Search
Search results
Lou Grande (148 KP) rated Monster: A Novel of Extreme Horror and Gore in Books
May 9, 2018
Long exposition (3 more)
Shifting narratives
Many typos
Anticlimactic Ending
The authors of MONSTER preface the book with a warning to the readers, cautioning them about the contents of the book. They really play it up: debating whether or not the story was too dark or too extreme and needed to be censored. It's ridiculous. If you've seen the first five minutes of the remake of The Hills Have Eyes 2, you've read this book. Matt Shaw really phones it in. He seems to be doing pretty well, popping out a book every month or so, and probably making a decent bit of cash too. So you'd think he'd be able to afford an editor. MONSTER is riddled with typos that should embarrass professional writers, like the misuse of "it's" and "its" in the same sentence, and a complete lack of knowledge on how quoting dialogue works. Also, it's almost impossible to get a sense of where this book is set until they explicitly tell you. All the characters use British slang and spellings, but it's set in Indiana. Okay.
Matt Shaw says in the introduction that he writes his endings to leave the audience reeling. That's true. Because I wasted three hours or so on one of the most underwhelming, anticlimactic, predictable endings I've ever read. It felt like he was written into a corner, so he just STOPPED. That's how abruptly it ends. And yeah, we all get it. "Who's the real monster?" Really original.
Also, it's Patrick Bateman in American Psycho, not NIcholas. Wikipedia is a thing. So is imdb. Do your research!
Matt Shaw says in the introduction that he writes his endings to leave the audience reeling. That's true. Because I wasted three hours or so on one of the most underwhelming, anticlimactic, predictable endings I've ever read. It felt like he was written into a corner, so he just STOPPED. That's how abruptly it ends. And yeah, we all get it. "Who's the real monster?" Really original.
Also, it's Patrick Bateman in American Psycho, not NIcholas. Wikipedia is a thing. So is imdb. Do your research!
Benedick Lewis (3001 KP) rated Origin in Books
Jul 13, 2018
Research appears to have been done on Wikipedia (1 more)
Although chapters are short, nothing happens
Slow and poorly written...that’s just the title
I enjoyed The Da Vinci Code. It was a book of the time and it felt like a blockbuster, which is what it eventually became. I then read Digital Fortess and Deception Point (not part of the Robert Langdon mythology) and they did the job as well. I felt, yeah, alright, that was worth two pounds (GBP).
Then I didn’t touch Dan Brown again. Simply because I had other things to read and the premises weren’t that interesting - until Origin, which looked like it would be as shattering as the Da Vinci Code was. What I forgotten was I got older and more educated. Origin promises answers to two questions: where did we come from? Where are we going? These questions are repeated constantly and you start to get Rednex’s Cotton Eye Joe in your head. For about 100 pages the build up is admittedly incredible but at the same time you think you know what is going to happen because there are 300 plus pages left. I won’t spoil anything and I advise you not to read the blurb because that does 25% of the book for you. From then on, apparently it is a race against time but you never truly feel anything is at stake. When the answers do come, you feel like ‘oh, right’ as if someone told you a fact you didn’t know but not really going to remember. And, in summary, Origin is so badly written that you won’t remember it.
Then I didn’t touch Dan Brown again. Simply because I had other things to read and the premises weren’t that interesting - until Origin, which looked like it would be as shattering as the Da Vinci Code was. What I forgotten was I got older and more educated. Origin promises answers to two questions: where did we come from? Where are we going? These questions are repeated constantly and you start to get Rednex’s Cotton Eye Joe in your head. For about 100 pages the build up is admittedly incredible but at the same time you think you know what is going to happen because there are 300 plus pages left. I won’t spoil anything and I advise you not to read the blurb because that does 25% of the book for you. From then on, apparently it is a race against time but you never truly feel anything is at stake. When the answers do come, you feel like ‘oh, right’ as if someone told you a fact you didn’t know but not really going to remember. And, in summary, Origin is so badly written that you won’t remember it.
David McK (3207 KP) rated Mr. Midshipman Hornblower (Hornblower Saga: Chronological Order, #1) in Books
Jan 28, 2019
I remember when I read this at first, just before the Ioan Gruffudd led TV series, as part of a collection entitled 'The Young Hornblower', thinking that this would make a good TV series (although, when it cam e out, I also remember thinking that he was to old for the role as written here - he's meant to be all of about 14!).
I was also completely unaware at the time, and only found out within the last couple of weeks, that this is also (technically) a prequel - i.e. written later, but set earlier - to more than a few of Forester's other Hornblower works.
Set during the Napoleonic Wars, these are your typical 'boys own' adventures of naval derring-do, that quite obviously set the template for other authors to follow (think [a:Bernard Cornwell|12542|Bernard Cornwell|https://images.gr-assets.com/authors/1240500522p2/12542.jpg] 'Sharpe' Series, or [a:Patrick O'Brian|5600|Patrick O'Brian|https://images.gr-assets.com/authors/1212630063p2/5600.jpg] 'Master and Commander' series).
Based on real life events, these novels (according to Wikipedia!) were also written in such a way that Hornblower was always off elsewhere when great naval battles occured during those wars, hence the reason he is never caught up in Trafalgar!
This particular entry, however, follows Hornblower's early career from when he first came on board (as a sea-sick Midshipman at Spithead), up until he receives his promotion to Lieutenant whilst a prisoner of the Spanish authorities, taking in night-time raids, 'cutting-out' expeditions, a (failed) attempt to start a revolt in France and his first examination for Lietunancy.
I was also completely unaware at the time, and only found out within the last couple of weeks, that this is also (technically) a prequel - i.e. written later, but set earlier - to more than a few of Forester's other Hornblower works.
Set during the Napoleonic Wars, these are your typical 'boys own' adventures of naval derring-do, that quite obviously set the template for other authors to follow (think [a:Bernard Cornwell|12542|Bernard Cornwell|https://images.gr-assets.com/authors/1240500522p2/12542.jpg] 'Sharpe' Series, or [a:Patrick O'Brian|5600|Patrick O'Brian|https://images.gr-assets.com/authors/1212630063p2/5600.jpg] 'Master and Commander' series).
Based on real life events, these novels (according to Wikipedia!) were also written in such a way that Hornblower was always off elsewhere when great naval battles occured during those wars, hence the reason he is never caught up in Trafalgar!
This particular entry, however, follows Hornblower's early career from when he first came on board (as a sea-sick Midshipman at Spithead), up until he receives his promotion to Lieutenant whilst a prisoner of the Spanish authorities, taking in night-time raids, 'cutting-out' expeditions, a (failed) attempt to start a revolt in France and his first examination for Lietunancy.
ClareR (5589 KP) rated The Porpoise in Books
Nov 6, 2019
The last book of Mark Haddon’s I read was The Curious Incident of the Dog in the Night Time - and this is absolutely NOTHING like that. This novel is set in two time periods: modern day and Ancient Greece. Haddon has used the story of Apollonius and Shakespeare’s Pericles and worked them into both timelines. I hadn’t read anything about either of these stories to be honest, but after a quick look on the internet (thank you Wikipedia!) I felt a little better informed - although I do think that you would be able to read the book perfectly well without any knowledge of either Apollonius or Pericles.
This is not a comfortable read at all - abuse and incest feature strongly throughout the modern timeline (in the style of all good Greek Tragedies!). I did think about not continuing with the book at one point because I tend to avoid books with these themes, but the story really drew me in, particularly in the Greek timeline.
The way in which we initially move from modern day to Ancient Greece, using the yacht ‘The Porpoise’ to achieve this, was really cleverly done, I thought. The small parts which featured Shakespeare and his Pericles writing partner George Wilkins, seemed to be only loosely connected, but enjoyable nonetheless.
All in all, I really enjoyed this. I’m glad I stuck with it, because especially (but not exclusively!) in the case of the incest storyline, we really do see the strength of women, even though the men in their lives would want them to be cowed and obedient.
Many thanks to NetGalley and the publisher for my copy of this book.
This is not a comfortable read at all - abuse and incest feature strongly throughout the modern timeline (in the style of all good Greek Tragedies!). I did think about not continuing with the book at one point because I tend to avoid books with these themes, but the story really drew me in, particularly in the Greek timeline.
The way in which we initially move from modern day to Ancient Greece, using the yacht ‘The Porpoise’ to achieve this, was really cleverly done, I thought. The small parts which featured Shakespeare and his Pericles writing partner George Wilkins, seemed to be only loosely connected, but enjoyable nonetheless.
All in all, I really enjoyed this. I’m glad I stuck with it, because especially (but not exclusively!) in the case of the incest storyline, we really do see the strength of women, even though the men in their lives would want them to be cowed and obedient.
Many thanks to NetGalley and the publisher for my copy of this book.
Amy Norman (1042 KP) rated The Dead Don't Die (2019) in Movies
Oct 2, 2020 (Updated Oct 3, 2020)
This film won't be for everyone, it is a very niche humour; if you have watched any of Jarmusch's other films you will understand how unique this film is, and how he doesn't bow down to 'conventional' film making.
I lifted the below directly from Wikipedia:
Jarmusch has been characterized as a minimalist filmmaker whose idiosyncratic films are unhurried. His films often eschew traditional narrative structure, lacking clear plot progression and focus more on mood and character development. In an interview early in his career, he stated that his goal was "to approximate real time for the audience."
This pretty much sums up the film. It is an unhurried take on a zombie film, in a small American town.
The characters are uncomplicated by the fact that they are very much one thing, and fall into strict stereotyoes i.e. straightforward, rude, weird, the nerd, the unbothered teens etc.
The cast was also huge, it was a true who's who, and each of them played to their strengths perfectly.
Bill Murray and Adam Driver were a fantastic pairing, as the slack jawed police chief, and main officer, that were undertaking the investigation of the towns unusual disturbances, and quite contentedly bumble through to the films conclusion.
The humour was painfully matter of fact, and delivered flawlessly dead pan. A style of humour I have always appreciated.
This isn't a straight up horror/zombie film, so if you are looking for a more mellow and laid back film then you may be able to appreciate this one, but it is certainly not one for the traditional horror fan.
I lifted the below directly from Wikipedia:
Jarmusch has been characterized as a minimalist filmmaker whose idiosyncratic films are unhurried. His films often eschew traditional narrative structure, lacking clear plot progression and focus more on mood and character development. In an interview early in his career, he stated that his goal was "to approximate real time for the audience."
This pretty much sums up the film. It is an unhurried take on a zombie film, in a small American town.
The characters are uncomplicated by the fact that they are very much one thing, and fall into strict stereotyoes i.e. straightforward, rude, weird, the nerd, the unbothered teens etc.
The cast was also huge, it was a true who's who, and each of them played to their strengths perfectly.
Bill Murray and Adam Driver were a fantastic pairing, as the slack jawed police chief, and main officer, that were undertaking the investigation of the towns unusual disturbances, and quite contentedly bumble through to the films conclusion.
The humour was painfully matter of fact, and delivered flawlessly dead pan. A style of humour I have always appreciated.
This isn't a straight up horror/zombie film, so if you are looking for a more mellow and laid back film then you may be able to appreciate this one, but it is certainly not one for the traditional horror fan.
Goddess in the Stacks (553 KP) rated Enchantress of Numbers: A Novel of Ada Lovelace in Books
Apr 2, 2018
Enchantress of Numbers has been making the rounds lately - it seems there's been an interest in books about women in STEM, which is a good thing. Ada Lovelace is considered to be the first computer programmer, though "computers" as we know them didn't really exist at the time. What she wrote was an algorithm for making a machine spit out a specific result - a machine that was never actually built. Still, her contributions to the very early science of computing were invaluable and she is (rightly) revered for them. Sadly, she died in her 30s from ovarian cancer - a loss that undoubtedly slowed down the advancement of early computing.
The early parts of the book are told in third person, about her mother's marriage to Lord Byron, and Ada's own birth. From there, Ada tells the story in first person, as she grows up with her strict mother in English Aristocratic Society.
It is historical fiction, so the author has taken some liberties, though I was a bit confused that in the book she meets Mr. Babbage some time before meeting Mrs. Somerville; Wikipedia says Lady Lovelace was introduced to Mr. Babbage by her mentor, Mrs. Somerville. Odd that the author chose to change that up.
I've definitely read better historical fiction - Philippa Gregory is a personal favorite - but this wasn't bad. It was a little slow, and a little dry in spots, but it was overall good. If you weren't interested in Ada Lovelace or early computing and mathematics I don't think the book would be very enjoyable at all. But if you do like those things, and are willing to put up with a little bit of boredom, it's a decent book.
You can find all my reviews at http://goddessinthestacks.wordpress.com
The early parts of the book are told in third person, about her mother's marriage to Lord Byron, and Ada's own birth. From there, Ada tells the story in first person, as she grows up with her strict mother in English Aristocratic Society.
It is historical fiction, so the author has taken some liberties, though I was a bit confused that in the book she meets Mr. Babbage some time before meeting Mrs. Somerville; Wikipedia says Lady Lovelace was introduced to Mr. Babbage by her mentor, Mrs. Somerville. Odd that the author chose to change that up.
I've definitely read better historical fiction - Philippa Gregory is a personal favorite - but this wasn't bad. It was a little slow, and a little dry in spots, but it was overall good. If you weren't interested in Ada Lovelace or early computing and mathematics I don't think the book would be very enjoyable at all. But if you do like those things, and are willing to put up with a little bit of boredom, it's a decent book.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Anand Wilder recommended Tea for the Tillerman by Cat Stevens in Music (curated)
Bob Mann (459 KP) rated Stan & Ollie (2018) in Movies
Sep 28, 2021
When the laughter has to end.
The problem with any comedy double act is that if illness or death get in the way (think Dustin Gee and Les Dennis; or Morecambe and Wise) the wheels can come off for the other partner. “Stan and Ollie” tells the story of the comic duo starting in 1937 when they reached their peak of global popularity, albeit when Laurel was hardly on speaking terms with their long-term producer Hal Roach (Danny Huston).
As you might guess from this, the emotional direction for the film is downwards, but not necessarily in a totally depressing way. The film depicts the duo’s tour of Laurel’s native country (he was born in Lancashire) and this has its ups as well as its downs.
Not knowing their life story, this is one where when the trailer came on I shut my eyes and plugged my ears so as to avoid spoilers: as such I will say nothing further on the details of the plot.
My wife and I were reminiscing after seeing this flick about how our parents used to crack up over the film antics of Laurel and Hardy. And they were, in their own slapstick way, very funny indeed. The film manages to recreate (impecably) some of their more famous routines and parodies others: their travel trunk gallops to the bottom of the station steps, mimicking the famous scenes with a piano from 1932’s “The Music Box”. “Do we really need that trunk” Hardy deadpans to Laurel.
The turns
There are four star turns at the heart of the film and they are John C. Reilly as Ollie; Steve Coogan as Stan; Shirley Henderson (forever to be referenced as “Moaning Myrtle”) as Ollie’s wife Lucille and Nina Arianda (so memorable as the ‘pointer outer’ in the ‘Emperor’s New Clothes’ segment of “Florence Foster Jenkins“) as Stan’s latest wife Ida.
Coogan and Reilly do an outstanding job of impersonating the comic duo. Both are simply brilliant, playing up to their public personas when visible but subtly delivering similar traits in private. Of the two, John C. Reilly’s performance is the most memorable: he IS Oliver Hardy. Not taking too much away from the other performance, but there are a few times when Coogan poked through the illusion (like a Partridge sticking its head out from a Pear Tree you might say).
Henderson and Arianda also add tremendous heart to the drama, and Arianda’s Ida in particular is hilarious. Also delivering a fabulous supporting role is Rufus Jones as the famous impressario Bernard Delfont: all smarm and Machiavellian chicanery that adds a different shape of comedy to the film.
Another Fine Mess?
Actually, no: it’s one of those pleasant and untaxing cinema experiences that older audiences in particular will really enjoy. However, the film’s far from perfect in my view: the flash-forwards/flash-backs I felt made the story bitty and disjointed; and ultimately the life story of the duo doesn’t have a huge depth of drama in it to amaze or excite, the way that 2004’s “Beyond the Sea” (the biopic of Bobby Darin) did for example. But the film never gets boring or disappoints.
I’d like to say that the script by Jeff Pope (“Philomena“) is historically accurate, but a look at the wikipedia entries for the pair show that it was far from that. Yes, the tours of the UK and Europe did happen, but over multiple years and the actual events in their lives are telescoped into a single trip for dramatic purposes. But I think the essence of the pair comes across nicely. Laurel’s wikipedia entry records a nice death-bed scene that sums up the guy:
“Minutes before his death, he told his nurse that he would not mind going skiing, and she replied that she was not aware that he was a skier. “I’m not,” said Laurel, “I’d rather be doing that than this!” A few minutes later, the nurse looked in on him again and found that he had died quietly in his armchair.”
“Stan and Ollie” has a few preview screenings before the New Year, but goes on UK general release on January 11th. Recommended.
As you might guess from this, the emotional direction for the film is downwards, but not necessarily in a totally depressing way. The film depicts the duo’s tour of Laurel’s native country (he was born in Lancashire) and this has its ups as well as its downs.
Not knowing their life story, this is one where when the trailer came on I shut my eyes and plugged my ears so as to avoid spoilers: as such I will say nothing further on the details of the plot.
My wife and I were reminiscing after seeing this flick about how our parents used to crack up over the film antics of Laurel and Hardy. And they were, in their own slapstick way, very funny indeed. The film manages to recreate (impecably) some of their more famous routines and parodies others: their travel trunk gallops to the bottom of the station steps, mimicking the famous scenes with a piano from 1932’s “The Music Box”. “Do we really need that trunk” Hardy deadpans to Laurel.
The turns
There are four star turns at the heart of the film and they are John C. Reilly as Ollie; Steve Coogan as Stan; Shirley Henderson (forever to be referenced as “Moaning Myrtle”) as Ollie’s wife Lucille and Nina Arianda (so memorable as the ‘pointer outer’ in the ‘Emperor’s New Clothes’ segment of “Florence Foster Jenkins“) as Stan’s latest wife Ida.
Coogan and Reilly do an outstanding job of impersonating the comic duo. Both are simply brilliant, playing up to their public personas when visible but subtly delivering similar traits in private. Of the two, John C. Reilly’s performance is the most memorable: he IS Oliver Hardy. Not taking too much away from the other performance, but there are a few times when Coogan poked through the illusion (like a Partridge sticking its head out from a Pear Tree you might say).
Henderson and Arianda also add tremendous heart to the drama, and Arianda’s Ida in particular is hilarious. Also delivering a fabulous supporting role is Rufus Jones as the famous impressario Bernard Delfont: all smarm and Machiavellian chicanery that adds a different shape of comedy to the film.
Another Fine Mess?
Actually, no: it’s one of those pleasant and untaxing cinema experiences that older audiences in particular will really enjoy. However, the film’s far from perfect in my view: the flash-forwards/flash-backs I felt made the story bitty and disjointed; and ultimately the life story of the duo doesn’t have a huge depth of drama in it to amaze or excite, the way that 2004’s “Beyond the Sea” (the biopic of Bobby Darin) did for example. But the film never gets boring or disappoints.
I’d like to say that the script by Jeff Pope (“Philomena“) is historically accurate, but a look at the wikipedia entries for the pair show that it was far from that. Yes, the tours of the UK and Europe did happen, but over multiple years and the actual events in their lives are telescoped into a single trip for dramatic purposes. But I think the essence of the pair comes across nicely. Laurel’s wikipedia entry records a nice death-bed scene that sums up the guy:
“Minutes before his death, he told his nurse that he would not mind going skiing, and she replied that she was not aware that he was a skier. “I’m not,” said Laurel, “I’d rather be doing that than this!” A few minutes later, the nurse looked in on him again and found that he had died quietly in his armchair.”
“Stan and Ollie” has a few preview screenings before the New Year, but goes on UK general release on January 11th. Recommended.
BookwormMama14 (18 KP) rated The Captain's Daughter in Books
Jan 2, 2019
I grew up with a deep (DEEP) appreciation for theatre. I have been in several productions personally. And musicals are my lifeblood (my hubby and I are going to see Phantom of the Opera in a couple weeks). So you can imagine my surprise when I discovered that not only is this book set in one of the most fascinating time periods, (Queen Victoria was pretty amazing! Check out the new Masterpiece Series from BBC
"Victoria" Yes, I know they over dramatized some aspects in this...But it is still AMAZING...and Jenna Coleman...'nough said.) but that we also get an exclusive behind-the-scenes look at the life of the theatre in 1873. An era where an occupation on the stage was heavily frowned upon. Not to mention that the operettas written by Gilbert & Sullivan are the productions we find in The Captain's Daughter. I had the opportunity to see Pirates of Penzance, oh my lands! I adore it! By the way, for all my love of the theatre, I had NO idea why it is called "the lime light". If you don't know either, you can find out more on Wikipedia.
Falsely accused, Rosalyn finds herself in London. Without a penny to her name she makes her way to the very theatre that Nate is working at(you will understand the significance of this when you read the book). Both Nate and Rosalyn must make peace with the past in order to move on. As Nate tries to earn forgiveness for his mistakes, he learns that forgiveness can not be earned. Our Heavenly Father gives it freely. All we have to do is ask.
Swept into the sea of romance, song, lights, costumes, and scandal...I found myself dancing through the pages (or at least swaying) as the anticipation builds for the ending that I was HOPING would play out a certain way. Forgiveness, true love, and living the life that God has called you to live are the main themes that struck my heart.
I received a complimentary copy of The Captain's Daughter from Bethany House Publishers through the Litfuse Tour. I was not required to write a positive review. All opinions expressed are mine alone.
"Victoria" Yes, I know they over dramatized some aspects in this...But it is still AMAZING...and Jenna Coleman...'nough said.) but that we also get an exclusive behind-the-scenes look at the life of the theatre in 1873. An era where an occupation on the stage was heavily frowned upon. Not to mention that the operettas written by Gilbert & Sullivan are the productions we find in The Captain's Daughter. I had the opportunity to see Pirates of Penzance, oh my lands! I adore it! By the way, for all my love of the theatre, I had NO idea why it is called "the lime light". If you don't know either, you can find out more on Wikipedia.
Falsely accused, Rosalyn finds herself in London. Without a penny to her name she makes her way to the very theatre that Nate is working at(you will understand the significance of this when you read the book). Both Nate and Rosalyn must make peace with the past in order to move on. As Nate tries to earn forgiveness for his mistakes, he learns that forgiveness can not be earned. Our Heavenly Father gives it freely. All we have to do is ask.
Swept into the sea of romance, song, lights, costumes, and scandal...I found myself dancing through the pages (or at least swaying) as the anticipation builds for the ending that I was HOPING would play out a certain way. Forgiveness, true love, and living the life that God has called you to live are the main themes that struck my heart.
I received a complimentary copy of The Captain's Daughter from Bethany House Publishers through the Litfuse Tour. I was not required to write a positive review. All opinions expressed are mine alone.
Emma @ The Movies (1786 KP) rated The Dark Tower (2017) in Movies
Sep 25, 2019
The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter Padick, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.
Jack Chambers is labelled as a troubled child, the visions he sees are just his way of coping with his father's death. But when he's confronted with the monsters that he's drawn he knows he needs to find the truth. Even if that truth lands him in the middle of the battle.
Yet another book that I haven't read. I know, I know. I'll sort myself out at some point. But if I'm truly honest, I've never really enjoyed Stephen King stuff. I think I mentioned before when I listened to Under The Dome, everything I've come across feels like it ends rather abruptly, and fairly often with a "Boom! Aliens!"
Knowing this was a series of books I wanted to know exactly what this film entailed... I'm not sure I'm any closer to understanding. Evidently this films has elements of several novels in the series. According to Wikipedia it "also serves as a canonical sequel to the novel series..." Honestly, the only way I'm going to understand it is to read all eight books, but with roughly 100 books in my TBR pile that's a fairly remote happening. I'll just have to convince my mum to see it so she can explain it all to me.
For something that crosses into multiple genres I was pleasantly surprised that it was easy to follow. It was an enjoyable watch. And although there were no aliens thrown in at the end, the film did feel like it ended too abruptly.
I'm not sure what the buzz is about this at the moment, but for a while there were certainly talks of another film, and/or a TV series. I really with all my heart don't want a series. Not after Under The Dome. But another film wouldn't be objectionable.
Jack Chambers is labelled as a troubled child, the visions he sees are just his way of coping with his father's death. But when he's confronted with the monsters that he's drawn he knows he needs to find the truth. Even if that truth lands him in the middle of the battle.
Yet another book that I haven't read. I know, I know. I'll sort myself out at some point. But if I'm truly honest, I've never really enjoyed Stephen King stuff. I think I mentioned before when I listened to Under The Dome, everything I've come across feels like it ends rather abruptly, and fairly often with a "Boom! Aliens!"
Knowing this was a series of books I wanted to know exactly what this film entailed... I'm not sure I'm any closer to understanding. Evidently this films has elements of several novels in the series. According to Wikipedia it "also serves as a canonical sequel to the novel series..." Honestly, the only way I'm going to understand it is to read all eight books, but with roughly 100 books in my TBR pile that's a fairly remote happening. I'll just have to convince my mum to see it so she can explain it all to me.
For something that crosses into multiple genres I was pleasantly surprised that it was easy to follow. It was an enjoyable watch. And although there were no aliens thrown in at the end, the film did feel like it ended too abruptly.
I'm not sure what the buzz is about this at the moment, but for a while there were certainly talks of another film, and/or a TV series. I really with all my heart don't want a series. Not after Under The Dome. But another film wouldn't be objectionable.