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The Chairport (1 KP) rated Mission: Impossible - Fallout (2018) in Movies
Aug 4, 2018
Real action (3 more)
Real stunts
Fantastically scored
Beautiful locations and cinematography
Pay the admission, accept this mission!
(Review from www.thechairport.com)When the Mission Impossible film franchise started it had a slightly rocky start. After a great first film, the second film fell short of the mark. Watching those first two films now you can see how different they are to the Mission we know now. Ever since the second Mission film, ever since JJ Abrams and the Bad Robot team took over, the Mission franchise has been ageing like a fine wine. Actually, it’s been ageing like Tom Cruise. Fallout, the sixth film in the Mission franchise is the best yet and easily one of the best action films of all time and it’s all thanks to its real action.
Mission Impossible: Fallout follows Ethan Hunt as he and his crew lose some plutonium they are trying to recover. The bad guys trying to use the plutonium are The Apostles, a spin-off group from Rogue Nation’s Syndicate. This time the IMF team are joined by a ruthless CIA agent, Walker played by Henry Cavill, who is there to ensure that the team retrieve the plutonium. The bad guys this time around, The Apostles, follow Solomon Lane’s thinking that to get peace the world must first experience a great suffering. With that line ringing throughout the IMF’s ears, the team is off on a race against time to stop The Apostles.
Fallout is filled with action and as far as action movies come, this film really takes the cake. Tom Cruise is just the man that everyone wants to be, as in he really seems like he can do anything. In the current state of cinema any other filmmaking team would’ve made this film with CGI effects all over yet Cruise and Fallout’s director, Christopher McQuarrie, have decided to do everything for real and it’s that element alone that makes the film.
There are moments in Fallout where you just sit there astonished by what you’re seeing happen in front of you. You feel shivers and the need to applause at the opening ten minutes of the film, your eye’s dash across the screen as you’re watching Cruise’s Ethan Hunt race through oncoming traffic in Paris and you’ll find yourself simply flabbergasted as you watch Cruise do anything at all in the helicopter sequence that you’ve definitely already heard about.
Mission Impossible: Fallout isn’t just simply an insane action blockbuster, it is more than that. Every actor on the screen knows that what they’re in is going to be something revolutionary for cinema and every actor really pulls their weight. Simon Pegg’s comedy is on point, Alec Baldwin’s acting as someone in charge is as good as ever, Henry Cavill being absolutely brutal is scary and cool at the same time. Fallout also has a good amount of female characters in it with Rebecca Ferguson and Michelle Monaghan bringing a lot of well-needed emotion and Vanessa Kirby’s Black Widow bringing a funny yet creepy vibe to the whole occasion.
The story is fairly simple as McQuarrie doesn’t want to isolate the audience, you can definitely see it if you haven’t seen other Mission Films. It’s McQuarrie and his team’s filmmaking that really make the film what it is. The cameraman who does the HALO jump with Tom Cruise deserves many awards and I would be surprised if the film, and its team, didn’t win any awards for filmmaking. If you’ve got free time too then look up how the film was made because it is quite interesting. I mean it’s rare that an action blockbuster would even be nominated but as of right now Fallout is my favourite film of the year, both for how good it is and then researching how it was made. People just don’t put in as much effort as the Mission team have done in films anymore.
Mission Impossible: Fallout is a must-see film. It’s a long film but never really feels like it. It’s a constant chase that will keep you on the edge of your seat and it has twists and turns that you won’t see coming. I was recently reading about how Christopher Nolan wanted The Dark Knight to bring back film instead of everyone filming digitally. Fallout sings a similar message and but its message is for real-life stunts. Mquarrie has evolved in a similar manner to how Nolan evolved between Batman Begins and The Dark Knight. Fallout gave me similar vibes of excitement and intensity and Fallout will leave its mark on you, I’m not sure how I’ll feel watching CGI action from now on. All I know is that making everything real instead of fake isn’t impossible but to repeat the magic that Fallout has, well that’s only something the Mission team can do. Mission accomplished Cruise, mission accomplished.
Score: 5/5
Mission Impossible: Fallout follows Ethan Hunt as he and his crew lose some plutonium they are trying to recover. The bad guys trying to use the plutonium are The Apostles, a spin-off group from Rogue Nation’s Syndicate. This time the IMF team are joined by a ruthless CIA agent, Walker played by Henry Cavill, who is there to ensure that the team retrieve the plutonium. The bad guys this time around, The Apostles, follow Solomon Lane’s thinking that to get peace the world must first experience a great suffering. With that line ringing throughout the IMF’s ears, the team is off on a race against time to stop The Apostles.
Fallout is filled with action and as far as action movies come, this film really takes the cake. Tom Cruise is just the man that everyone wants to be, as in he really seems like he can do anything. In the current state of cinema any other filmmaking team would’ve made this film with CGI effects all over yet Cruise and Fallout’s director, Christopher McQuarrie, have decided to do everything for real and it’s that element alone that makes the film.
There are moments in Fallout where you just sit there astonished by what you’re seeing happen in front of you. You feel shivers and the need to applause at the opening ten minutes of the film, your eye’s dash across the screen as you’re watching Cruise’s Ethan Hunt race through oncoming traffic in Paris and you’ll find yourself simply flabbergasted as you watch Cruise do anything at all in the helicopter sequence that you’ve definitely already heard about.
Mission Impossible: Fallout isn’t just simply an insane action blockbuster, it is more than that. Every actor on the screen knows that what they’re in is going to be something revolutionary for cinema and every actor really pulls their weight. Simon Pegg’s comedy is on point, Alec Baldwin’s acting as someone in charge is as good as ever, Henry Cavill being absolutely brutal is scary and cool at the same time. Fallout also has a good amount of female characters in it with Rebecca Ferguson and Michelle Monaghan bringing a lot of well-needed emotion and Vanessa Kirby’s Black Widow bringing a funny yet creepy vibe to the whole occasion.
The story is fairly simple as McQuarrie doesn’t want to isolate the audience, you can definitely see it if you haven’t seen other Mission Films. It’s McQuarrie and his team’s filmmaking that really make the film what it is. The cameraman who does the HALO jump with Tom Cruise deserves many awards and I would be surprised if the film, and its team, didn’t win any awards for filmmaking. If you’ve got free time too then look up how the film was made because it is quite interesting. I mean it’s rare that an action blockbuster would even be nominated but as of right now Fallout is my favourite film of the year, both for how good it is and then researching how it was made. People just don’t put in as much effort as the Mission team have done in films anymore.
Mission Impossible: Fallout is a must-see film. It’s a long film but never really feels like it. It’s a constant chase that will keep you on the edge of your seat and it has twists and turns that you won’t see coming. I was recently reading about how Christopher Nolan wanted The Dark Knight to bring back film instead of everyone filming digitally. Fallout sings a similar message and but its message is for real-life stunts. Mquarrie has evolved in a similar manner to how Nolan evolved between Batman Begins and The Dark Knight. Fallout gave me similar vibes of excitement and intensity and Fallout will leave its mark on you, I’m not sure how I’ll feel watching CGI action from now on. All I know is that making everything real instead of fake isn’t impossible but to repeat the magic that Fallout has, well that’s only something the Mission team can do. Mission accomplished Cruise, mission accomplished.
Score: 5/5
Gareth von Kallenbach (965 KP) rated I, Robot (2004) in Movies
Aug 14, 2019
Tales of a dark and foreboding future where technology has run amuck have been cautioning viewers ever since Orwell made the phrase “Big Brother” a household expression. Other films such as ?”, “Westworld”, “Blade Runner” and “The Terminator” often show a dark and dangerous future where dependence upon technology created to serve mankind has lead to its eventual downfall.
In the film “I Robot” Director Alex Proyas who’s past work includes “The Crow” and “Dark City” tells the tale of a near future where robots have become commonplace and are entrusted to do all manner of tasks ranging from package delivery to waiting table and caring for households. The robots are assured to be safe as they are governed by a set of behavioral restrictors that require them to obey all human commands save for those to harm another human, as robots are not allowed to harm or by inaction allow to be harmed any human.
The film stars Will Smith as Del Spooner, a Chicago Homicide detective who does not trust robots and is highly suspicious of them. The fact that in 2035 there has yet to be one documented case worldwide of a robot ever being involved in a crime is of little concern to Del as he sees the potential for danger in technology that is so widely spread.
Del is in many ways a technophobe as aside from his modern car, he has a retro lifestyle including an old fashioned alarm clock, vintage 2004 shoes, and a fondness for music from the 1970’s. An incident in Del’s past has kept him off the force for a while and has only furthered his distaste for robotics and their growing place in society.
No sooner is Del back at work than an apparent suicide at U.S. Robotics by a friend sets the film into motion. What to all seems to be an open and shut case of suicide only causes Del to become more suspicious. Del soon discovers a new model robot locked in the office of the victim, who flees from crime scene and refuses to obey the orders to halt given to him.
The fact that the robot ignores command given by a human thus violating his central laws of programming is put off as a simple malfunction by Billionaire Lawrence Robertson (Bruce Greenwood), who does not want Del’s suspicions to disrupt his business plans on the eve of the largest rollout of new robots in history. It is explained that the new NX-5 model is about to be released to the public and soon there will be one robot for every 5 humans in the world and with so much invested in this, Robertson places a gag order on Del and the entire police force to forget about the renegade robot and not say a word to anyone.
Naturally Del does not follow this command and he suspects that there is a larger and much more serious threat posed to the public even though everyone around his says that he is paranoid and desperate to find or create any evidence to support his theory that robots are not as safe as everyone believes they are.
What follows is an action packed game of cat and mouse as Del and a U.S. Robotics scientist named Susan (Bridget Moynahan), start to uncover a deeper mystery, once in which the very world they have taken for granted is about to change.
The film is a visual marvel that shows you a fairly realistic view of the future as aside from the robots and futuristic highways, the world of 2035 does not look that much different than today.
Proyas knows that Smith is his star and he does a great job allowing him to carry the picture without allowing the visual effects to dominate the film, though they are spectacular. The futuristic highways and a great chase sequence were highlights of the film and had a surprising amount of tension and drama mixed into what was a solid action sequence.
Smith plays Spooner, as a man with demons yet never ceases to become a sensitive character despite his hard edge. He is a man that is determined to follow his instincts and do what is best for the people he is sworn to protect.
The film does only play lip service to the series of novels by Asimov, but it does tell a very good cautionary tale of human’s interaction and dependence upon technology without becoming preachy or losing site of the message that society must ensure to have a balance between humanity and technology in order to thrive.
If I had to find fault, it would be that many of the supporting roles were fairly bland, as Moynahan was not given much to do aside from play a Damsel in distress and the always solid James Cromwell and Bruce Greenwood were not used nearly enough. That being said “I Robot” delivers everything you want in a summer film and more.
In the film “I Robot” Director Alex Proyas who’s past work includes “The Crow” and “Dark City” tells the tale of a near future where robots have become commonplace and are entrusted to do all manner of tasks ranging from package delivery to waiting table and caring for households. The robots are assured to be safe as they are governed by a set of behavioral restrictors that require them to obey all human commands save for those to harm another human, as robots are not allowed to harm or by inaction allow to be harmed any human.
The film stars Will Smith as Del Spooner, a Chicago Homicide detective who does not trust robots and is highly suspicious of them. The fact that in 2035 there has yet to be one documented case worldwide of a robot ever being involved in a crime is of little concern to Del as he sees the potential for danger in technology that is so widely spread.
Del is in many ways a technophobe as aside from his modern car, he has a retro lifestyle including an old fashioned alarm clock, vintage 2004 shoes, and a fondness for music from the 1970’s. An incident in Del’s past has kept him off the force for a while and has only furthered his distaste for robotics and their growing place in society.
No sooner is Del back at work than an apparent suicide at U.S. Robotics by a friend sets the film into motion. What to all seems to be an open and shut case of suicide only causes Del to become more suspicious. Del soon discovers a new model robot locked in the office of the victim, who flees from crime scene and refuses to obey the orders to halt given to him.
The fact that the robot ignores command given by a human thus violating his central laws of programming is put off as a simple malfunction by Billionaire Lawrence Robertson (Bruce Greenwood), who does not want Del’s suspicions to disrupt his business plans on the eve of the largest rollout of new robots in history. It is explained that the new NX-5 model is about to be released to the public and soon there will be one robot for every 5 humans in the world and with so much invested in this, Robertson places a gag order on Del and the entire police force to forget about the renegade robot and not say a word to anyone.
Naturally Del does not follow this command and he suspects that there is a larger and much more serious threat posed to the public even though everyone around his says that he is paranoid and desperate to find or create any evidence to support his theory that robots are not as safe as everyone believes they are.
What follows is an action packed game of cat and mouse as Del and a U.S. Robotics scientist named Susan (Bridget Moynahan), start to uncover a deeper mystery, once in which the very world they have taken for granted is about to change.
The film is a visual marvel that shows you a fairly realistic view of the future as aside from the robots and futuristic highways, the world of 2035 does not look that much different than today.
Proyas knows that Smith is his star and he does a great job allowing him to carry the picture without allowing the visual effects to dominate the film, though they are spectacular. The futuristic highways and a great chase sequence were highlights of the film and had a surprising amount of tension and drama mixed into what was a solid action sequence.
Smith plays Spooner, as a man with demons yet never ceases to become a sensitive character despite his hard edge. He is a man that is determined to follow his instincts and do what is best for the people he is sworn to protect.
The film does only play lip service to the series of novels by Asimov, but it does tell a very good cautionary tale of human’s interaction and dependence upon technology without becoming preachy or losing site of the message that society must ensure to have a balance between humanity and technology in order to thrive.
If I had to find fault, it would be that many of the supporting roles were fairly bland, as Moynahan was not given much to do aside from play a Damsel in distress and the always solid James Cromwell and Bruce Greenwood were not used nearly enough. That being said “I Robot” delivers everything you want in a summer film and more.
JT (287 KP) rated Skyfall (2012) in Movies
Mar 10, 2020
I wondered recently who my favourite Bond is? Do I enjoy the comical quips of Roger Moore or the smooth suave debonair approach of Sean Connery. But everytime I think about it, I keep coming full circle to Daniel Craig, in particularly Skyfall.
After the somewhat disappointment of Quantum of Solace Oscar winning director Sam Mendes has taken Bond 23 and given it a grittier more emotional look while paying homage to some of the past Bond classics. The opening credits are an explosive introduction as we see Bond give chase through a Turkish bazaar which includes an impressive motor bike pursuit and a brilliantly choreographed fist fight on top of a moving train.
After being shot Bond is seen falling to his certain death and the film explodes into its trademark opening credits, complete with Adele’s powerful voice, a song that really evokes everything Bond. When 007 finally returns from the grave having spent time away partaking in scorpion drinking games, post shag Heineken’s and ultimately ’enjoying death’ he comes back to find that MI6 has moved deep into subterranean London after an attack on MI6.
He’s unshaven, disheveled and is a shadow of the former agent, not even able to shoot straight or do a succession of chin-ups without collapsing. Skyfall scratches deep beneath the emotional undertones of both Bond and M as their pasts are dragged up for all to see. Judi Dench in her seventh Bond outing gets a much bigger slice of the action, she is without question the main Bond girl here. Joined by Naomie Harris and Bérénice Marlohe who both take a relative back seat.
The Bond franchise has always had a rich tradition of producing menacing and iconic villains, Bloefeld, Scaramanga and Goldfinger to name a few, but the introduction of Javier Bardem will now have a place in Bond folk-law as one of the best modern day baddies.
His entrance was perfect, with Bond tied to a chair Bardem’s Silva (himself a former agent) entered from an elevator at the far side of the room, and in one take slowly walked forward as he produced a monologue about rats in a barrel, proceeding to taunt 007 about his own past and the connections that they both have with M.
The last few films have also lacked any real gadgetry in terms of Q branch, something which after being around for so long was definitely missing. Ben Wishaw’s appearance as a much younger Q, “you’ve still got spots” points out 007, was a much needed injection as he hands out Bond his new Walter PPK and radio transmitter (they don’t go in for exploding pens anymore).
It’s simple stuff but it was great to see that character back where he belongs.
There is subtle humour throughout and light hearted moments, Bond himself throwing a few winks here and there as Roger Moore used to do so well back in the day. The action of course is another high point, believable or not it’s stunning but then this is what we have come to expect from one of the longest running franchises in film history.
The locations and cinematography were sublime, from the depths of the London underground to the Scottish highlands in the film’s pulsating climax; Skyfall brought Bond back to Britain. The scenes set in Shanghai where also exceptional, the highlight for me, the neon lit skyscraper fight in which Bond fails to hang onto the information he needs, quite literally.
Ralph Fiennes bureaucratic Mallory is another casting masterstroke, Albert Finney ads some touching moments of his own, while MI6 agent Eve who after shooting 007 by mistake and takes a back seat from active duty will no doubt please many fans with her new role.
Skyfall, of which I was not sure what on earth the title meant at the time is all the more clear in the third act. Bond chooses to revisit his child hood home and use that against Silva in a make shift home defense that even MacAulay Culkin would be proud of. It is fantastically shot and is the perfect ending to a film that has been top draw all the way through.
Some comparisons have been drawn to this and The Dark Knight in that the main characters are lost and then re-born in some way, both have a past that haunts them as well as dead parents. Mendes and the writers have taken this film down a darker route but an emotive one as well and that is credit to them, it all made sense and the story flowed well.
Skyfall is nothing short of a triumph and has given Bond fans everything they could have asked for and so much more.
After the somewhat disappointment of Quantum of Solace Oscar winning director Sam Mendes has taken Bond 23 and given it a grittier more emotional look while paying homage to some of the past Bond classics. The opening credits are an explosive introduction as we see Bond give chase through a Turkish bazaar which includes an impressive motor bike pursuit and a brilliantly choreographed fist fight on top of a moving train.
After being shot Bond is seen falling to his certain death and the film explodes into its trademark opening credits, complete with Adele’s powerful voice, a song that really evokes everything Bond. When 007 finally returns from the grave having spent time away partaking in scorpion drinking games, post shag Heineken’s and ultimately ’enjoying death’ he comes back to find that MI6 has moved deep into subterranean London after an attack on MI6.
He’s unshaven, disheveled and is a shadow of the former agent, not even able to shoot straight or do a succession of chin-ups without collapsing. Skyfall scratches deep beneath the emotional undertones of both Bond and M as their pasts are dragged up for all to see. Judi Dench in her seventh Bond outing gets a much bigger slice of the action, she is without question the main Bond girl here. Joined by Naomie Harris and Bérénice Marlohe who both take a relative back seat.
The Bond franchise has always had a rich tradition of producing menacing and iconic villains, Bloefeld, Scaramanga and Goldfinger to name a few, but the introduction of Javier Bardem will now have a place in Bond folk-law as one of the best modern day baddies.
His entrance was perfect, with Bond tied to a chair Bardem’s Silva (himself a former agent) entered from an elevator at the far side of the room, and in one take slowly walked forward as he produced a monologue about rats in a barrel, proceeding to taunt 007 about his own past and the connections that they both have with M.
The last few films have also lacked any real gadgetry in terms of Q branch, something which after being around for so long was definitely missing. Ben Wishaw’s appearance as a much younger Q, “you’ve still got spots” points out 007, was a much needed injection as he hands out Bond his new Walter PPK and radio transmitter (they don’t go in for exploding pens anymore).
It’s simple stuff but it was great to see that character back where he belongs.
There is subtle humour throughout and light hearted moments, Bond himself throwing a few winks here and there as Roger Moore used to do so well back in the day. The action of course is another high point, believable or not it’s stunning but then this is what we have come to expect from one of the longest running franchises in film history.
The locations and cinematography were sublime, from the depths of the London underground to the Scottish highlands in the film’s pulsating climax; Skyfall brought Bond back to Britain. The scenes set in Shanghai where also exceptional, the highlight for me, the neon lit skyscraper fight in which Bond fails to hang onto the information he needs, quite literally.
Ralph Fiennes bureaucratic Mallory is another casting masterstroke, Albert Finney ads some touching moments of his own, while MI6 agent Eve who after shooting 007 by mistake and takes a back seat from active duty will no doubt please many fans with her new role.
Skyfall, of which I was not sure what on earth the title meant at the time is all the more clear in the third act. Bond chooses to revisit his child hood home and use that against Silva in a make shift home defense that even MacAulay Culkin would be proud of. It is fantastically shot and is the perfect ending to a film that has been top draw all the way through.
Some comparisons have been drawn to this and The Dark Knight in that the main characters are lost and then re-born in some way, both have a past that haunts them as well as dead parents. Mendes and the writers have taken this film down a darker route but an emotive one as well and that is credit to them, it all made sense and the story flowed well.
Skyfall is nothing short of a triumph and has given Bond fans everything they could have asked for and so much more.
Purple Phoenix Games (2266 KP) rated Hunters of the Lost Creatures in Tabletop Games
May 8, 2022
If you are reading this, then we can agree on a few things: board games are cool and interesting, silly themes are usually fun, and we are all kids at heart. I appreciate other gamers so much because we all share a common bond of experiencing good and bad games, good and bad rules, as well as good and bad explanations of these rules. I would spoil it up top here if I let on which of these categories our featured game falls into, right? So keep reading.
Hunters of the Lost Creatures is a silly set collection card game for three to four players. In it, players assume the roles of zoological park curators charged with collecting unique creatures for their parks. They do this by bidding on and drafting creature cards, playing take-that style cards on their opponents, and blocking their cards from being manipulated by others.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup, players choose one hunter card from each of the four hunting zones: Sea, Forest, Plains, and Air, as well as three “Park Closed” cards. The creature cards are to be split by zone and shuffled, with one special card (Turnado and Cat-a-Pult) added. These shuffled decks are then placed on the table and the top card revealed from each deck. Players decide turn order and the game may begin!
Hands are mostly played simultaneously, with players choosing either a hunter or special card from their hand and placing it face-down in front of themselves. All cards are revealed simultaneously and the card effects are applied. If a player has revealed a hunter, and no other players have the same-colored background/terrain type, that player receives the matching card from those on offer and places it in their park (tableau), or ANY OTHER PLAYER’S park. If ALL players have chosen the same terrain type hunters, the card on offer is removed from the game entirely. However, if not all hunters match, but at least one matches, the matching hunters’ players receive no cards.
Should a player choose to play a special card, their effects are triggered once per game. These include Turnado (switch any two creatures in any two parks), Cat-a-Pult (discards any creature from any player’s park), Thieves (steal any one terrain-matching creature and places it in the Thieves player’s park) and Closed Park (protects the player from the effects of aforementioned special cards). Again, these special cards may only be played once per game, so special consideration is needed as part of their strategy.
The game continues in this fashion of players throwing cards, messing with each other using special cards, and protecting themselves from said special cards until only one stack of creature cards remains. The game ends and points are tallied per the scoring table in the rulebook. The winner is promoted to Head Creature Park Guy and is carried around by the other players. Okay, that’s not at all true. They just win the game.
Components. Again, this is a prototype copy of Hunters of the Lost Creatures, so all components shown here are subject to change at any time. That said, I received a huge deck of cards in a cute black cloth bag. The cards are all decent quality, and not super glossy, which I appreciate. The art on these cards are all whimsical and silly, which match the silly and punny titles for each. Some of these punny titles can be seen in our photos, with my favorites being the Dandylion (a well-“dressed” weed with a cane and lion face) and the Cougar (which is subtle, but portrays an adult apex big cat with a smaller and younger cat hanging on it). If you enjoy these somewhat intellectual, and sometimes visual, puns you will enjoy these cards.
What I have found in playing through this several times is that it is best when all players are taught the game backwards…ly. I mean to say that players need to know the premise, but most importantly, the scoring system before even the setup. Points are scored for having a run of 1-2-3, a straight of 0-1-2-3-10, at least one card from each terrain type, and for the printed value on the cards. It is more than simply collecting all the favorite cards or even highest value 10 cards. So there is strategy in collecting the best assortment of creatures for scoring purposes, which is great because otherwise this game is not really a game at all.
As players play their hunters to draft creatures, I have found that many players choose to chase the same cards over and over. It becomes obvious that most players will be vying for the value 10 cards, so the players who figure this out and grab the second best card is usually happier with the hand. Of course, more strategy is employed once the special cards are played, as they each mess with opponents in different ways. So even though I may not have acquired that 10 of Forest, I might grab the Turnado and switch out a value 0 or -10 card for that sparkling value 10. Wait, negative 10? Yep. Sometimes life just smacks you around and you get stuck with a -10 card to really punish your great play. Not that it ever happened to me, and not that I would be bitter about it.
The real game hinges on the usage of the special cards. When do you play them? Whom do you target? Turnabout is fair play, after all, and no alliances can be formed whilst playing Hunters of the Lost Creatures. Now, it is hinted at in the rulebook that preview copies ship with entry-level rules, which mean (to me) that more advanced rules may be coming in the final game, or at least some variants to spice up the gameplay. If true, then this game becomes much more interesting to me. Don’t get me wrong. I have enjoyed almost all of my plays, but be warned that playing with spiteful gamers may end poorly for a fun-filled game night.
All in all, I am excited to see how the campaign for Hunters of the Lost Creatures fares, as I believe many gamers and non-gamers alike will enjoy it. I would be super jazzed to grab a final copy if it does in fact ship with alternate or advanced rules, or if the creatures of the same value had unique names and art. That would really satisfy. Keep the bag or go traditional cardboard box, it matters not to me. Just beef up the card quality, add even more uniqueness and fanciful art and you’ve got a fan in me. Grab your copy during the Kickstarter campaign launching May 10, 2022!
Hunters of the Lost Creatures is a silly set collection card game for three to four players. In it, players assume the roles of zoological park curators charged with collecting unique creatures for their parks. They do this by bidding on and drafting creature cards, playing take-that style cards on their opponents, and blocking their cards from being manipulated by others.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup, players choose one hunter card from each of the four hunting zones: Sea, Forest, Plains, and Air, as well as three “Park Closed” cards. The creature cards are to be split by zone and shuffled, with one special card (Turnado and Cat-a-Pult) added. These shuffled decks are then placed on the table and the top card revealed from each deck. Players decide turn order and the game may begin!
Hands are mostly played simultaneously, with players choosing either a hunter or special card from their hand and placing it face-down in front of themselves. All cards are revealed simultaneously and the card effects are applied. If a player has revealed a hunter, and no other players have the same-colored background/terrain type, that player receives the matching card from those on offer and places it in their park (tableau), or ANY OTHER PLAYER’S park. If ALL players have chosen the same terrain type hunters, the card on offer is removed from the game entirely. However, if not all hunters match, but at least one matches, the matching hunters’ players receive no cards.
Should a player choose to play a special card, their effects are triggered once per game. These include Turnado (switch any two creatures in any two parks), Cat-a-Pult (discards any creature from any player’s park), Thieves (steal any one terrain-matching creature and places it in the Thieves player’s park) and Closed Park (protects the player from the effects of aforementioned special cards). Again, these special cards may only be played once per game, so special consideration is needed as part of their strategy.
The game continues in this fashion of players throwing cards, messing with each other using special cards, and protecting themselves from said special cards until only one stack of creature cards remains. The game ends and points are tallied per the scoring table in the rulebook. The winner is promoted to Head Creature Park Guy and is carried around by the other players. Okay, that’s not at all true. They just win the game.
Components. Again, this is a prototype copy of Hunters of the Lost Creatures, so all components shown here are subject to change at any time. That said, I received a huge deck of cards in a cute black cloth bag. The cards are all decent quality, and not super glossy, which I appreciate. The art on these cards are all whimsical and silly, which match the silly and punny titles for each. Some of these punny titles can be seen in our photos, with my favorites being the Dandylion (a well-“dressed” weed with a cane and lion face) and the Cougar (which is subtle, but portrays an adult apex big cat with a smaller and younger cat hanging on it). If you enjoy these somewhat intellectual, and sometimes visual, puns you will enjoy these cards.
What I have found in playing through this several times is that it is best when all players are taught the game backwards…ly. I mean to say that players need to know the premise, but most importantly, the scoring system before even the setup. Points are scored for having a run of 1-2-3, a straight of 0-1-2-3-10, at least one card from each terrain type, and for the printed value on the cards. It is more than simply collecting all the favorite cards or even highest value 10 cards. So there is strategy in collecting the best assortment of creatures for scoring purposes, which is great because otherwise this game is not really a game at all.
As players play their hunters to draft creatures, I have found that many players choose to chase the same cards over and over. It becomes obvious that most players will be vying for the value 10 cards, so the players who figure this out and grab the second best card is usually happier with the hand. Of course, more strategy is employed once the special cards are played, as they each mess with opponents in different ways. So even though I may not have acquired that 10 of Forest, I might grab the Turnado and switch out a value 0 or -10 card for that sparkling value 10. Wait, negative 10? Yep. Sometimes life just smacks you around and you get stuck with a -10 card to really punish your great play. Not that it ever happened to me, and not that I would be bitter about it.
The real game hinges on the usage of the special cards. When do you play them? Whom do you target? Turnabout is fair play, after all, and no alliances can be formed whilst playing Hunters of the Lost Creatures. Now, it is hinted at in the rulebook that preview copies ship with entry-level rules, which mean (to me) that more advanced rules may be coming in the final game, or at least some variants to spice up the gameplay. If true, then this game becomes much more interesting to me. Don’t get me wrong. I have enjoyed almost all of my plays, but be warned that playing with spiteful gamers may end poorly for a fun-filled game night.
All in all, I am excited to see how the campaign for Hunters of the Lost Creatures fares, as I believe many gamers and non-gamers alike will enjoy it. I would be super jazzed to grab a final copy if it does in fact ship with alternate or advanced rules, or if the creatures of the same value had unique names and art. That would really satisfy. Keep the bag or go traditional cardboard box, it matters not to me. Just beef up the card quality, add even more uniqueness and fanciful art and you’ve got a fan in me. Grab your copy during the Kickstarter campaign launching May 10, 2022!
Twisted Cysts (13 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 24, 2019
Action (2 more)
Performances
VFX
Terminator 3?
I need your clothes, your Re-boot and your motorcycle.
That’s the second l pun I’ve made out of that infamous terminator 2 line this week and I feel dirty because of it;
Dirty, much like how I imagine the Terminator franchise feels after Genisys (or however they spelt it)
Terminator:Dark Fate however is billed as a follow up to Terminator & T2;
The former an 80’s classic that sparked a franchise & its sequel that has easily landed itself as one of the best sequels of all time.
So you probably know that this one is ditching all those other terminator films that came in the couple of decades that came between & aims to be the definitive third instalment of franchise (for the third time after Rise Against The Machines & Gen-I-size also promised to do the same) and it’s actually succeeds somewhat, but maybe not in the way a lot of die-hards will want it to.
It’s the “Day After Judgement Day” and Dark Fate opens strong; using footage of Sarah Connor’s crazed speech of Judgement day & machines whilst being interviewed by doctors from T2.
you’ll immediately appreciate Linda Hamilton’s presence one again & from the first scene that follows it’s immediately clear that the previous sequels were missing her presence on screen.
We get a very brief tease of that 80’s style future of skulls on beaches and red & blue lasers that you’ve now seen in 6 films before it but This film doesn’t mess about, Judgement Day didn’t Happen, Sarah, John & The T-800 stopped it in terminator 2 and this film wants you to know that.
You see this film takes a huge risk that may divide fans, but imo it’s a risk that needed to be taken;
it’s no longer about John Connor, not anymore.
We’re introduced to Dani Ramos (Natalia Reyes) & her brother Diego (Diego Boneta) as factory workers facing replacement my machines (see what they did there, I’ll forgive it though as it gets good).
Next up is the rather brutal and badass introduction to the new Kyle Reese in the form of McKenzie Davis’s Grace & then a similar although ironically more Graceful introduction to the new Terminator (Gabriel Luna) both coming back in time via the iconic time bubble effect of series has had since 1984.
And he’s The most polite & possibly menacing Terminator since the T-1000…
Yes I said polite but I’ll get back to that later.
This new ‘black metal’ terminator or “Rev-9” as its referred to is a sort of 2 for 1 deal Terminator, like a T-800 and a T-1000 at the same time, able to split up and act independently as liquid and skeleton simultaneously.
Unlike previous attempts though this terminator is genuinely threatening, he isn’t messing around and finds his new target Dani within minutes.
He’s lightening fast, intelligent and creepy.
The VFX on him thankfully holds up as well and look fantastic other than a few shoddy cgi jumps that can be forgiven.
Within minutes we’re into an explosive highway car chase and the action rarely lets up after.
Genuinely… theres a Mexican border assault, a US detention pen riot, a fight on fucking C5-M plane (it’s big) and then some.
The action in this film Is relentless, gripping and satisfying as fuck.
But story itself, is Terminator 1984, again…
New familiar threat from the future under a different name and that’s all that’s really new at its core.
That’s because Terminator Dark Fate actually serves as a Star Wars: The Force Awakens style Reboot.
T2’s Judgement Day didn’t happen, Skynet didn’t happen, Terminators as we know and love didn’t happen…
But eventually another A.I does and forces our incredibly toned soldier & the black-metal Rev-9 to Time Travel back to our present day.
Despite the opening chase echoing T2 this film matches Terminator 1 in tone entirely,
Everything is very desperate and our character are almost constantly on the run. If anything this is a beat for beat remake that also happens to be a sequel by bringing along the old cast (No J.J Abrams was not involved.
The cast are fantastic, every single member, this film is stollen by McKenzie Davis and Natalia Reyes, they own their roles.
Gabriel Luna as mentioned before is fantastically creepy, this terminator has one mission and won’t waste time killing innocent bystanders, he’s even well mannered! Which just adds to the creep factor.
And don’t worry, his eye-rolling one liner of “my whole body is a weapon” from the trailer is thankfully immediately shut down by an extra in the full scene.
As a re-boot these cast need to be the ones you care about. Wether you like it or not this is a passing of the torch from old to new and luckily They deliver.
I cared about them more than I did about Sarah Connor!
Who Now bitter as fuck, as ruthless as ever and making it known that she had nothing in life other than a vengeance for Terminators and a fear of a Judgement Day she’s actually prevented.
Linda Hamilton is also great as expected. Her character being even more cold, cynical and sarcastic than ever and if you think about that’s how it should be. Her presence is essential though and makes it feel like a sequel to terminator 2.
The comedy of T2 is missing until we’re eventually re-introduced to Arnie’s Terminator.
I genuinely found him hilarious, and his humour it not forced, he’s the most dead-Pan he’s ever been and of course you know that Sarah Connor isn’t going to trust this weirdly humorous rust-bucket.
But his story is quite a hard one to swallow, without spoiling we get an evolution of his character, one that’s definitely an interesting take, one that also create its own Jokes out it. But it’s doesn’t quite land. It’s too much.
That having been said Arnie is also absolutely fantastic with what he’s been given but unfortunately I didn’t care for him as much as I wanted to.
You’ll have questions multiple times throughout this film but thankfully our characters are intelligent enough to ask them before too long whilst the action is unfolding.
The film never hangs around too much and suffers a little for it, the story comes off as very little more than a remake and passing of the torch.
We get the sorry of this new threatening 2042 future via flashbacks (or is it flash forwards? time travel) and it’s grittier than we’re used to.
More in vein of Salvations dusty, military future than the synth wave metal and blue lasers, which is a shame but ultimately makes sense and enforces the idea that the future we saw in T1 & T2 was actually prevented by John & Sarah back in T2.
It’s risky but it’s the deviation from the formulae of the past attempts at a new Terminator that the franchise needs.
Luckily the risks set up also give us an appropriately emotional if predictable ending. There’s just not enough of the touching character development the the first two films had.
The film succeeded in making me care about the new characters but I left feeling like I didn’t get enough despite a bit of fleshing out via flashbacks that unfold as the film progressed.
Tim Miller (Deadpool) has directed one hell of an action film, Dark Fate is a sequel that wipes the slate clean for a future of new terminator films and just about succeeds buy the skin of it’s endo-skeleton teeth.
It’s not the best, it’s essentially the first film again with new and old cast but it’s good enough for a new series to blossom off it and thrill ride for the most part.
There are few questions left for the sequel and three-quel that I know are already planned (what the fuck does Rev-9 actually stand for anyway?) but that’s understandable, I just hope we get that sequel and that it’s as good or even better because this is the only terminator film I cared about since terminator 2.
The box office will ultimately be the decider and I can already hear the keyboard warriors that haven’t even seen the movie panning it on twitter but I for one, really enjoyed Terminator: Dark Fate.
Photo courtesy of Skydance & Paramount VIa talent house media.
7/10
That’s the second l pun I’ve made out of that infamous terminator 2 line this week and I feel dirty because of it;
Dirty, much like how I imagine the Terminator franchise feels after Genisys (or however they spelt it)
Terminator:Dark Fate however is billed as a follow up to Terminator & T2;
The former an 80’s classic that sparked a franchise & its sequel that has easily landed itself as one of the best sequels of all time.
So you probably know that this one is ditching all those other terminator films that came in the couple of decades that came between & aims to be the definitive third instalment of franchise (for the third time after Rise Against The Machines & Gen-I-size also promised to do the same) and it’s actually succeeds somewhat, but maybe not in the way a lot of die-hards will want it to.
It’s the “Day After Judgement Day” and Dark Fate opens strong; using footage of Sarah Connor’s crazed speech of Judgement day & machines whilst being interviewed by doctors from T2.
you’ll immediately appreciate Linda Hamilton’s presence one again & from the first scene that follows it’s immediately clear that the previous sequels were missing her presence on screen.
We get a very brief tease of that 80’s style future of skulls on beaches and red & blue lasers that you’ve now seen in 6 films before it but This film doesn’t mess about, Judgement Day didn’t Happen, Sarah, John & The T-800 stopped it in terminator 2 and this film wants you to know that.
You see this film takes a huge risk that may divide fans, but imo it’s a risk that needed to be taken;
it’s no longer about John Connor, not anymore.
We’re introduced to Dani Ramos (Natalia Reyes) & her brother Diego (Diego Boneta) as factory workers facing replacement my machines (see what they did there, I’ll forgive it though as it gets good).
Next up is the rather brutal and badass introduction to the new Kyle Reese in the form of McKenzie Davis’s Grace & then a similar although ironically more Graceful introduction to the new Terminator (Gabriel Luna) both coming back in time via the iconic time bubble effect of series has had since 1984.
And he’s The most polite & possibly menacing Terminator since the T-1000…
Yes I said polite but I’ll get back to that later.
This new ‘black metal’ terminator or “Rev-9” as its referred to is a sort of 2 for 1 deal Terminator, like a T-800 and a T-1000 at the same time, able to split up and act independently as liquid and skeleton simultaneously.
Unlike previous attempts though this terminator is genuinely threatening, he isn’t messing around and finds his new target Dani within minutes.
He’s lightening fast, intelligent and creepy.
The VFX on him thankfully holds up as well and look fantastic other than a few shoddy cgi jumps that can be forgiven.
Within minutes we’re into an explosive highway car chase and the action rarely lets up after.
Genuinely… theres a Mexican border assault, a US detention pen riot, a fight on fucking C5-M plane (it’s big) and then some.
The action in this film Is relentless, gripping and satisfying as fuck.
But story itself, is Terminator 1984, again…
New familiar threat from the future under a different name and that’s all that’s really new at its core.
That’s because Terminator Dark Fate actually serves as a Star Wars: The Force Awakens style Reboot.
T2’s Judgement Day didn’t happen, Skynet didn’t happen, Terminators as we know and love didn’t happen…
But eventually another A.I does and forces our incredibly toned soldier & the black-metal Rev-9 to Time Travel back to our present day.
Despite the opening chase echoing T2 this film matches Terminator 1 in tone entirely,
Everything is very desperate and our character are almost constantly on the run. If anything this is a beat for beat remake that also happens to be a sequel by bringing along the old cast (No J.J Abrams was not involved.
The cast are fantastic, every single member, this film is stollen by McKenzie Davis and Natalia Reyes, they own their roles.
Gabriel Luna as mentioned before is fantastically creepy, this terminator has one mission and won’t waste time killing innocent bystanders, he’s even well mannered! Which just adds to the creep factor.
And don’t worry, his eye-rolling one liner of “my whole body is a weapon” from the trailer is thankfully immediately shut down by an extra in the full scene.
As a re-boot these cast need to be the ones you care about. Wether you like it or not this is a passing of the torch from old to new and luckily They deliver.
I cared about them more than I did about Sarah Connor!
Who Now bitter as fuck, as ruthless as ever and making it known that she had nothing in life other than a vengeance for Terminators and a fear of a Judgement Day she’s actually prevented.
Linda Hamilton is also great as expected. Her character being even more cold, cynical and sarcastic than ever and if you think about that’s how it should be. Her presence is essential though and makes it feel like a sequel to terminator 2.
The comedy of T2 is missing until we’re eventually re-introduced to Arnie’s Terminator.
I genuinely found him hilarious, and his humour it not forced, he’s the most dead-Pan he’s ever been and of course you know that Sarah Connor isn’t going to trust this weirdly humorous rust-bucket.
But his story is quite a hard one to swallow, without spoiling we get an evolution of his character, one that’s definitely an interesting take, one that also create its own Jokes out it. But it’s doesn’t quite land. It’s too much.
That having been said Arnie is also absolutely fantastic with what he’s been given but unfortunately I didn’t care for him as much as I wanted to.
You’ll have questions multiple times throughout this film but thankfully our characters are intelligent enough to ask them before too long whilst the action is unfolding.
The film never hangs around too much and suffers a little for it, the story comes off as very little more than a remake and passing of the torch.
We get the sorry of this new threatening 2042 future via flashbacks (or is it flash forwards? time travel) and it’s grittier than we’re used to.
More in vein of Salvations dusty, military future than the synth wave metal and blue lasers, which is a shame but ultimately makes sense and enforces the idea that the future we saw in T1 & T2 was actually prevented by John & Sarah back in T2.
It’s risky but it’s the deviation from the formulae of the past attempts at a new Terminator that the franchise needs.
Luckily the risks set up also give us an appropriately emotional if predictable ending. There’s just not enough of the touching character development the the first two films had.
The film succeeded in making me care about the new characters but I left feeling like I didn’t get enough despite a bit of fleshing out via flashbacks that unfold as the film progressed.
Tim Miller (Deadpool) has directed one hell of an action film, Dark Fate is a sequel that wipes the slate clean for a future of new terminator films and just about succeeds buy the skin of it’s endo-skeleton teeth.
It’s not the best, it’s essentially the first film again with new and old cast but it’s good enough for a new series to blossom off it and thrill ride for the most part.
There are few questions left for the sequel and three-quel that I know are already planned (what the fuck does Rev-9 actually stand for anyway?) but that’s understandable, I just hope we get that sequel and that it’s as good or even better because this is the only terminator film I cared about since terminator 2.
The box office will ultimately be the decider and I can already hear the keyboard warriors that haven’t even seen the movie panning it on twitter but I for one, really enjoyed Terminator: Dark Fate.
Photo courtesy of Skydance & Paramount VIa talent house media.
7/10
Gareth von Kallenbach (965 KP) rated the PlayStation 4 version of Bulletstorm: Full Clip Edition in Video Games
Jun 19, 2019
When it was first released in 2011; Bulletstorm earned solid reviews and became a cult hit in large part to the over the top action and winning mix of characters, settings, and humor. Sadly though the game never did sell that well which made it a commercial failure and pretty much ended any hopes for a sequel.
Thankfully the developer People Can Fly has teamed with Gearbox to bring us Bulletstorm: Full Clip Edition which returns the game with upgraded graphics and framerates to let it take advantage of the new generation of gaming platforms, as well as the ability to play the campaign and online content as Duke Nukem.
Bulletstorm: Full Clip Edition combines action, humor, and enjoyable gameplay to create a winning product. The game was tells the story of privateer Grayson Hunt who has spent the last ten years of his life on a mission of revenge against a corrupt general who has wronged him and his crew. When the opportunity for revenge arises, Grayson crashes his own ship in order to bring the generals ship down which strands them on the hostile world of Stygia. Stygia used to be a resort world and now scores of mutants, monsters, dangerous plants, and more roam the landscape making short work of all they encounter.
With his friend Sato in need of medical care following the crash, Grayson and Sato set out to find the general in order to get off the planet and to get Sato proper medical care less his cyborg implants take over his body. Along the way Grayson and Sato must face many challenges and battle against never ending hordes of bad guys. Thankfully they have some awesome firepower at their disposal ranging from shotguns to assault rifles as well as sniper rifles and rocket launchers. The game requires players to purchase new weapons and ammo as well as the ability to upgrade your weapons from dropships which are scattered throughout the landscape.
The more bad guys you dispatch and the more creative you are with your kills earns you more points to spend on your arsenal. One of my favorite weapons is the sniper rifle which allows you to steer your fired shot into your enemies, which comes in handy considering how much cover they like to take. Should you run out of ammo, you can always send a bad guy flying, thanks to a kick from Grayson who has no issue with kicking hordes of bad guys into various obstacles. The game awards you for being creative with your kills like kicking someone to impale them on an object which gets you a Voodoo Doll reward as does sending an enemy into an electrical field or sending them into the jaws of a deadly plant.
There are so many ways to take out enemies half the fun is finding out new ways to do so. I also liked being able to supercharge my weapon and vaporize any underlings that got in my way. The game also allows players a leash which fires an electrical tether to manipulate objects. I love latching onto enemies and pulling them into harms way, or towards me so I could kick them into harms way, or unleash a fury of bullets upon them.
The graphics of the game are solid as the Unreal engine has taken what was a great looking game and made it look even better and has brought it up to modern standards even in areas where the graphics may seem a bit dated. From scenic landscapes to epic monsters the game deftly handles them all. An early chase from a gigantic mining wheel is still awesome as it encompasses the depth of the landscape and surroundings of Stygia. The language in the game is very sharp. Characters will unleash salvos of profanity that would make a drill sergeant cringe, but they are often done in very funny and unique combinations.
The multiplay modes of the game shine as well. You can really enjoy teaming up for unique kills. The control system of the game is good as I was easily able to move between movement and fire modes without any issues which allowed me to concentrate on the game and its challenges rather than having to fight a control system. Bulletstorm is also very clever with the locations of the game as one minute I am flying in an airship taking on a gigantic creature whereas another time I was guiding a giant robotic dinosaur through an amusement park to dispatch the bad guys. I also enjoy playing the Echoes mode which requires players to complete various locales and creatively dispatching enemies to earn points which will unlock new levels.
Being able to play as Duke Nukem in both the campaign and online was fun as it allowed me to experience the game from a new perspective and it is always great to see Duke in action.
From the winning mix of action and humor to the numerous variations the gameplay offers Bulletstorm is a winner from top to bottom. Some may find the solo play campaign a bit short and may say that some of the boss battles were overly tricky. I prefer to see the game as a great action romp which is set up perfectly for a sequel and is still one of the best action shooters in recent history.
http://sknr.net/2017/04/10/bulletstorm-full-cliip-edition/
Thankfully the developer People Can Fly has teamed with Gearbox to bring us Bulletstorm: Full Clip Edition which returns the game with upgraded graphics and framerates to let it take advantage of the new generation of gaming platforms, as well as the ability to play the campaign and online content as Duke Nukem.
Bulletstorm: Full Clip Edition combines action, humor, and enjoyable gameplay to create a winning product. The game was tells the story of privateer Grayson Hunt who has spent the last ten years of his life on a mission of revenge against a corrupt general who has wronged him and his crew. When the opportunity for revenge arises, Grayson crashes his own ship in order to bring the generals ship down which strands them on the hostile world of Stygia. Stygia used to be a resort world and now scores of mutants, monsters, dangerous plants, and more roam the landscape making short work of all they encounter.
With his friend Sato in need of medical care following the crash, Grayson and Sato set out to find the general in order to get off the planet and to get Sato proper medical care less his cyborg implants take over his body. Along the way Grayson and Sato must face many challenges and battle against never ending hordes of bad guys. Thankfully they have some awesome firepower at their disposal ranging from shotguns to assault rifles as well as sniper rifles and rocket launchers. The game requires players to purchase new weapons and ammo as well as the ability to upgrade your weapons from dropships which are scattered throughout the landscape.
The more bad guys you dispatch and the more creative you are with your kills earns you more points to spend on your arsenal. One of my favorite weapons is the sniper rifle which allows you to steer your fired shot into your enemies, which comes in handy considering how much cover they like to take. Should you run out of ammo, you can always send a bad guy flying, thanks to a kick from Grayson who has no issue with kicking hordes of bad guys into various obstacles. The game awards you for being creative with your kills like kicking someone to impale them on an object which gets you a Voodoo Doll reward as does sending an enemy into an electrical field or sending them into the jaws of a deadly plant.
There are so many ways to take out enemies half the fun is finding out new ways to do so. I also liked being able to supercharge my weapon and vaporize any underlings that got in my way. The game also allows players a leash which fires an electrical tether to manipulate objects. I love latching onto enemies and pulling them into harms way, or towards me so I could kick them into harms way, or unleash a fury of bullets upon them.
The graphics of the game are solid as the Unreal engine has taken what was a great looking game and made it look even better and has brought it up to modern standards even in areas where the graphics may seem a bit dated. From scenic landscapes to epic monsters the game deftly handles them all. An early chase from a gigantic mining wheel is still awesome as it encompasses the depth of the landscape and surroundings of Stygia. The language in the game is very sharp. Characters will unleash salvos of profanity that would make a drill sergeant cringe, but they are often done in very funny and unique combinations.
The multiplay modes of the game shine as well. You can really enjoy teaming up for unique kills. The control system of the game is good as I was easily able to move between movement and fire modes without any issues which allowed me to concentrate on the game and its challenges rather than having to fight a control system. Bulletstorm is also very clever with the locations of the game as one minute I am flying in an airship taking on a gigantic creature whereas another time I was guiding a giant robotic dinosaur through an amusement park to dispatch the bad guys. I also enjoy playing the Echoes mode which requires players to complete various locales and creatively dispatching enemies to earn points which will unlock new levels.
Being able to play as Duke Nukem in both the campaign and online was fun as it allowed me to experience the game from a new perspective and it is always great to see Duke in action.
From the winning mix of action and humor to the numerous variations the gameplay offers Bulletstorm is a winner from top to bottom. Some may find the solo play campaign a bit short and may say that some of the boss battles were overly tricky. I prefer to see the game as a great action romp which is set up perfectly for a sequel and is still one of the best action shooters in recent history.
http://sknr.net/2017/04/10/bulletstorm-full-cliip-edition/
Lee (2222 KP) rated Okja (2017) in Movies
Jul 14, 2017
Seo-Hyun Ahn (1 more)
Seamless, beautiful effects
Should have stuck at being a family movie (1 more)
Jake Gyllenhaal
Plays as though it should be a family movie, but it definitely isn't
Okja created a fair bit of buzz at Cannes recently, when it was revealed that it had been picked up by Netflix, resulting in boos from some of the snobby traditionalists that were present for its screening. Okja was written and directed by Bong Joon Ho, a Korean filmmaker who also wrote and directed one of my favourite movies of recent years, Snowpiercer. That movie failed to receive a UK release, despite starring Chris Evans in-between his Captain America/Avengers duties, so I’m more than happy if a movie that’s just a little bit different from the norm manages to find an audience through modern, ‘non-traditional’ routes.
And Okja certainly is a bit different. We’re first introduced to CEO of Mirando Corporation, Lucy Mirando (Tilda Swinton) who has ‘bred’ superpigs, in an effort to help with world hunger. 26 of these superpigs are being sent to farmers at various locations around the world and in 10 years time a competition is planned to determine who has raised the largest superpig. Lucy is clearly a bit strange (the perfect role for Tilda Swinton), and her company spokesperson, TV zoologist Johnny Wilcox (Jake Gyllenhaal) is even stranger. They’re determined to put a friendly, happy gloss over the fact that these animals have been genetically modified for slaughter and profit. So, time for us to get to know, and fall in love with one of them…
It’s now 10 years later and we’re with Mija, a young girl living in the mountains of Korea with her grandfather and Okja, the large hippo-like superpig who has become her close friend. They spend their time together out in the forest, with Okja helping to catch fish for dinner, and proving to be a faithful companion for Mija. And when disaster strikes, Okja even demonstrates the intelligence required to work out how to save Mija’s life. Okja is beautifully rendered in CGI, interacting perfectly with the surroundings and actors and is thoroughly convincing. It’s an enchanting and beautiful half hour or so – but we know it’s not going to last.
A small team from the Miranda Corporation arrives, along with Johnny Wilcox, who is just hugely annoying. They’re here to check up on how Okja is doing and, unbeknown to Mija, take her back to New York as the winner of the superpig contest. While Mija is in the forest with her grandfather she discovers what they’re planning and heads off to rescue Okja. What follows is an entertaining and thrilling chase to get Okja before she heads onto a plane. Mija is fearless and determined, a strong young heroine and probably the best thing about this movie. Along the way she is joined by the Animal Liberation Front, a young team that includes Steven Yeun, Paul Dano and Lily Collins. They know where Okja is headed and what her fate will be and they plan to stop it, with the help of Mija.
Much of Okja plays as though it should be a family movie and I wish that’s how they’d made it. With a large, friendly creature companion that needs to be rescued from the bad guys, much of this reminded me of the 2016 live action remake of Pete’s Dragon, which I enjoyed a lot. However, the final hour or so turns distinctly dark as we venture into the slaughterhouse and that, along with regular use of bad language, has given this movie a 15 certificate. It’s a strange variation of styles that just didn’t sit right with me overall. As mentioned before, Gyllenhaals character is seriously annoying and would have been much better suited as the wacky comic relief if this were a family movie. Tilda Swinton soon becomes boring too and it’s left to Mija and Okja to save the movie from becoming a total disaster.
Entertaining and enjoyable at times, but the wild variation of styles and characters just made the latter half of the movie drag.
And Okja certainly is a bit different. We’re first introduced to CEO of Mirando Corporation, Lucy Mirando (Tilda Swinton) who has ‘bred’ superpigs, in an effort to help with world hunger. 26 of these superpigs are being sent to farmers at various locations around the world and in 10 years time a competition is planned to determine who has raised the largest superpig. Lucy is clearly a bit strange (the perfect role for Tilda Swinton), and her company spokesperson, TV zoologist Johnny Wilcox (Jake Gyllenhaal) is even stranger. They’re determined to put a friendly, happy gloss over the fact that these animals have been genetically modified for slaughter and profit. So, time for us to get to know, and fall in love with one of them…
It’s now 10 years later and we’re with Mija, a young girl living in the mountains of Korea with her grandfather and Okja, the large hippo-like superpig who has become her close friend. They spend their time together out in the forest, with Okja helping to catch fish for dinner, and proving to be a faithful companion for Mija. And when disaster strikes, Okja even demonstrates the intelligence required to work out how to save Mija’s life. Okja is beautifully rendered in CGI, interacting perfectly with the surroundings and actors and is thoroughly convincing. It’s an enchanting and beautiful half hour or so – but we know it’s not going to last.
A small team from the Miranda Corporation arrives, along with Johnny Wilcox, who is just hugely annoying. They’re here to check up on how Okja is doing and, unbeknown to Mija, take her back to New York as the winner of the superpig contest. While Mija is in the forest with her grandfather she discovers what they’re planning and heads off to rescue Okja. What follows is an entertaining and thrilling chase to get Okja before she heads onto a plane. Mija is fearless and determined, a strong young heroine and probably the best thing about this movie. Along the way she is joined by the Animal Liberation Front, a young team that includes Steven Yeun, Paul Dano and Lily Collins. They know where Okja is headed and what her fate will be and they plan to stop it, with the help of Mija.
Much of Okja plays as though it should be a family movie and I wish that’s how they’d made it. With a large, friendly creature companion that needs to be rescued from the bad guys, much of this reminded me of the 2016 live action remake of Pete’s Dragon, which I enjoyed a lot. However, the final hour or so turns distinctly dark as we venture into the slaughterhouse and that, along with regular use of bad language, has given this movie a 15 certificate. It’s a strange variation of styles that just didn’t sit right with me overall. As mentioned before, Gyllenhaals character is seriously annoying and would have been much better suited as the wacky comic relief if this were a family movie. Tilda Swinton soon becomes boring too and it’s left to Mija and Okja to save the movie from becoming a total disaster.
Entertaining and enjoyable at times, but the wild variation of styles and characters just made the latter half of the movie drag.
Gareth von Kallenbach (965 KP) rated the PlayStation 3 version of BulletStorm in Video Games
Jun 19, 2019
One of the most enjoyable and action-packed games I have ever played has arrived in Bulletstorm which combines action, humor, and enjoyable gameplay to create a winning product. The game was created by Electronic Arts, People Can Fly, and Epic Games and tells the story of privateer Grayson Hunt who has spent the last ten years of his life on a mission of revenge against a corrupt general who has wronged him and his crew. When the opportunity for revenge arises, Grayson crashes his own ship in order to bring the generals ship down which strands them on the hostile world of Stygia. Stygia used to be a resort world and now scores of mutants, monsters, dangerous plants, and more roam the landscape making short work of all they encounter.
With his friend Sato in need of medical care following the crash, Grayson and Sato set out to find the general in order to get off the planet and to get Sato proper medical care less his cyborg implants take over his body. Along the way Grayson and Sato must face many challenges and battle against never ending hordes of bad guys. Thankfully they have some awesome firepower at their disposal ranging from shotguns to assault rifles as well as sniper rifles and rocket launchers. The game requires players to purchase new weapons and ammo as well as the ability to upgrade your weapons from dropships which are scattered throughout the landscape.
The more bad guys you dispatch and the more creative you are with your kills earns you more points to spend on your arsenal. One of my favorite weapons is the sniper rifle which allows you to steer your fired shot into your enemies, which comes in handy considering how much cover they like to take. Should you run out of ammo, you can always send a bad guy flying, thanks to a kick from Grayson who has no issue with kicking hordes of bad guys into various obstacles. The game awards you for being creative with your kills like kicking somone to impale them on an object which gets you a Voodoo Doll reward as does sending an enemy into an electrical field or sending them into the jaws of a deadly plant.
There are so many ways to take out enemies half the fun is finding out new ways to do so. I also liked being able to supercharge my weapon and vaporize any underlings that got in my way. The game also allows players a leash which fires an electrical tether to manipulate objects. I love latching onto enemies and pulling them into harms way, or towards me so I could kick them into harms way, or unleash a fury of bullets upon them.
The graphics of the game are amazing as the Unreal engine has never looked better. From scenic landscapes to epic monsters the game deftly handles them all. An early chase from a gigantic mining wheel is awesome as it encompasses the depth of the landscape and surroundings of Stygia. The language in the game is very sharp. Characters will unleash salvos of profanity that would make a drill seargeant cringe, but they are often done in very funny and unique combinations.
The multiplay modes of the game shine as well. You can really enjoy teaming up for unique kills. The control system of the game is good as I was easily able to move between movement and fire modes without any issues which allowed me to concentrate on the game and its challenges rather than having to fight a control system. Bulletstorm is also very clever with the locations of the game as one minute I am flying in a airship taking on a gigantic creature whereas another time I was gudiing a giant robotic dinosaur through an amusement park to dispatch the bad guys.
From the winning mix of action and humor to the numerous variations the gameplay offers Bulletstorm is a winner from top to bottom. Some may find the solo play campaign a bit short and may say that some of the boss battles were overly tricky. I prefer to see the game as a great action romp which is set up perfectly for a sequel and one of the best action
shooters in recent history.
http://sknr.net/2011/04/10/bulletstorm/
With his friend Sato in need of medical care following the crash, Grayson and Sato set out to find the general in order to get off the planet and to get Sato proper medical care less his cyborg implants take over his body. Along the way Grayson and Sato must face many challenges and battle against never ending hordes of bad guys. Thankfully they have some awesome firepower at their disposal ranging from shotguns to assault rifles as well as sniper rifles and rocket launchers. The game requires players to purchase new weapons and ammo as well as the ability to upgrade your weapons from dropships which are scattered throughout the landscape.
The more bad guys you dispatch and the more creative you are with your kills earns you more points to spend on your arsenal. One of my favorite weapons is the sniper rifle which allows you to steer your fired shot into your enemies, which comes in handy considering how much cover they like to take. Should you run out of ammo, you can always send a bad guy flying, thanks to a kick from Grayson who has no issue with kicking hordes of bad guys into various obstacles. The game awards you for being creative with your kills like kicking somone to impale them on an object which gets you a Voodoo Doll reward as does sending an enemy into an electrical field or sending them into the jaws of a deadly plant.
There are so many ways to take out enemies half the fun is finding out new ways to do so. I also liked being able to supercharge my weapon and vaporize any underlings that got in my way. The game also allows players a leash which fires an electrical tether to manipulate objects. I love latching onto enemies and pulling them into harms way, or towards me so I could kick them into harms way, or unleash a fury of bullets upon them.
The graphics of the game are amazing as the Unreal engine has never looked better. From scenic landscapes to epic monsters the game deftly handles them all. An early chase from a gigantic mining wheel is awesome as it encompasses the depth of the landscape and surroundings of Stygia. The language in the game is very sharp. Characters will unleash salvos of profanity that would make a drill seargeant cringe, but they are often done in very funny and unique combinations.
The multiplay modes of the game shine as well. You can really enjoy teaming up for unique kills. The control system of the game is good as I was easily able to move between movement and fire modes without any issues which allowed me to concentrate on the game and its challenges rather than having to fight a control system. Bulletstorm is also very clever with the locations of the game as one minute I am flying in a airship taking on a gigantic creature whereas another time I was gudiing a giant robotic dinosaur through an amusement park to dispatch the bad guys.
From the winning mix of action and humor to the numerous variations the gameplay offers Bulletstorm is a winner from top to bottom. Some may find the solo play campaign a bit short and may say that some of the boss battles were overly tricky. I prefer to see the game as a great action romp which is set up perfectly for a sequel and one of the best action
shooters in recent history.
http://sknr.net/2011/04/10/bulletstorm/
Gareth von Kallenbach (965 KP) rated The Dark Tower (2017) in Movies
Jun 19, 2019
Adapting Stephen King stories for the screen has long been a difficult problem for Hollywood. For every “Misery” and “The Shawshank Redemption”, there are many others such as “The Mangler”, “Cell”, “and Graveyard Shift” and many more where things did not go as planned.
The big issue is that King often creates detailed characters with complex backstories and puts then in fully developed worlds that despite their supernatural nature, often are easy for readers to relate to.
Also as any reader of his books knows, King is not one to spare the paper and his books can be very lengthy offerings. This is an issue for Hollywood as they are forced to condense a 400-800 page plus story in many cases to fewer than two hours of screen time. The solution has been to try television movies such as “The Langoliers”, “The Tommyknockers”, “The Stand”, and “It”. The problem with this format is that while spreading the story over multiple nights allows more time for the story, they gore and adult content which is often the core of the story has to be greatly watered down.
Which brings us to “The Dark Tower”, an adaptation of King’s largest offering as the series covers seven books and a novella, not to mention a Prequel comic and more. The series rolled out from 1982-2004 with King often saying that he might never finish the series. Fortunately for fans he released three books from 2003-2004 and was able to declare the story told.
The story tells of a world like ours, but different that has “moved on”. It is a dying world where Roland (Idris Elba), is pursuing a wizard named Walter (Matthew McConaughey), who is responsible for laying waste the world and killing all that come into Roland’s life. The books follow his unrelenting chase of The Man in Black over countless years and how he has become a cold and driven individual who thinks nothing of using people to get his revenge.
Roland is the last of the “Gunslingers”, a Knight like group who protected the world and who used guns that were rare in their world to keep the peace. Roland is highly skilled and unlike his now dead companions, is impervious to the magic of Walter which has allowed him to remain alive and continue his quest.
The Man in Black is fixated on destroying the Dark Tower, which protects the many worlds in the universe from the outside evils that look to destroy it. Along with a young boy from Earth named Jake (Tom Taylor), Roland must find a way to save the universe and exact his revenge.
The film keeps the conflict between Roland and The Man in Black but greatly condenses the story as it includes references to things in the first two books but omits much of the backstory and plot of the novels to tell what I would call a story that was inspired by, but not based on the books.
This is at the core the biggest issue with the film. I have read the books and while I wanted an adaptation that was closer to them, I did find myself enjoying the film more than I expected to. The leads were very good and even though they had a very watered down script to work with, they did a good job and the finale does have some nice visuals and action to it.
People I know who have read the books have naturally been very disappointed with the film but those who have not read the books have mentioned that they enjoyed the film and accepted it as a fun bit of escapist adventure.
There has been talk of a television series that would focus more on the third book onward which hopefully would include how Roland gained new followers from our world who were trained to be future Gunslingers. That remains to be seen as the success of the film will likely hold the key. I hope we do get to see it as there are countless stories and characters yet to tell in this universe and I think fans deserve to see them as King wrote them.
http://sknr.net/2017/08/03/the-dark-tower/
The big issue is that King often creates detailed characters with complex backstories and puts then in fully developed worlds that despite their supernatural nature, often are easy for readers to relate to.
Also as any reader of his books knows, King is not one to spare the paper and his books can be very lengthy offerings. This is an issue for Hollywood as they are forced to condense a 400-800 page plus story in many cases to fewer than two hours of screen time. The solution has been to try television movies such as “The Langoliers”, “The Tommyknockers”, “The Stand”, and “It”. The problem with this format is that while spreading the story over multiple nights allows more time for the story, they gore and adult content which is often the core of the story has to be greatly watered down.
Which brings us to “The Dark Tower”, an adaptation of King’s largest offering as the series covers seven books and a novella, not to mention a Prequel comic and more. The series rolled out from 1982-2004 with King often saying that he might never finish the series. Fortunately for fans he released three books from 2003-2004 and was able to declare the story told.
The story tells of a world like ours, but different that has “moved on”. It is a dying world where Roland (Idris Elba), is pursuing a wizard named Walter (Matthew McConaughey), who is responsible for laying waste the world and killing all that come into Roland’s life. The books follow his unrelenting chase of The Man in Black over countless years and how he has become a cold and driven individual who thinks nothing of using people to get his revenge.
Roland is the last of the “Gunslingers”, a Knight like group who protected the world and who used guns that were rare in their world to keep the peace. Roland is highly skilled and unlike his now dead companions, is impervious to the magic of Walter which has allowed him to remain alive and continue his quest.
The Man in Black is fixated on destroying the Dark Tower, which protects the many worlds in the universe from the outside evils that look to destroy it. Along with a young boy from Earth named Jake (Tom Taylor), Roland must find a way to save the universe and exact his revenge.
The film keeps the conflict between Roland and The Man in Black but greatly condenses the story as it includes references to things in the first two books but omits much of the backstory and plot of the novels to tell what I would call a story that was inspired by, but not based on the books.
This is at the core the biggest issue with the film. I have read the books and while I wanted an adaptation that was closer to them, I did find myself enjoying the film more than I expected to. The leads were very good and even though they had a very watered down script to work with, they did a good job and the finale does have some nice visuals and action to it.
People I know who have read the books have naturally been very disappointed with the film but those who have not read the books have mentioned that they enjoyed the film and accepted it as a fun bit of escapist adventure.
There has been talk of a television series that would focus more on the third book onward which hopefully would include how Roland gained new followers from our world who were trained to be future Gunslingers. That remains to be seen as the success of the film will likely hold the key. I hope we do get to see it as there are countless stories and characters yet to tell in this universe and I think fans deserve to see them as King wrote them.
http://sknr.net/2017/08/03/the-dark-tower/
Gareth von Kallenbach (965 KP) rated Grindhouse (2007) in Movies
Aug 14, 2019
Back in the 70’s cheaply made independent films often came into their own. The studio released films were drawing smaller audiences’ thanks in large part to the arrival of color television and a greater variety of entertainment that people could view in their homes.
During this time, the Blaxploitation era as it became known, saw many films become big hits thanks to the films modest budgets and subject matter that was quite different from the films of the day. Aside from Blaxploitation, there were also sexploitation films as well as action and horror films that embraced the urban and youth cultures of the time and were loaded with sex, violence, and anti-establishment themes.
The films were often show nonstop in all night theaters known as “Grind houses”, where repeated showings of prints caused them to have image blemishes as films were usually shown in a city for a week before the same print was whisked off to a new city for even more wear and tear.
Inspired by the classic exploitation films of old, Directors Quentin Tarantino and Robert Rodriguez have teamed up to treat audience to a modern day ” Grind house” experience that comes complete with nostalgic intros and credits as well as movie trailers for exploitation films that the duo has not yet created.
The first film is “Planet Terror” and stars Rose McGowan as a Go Go Dancer named Cherry who is about to have a very bad night thanks to a deal gone wrong between a shadowy soldier (Bruce Willis), and a mysterious scientist (Naveen Andrews).
Before long, Cherry is minus a leg, and living in a town overrun by zombie like creatures, which forces her and a band of survivors to fight the deadly invaders to get to the bottom of the mystery.
The film is packed with gore, action, and enough cheesy lines to make even the most jaded moviegoer wince, yet all is done with loving reverence to the genre films that inspired it.
Rodriguez even includes little glitches in the film to give a sense of realism to the film. Were it not for the starts of today and some slightly better effects work, you could easily believe that this was a film from the era.
The second film is “Death Proof” and it stars Kurt Russell as Stuntman Mike. A man who drives a souped up hotrod and spreads mayhem wherever he goes. While the film does not have much of the signature dialogue that marks past Tarantino films,
it does have its moments and is one of the most demented, and intense car chase stories you will ever see.
I have gone very light on the plot recaps as to be honest, the films both have paper thin plots and characters which do not really warrant much examination.
To do so would be to miss the point of Grind House as the goal was to create two modern exploitation films that were true in character and form to the films that inspired them. Yes, this film had a budget that could have created well over a thousand such films back in the day, and has more stars than Hollywood Bld. But despite this, still would be worthy of those famed theaters of old.
There were many times that I noted the bad acting, lines, and other problems in the films, but reminded myself that flaws were for the most part intended.
I compare the experience to watching “Mystery Science Theater 3000”, in that you need to be familiar with the types of film being featured in order to get the full benefit.
I for one really enjoyed myself and I loved the false trailers that were included in the film as it was great fun not only watching them, but seeing the big name stars who helped create them getting in on the fun.
If you set your expectations accordingly, than Grind House may be the most nostalgic fun you have had at the movies in a long time.
During this time, the Blaxploitation era as it became known, saw many films become big hits thanks to the films modest budgets and subject matter that was quite different from the films of the day. Aside from Blaxploitation, there were also sexploitation films as well as action and horror films that embraced the urban and youth cultures of the time and were loaded with sex, violence, and anti-establishment themes.
The films were often show nonstop in all night theaters known as “Grind houses”, where repeated showings of prints caused them to have image blemishes as films were usually shown in a city for a week before the same print was whisked off to a new city for even more wear and tear.
Inspired by the classic exploitation films of old, Directors Quentin Tarantino and Robert Rodriguez have teamed up to treat audience to a modern day ” Grind house” experience that comes complete with nostalgic intros and credits as well as movie trailers for exploitation films that the duo has not yet created.
The first film is “Planet Terror” and stars Rose McGowan as a Go Go Dancer named Cherry who is about to have a very bad night thanks to a deal gone wrong between a shadowy soldier (Bruce Willis), and a mysterious scientist (Naveen Andrews).
Before long, Cherry is minus a leg, and living in a town overrun by zombie like creatures, which forces her and a band of survivors to fight the deadly invaders to get to the bottom of the mystery.
The film is packed with gore, action, and enough cheesy lines to make even the most jaded moviegoer wince, yet all is done with loving reverence to the genre films that inspired it.
Rodriguez even includes little glitches in the film to give a sense of realism to the film. Were it not for the starts of today and some slightly better effects work, you could easily believe that this was a film from the era.
The second film is “Death Proof” and it stars Kurt Russell as Stuntman Mike. A man who drives a souped up hotrod and spreads mayhem wherever he goes. While the film does not have much of the signature dialogue that marks past Tarantino films,
it does have its moments and is one of the most demented, and intense car chase stories you will ever see.
I have gone very light on the plot recaps as to be honest, the films both have paper thin plots and characters which do not really warrant much examination.
To do so would be to miss the point of Grind House as the goal was to create two modern exploitation films that were true in character and form to the films that inspired them. Yes, this film had a budget that could have created well over a thousand such films back in the day, and has more stars than Hollywood Bld. But despite this, still would be worthy of those famed theaters of old.
There were many times that I noted the bad acting, lines, and other problems in the films, but reminded myself that flaws were for the most part intended.
I compare the experience to watching “Mystery Science Theater 3000”, in that you need to be familiar with the types of film being featured in order to get the full benefit.
I for one really enjoyed myself and I loved the false trailers that were included in the film as it was great fun not only watching them, but seeing the big name stars who helped create them getting in on the fun.
If you set your expectations accordingly, than Grind House may be the most nostalgic fun you have had at the movies in a long time.