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Bookapotamus (289 KP) rated Bring Me Back in Books
May 29, 2018
Ahhhhhh... I have such mixed feelings about this book. I don't know where to start or how to properly review without giving away spoilers, but I just had such high hopes throughout the first half of this story and then... meh.
This was my first B.A. Paris book. I've heard great things about the author and this book in particular, the buzz was deafening, but for me it just fell flat.
Don't get me wrong, the premise was so intriguing and I jumped right in with all the whodunit questions. I jumped from character to character with the turn of every page, not knowing who knew what, who did what, and these are EXACTLY the style of books I love. Unfortunately, I had major suspicions about 50% through, and I was pretty much correct - but the execution just made me more or less angry. It's like those books where you're so dumbfounded, you have no idea whats going to happen, you're so excited for those super fun twisty turny clues and then everything starts falling into place. But this was not the case with Bring Me Back. It felt like a cop-out at the end. It was like - the whole story was questions, and then you get all the answers in one final chapter and you're like... ummm what? I dunno - it felt lazy at the end, unconnected a bit, and pretty unbelievable.
The basic story is that Finn meets Layla, they fall in love and then one night, as they're stopped at a gas station rest stop, Finn returns from the restroom and Layla is gone. Did she leave, was she forced or kidnapped? Ten years later, Finn is about to marry someone else, and clues begin to appear raising questions as to if Layla is alive, and if so, where is she?
Without spoiling anything, I WILL say It was a fun idea, and the writing is top notch. I loved how stories were interwoven and little clues popping up everywhere. But again, the end just fell flat for me. I'll definitely be checking out some of B.A. Paris's other books for sure though after reading this. I really enjoyed the writing style and MOST of the book!
This was my first B.A. Paris book. I've heard great things about the author and this book in particular, the buzz was deafening, but for me it just fell flat.
Don't get me wrong, the premise was so intriguing and I jumped right in with all the whodunit questions. I jumped from character to character with the turn of every page, not knowing who knew what, who did what, and these are EXACTLY the style of books I love. Unfortunately, I had major suspicions about 50% through, and I was pretty much correct - but the execution just made me more or less angry. It's like those books where you're so dumbfounded, you have no idea whats going to happen, you're so excited for those super fun twisty turny clues and then everything starts falling into place. But this was not the case with Bring Me Back. It felt like a cop-out at the end. It was like - the whole story was questions, and then you get all the answers in one final chapter and you're like... ummm what? I dunno - it felt lazy at the end, unconnected a bit, and pretty unbelievable.
The basic story is that Finn meets Layla, they fall in love and then one night, as they're stopped at a gas station rest stop, Finn returns from the restroom and Layla is gone. Did she leave, was she forced or kidnapped? Ten years later, Finn is about to marry someone else, and clues begin to appear raising questions as to if Layla is alive, and if so, where is she?
Without spoiling anything, I WILL say It was a fun idea, and the writing is top notch. I loved how stories were interwoven and little clues popping up everywhere. But again, the end just fell flat for me. I'll definitely be checking out some of B.A. Paris's other books for sure though after reading this. I really enjoyed the writing style and MOST of the book!
Isabel Smith (34 KP) rated The Liar's Girl in Books
Jun 28, 2018
What if the person you loved wasn't who you thought they were?
Alison Smith is living the dream. Not only are she and her best friend Liz excited about their freshman year at the prestigious St. John’s College in Dublin, Ireland; Alison has also met someone…he could even be the one. From the instant she meets Will in a night club, sparks fly between them and they become that couple – the one that’s constantly attached at the hip, madly in love, and whose future shines so bright.
In a terrible turn of events, however, everything comes crashing down. First some fellow female classmates start disappearing. Then, they’re found washed up along Dublin’s Grand Canal. It is clear that a serial killer is on the prowl. Alison is dealt a jagged double whammy after Liz is identified as the Canal Killer’s latest victim and Will is identified as the Canal Killer himself. Absolutely shell-shocked, Alison leaves her home behind and moves to the Netherlands, enrolls in a new college, and starts life anew so to speak.
As the ten-year anniversary of the Canal Killer’s vicious spree approaches, a new string of victims is found in the Grand Canal in the exact same fashion as before. Could it be a copycat killer? Could Will, now in prison, be working with a partner on the outside? Or is it possible that the Garda (aka the Irish police force) could have captured the wrong guy all those years ago?
I loved reading this book! Author Catherine Ryan Howard did a superb job of making Alison’s story both heartbreaking and redemptive, thrilling and enlightening. What she goes through with Will both as a freshman and ten years later is shocking yet entirely believable. She is a heroine you want to get behind and cheer for as she seeks to find the truth about the Canal Killer’s identity, her feelings for Will, and the connection between the past and present crimes. Fans of Patricia Cornwell’s whodunit mysteries will enjoy the suspense, strong female lead, and detective skills offered up by Howard’s The Liar’s Girl.
In a terrible turn of events, however, everything comes crashing down. First some fellow female classmates start disappearing. Then, they’re found washed up along Dublin’s Grand Canal. It is clear that a serial killer is on the prowl. Alison is dealt a jagged double whammy after Liz is identified as the Canal Killer’s latest victim and Will is identified as the Canal Killer himself. Absolutely shell-shocked, Alison leaves her home behind and moves to the Netherlands, enrolls in a new college, and starts life anew so to speak.
As the ten-year anniversary of the Canal Killer’s vicious spree approaches, a new string of victims is found in the Grand Canal in the exact same fashion as before. Could it be a copycat killer? Could Will, now in prison, be working with a partner on the outside? Or is it possible that the Garda (aka the Irish police force) could have captured the wrong guy all those years ago?
I loved reading this book! Author Catherine Ryan Howard did a superb job of making Alison’s story both heartbreaking and redemptive, thrilling and enlightening. What she goes through with Will both as a freshman and ten years later is shocking yet entirely believable. She is a heroine you want to get behind and cheer for as she seeks to find the truth about the Canal Killer’s identity, her feelings for Will, and the connection between the past and present crimes. Fans of Patricia Cornwell’s whodunit mysteries will enjoy the suspense, strong female lead, and detective skills offered up by Howard’s The Liar’s Girl.
Kristy H (1252 KP) rated Imperfect Women in Books
Sep 17, 2020
An engaging and suspenseful look into the power of secrets
Eleanor, Nancy, and Mary have been best friends since they met at Oxford. But then Nancy is murdered, leaving behind an adoring husband and a daughter. Her life, from the outside, was seemingly perfect. But Eleanor knows that the night Nancy died, she was going to meet her lover, hoping to break it off. And as the investigation into Nancy's death continues, both Eleanor and Mary struggle with their grief, the memories they have of their friend, and what her death means for those left behind.
"Eleanor felt a jolt of terror pass through her as she realized that everything about Nancy's death was worse than any other death anywhere. They would all suffer, and nothing would ever be the same again."
This was a truly fascinating book: it's part character-driven mystery and part insightful look at the role of women in society. It's told from the point of view of the three friends, but not the usual quick back and forth: we get large chunks of the story told from one woman at a time. Truths unfold slowly, as we learn bits and pieces about Eleanor, Nancy, and Mary--from themselves and each other.
The focal point of the story is Nancy's rather gruesome murder, but Hall fills her tale with thoughts and ruminations on women and how they are seen in society--and how they feel they are perceived. In some ways, it felt like a bunch broad generalizations applied to women, yet as I read, I found that most of them really rang true. I was furiously highlighting passages, nodding my head yes!
At times, it was hard to see where this book was going. Murder? Deep thoughts? It certainly straddled the line on both. In terms of Nancy's murder, I had a good chunk figured out early on, but the story certainly kept me engaged, reading and wondering if I was right. All three flawed (imperfect, indeed) women were interesting in their own way, and I liked each woman's section. I found this to be a very well-written book, but it's not a snappy thriller.
If you want a fast whodunit, this isn't for you. But if you want a well-done and thoughtful read, I recommend Hall's latest. It's a suspenseful and insightful look at love, marriage, and friendship. 4 stars.
"Eleanor felt a jolt of terror pass through her as she realized that everything about Nancy's death was worse than any other death anywhere. They would all suffer, and nothing would ever be the same again."
This was a truly fascinating book: it's part character-driven mystery and part insightful look at the role of women in society. It's told from the point of view of the three friends, but not the usual quick back and forth: we get large chunks of the story told from one woman at a time. Truths unfold slowly, as we learn bits and pieces about Eleanor, Nancy, and Mary--from themselves and each other.
The focal point of the story is Nancy's rather gruesome murder, but Hall fills her tale with thoughts and ruminations on women and how they are seen in society--and how they feel they are perceived. In some ways, it felt like a bunch broad generalizations applied to women, yet as I read, I found that most of them really rang true. I was furiously highlighting passages, nodding my head yes!
At times, it was hard to see where this book was going. Murder? Deep thoughts? It certainly straddled the line on both. In terms of Nancy's murder, I had a good chunk figured out early on, but the story certainly kept me engaged, reading and wondering if I was right. All three flawed (imperfect, indeed) women were interesting in their own way, and I liked each woman's section. I found this to be a very well-written book, but it's not a snappy thriller.
If you want a fast whodunit, this isn't for you. But if you want a well-done and thoughtful read, I recommend Hall's latest. It's a suspenseful and insightful look at love, marriage, and friendship. 4 stars.
Kristy H (1252 KP) rated The Death of Mrs Westaway in Books
Mar 10, 2019
Spooky & fun read
Things aren't going well for Hal, who has been struggling financially and emotionally since her mother passed away. So when she receives a letter stating that she's a beneficiary to a well-sized inheritance, she thinks it may be the answer to her prayers. She also quickly realizes that the letter was sent to the wrong person, but she hopes to use her abilities as a tarot-card reader to claim the money. Once at the funeral of her supposed "grandmother," Hal finds herself drawn to her fake new family, something she never had growing up. She also starts to feel like something is off about the supposed situation and the odd, imposing home where they are all residing.
This novel wasn't what I was expecting, but that wasn't necessarily a bad thing. It's a creepy, almost gothic book--not your typical whodunit--but more a slow-burning thriller in a Agatha Christie type style. The star of the show is Harriet, aka Hal, whom the book focuses on and who is our narrator for the majority of the novel. We get most of the story from her point of view, with the exception of excerpts of diary entries from the 1990s. Luckily Hal is an interesting character, even if she's in a bit of trouble, having borrowed money from some disreputable sources, and basically just being over her head since the death of her mom a few years ago. She's young and while it seems insane that she'd go off on this quest to claim an inheritance that isn't hers, you can sense and understand her desperation.
Once Hal arrives at Trespassen, the imposing yet decreipt mansion of the woman who is supposed to be her grandmother, the gothic style of the novel ratchets up, and it is really quite eerie at times. We get introduced to a trio of men who should be Hal's uncles, if she was who she claimed. The cast of characters is limited and the story isn't fast-paced, per se, but I found it quite compelling, as the reader, along with Hal, is trying to work out a variety of things. We realize that Hal does have ties to this family, but nothing is truly as it seems, and all is creepy and foreboding.
Overall, I enjoyed this one. It's a bit slow at times, but still quite interesting, and I enjoyed Hal's character. It's spooky and a fun read.
This novel wasn't what I was expecting, but that wasn't necessarily a bad thing. It's a creepy, almost gothic book--not your typical whodunit--but more a slow-burning thriller in a Agatha Christie type style. The star of the show is Harriet, aka Hal, whom the book focuses on and who is our narrator for the majority of the novel. We get most of the story from her point of view, with the exception of excerpts of diary entries from the 1990s. Luckily Hal is an interesting character, even if she's in a bit of trouble, having borrowed money from some disreputable sources, and basically just being over her head since the death of her mom a few years ago. She's young and while it seems insane that she'd go off on this quest to claim an inheritance that isn't hers, you can sense and understand her desperation.
Once Hal arrives at Trespassen, the imposing yet decreipt mansion of the woman who is supposed to be her grandmother, the gothic style of the novel ratchets up, and it is really quite eerie at times. We get introduced to a trio of men who should be Hal's uncles, if she was who she claimed. The cast of characters is limited and the story isn't fast-paced, per se, but I found it quite compelling, as the reader, along with Hal, is trying to work out a variety of things. We realize that Hal does have ties to this family, but nothing is truly as it seems, and all is creepy and foreboding.
Overall, I enjoyed this one. It's a bit slow at times, but still quite interesting, and I enjoyed Hal's character. It's spooky and a fun read.
Lee (2222 KP) rated Knives Out (2019) in Movies
Nov 26, 2019 (Updated Nov 29, 2019)
The morning after his 85th birthday party, millionaire Harlan Thrombey (Christopher Plummer) is found dead in his study. The local police find no evidence of foul play and come to the conclusion that his death was a suicide. However, an anonymous person believes otherwise and has hired celebrity detective Benoit Blanc (Daniel Craig) to try and determine 'whodunit'. When Blanc arrives at the Thrombey residence, it's been a week since Harlan's death, and all members of his large eccentric family have been assembled for further questioning by the police while Blanc looks on, quietly digesting their stories.
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
Midge (525 KP) rated The Birthday Mystery in Books
Dec 29, 2018
Strong characters (2 more)
Good mystery
Great for food-lovers
Great Whodunit!
Over recent months I've become a great fan of cozy mysteries so, when I saw a new series featuring Jenny Starling being launched, I knew I had to read "The Birthday Mystery." Also, it has a culinary theme which I love and a little light humour.
First, we are introduced to Jenny who is catering for the twenty-first birthday party of upper-class twins, Alicia and Justin. In her late twenties, Jenny is an impressive woman. Curvaceous and sexy, she’s a modern single woman, living the lifestyle that suits her – that of a travelling cook. Her famous father is a ‘celebrity’ cook, divorced from Jenny’s mother. Jenny is happy travelling the country catering for events and cooking great food. She is on a mission to bring back traditional home cooked food and to offer new and exciting recipes made with fresh ingredients. She arrives at the twins family country house located in a picturesque and charming village and is immediately met by the police. A young man has drowned in the pond. Was it an accident or murder?
The birthday party goes ahead and then, just after midnight, everyone gathers for a champagne toast . . . and one of the guests falls down dead. The police are baffled and there is a whole party full of suspects.
Jenny finds crime very distracting, especially when there is chocolate to temper or pike to poach. She is very observant, with an agile mind and an amazing ability to interpret clues and hidden meanings. Her wit and sense of humour help her sanity when all around her, people are dropping like flies. When it comes to someone possibly adding the extra ingredient of poison to her own precious recipes, Jenny isn't going to take it lying down. She has a reputation to protect.
Jenny Starling won't stop until the murderer is found.
There are many suspects in this mystery, clues a-plenty and red herrings all the way through this book. It was a thoroughly satisfying read and I often found myself asking the same questions as Jenny and I was kept in suspense to the end. The pacing in "The Birthday Mystery" was very good and I never lost interest, as it wasn't long before something intriguing would happen. Things came together for a great finish and wrapped everything up very neatly.
I'm definitely looking forward to reading the next novel featuring Jenny Starling very soon and other books by the author, Faith Martin. "The Birthday Mystery" whets your appetite for more to come.
My thanks to NetGalley, Joffe Books and the author for providing me with an advanced copy of this novel.
First, we are introduced to Jenny who is catering for the twenty-first birthday party of upper-class twins, Alicia and Justin. In her late twenties, Jenny is an impressive woman. Curvaceous and sexy, she’s a modern single woman, living the lifestyle that suits her – that of a travelling cook. Her famous father is a ‘celebrity’ cook, divorced from Jenny’s mother. Jenny is happy travelling the country catering for events and cooking great food. She is on a mission to bring back traditional home cooked food and to offer new and exciting recipes made with fresh ingredients. She arrives at the twins family country house located in a picturesque and charming village and is immediately met by the police. A young man has drowned in the pond. Was it an accident or murder?
The birthday party goes ahead and then, just after midnight, everyone gathers for a champagne toast . . . and one of the guests falls down dead. The police are baffled and there is a whole party full of suspects.
Jenny finds crime very distracting, especially when there is chocolate to temper or pike to poach. She is very observant, with an agile mind and an amazing ability to interpret clues and hidden meanings. Her wit and sense of humour help her sanity when all around her, people are dropping like flies. When it comes to someone possibly adding the extra ingredient of poison to her own precious recipes, Jenny isn't going to take it lying down. She has a reputation to protect.
Jenny Starling won't stop until the murderer is found.
There are many suspects in this mystery, clues a-plenty and red herrings all the way through this book. It was a thoroughly satisfying read and I often found myself asking the same questions as Jenny and I was kept in suspense to the end. The pacing in "The Birthday Mystery" was very good and I never lost interest, as it wasn't long before something intriguing would happen. Things came together for a great finish and wrapped everything up very neatly.
I'm definitely looking forward to reading the next novel featuring Jenny Starling very soon and other books by the author, Faith Martin. "The Birthday Mystery" whets your appetite for more to come.
My thanks to NetGalley, Joffe Books and the author for providing me with an advanced copy of this novel.
Sensitivemuse (246 KP) rated The Hunting Party in Books
Jul 3, 2019
Not what it's hyped up to be
I somewhat liked the mystery aspect of the novel. That’s what got me into reading this one in the first place. However it wasn’t what I thought it would and I finished the novel only because I wanted to know who it was that did the murder and the story behind it.
The plot itself could use a little more as it’s lackluster and not interesting. If you’re looking for a murder mystery that’s a classic whodunit it’s not here. There may be slight similarities to it but it’s really more of a bunch of thirty somethings in a house and something bad happens. The events leading up to the murder are each told in a point of view of a character.
At first it may be difficult to tell which one is which. You rather forget who is who as the characters are rather bland and uninteresting. Miranda stands out the most but even she’s not that likable. She’s a resentful spiteful twit who likes to step over others and hates their successes as she’s amounted to pretty much nothing. I’ve never seen such a spoiled brat as Miranda. Then you have Katie and Emma who aren’t that interesting either. Although if I had to choose, it’ll be Katie who was somewhat interesting. Until of course, she decides to do something extremely stupid and she ends up being just as spiteful as Miranda. Goodness, I didn’t think I was watching one of those soap operas or reality shows where they have this much drama.
Then there’s Heather and Doug who aren’t a part of the group of friends but they each had their own story to tell. Well not really. Not much was revealed from them except they had horrible pasts. Okay. Details please. It’s nice to have well rounded characters but they ended up being vacant and lifeless.
The mystery element (what little of it) was there and it came and went throughout the chapters. When all is final and revealed well, it’s all right but it’s not the best either. There’s not much in the way of background information and if there was, not much is given and the characters have no substance at all. The plot comes up empty and the whole thing with Iain, was that meant to be a red herring? This entire story just didn’t amount to what I thought it would. It’s disappointing as I wanted to like the book and was hyped for it.
Don’t really recommend this one. If you really want to read it, I suggest library take out. Otherwise skip this one entirely.
The plot itself could use a little more as it’s lackluster and not interesting. If you’re looking for a murder mystery that’s a classic whodunit it’s not here. There may be slight similarities to it but it’s really more of a bunch of thirty somethings in a house and something bad happens. The events leading up to the murder are each told in a point of view of a character.
At first it may be difficult to tell which one is which. You rather forget who is who as the characters are rather bland and uninteresting. Miranda stands out the most but even she’s not that likable. She’s a resentful spiteful twit who likes to step over others and hates their successes as she’s amounted to pretty much nothing. I’ve never seen such a spoiled brat as Miranda. Then you have Katie and Emma who aren’t that interesting either. Although if I had to choose, it’ll be Katie who was somewhat interesting. Until of course, she decides to do something extremely stupid and she ends up being just as spiteful as Miranda. Goodness, I didn’t think I was watching one of those soap operas or reality shows where they have this much drama.
Then there’s Heather and Doug who aren’t a part of the group of friends but they each had their own story to tell. Well not really. Not much was revealed from them except they had horrible pasts. Okay. Details please. It’s nice to have well rounded characters but they ended up being vacant and lifeless.
The mystery element (what little of it) was there and it came and went throughout the chapters. When all is final and revealed well, it’s all right but it’s not the best either. There’s not much in the way of background information and if there was, not much is given and the characters have no substance at all. The plot comes up empty and the whole thing with Iain, was that meant to be a red herring? This entire story just didn’t amount to what I thought it would. It’s disappointing as I wanted to like the book and was hyped for it.
Don’t really recommend this one. If you really want to read it, I suggest library take out. Otherwise skip this one entirely.
Lucy Buglass (45 KP) rated Knives Out (2019) in Movies
Oct 24, 2019
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Darren (1599 KP) rated The Abominable Snowman (1957) in Movies
Jul 8, 2019 (Updated Oct 24, 2019)
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Gareth von Kallenbach (980 KP) rated Murder on the Orient Express (2017) in Movies
Jul 11, 2019
Murder on the Orient Express is a mystery drama directed by, and starring, Kenneth Branagh and is based on the 1934 Agatha Christie novel of the same name. The film brings in a spectacular cast alongside Branagh, including Penelope Cruz, Willem Dafoe, Judi Dench, Johnny Depp, Josh Gad, Michelle Pfeiffer and Daisy Ridley. Also part of the main cast, while not well known, but equally as talented, are Tom Bateman, Derek Jacobi, Leslie Odom Jr. and Lucy Boynton.
For those unfamiliar with the novel, or the 1974 and 2001 adaptations, Murder tells the story of, well… a murder. On a train. It’s really a lot more than that. Branagh portrays Hercule Poirot, a famed Belgian detective who is looking forward to some time off. But during his travels, a most unfortunate thing happens. Two things actually. Someone is murdered aboard the train he is traveling on, the Orient Express (naturally). And the murderer would’ve gotten away free and clear had storm not caused an avalanche, which thanks to a derailed engine, caused the train to become stuck and the body to be discovered. Poirot’s friend, Bouc (Bateman), runs the train and requested that Poirot solve the mystery before the police arrive in fear of someone innocent being accused, and to save himself from a heyday with his father. Can Poirot find out who is the killer between the star-studded cast?
I’ve read the novel. Seen both adaptations. This film blows those earlier adaptations out of the water. There is no contest here. Now clearly, nothing can beat the book. But Murder is about as great a film you can get in the murky land of Hollywood these days. As mentioned, Branagh directed and starred in the film, which he shot on 65 mm. The last time he did this was with Hamlet in 1996. It looked good then, and it looks even better now. With eye-popping visuals throughout the entirety of the film, and a masterful soundtrack that seamlessly blended with the tones and themes of each scene, the film is a modern masterpiece.
It wasn’t without its faults. (Most) every film has them. And there are a lot of people who are upset with Branagh’s portrayal of Poirot, particularly the representation of his eccentric facial hair. I am not one of those people. I believe it, along with other amazing moments, lent a bit of humor to the movie to break up what should otherwise be, and is, a serious whodunit mystery. Also, I felt they changed a few things in the adaptation that didn’t necessarily need to be changed.
I found it hard to sit and write about the film though. Given the nature of a great mystery, I can’t tell you too much about it without risk of giving out crucial details to the plot and outcome. So I will leave you with this, boys, girls, and everything in between and beyond… with a great and talented cast (bravo to Michelle Pfeiffer in particular) who nailed home their characters, to great visuals, and a great score, this movie is definitely one you want to catch.
For those unfamiliar with the novel, or the 1974 and 2001 adaptations, Murder tells the story of, well… a murder. On a train. It’s really a lot more than that. Branagh portrays Hercule Poirot, a famed Belgian detective who is looking forward to some time off. But during his travels, a most unfortunate thing happens. Two things actually. Someone is murdered aboard the train he is traveling on, the Orient Express (naturally). And the murderer would’ve gotten away free and clear had storm not caused an avalanche, which thanks to a derailed engine, caused the train to become stuck and the body to be discovered. Poirot’s friend, Bouc (Bateman), runs the train and requested that Poirot solve the mystery before the police arrive in fear of someone innocent being accused, and to save himself from a heyday with his father. Can Poirot find out who is the killer between the star-studded cast?
I’ve read the novel. Seen both adaptations. This film blows those earlier adaptations out of the water. There is no contest here. Now clearly, nothing can beat the book. But Murder is about as great a film you can get in the murky land of Hollywood these days. As mentioned, Branagh directed and starred in the film, which he shot on 65 mm. The last time he did this was with Hamlet in 1996. It looked good then, and it looks even better now. With eye-popping visuals throughout the entirety of the film, and a masterful soundtrack that seamlessly blended with the tones and themes of each scene, the film is a modern masterpiece.
It wasn’t without its faults. (Most) every film has them. And there are a lot of people who are upset with Branagh’s portrayal of Poirot, particularly the representation of his eccentric facial hair. I am not one of those people. I believe it, along with other amazing moments, lent a bit of humor to the movie to break up what should otherwise be, and is, a serious whodunit mystery. Also, I felt they changed a few things in the adaptation that didn’t necessarily need to be changed.
I found it hard to sit and write about the film though. Given the nature of a great mystery, I can’t tell you too much about it without risk of giving out crucial details to the plot and outcome. So I will leave you with this, boys, girls, and everything in between and beyond… with a great and talented cast (bravo to Michelle Pfeiffer in particular) who nailed home their characters, to great visuals, and a great score, this movie is definitely one you want to catch.