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JT (287 KP) rated Richard Jewell (2019) in Movies
Mar 10, 2020
Richard Jewell (Paul Walter Hauser) is a softly spoken, overzealous university campus security guard whose heart is in the right place and is dedicated to his job – maybe a little too much.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
Oxford
Book
Oxford started as an Anglo-Saxon border outpost, with a bridge replacing the 'oxen ford' from which...
Merissa (12061 KP) rated Wilde Moon (Wildeward Academy #5) in Books
Dec 6, 2021 (Updated Jul 9, 2023)
WILDE MOON is the fifth and final book in the Wildeward Academy series (so far; I'm holding out hope for more) and we start where we finished -- with Victoria and her Coterie in London, plenty to prove and so many opportunities to do so, whether they want to or not.
My word! Hold onto your hats, folks, because you're in for a bumpy ride. And please take a deep breath as you're going to need it! This book doesn't stop! You know how in some books, you have moments of action, followed by moments of rest? Yeah, well, that doesn't happen here. It's all-go from the very beginning. And although I felt worn out afterwards, I wouldn't change a single moment.
Achoris is the 'main guy' in this book but, don't worry, you'll get plenty of the others too, plus some action with all of them. Phew! It's hot in here. There is no chance of confusing these guys either. They are so individual and make their voices heard amongst the tumult of Victoria's crazy life.
There are plenty of loose ends to tie up in this novel, and Ms Blythe does so admirably. And she kept me waiting until near the end but then... MY PLEAS HAVE BEEN HEARD!!!! The Lodge returns! I'm so happy with the way things turned out. The Coterie gets larger but the inner circle remains as is, although the bonds are tighter once Achoris accepts he may not know everything after all.
What a finale! I loved every word and really didn't want it to finish, but I'm glad it has, in the way it has, if that makes sense?! This was an outstanding series with quirks and individuality in a genre that can become almost boring.
This author is definitely on my go-to list, and I highly recommend this book and this series but, please, start from the beginning and lose yourself in a world of blood, sex, and magic.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 6, 2021
My word! Hold onto your hats, folks, because you're in for a bumpy ride. And please take a deep breath as you're going to need it! This book doesn't stop! You know how in some books, you have moments of action, followed by moments of rest? Yeah, well, that doesn't happen here. It's all-go from the very beginning. And although I felt worn out afterwards, I wouldn't change a single moment.
Achoris is the 'main guy' in this book but, don't worry, you'll get plenty of the others too, plus some action with all of them. Phew! It's hot in here. There is no chance of confusing these guys either. They are so individual and make their voices heard amongst the tumult of Victoria's crazy life.
There are plenty of loose ends to tie up in this novel, and Ms Blythe does so admirably. And she kept me waiting until near the end but then... MY PLEAS HAVE BEEN HEARD!!!! The Lodge returns! I'm so happy with the way things turned out. The Coterie gets larger but the inner circle remains as is, although the bonds are tighter once Achoris accepts he may not know everything after all.
What a finale! I loved every word and really didn't want it to finish, but I'm glad it has, in the way it has, if that makes sense?! This was an outstanding series with quirks and individuality in a genre that can become almost boring.
This author is definitely on my go-to list, and I highly recommend this book and this series but, please, start from the beginning and lose yourself in a world of blood, sex, and magic.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 6, 2021
Debbiereadsbook (1202 KP) rated Rescued By The Alpha (Alaskan Wolf Alliance #1) in Books
Aug 26, 2018
thoroughly enjoyable read!
*purchased copy 25th Aug 2018*
MM Wilde is a pen name for Morticia Knight, and I LOVE Ms Knight's work. So when I came across this one, I had to buy it and see what the difference was.
There is a HUGE amount of difference it this book and some of Ms Knight's other work and I do not mean that negatively.
Elam manages to whack his head and pass out in a storm. Nic finds him and Nic's wolf is all for the younger man to be in Nic's space. Nic the man, at first, not so much. But Fate has a different idea for Nic and Elam, bringing some of the Old World tales back to life.
I LOVED this! I have a soft spot for m-preg books, and I loved that this one delivered on every level.
Nic, the man, wants no part of a human mate, but Nic, the wolf is all for the idea. Elam is supposed to be off men, but Nic pushes all the buttons he never knew he had. When Nic reveals his true form, and explains just what he is to Nic, Elam is all for it. When they realises just what the mating meant, I loved that they are BOTH totally surprised by it! The Healer for the pack is too. And I love being surprised as much as they were!
It's not overly explicit for a shifter male/male book, but I really enjoyed that it wasn't. Both men have a voice, so we get all of Nic's reluctance to have a human mate, with all of Elam's williness, once they decide to. All of Elam acceptance of Nic and his pack. Of what the mating really meant, and each man's reaction to the news of their impending arrival. And we get all of Nic and Elam's worry when things start to unravel with a rival pack.
I bought this yesterday, went to bed to read a few pages, 2 hours later, I'm done. Sign of a great book, that, to keep me fully engaged and engrossed til you run out of book and didn't realise you were that close to the end.
so....
5 full stars
**same worded review will appear elsewhere**
MM Wilde is a pen name for Morticia Knight, and I LOVE Ms Knight's work. So when I came across this one, I had to buy it and see what the difference was.
There is a HUGE amount of difference it this book and some of Ms Knight's other work and I do not mean that negatively.
Elam manages to whack his head and pass out in a storm. Nic finds him and Nic's wolf is all for the younger man to be in Nic's space. Nic the man, at first, not so much. But Fate has a different idea for Nic and Elam, bringing some of the Old World tales back to life.
I LOVED this! I have a soft spot for m-preg books, and I loved that this one delivered on every level.
Nic, the man, wants no part of a human mate, but Nic, the wolf is all for the idea. Elam is supposed to be off men, but Nic pushes all the buttons he never knew he had. When Nic reveals his true form, and explains just what he is to Nic, Elam is all for it. When they realises just what the mating meant, I loved that they are BOTH totally surprised by it! The Healer for the pack is too. And I love being surprised as much as they were!
It's not overly explicit for a shifter male/male book, but I really enjoyed that it wasn't. Both men have a voice, so we get all of Nic's reluctance to have a human mate, with all of Elam's williness, once they decide to. All of Elam acceptance of Nic and his pack. Of what the mating really meant, and each man's reaction to the news of their impending arrival. And we get all of Nic and Elam's worry when things start to unravel with a rival pack.
I bought this yesterday, went to bed to read a few pages, 2 hours later, I'm done. Sign of a great book, that, to keep me fully engaged and engrossed til you run out of book and didn't realise you were that close to the end.
so....
5 full stars
**same worded review will appear elsewhere**
Gareth von Kallenbach (980 KP) rated Zootopia (2016) in Movies
Jun 19, 2019
In the city of Zootopia, animals live together in peace and harmony in bustling city or anyone can become anything. At least this is what Judy Hopps (Ginnifer Goodwin), hopes for as she leaves her rural community to chase her dreams of becoming the first ever rabbit officer on the Zootopia please force. Despite her size disadvantage and opposition from other officers, Judy graduates from the top of her class and soon makes her way to the big city to start her career. Unfortunately the other officers are so thrilled about having a rabbit on the force; especially her Chief Bogo (Idris Elba), who assigns Judy to lowly parking duty in the hopes that she will simply just go away. When a missing person’s case accidentally lands in her lap, Judy makes an agreement with her cheap that she will crack the case or be forced to resign from the force. With the clock ticking, Judy crosses paths with a Fox named Nick Wilde (Jason Bateman), who despite his seemingly sketchy way of conducting himself, may have a crucial clue towards cracking the case.
Naturally things are not as cut and dry as they might at first seem, and the two reluctantly are forced to partner up in order to get to the bottom of the mystery that threatens to shake the very essence of Zootopia to the core.
Disney has once again crafted a film filled with bright colors, great characters, dazzling visuals, and above all a story that is extremely entertaining throughout and also contains very good messages without being preachy. The cast is first-rate and the jokes fly fast even though it is at its core a mystery. Bateman and Goodwin are fantastic as the leads, and the supporting cast is an exceptionally strong performance.
I would be hard-pressed to find anything to fault in the film although parents may want to exercise a bit of caution with extremely young viewers as there are a couple of intense moments one of which made my wife jumped in her seat. That being said Disney has got another classic on their hands and I hope that we see some future adventures from this crew in the future as I was captivated from beginning to end and with this charming and magical tale.
http://sknr.net/2016/03/02/zootopia/
Naturally things are not as cut and dry as they might at first seem, and the two reluctantly are forced to partner up in order to get to the bottom of the mystery that threatens to shake the very essence of Zootopia to the core.
Disney has once again crafted a film filled with bright colors, great characters, dazzling visuals, and above all a story that is extremely entertaining throughout and also contains very good messages without being preachy. The cast is first-rate and the jokes fly fast even though it is at its core a mystery. Bateman and Goodwin are fantastic as the leads, and the supporting cast is an exceptionally strong performance.
I would be hard-pressed to find anything to fault in the film although parents may want to exercise a bit of caution with extremely young viewers as there are a couple of intense moments one of which made my wife jumped in her seat. That being said Disney has got another classic on their hands and I hope that we see some future adventures from this crew in the future as I was captivated from beginning to end and with this charming and magical tale.
http://sknr.net/2016/03/02/zootopia/
The Interactive Adventures of Sherlock Holmes
Book, Education and Stickers
App
iClassics: Beyond Engrossing iClassics unites the old and the new to create immersive experiences...
Jesters_folly (230 KP) rated Robo Vampire (1988) in Movies
Aug 11, 2020
Contains spoilers, click to show
Drug baron Mr Young is fed up with Narcotics agent Tom Wilde interfering with his plans so he hires a Taoist monk to train a vampire to kill him. After his death Tom is rebuilt as an Android Robot and sent on a mission to help rescue a captured officer.
The cover/poster art would have us believe that this is a Robocop vs vampire movie and I suppose that it is in the looses possible sense. First off this is low budget Hong Kong Jiangshi (rotting corpse) movie with added cyborg (Sorry Android Robot) so the vampires are of the hopping type not the western 'gentleman'.
I've given this film a 6 on the basis that it's so bad it's good. Most of the vampires are ok and look like the standard hopping type but the lead vampire seems to be wearing a gorilla mask to make it look rotten. No one bleeds when shot and it's obvious when dummies are used instead of stun doubles . Even taking this into account I would have given Robo Vampire a higher rating but it gets hard to follow. There are two story-lines to follow, the rescue of Sophie, an undercover agent that has been kidnapped and the Tom-robot vs the vampire's and ghost. And this is the first confusing part of the plot. Tom's creators say that he is to be sent on the rescue mission but he is never with the rescue party. Instead he goes off to fight the vampire. So the film switches between the rescue and Tom vs the vampires. Even this wouldn't be a problem except that the story-lines seem to continue even when we're not watching. For example, the rescue party are heading towards the camp with baddies jumping out at them from all directions. The we switch to Robo and when we switch back to the rescue two of the party are swimming in a lake with no sign of any of the others and end up getting captured, then back to Robo, then back the rest of the rescue party who don't even acknowledged that two of their party are missing but aren't surprised when they see them as prisoners. This sort of thing happens a lot, it's almost as if some one just cut out random scenes. Characters also just seem to appear with no introduction and switch sides with no seeming reason.
The cover/poster art would have us believe that this is a Robocop vs vampire movie and I suppose that it is in the looses possible sense. First off this is low budget Hong Kong Jiangshi (rotting corpse) movie with added cyborg (Sorry Android Robot) so the vampires are of the hopping type not the western 'gentleman'.
I've given this film a 6 on the basis that it's so bad it's good. Most of the vampires are ok and look like the standard hopping type but the lead vampire seems to be wearing a gorilla mask to make it look rotten. No one bleeds when shot and it's obvious when dummies are used instead of stun doubles . Even taking this into account I would have given Robo Vampire a higher rating but it gets hard to follow. There are two story-lines to follow, the rescue of Sophie, an undercover agent that has been kidnapped and the Tom-robot vs the vampire's and ghost. And this is the first confusing part of the plot. Tom's creators say that he is to be sent on the rescue mission but he is never with the rescue party. Instead he goes off to fight the vampire. So the film switches between the rescue and Tom vs the vampires. Even this wouldn't be a problem except that the story-lines seem to continue even when we're not watching. For example, the rescue party are heading towards the camp with baddies jumping out at them from all directions. The we switch to Robo and when we switch back to the rescue two of the party are swimming in a lake with no sign of any of the others and end up getting captured, then back to Robo, then back the rest of the rescue party who don't even acknowledged that two of their party are missing but aren't surprised when they see them as prisoners. This sort of thing happens a lot, it's almost as if some one just cut out random scenes. Characters also just seem to appear with no introduction and switch sides with no seeming reason.
Hazel (1853 KP) rated The Art Therapy Colouring Book in Books
Dec 14, 2018
Doodle and colour your stress away!
See <a href="https://hazelstainer.wordpress.com/2016/02/12/art-therapy-an-anti-stress-colouring-book/">here</a>; and <a href="https://hazelstainer.wordpress.com/2016/04/01/a-middle-fingers-perspective/">here</a>; for image examples:
I was given a copy of this colouring book, Art Therapy, for Christmas a couple of years ago, before they became the latest craze. It was not until during the past half a year that I seriously got into colouring. Some people scoff and ridicule the idea that colouring can relieve stress, however, in my experience, it really can!
This particular book contains drawings from three different illustrators: Hannah Davies, Richard Merritt and Cindy Wilde; however you would not know it as all the pages are a similar style. The images range from animals, flowers and objects, to basic and complicated patterns.
With hundreds of colouring books to choose from, what makes Art Therapy, and others from the same series, different from the rest? Firstly, most of the patterns have been started for you. Some people may argue this is a negative point, yet I find it quite useful. I use the starting colours as a theme to stick to throughout the page (see above for examples). I like structure and rule following therefore this is a great book for me. Secondly, the book is split into to halves: images and patterns to colour in, and unfinished images and patterns. The second part of the book allows the owner of the book to finish the outlines of the colouring pages however they wish before colouring them in. This helps to nurture and develop illustration skills. I have not attempted these pages yet as I am moving through the book methodically (I did say I like structure and rule following!), I will post examples at a later date.
The paper quality is extremely good, a lot better than many other colouring books I have come across. Even though I do not use them (I only use pencils), this book should be suitable for felt tip pens – although I would avoid Sharpies, they go through everything!
Now the downside… it is a hardback. Not the easiest to colour in with it on your lap whilst watching television (although I manage some how). I have only completed 21 pages so far and I am already worried that it is going to fall apart. Having said that, the other day I noticed that The Works were selling a paper back version! Perhaps invest in that format if you are thinking of buying this book.
See <a href="https://hazelstainer.wordpress.com/2016/02/12/art-therapy-an-anti-stress-colouring-book/">here</a>; and <a href="https://hazelstainer.wordpress.com/2016/04/01/a-middle-fingers-perspective/">here</a>; for image examples:
I was given a copy of this colouring book, Art Therapy, for Christmas a couple of years ago, before they became the latest craze. It was not until during the past half a year that I seriously got into colouring. Some people scoff and ridicule the idea that colouring can relieve stress, however, in my experience, it really can!
This particular book contains drawings from three different illustrators: Hannah Davies, Richard Merritt and Cindy Wilde; however you would not know it as all the pages are a similar style. The images range from animals, flowers and objects, to basic and complicated patterns.
With hundreds of colouring books to choose from, what makes Art Therapy, and others from the same series, different from the rest? Firstly, most of the patterns have been started for you. Some people may argue this is a negative point, yet I find it quite useful. I use the starting colours as a theme to stick to throughout the page (see above for examples). I like structure and rule following therefore this is a great book for me. Secondly, the book is split into to halves: images and patterns to colour in, and unfinished images and patterns. The second part of the book allows the owner of the book to finish the outlines of the colouring pages however they wish before colouring them in. This helps to nurture and develop illustration skills. I have not attempted these pages yet as I am moving through the book methodically (I did say I like structure and rule following!), I will post examples at a later date.
The paper quality is extremely good, a lot better than many other colouring books I have come across. Even though I do not use them (I only use pencils), this book should be suitable for felt tip pens – although I would avoid Sharpies, they go through everything!
Now the downside… it is a hardback. Not the easiest to colour in with it on your lap whilst watching television (although I manage some how). I have only completed 21 pages so far and I am already worried that it is going to fall apart. Having said that, the other day I noticed that The Works were selling a paper back version! Perhaps invest in that format if you are thinking of buying this book.
Gareth von Kallenbach (980 KP) rated Carrie (2013) in Movies
Aug 6, 2019
If you’ve got a taste for terror…take Carrie to the Prom.”
Chloe Grace Moretz plays Carrie, an extremely shy outcast who is bullied by her peers for being “strange” and “different”. Her mother Margaret White (Julian Moore) is an overprotective and a religious extremist who uses her strange beliefs in the form of abuse on her daughter Carrie. Like all teens, Carrie would very much like to be normal and fit in. Her mothers crazy religious beliefs keeps her from teaching Carrie the basics of becoming a woman in the hopes that she will be kept “pure”.
The schools gym teacher Mrs Desjardin (Judy Greer) takes a liking to Carrie and tries to keep her protected from popular mean girls, Chris Hargenson (Portia Doubleday) who is the “leader of the pack” and Sue Snell (Gabrielle Wilde). Sue soon regrets her actions towards Carrie and though Chris does not, Sue devises a plan to be able to make it up to Carrie. Sue asks her boyfriend Tommy Ross (Ansel Elgort) to do her a favor by taking Carrie to the prom and showing her a magical night. When Carrie is pushed too far by her peers she unleashes telekinetic powers over all who have hurt her.
Most fans of horror know all too well about Carrie. This could be the fact that the film itself has been reimagined twice . The 1976 version won an Oscar Nomination for Sissy Spacek and Piper Laurie. It was well deserved then and may be well deserved now for the young Chloe who has been making great strides in her acting career since the Amityvile horror. She does a great job at embodying the archetypal superhero kind of character. Julian Moore is perfect in the role of Carrie’s mom, adding more creepiness to the character. This adaption by director Kimberly Pierce (Stop Loss, Boys Don’t Cry) is kept closer to Mr. King’s novel. Pierce makes the audience fall in love with Carrie and wants to see her succeed in her power and in herself.
Though the movie stays closer to the novel it still doesn’t stray far from it’s two predecessors. Pierce’ is my preferred version as she uses more modern effects and we can now visually see Carrie’s powers come to life instead of just burrowing eyes hinting towards powers that are being used. This film is perfect for any horror fan and those that like a great vengeful story about a girl who wanted to just be normal.
Chloe Grace Moretz plays Carrie, an extremely shy outcast who is bullied by her peers for being “strange” and “different”. Her mother Margaret White (Julian Moore) is an overprotective and a religious extremist who uses her strange beliefs in the form of abuse on her daughter Carrie. Like all teens, Carrie would very much like to be normal and fit in. Her mothers crazy religious beliefs keeps her from teaching Carrie the basics of becoming a woman in the hopes that she will be kept “pure”.
The schools gym teacher Mrs Desjardin (Judy Greer) takes a liking to Carrie and tries to keep her protected from popular mean girls, Chris Hargenson (Portia Doubleday) who is the “leader of the pack” and Sue Snell (Gabrielle Wilde). Sue soon regrets her actions towards Carrie and though Chris does not, Sue devises a plan to be able to make it up to Carrie. Sue asks her boyfriend Tommy Ross (Ansel Elgort) to do her a favor by taking Carrie to the prom and showing her a magical night. When Carrie is pushed too far by her peers she unleashes telekinetic powers over all who have hurt her.
Most fans of horror know all too well about Carrie. This could be the fact that the film itself has been reimagined twice . The 1976 version won an Oscar Nomination for Sissy Spacek and Piper Laurie. It was well deserved then and may be well deserved now for the young Chloe who has been making great strides in her acting career since the Amityvile horror. She does a great job at embodying the archetypal superhero kind of character. Julian Moore is perfect in the role of Carrie’s mom, adding more creepiness to the character. This adaption by director Kimberly Pierce (Stop Loss, Boys Don’t Cry) is kept closer to Mr. King’s novel. Pierce makes the audience fall in love with Carrie and wants to see her succeed in her power and in herself.
Though the movie stays closer to the novel it still doesn’t stray far from it’s two predecessors. Pierce’ is my preferred version as she uses more modern effects and we can now visually see Carrie’s powers come to life instead of just burrowing eyes hinting towards powers that are being used. This film is perfect for any horror fan and those that like a great vengeful story about a girl who wanted to just be normal.
Gareth von Kallenbach (980 KP) rated Love the Coopers (2015) in Movies
Aug 6, 2019
Love the Coopers is a new movie directed by Jessie Nelson and released
through the collaborative efforts of CBS Films, Groundswell Productions
and Imagine Entertainment.
It has a large and recognizable cast of characters, including Dianne
Keaton (Charlotte), John Goodman (Sam), Ed Helms (Hank), Alan Arky
(Bucky), Marisa Tomei (Emma), Olivia Wilde (Eleanor), June Squibb (Aunt
Fishy) and Steve Martin (the dog, Rags!).
Based on the previews and trailers that I saw, I expected more laugh out
loud comedy than I got out of the film. There was plenty of laugh out
loud comedy, don’t get me wrong, but what I expected out of the trailers
was a “dumb” comedy, rather than a poignant, rather touching (and at
times tragic) love story wrapped up in a comedy.
The basic premise is that Mom Charlotte and dad Sam want to have “one
last” family holiday full of happiness and good cheer and wonderful
memories, before they drop the bombshell on their family that they will
be splitting up after 40 years of marriage.
Charlotte has spent her whole marriage keeping the family together,
making sure everyone is “ok” and of course, as frequently happens, has
grown distant from her spouse Sam in the midst of that.
The story is told from the point of view of Rags the family dog (voiced
by Steve Martin) who has watched the family grow together and then
apart, through the years.
I thoroughly enjoyed the movie, and thought that it was a good story
that showed how a family dynamic can change over the years and how it
isn’t always in the best of ways. It also portrayed how family
relationships are perceived from the point of view of the people that
are actually IN the relationship, as well as from an outsiders’ view.
Some parts were “cheesy” but for the most part, I was really able to
connect with the story as a whole. Even though some of the intertwining
story lines by themselves were a little dis-jointed, when they all came
together under the umbrella of the main story line, somehow, it just
worked.
I liked that I connected emotionally with Charlotte and could FEEL her
connection to her kids and how she loved them “bigger than anything” and
just wanted what was best for them, even though it didn’t always come
out that way, and even though it distanced her from her husband. I think
that happens “in the real world”, a lot more than people realize or
think about.
The movie made me laugh, and it made me cry… It occasionally made me
groan in a “Really?! Did they have to do THAT??” sort of way, too, but
overall I really enjoyed it.
I would give the movie 3.5 out of 5 stars.
through the collaborative efforts of CBS Films, Groundswell Productions
and Imagine Entertainment.
It has a large and recognizable cast of characters, including Dianne
Keaton (Charlotte), John Goodman (Sam), Ed Helms (Hank), Alan Arky
(Bucky), Marisa Tomei (Emma), Olivia Wilde (Eleanor), June Squibb (Aunt
Fishy) and Steve Martin (the dog, Rags!).
Based on the previews and trailers that I saw, I expected more laugh out
loud comedy than I got out of the film. There was plenty of laugh out
loud comedy, don’t get me wrong, but what I expected out of the trailers
was a “dumb” comedy, rather than a poignant, rather touching (and at
times tragic) love story wrapped up in a comedy.
The basic premise is that Mom Charlotte and dad Sam want to have “one
last” family holiday full of happiness and good cheer and wonderful
memories, before they drop the bombshell on their family that they will
be splitting up after 40 years of marriage.
Charlotte has spent her whole marriage keeping the family together,
making sure everyone is “ok” and of course, as frequently happens, has
grown distant from her spouse Sam in the midst of that.
The story is told from the point of view of Rags the family dog (voiced
by Steve Martin) who has watched the family grow together and then
apart, through the years.
I thoroughly enjoyed the movie, and thought that it was a good story
that showed how a family dynamic can change over the years and how it
isn’t always in the best of ways. It also portrayed how family
relationships are perceived from the point of view of the people that
are actually IN the relationship, as well as from an outsiders’ view.
Some parts were “cheesy” but for the most part, I was really able to
connect with the story as a whole. Even though some of the intertwining
story lines by themselves were a little dis-jointed, when they all came
together under the umbrella of the main story line, somehow, it just
worked.
I liked that I connected emotionally with Charlotte and could FEEL her
connection to her kids and how she loved them “bigger than anything” and
just wanted what was best for them, even though it didn’t always come
out that way, and even though it distanced her from her husband. I think
that happens “in the real world”, a lot more than people realize or
think about.
The movie made me laugh, and it made me cry… It occasionally made me
groan in a “Really?! Did they have to do THAT??” sort of way, too, but
overall I really enjoyed it.
I would give the movie 3.5 out of 5 stars.