Search

Search only in certain items:

Monster: A Novel of Extreme Horror and Gore
Monster: A Novel of Extreme Horror and Gore
Matt Shaw, Michael Bray | 2015 | Horror
4
6.5 (2 Ratings)
Book Rating
Engaging (0 more)
Long exposition (3 more)
Shifting narratives
Many typos
Anticlimactic Ending
The authors of MONSTER preface the book with a warning to the readers, cautioning them about the contents of the book. They really play it up: debating whether or not the story was too dark or too extreme and needed to be censored. It's ridiculous. If you've seen the first five minutes of the remake of The Hills Have Eyes 2, you've read this book. Matt Shaw really phones it in. He seems to be doing pretty well, popping out a book every month or so, and probably making a decent bit of cash too. So you'd think he'd be able to afford an editor. MONSTER is riddled with typos that should embarrass professional writers, like the misuse of "it's" and "its" in the same sentence, and a complete lack of knowledge on how quoting dialogue works. Also, it's almost impossible to get a sense of where this book is set until they explicitly tell you. All the characters use British slang and spellings, but it's set in Indiana. Okay.

Matt Shaw says in the introduction that he writes his endings to leave the audience reeling. That's true. Because I wasted three hours or so on one of the most underwhelming, anticlimactic, predictable endings I've ever read. It felt like he was written into a corner, so he just STOPPED. That's how abruptly it ends. And yeah, we all get it. "Who's the real monster?" Really original.

Also, it's Patrick Bateman in American Psycho, not NIcholas. Wikipedia is a thing. So is imdb. Do your research!
  
40x40

Benedick Lewis (3001 KP) rated Origin in Books

Jul 13, 2018  
Origin
Origin
Dan Brown | 2017 | Fiction & Poetry
2
7.3 (21 Ratings)
Book Rating
Short chapters (0 more)
Research appears to have been done on Wikipedia (1 more)
Although chapters are short, nothing happens
Slow and poorly written...that’s just the title
I enjoyed The Da Vinci Code. It was a book of the time and it felt like a blockbuster, which is what it eventually became. I then read Digital Fortess and Deception Point (not part of the Robert Langdon mythology) and they did the job as well. I felt, yeah, alright, that was worth two pounds (GBP).
Then I didn’t touch Dan Brown again. Simply because I had other things to read and the premises weren’t that interesting - until Origin, which looked like it would be as shattering as the Da Vinci Code was. What I forgotten was I got older and more educated. Origin promises answers to two questions: where did we come from? Where are we going? These questions are repeated constantly and you start to get Rednex’s Cotton Eye Joe in your head. For about 100 pages the build up is admittedly incredible but at the same time you think you know what is going to happen because there are 300 plus pages left. I won’t spoil anything and I advise you not to read the blurb because that does 25% of the book for you. From then on, apparently it is a race against time but you never truly feel anything is at stake. When the answers do come, you feel like ‘oh, right’ as if someone told you a fact you didn’t know but not really going to remember. And, in summary, Origin is so badly written that you won’t remember it.
  
I remember when I read this at first, just before the Ioan Gruffudd led TV series, as part of a collection entitled 'The Young Hornblower', thinking that this would make a good TV series (although, when it cam e out, I also remember thinking that he was to old for the role as written here - he's meant to be all of about 14!).

I was also completely unaware at the time, and only found out within the last couple of weeks, that this is also (technically) a prequel - i.e. written later, but set earlier - to more than a few of Forester's other Hornblower works.

Set during the Napoleonic Wars, these are your typical 'boys own' adventures of naval derring-do, that quite obviously set the template for other authors to follow (think [a:Bernard Cornwell|12542|Bernard Cornwell|https://images.gr-assets.com/authors/1240500522p2/12542.jpg] 'Sharpe' Series, or [a:Patrick O'Brian|5600|Patrick O'Brian|https://images.gr-assets.com/authors/1212630063p2/5600.jpg] 'Master and Commander' series).

Based on real life events, these novels (according to Wikipedia!) were also written in such a way that Hornblower was always off elsewhere when great naval battles occured during those wars, hence the reason he is never caught up in Trafalgar!

This particular entry, however, follows Hornblower's early career from when he first came on board (as a sea-sick Midshipman at Spithead), up until he receives his promotion to Lieutenant whilst a prisoner of the Spanish authorities, taking in night-time raids, 'cutting-out' expeditions, a (failed) attempt to start a revolt in France and his first examination for Lietunancy.
  
40x40

ClareR (5879 KP) rated The Porpoise in Books

Nov 6, 2019  
The Porpoise
The Porpoise
Mark Haddon | 2019 | Crime, History & Politics, Mystery, Thriller
8
6.3 (4 Ratings)
Book Rating
The last book of Mark Haddon’s I read was The Curious Incident of the Dog in the Night Time - and this is absolutely NOTHING like that. This novel is set in two time periods: modern day and Ancient Greece. Haddon has used the story of Apollonius and Shakespeare’s Pericles and worked them into both timelines. I hadn’t read anything about either of these stories to be honest, but after a quick look on the internet (thank you Wikipedia!) I felt a little better informed - although I do think that you would be able to read the book perfectly well without any knowledge of either Apollonius or Pericles.

This is not a comfortable read at all - abuse and incest feature strongly throughout the modern timeline (in the style of all good Greek Tragedies!). I did think about not continuing with the book at one point because I tend to avoid books with these themes, but the story really drew me in, particularly in the Greek timeline.

The way in which we initially move from modern day to Ancient Greece, using the yacht ‘The Porpoise’ to achieve this, was really cleverly done, I thought. The small parts which featured Shakespeare and his Pericles writing partner George Wilkins, seemed to be only loosely connected, but enjoyable nonetheless.

All in all, I really enjoyed this. I’m glad I stuck with it, because especially (but not exclusively!) in the case of the incest storyline, we really do see the strength of women, even though the men in their lives would want them to be cowed and obedient.

Many thanks to NetGalley and the publisher for my copy of this book.