of 134 minutes, one would think some semblance of a storyline could have been left. Sure, there was plenty to laugh at, especially with bit parts played by Jason Segal, Melissa McCarthy and Chris O’Dowd.
I really wanted to like this movie. Judd Apatow, Paul Rudd and Leslie Mann sounded like the perfect trio to make a funny movie. Alas, the funny stuff is in the trailers. Save yourself some dough and wait for the DVD, where some of the storyline may make it in the deleted scenes.
To the casual observer, Pete and Debbie, played with great chemistry by Paul Rudd and Leslie Mann, live an idyllic life with a nice house, two daughters and promising businesses. But a closer look finds Pete would rather play Scrabble on his iPad while on the toilet than spend time playing with his daughters. Most would never guess Debbie is a stress smoker since she goes to great lengths to hide her habit. Stressing over turning 40 isn’t helping her quit and neither is trying to figure out which of her employees is stealing from her. Is it the sexpot Desi, played easily by Megan Fox, or is it the strange Jodi, played with eerie weirdness by Charlyne Yi? As for Pete’s business, his stubborn antipathy towards popular music is driving his record label towards bankruptcy. But that’s not all that’s troubling Pete and Debbie. Both have daddy issues and neither know how quite to handle their over-emotional 14 year old daughter.
Sound like a hodge-podge of dilemmas? It certainly is. What started out as an amusing tale of turning 40 quickly devolved into a manic mess of pointing fingers, curse words, teenage angst and mental breakdowns. At one point in the film, Debbie’s dad, played by John Lithgow, looked utterly confused and I could empathize. If this movie had a storyline, it got lost along with any sympathy for Pete or Pete’s dad played by Albert Brooks. You know it’s bad when you start hoping the 8 year old daughter, Charlotte, says something funny again to break the tension.
With this strong cast of actors, including director Judd Apatow’s daughters Maude and Iris who played Pete and Debbie’s daughters, Sadie and Charlotte, there was no issue with the performances. Maybe some of the story was trimmed away in the editing room, but with a run time of 134 minutes, one would think some semblance of a storyline could have been left. Sure, there was plenty to laugh at, especially with bit parts played by Jason Segal, Melissa McCarthy and Chris O’Dowd.
I really wanted to like this movie. Judd Apatow, Paul Rudd and Leslie Mann sounded like the perfect trio to make a funny movie. Alas, the funny stuff is in the trailers. Save yourself some dough and wait for the DVD, where some of the storyline may make it in the deleted scenes.
Gareth von Kallenbach (980 KP) rated Call of Duty: Advanced Warfare - Havoc in Video Games
Jun 19, 2019
The first of four planned DLC packs for Call of Duty: Advanced Warfare has finally arrived on PC after
being delayed a week so the developers could work out some last minute issues.
Despite the wait and the first week issues with finding games online, the new collection has been one of the most enjoyable and creative collection of maps in recent years and has added to what is an already solid online experience.
The four new maps are as follows.
Core
Set in the Gobi Desert in an abandoned nuclear fusion plant, this map is ideal for the leaping abilities of the game as there are structures which can only be reached via your advanced jumping abilities. Worker robots enhance the setting and the uneven terrain makes for some great hiding spots to launch your attacks.
This is one that you will see plenty of snipers setting up in so run and gun players like myself may have some initial frustrations but the décor more than makes up for any early challenges and frustrations.
Urban
Set in a futuristic ward of Dallas, this multi-level square map has a large open area in the middle where ranged shooters will have plenty of opportunity to pick off those in No Man’s Land. It also offers plenty of ledges, windows, stairs, and areas for differing styles of play so gamers can find the best method for their style of play.
Sideshow
Set in a rundown hotel and rest stop that has been given a creepy circus theme you get everything from semi-trucks, creepy hotel rooms, rest rooms, and irrigation ponds in which to plan your attack,. There are plenty of places to hide and also plenty of places for Snipers to pick you off from afar.
Making use of the exterior parts of the map are keys to success and making sure that you get the drop on your enemies is key as there are numerous places to be ambushed in this one and the maniacal clown noises set a creepy tone as well.
Drift
My favorite of the maps is a highly-detailed ski resort set in the Rocky Mountains. Everything from holiday lights and a carousel to a train station, shops, and hotel make this a very detailed map.
The snow drifts allow plenty of cover and the numerous windows and ledges allow amble space for players to get the drop on their enemies.
I loved the avalanche that came in unexpectedly in one game as it really changed up the direction of the battle.
Players will also have access to the AE4 Widowmaker. A direct energy weapon that fires bursts of energy which work well but does not have a large capacity before needing to recharge so make your shots count. I actually earned this while playing Advanced Warfare pre-DLC so for me the inclusion was not that big of a deal as it has been an option for me to use for a while.
The maps are available in both Team Death Match and Mosh Pit but as I mentioned earlier, it has been tough finding games on PC during the first few days of release before the evening hours. I was able to find a few game options early in the morning on a Saturday so it was likely a case of people who purchased it waiting until the weekend to load up and play.
Perhaps the biggest draw for the game is the new Exo-Zombies mode which takes the past mode of Zombie games that Treyarch developed and gives it a new twist by allowing the Undead to move and leap faster with the aid of Exo Suits.
Playing as one of four characters portrayed by John Malkovich, Bill Paxton Rose McGowan and The Walking Dead’s John Bernthal, players must survive waves of enhanced Zombies and take refuge in a large Atlas base. Like past versions, kills result in money which is used to purchase more weapons and ammunition around the base and in a new twist, players can become infected and need to locate and use a station to cure the infection.
The base is large and more detailed than players may be used to, and when you die, you must venture back into the base to obtain a new Exo Suit. Your past weapons can be obtained by finding the spot where you died, and like before, the game ends when all four players have become incapacitated as there is nobody left to revive you.
The Zombies also have some great new abilities and detail to them that I will not reveal here and leave it as something for players to discover on their own.
Havoc is a solid first effort that was marred for me only by the lack of online games and having some issues with maps not loading properly. Aside from that which has been much better in recent days, Havoc is a very fun and enjoyable collection which does offer new enjoyment and options for fans looking for new challenges.
http://sknr.net/2015/03/08/call-of-duty-advanced-warfare-havoc-dlc/
being delayed a week so the developers could work out some last minute issues.
Despite the wait and the first week issues with finding games online, the new collection has been one of the most enjoyable and creative collection of maps in recent years and has added to what is an already solid online experience.
The four new maps are as follows.
Core
Set in the Gobi Desert in an abandoned nuclear fusion plant, this map is ideal for the leaping abilities of the game as there are structures which can only be reached via your advanced jumping abilities. Worker robots enhance the setting and the uneven terrain makes for some great hiding spots to launch your attacks.
This is one that you will see plenty of snipers setting up in so run and gun players like myself may have some initial frustrations but the décor more than makes up for any early challenges and frustrations.
Urban
Set in a futuristic ward of Dallas, this multi-level square map has a large open area in the middle where ranged shooters will have plenty of opportunity to pick off those in No Man’s Land. It also offers plenty of ledges, windows, stairs, and areas for differing styles of play so gamers can find the best method for their style of play.
Sideshow
Set in a rundown hotel and rest stop that has been given a creepy circus theme you get everything from semi-trucks, creepy hotel rooms, rest rooms, and irrigation ponds in which to plan your attack,. There are plenty of places to hide and also plenty of places for Snipers to pick you off from afar.
Making use of the exterior parts of the map are keys to success and making sure that you get the drop on your enemies is key as there are numerous places to be ambushed in this one and the maniacal clown noises set a creepy tone as well.
Drift
My favorite of the maps is a highly-detailed ski resort set in the Rocky Mountains. Everything from holiday lights and a carousel to a train station, shops, and hotel make this a very detailed map.
The snow drifts allow plenty of cover and the numerous windows and ledges allow amble space for players to get the drop on their enemies.
I loved the avalanche that came in unexpectedly in one game as it really changed up the direction of the battle.
Players will also have access to the AE4 Widowmaker. A direct energy weapon that fires bursts of energy which work well but does not have a large capacity before needing to recharge so make your shots count. I actually earned this while playing Advanced Warfare pre-DLC so for me the inclusion was not that big of a deal as it has been an option for me to use for a while.
The maps are available in both Team Death Match and Mosh Pit but as I mentioned earlier, it has been tough finding games on PC during the first few days of release before the evening hours. I was able to find a few game options early in the morning on a Saturday so it was likely a case of people who purchased it waiting until the weekend to load up and play.
Perhaps the biggest draw for the game is the new Exo-Zombies mode which takes the past mode of Zombie games that Treyarch developed and gives it a new twist by allowing the Undead to move and leap faster with the aid of Exo Suits.
Playing as one of four characters portrayed by John Malkovich, Bill Paxton Rose McGowan and The Walking Dead’s John Bernthal, players must survive waves of enhanced Zombies and take refuge in a large Atlas base. Like past versions, kills result in money which is used to purchase more weapons and ammunition around the base and in a new twist, players can become infected and need to locate and use a station to cure the infection.
The base is large and more detailed than players may be used to, and when you die, you must venture back into the base to obtain a new Exo Suit. Your past weapons can be obtained by finding the spot where you died, and like before, the game ends when all four players have become incapacitated as there is nobody left to revive you.
The Zombies also have some great new abilities and detail to them that I will not reveal here and leave it as something for players to discover on their own.
Havoc is a solid first effort that was marred for me only by the lack of online games and having some issues with maps not loading properly. Aside from that which has been much better in recent days, Havoc is a very fun and enjoyable collection which does offer new enjoyment and options for fans looking for new challenges.
http://sknr.net/2015/03/08/call-of-duty-advanced-warfare-havoc-dlc/
Hazel (1853 KP) rated The Music Shop in Books
Aug 22, 2017
Learning to listen
This eBook was provided by the publisher via NetGalley in exchange for an honest review
From the author of The Unlikely Pilgrimage of Harold Fry comes a unique and beautiful story about music and learning how to listen. The Music Shop by Rachel Joyce takes readers on a journey through the developing music world of the late 1980s when CDs are beginning to wipe out all other means of recording music – a complete disaster for someone like Frank, the owner of the music shop, who only sells vinyl.
The book begins in 1988 in a crumbling down street where shopkeepers are barely making enough money to survive. Frank’s shop is one of the few remaining and, despite everything against him, is determined to keep going. Not only does he sell vinyl records, Frank has an empathetic gift allowing him to sense exactly what a customer needs to listen to, even though they may not realise it themselves. However, one day, Frank’s world is turned upside down by the arrival of a young German woman, Ilse Brauchmann, who faints on his doorstep.
Ilse intrigues all of the shopkeepers on Unity Street, particularly Frank’s teenaged assistant, Kit. Although Frank tries to deny it, Ilse also fascinates him to the point that he is rarely thinking of anything else. But what concerns him most is that he cannot pinpoint what piece of music she ought to listen to. When questioned, Ilse admits she knows nothing about music and begs Frank to give her lessons. These lessons have nothing to do with instruments – Frank is the least qualified to teach such a thing – but about how to listen to music. How to hear the pauses in classical pieces; understand the meaning behind Beethoven’s sonatas; feel the passion behind punk music; learn to love a number of composers for the things many people miss.
The longer Frank spends around Ilse, the more he begins to fall in love. However, love is something Frank denies himself ever since the death of his mother fifteen years previously. Written in italics are flashback chapters explaining how Frank’s love of music came about, his relationship with his mother, and how he ended up as a dead-end vinyl seller. Due to his fear of intimate relationships, Frank keeps pushing Ilse away until, one day, he realises how much he needs her. But, he may have left it too late.
The Music Shop is split into four sections, or sides (a reference to vinyl records). Side A introduces the characters and settings during a wintery January when Frank is beginning to struggle with the competition caused by the recently opened Woolworths on the nearby high street. Sides B and C focus on the development of Frank and Ilse’s friendship, the secrets they hide from each other and the foreboding sense of disaster hanging over the one-of-a-kind music shop.
As Frank begins to realise how much Ilse means to him, the sudden appearance of side D will break readers’ hearts. Whilst sides A, B and C take place in 1988, side D jumps forward 21 years to 2009. It appears Frank and Ilse never got the relationship they deserved. Two unhappy decades have been and gone, demolishing any resemblance of the way life used to be. However, because there is a side D, readers can only hope it will result in a happy ending.
The Music Shop is a love story between two quiet, modest characters whose past and present circumstances get in the way of a peaceful future. However, it is not only a piece of romantic fiction. Rachel Joyce writes a message in story format about second chances and being brave. Learning to listen does not only apply to music, it applies to hearing what other people are saying and what they are not; most importantly, the book urges people to listen to themselves.
The research undertaken for this novel is phenomenal. For starters, it is set almost thirty years ago when vinyl was only beginning to go out of fashion. The quality of music and the access people had to it was extremely different to the simplicity of today where it is possible to download everything at the press of a button. The breadth of music genre is as wide as possible. Every type of music is covered from Handel’s Messiah to Aretha Franklin and The Sex Pistols. To be able to discuss such a range without falling into stereotypes is a feat worthy of congratulating.
The Music Shop far surpasses anything Rachel Joyce has written so far. The story is fragile in a beautiful way, its delicacy causing the reader to treat it with care, rather than rush through it like some mundane piece of fiction. It will interest a whole host of readers: male and female, music lovers and those with a preference for silence. Whoever you are, be prepared to take something away from this distinctive, outstanding novel.
From the author of The Unlikely Pilgrimage of Harold Fry comes a unique and beautiful story about music and learning how to listen. The Music Shop by Rachel Joyce takes readers on a journey through the developing music world of the late 1980s when CDs are beginning to wipe out all other means of recording music – a complete disaster for someone like Frank, the owner of the music shop, who only sells vinyl.
The book begins in 1988 in a crumbling down street where shopkeepers are barely making enough money to survive. Frank’s shop is one of the few remaining and, despite everything against him, is determined to keep going. Not only does he sell vinyl records, Frank has an empathetic gift allowing him to sense exactly what a customer needs to listen to, even though they may not realise it themselves. However, one day, Frank’s world is turned upside down by the arrival of a young German woman, Ilse Brauchmann, who faints on his doorstep.
Ilse intrigues all of the shopkeepers on Unity Street, particularly Frank’s teenaged assistant, Kit. Although Frank tries to deny it, Ilse also fascinates him to the point that he is rarely thinking of anything else. But what concerns him most is that he cannot pinpoint what piece of music she ought to listen to. When questioned, Ilse admits she knows nothing about music and begs Frank to give her lessons. These lessons have nothing to do with instruments – Frank is the least qualified to teach such a thing – but about how to listen to music. How to hear the pauses in classical pieces; understand the meaning behind Beethoven’s sonatas; feel the passion behind punk music; learn to love a number of composers for the things many people miss.
The longer Frank spends around Ilse, the more he begins to fall in love. However, love is something Frank denies himself ever since the death of his mother fifteen years previously. Written in italics are flashback chapters explaining how Frank’s love of music came about, his relationship with his mother, and how he ended up as a dead-end vinyl seller. Due to his fear of intimate relationships, Frank keeps pushing Ilse away until, one day, he realises how much he needs her. But, he may have left it too late.
The Music Shop is split into four sections, or sides (a reference to vinyl records). Side A introduces the characters and settings during a wintery January when Frank is beginning to struggle with the competition caused by the recently opened Woolworths on the nearby high street. Sides B and C focus on the development of Frank and Ilse’s friendship, the secrets they hide from each other and the foreboding sense of disaster hanging over the one-of-a-kind music shop.
As Frank begins to realise how much Ilse means to him, the sudden appearance of side D will break readers’ hearts. Whilst sides A, B and C take place in 1988, side D jumps forward 21 years to 2009. It appears Frank and Ilse never got the relationship they deserved. Two unhappy decades have been and gone, demolishing any resemblance of the way life used to be. However, because there is a side D, readers can only hope it will result in a happy ending.
The Music Shop is a love story between two quiet, modest characters whose past and present circumstances get in the way of a peaceful future. However, it is not only a piece of romantic fiction. Rachel Joyce writes a message in story format about second chances and being brave. Learning to listen does not only apply to music, it applies to hearing what other people are saying and what they are not; most importantly, the book urges people to listen to themselves.
The research undertaken for this novel is phenomenal. For starters, it is set almost thirty years ago when vinyl was only beginning to go out of fashion. The quality of music and the access people had to it was extremely different to the simplicity of today where it is possible to download everything at the press of a button. The breadth of music genre is as wide as possible. Every type of music is covered from Handel’s Messiah to Aretha Franklin and The Sex Pistols. To be able to discuss such a range without falling into stereotypes is a feat worthy of congratulating.
The Music Shop far surpasses anything Rachel Joyce has written so far. The story is fragile in a beautiful way, its delicacy causing the reader to treat it with care, rather than rush through it like some mundane piece of fiction. It will interest a whole host of readers: male and female, music lovers and those with a preference for silence. Whoever you are, be prepared to take something away from this distinctive, outstanding novel.