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The Nutcracker Musical Storybook
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Join Clara and The Nutcracker Prince in a fully animated, cinematic storybook adventure of the...
Daniel Boyd (1066 KP) rated Bohemian Rhapsody (2018) in Movies
Oct 25, 2018 (Updated Oct 25, 2018)
Sublime performance from Rami Malek (1 more)
Sound mixing
They Will Rock You
I feel like I should preface this review with some context. Queen were the first band that I was properly into and the Bohemian Rhapsody/These Are The Days Of Our Loves double A side CD was the first piece of music that I ever bought with my own money. I have loved Queen's music for the vast majority of my life and I have grown up watching their concerts and music videos. I have been waiting for this movie to be made for a long time.
So did it meet my lofty expectations? Well, that depends on what aspects you choose to highlight. If you are asking me if Rami Malek did a good job portraying Freddie Mercury, then I would reply; that is the understatement of the century. This performance is the best I've seen so far this year. There were points that I genuinely forgot that I wasn't watching the real Freddie onscreen, Malek totally disappeared into the persona and if there is any justice, the academy will recognise that come Oscar nomination time. Not only did he capture Freddie's onstage mannerisms, but even the subtle way that Freddie would shift his eyes or lick his lips during interviews etc was absolutely spot on. In terms of the singing, I believe the method used was that Malek would sing into a computer and Freddie's voice was then added over the top, then it was manipulated to where it best resembled Freddie's vocal. If this film deserves another Oscar nod, it's for the sound mixing. They managed to recreate Freddie's unique vocal range perfectly and the lip syncing is also lined up incredibly well.
The rest of the cast are great too. The rest of the band were well cast, especially Gwilym Lee as Brian May. I really enjoyed the chemistry and camaraderie between the band members too. I also enjoyed what Aidan Gillen, Tom Hollander and an unrecognisable Mike Myers brought to the film. Lucy Boynton was also believable as Freddie's one true love, Mary Austin and she and Malek brought a new dimension to Mary's and Freddie's relationship that I had never really thought too much about.
Could the movie have went further than it did in terms of portraying the hedonism went on in Freddie's life? Yes, it definitely could have and that was one of my main concerns going in. I was concerned regarding the film's 12A rating and wondered how they were going to get around this and still show the sexually driven, intense life that Freddie led. Thankfully, I felt that the movie still managed to contain enough implications and allusions to the more adult stuff in the story that you were able to fill in the blanks without feeling robbed of too much of the narrative.
Unfortunately, there was a fairly important part in the movie where the sound abruptly cut out in my cinema hall for about 30 seconds, this obviously isn't the movie's fault, but it did detract from my initial viewing.
Overall, I enjoyed Bohemian Rhapsody. It catalogued Queen's exceptional inventory of hits and did a fantastic job in casting the right actor to portray a modern day icon. The other actors that rounded out the cast helped to sell the whole movie and the production was very well done in terms of recreating the talent and energy that this band were famous for.
So did it meet my lofty expectations? Well, that depends on what aspects you choose to highlight. If you are asking me if Rami Malek did a good job portraying Freddie Mercury, then I would reply; that is the understatement of the century. This performance is the best I've seen so far this year. There were points that I genuinely forgot that I wasn't watching the real Freddie onscreen, Malek totally disappeared into the persona and if there is any justice, the academy will recognise that come Oscar nomination time. Not only did he capture Freddie's onstage mannerisms, but even the subtle way that Freddie would shift his eyes or lick his lips during interviews etc was absolutely spot on. In terms of the singing, I believe the method used was that Malek would sing into a computer and Freddie's voice was then added over the top, then it was manipulated to where it best resembled Freddie's vocal. If this film deserves another Oscar nod, it's for the sound mixing. They managed to recreate Freddie's unique vocal range perfectly and the lip syncing is also lined up incredibly well.
The rest of the cast are great too. The rest of the band were well cast, especially Gwilym Lee as Brian May. I really enjoyed the chemistry and camaraderie between the band members too. I also enjoyed what Aidan Gillen, Tom Hollander and an unrecognisable Mike Myers brought to the film. Lucy Boynton was also believable as Freddie's one true love, Mary Austin and she and Malek brought a new dimension to Mary's and Freddie's relationship that I had never really thought too much about.
Could the movie have went further than it did in terms of portraying the hedonism went on in Freddie's life? Yes, it definitely could have and that was one of my main concerns going in. I was concerned regarding the film's 12A rating and wondered how they were going to get around this and still show the sexually driven, intense life that Freddie led. Thankfully, I felt that the movie still managed to contain enough implications and allusions to the more adult stuff in the story that you were able to fill in the blanks without feeling robbed of too much of the narrative.
Unfortunately, there was a fairly important part in the movie where the sound abruptly cut out in my cinema hall for about 30 seconds, this obviously isn't the movie's fault, but it did detract from my initial viewing.
Overall, I enjoyed Bohemian Rhapsody. It catalogued Queen's exceptional inventory of hits and did a fantastic job in casting the right actor to portray a modern day icon. The other actors that rounded out the cast helped to sell the whole movie and the production was very well done in terms of recreating the talent and energy that this band were famous for.
Gareth von Kallenbach (971 KP) rated Everest (2015) in Movies
Jun 19, 2019
Ever since Sir Edmund Hillary reached the peak of Mount Everest in 1953, the mountain has been the Holy Grail for climbers of all experience levels despite the fact that the mountain has claimed more than a few victims over the years from those who have attempted to reach the summit which is also known as “The Killing Zone”.
In the new film “Everest”, audiences get an up close look at the beauty and danger of the mountain as told by real men and women who risked it all for a shot at greatness.
Based on the books Into Thin Air and The Climb: Tragic Ambitions on Everest by two of the survivors, the film looks at an expedition in 1996 that until recently was the most tragic climb on the mountain and caused real concern about the commercialization of the mountain.
Jason Clarke stars as Rob Hall, an experienced guide and climber who has operated a very successful company which charges $65,000 a head for the chance at greatness.
As the film opens, Rob is leaving his pregnant wife behind in New Zealand to lead a group up the mountain. The weather looks good during the brief window where they have a chance to climb to the top, and despite a record number of groups waiting to climb, Rob is confident he can get his crew to the top.
Rob has a seasoned and professional crew and with a journalist in tow, he is ready to procedure but always operates from a position of safety and care. It is attention to safety that causes Rob to be labeled a “hand holder” from rival guide Scott Fisher (Jake Gyllenhaal).
Despite their rival nature and different styles, Rob and Scott decide to combine forces and work with one another to get their clients up the mountain and work to secure the all-important climbing ropes.
As the climb goes well, we learn about the various characters and get some great supporting work from Sam Worthington, Josh Brolin, and the diverse and very engaging cast of the film.
Naturally things do not go as planned as a series of weather induced tragedies set in and forces the climbers to battle overwhelming odds to survive in a deadly race against time.
Aside from the amazing visual where you can really see the challenge and danger of climbing at an altitude usually reserved for 747s, the film which will be shown only in IMAX 3D screens shows the passion and endurance of those willing to pay a small fortune and risk death for one of the greatest challenges out there.
Director Baltasar Kormakur is to be praised for a visually compelling film that lets the setting and characters propel the story and does not resort to Hollywood gimmicks like over embellished storms, cave ins, and scenes common in most Disaster films and focused on the events as depicted by the survivors.
It was difficult at times to identify key characters as when they are all bundled up in a storm, telling who was who became a real challenge at times, but imagine how hard it was for those who were actually there.
If you are looking for a character driven action film with amazing scenery, you will want to make sure to see this film as it is as unforgettable a tale with amazing visuals.
http://sknr.net/2015/09/18/everest/
In the new film “Everest”, audiences get an up close look at the beauty and danger of the mountain as told by real men and women who risked it all for a shot at greatness.
Based on the books Into Thin Air and The Climb: Tragic Ambitions on Everest by two of the survivors, the film looks at an expedition in 1996 that until recently was the most tragic climb on the mountain and caused real concern about the commercialization of the mountain.
Jason Clarke stars as Rob Hall, an experienced guide and climber who has operated a very successful company which charges $65,000 a head for the chance at greatness.
As the film opens, Rob is leaving his pregnant wife behind in New Zealand to lead a group up the mountain. The weather looks good during the brief window where they have a chance to climb to the top, and despite a record number of groups waiting to climb, Rob is confident he can get his crew to the top.
Rob has a seasoned and professional crew and with a journalist in tow, he is ready to procedure but always operates from a position of safety and care. It is attention to safety that causes Rob to be labeled a “hand holder” from rival guide Scott Fisher (Jake Gyllenhaal).
Despite their rival nature and different styles, Rob and Scott decide to combine forces and work with one another to get their clients up the mountain and work to secure the all-important climbing ropes.
As the climb goes well, we learn about the various characters and get some great supporting work from Sam Worthington, Josh Brolin, and the diverse and very engaging cast of the film.
Naturally things do not go as planned as a series of weather induced tragedies set in and forces the climbers to battle overwhelming odds to survive in a deadly race against time.
Aside from the amazing visual where you can really see the challenge and danger of climbing at an altitude usually reserved for 747s, the film which will be shown only in IMAX 3D screens shows the passion and endurance of those willing to pay a small fortune and risk death for one of the greatest challenges out there.
Director Baltasar Kormakur is to be praised for a visually compelling film that lets the setting and characters propel the story and does not resort to Hollywood gimmicks like over embellished storms, cave ins, and scenes common in most Disaster films and focused on the events as depicted by the survivors.
It was difficult at times to identify key characters as when they are all bundled up in a storm, telling who was who became a real challenge at times, but imagine how hard it was for those who were actually there.
If you are looking for a character driven action film with amazing scenery, you will want to make sure to see this film as it is as unforgettable a tale with amazing visuals.
http://sknr.net/2015/09/18/everest/
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~~> Stella’s school is a fashion nightmare! Help her give a school-wide fashion makeover! ~~> From...
Mark @ Carstairs Considers (2097 KP) rated Full Bodied Murder in Books
Jun 6, 2019
Uneven Debut
Annie “Halsey” Hall has moved from New York City to Southern California, buying a house on Rose Avenue just a couple miles south of Santa Monica. She’s excited about her new neighborhood, except for her snooping next-door neighbor, and pleased to have been invited to join the Rose Avenue Wine Club. On her way to her first meeting, Halsey and her puppy, Bardot, stumble into the wrong house and find a dead body in the backyard. Even though Halsey has never met the victim, the police consider her their prime suspect. With the help of her new friends, Halsey begins to investigate. But with everything happening in the neighborhood, will they be able to figure out what really happened in time to clear Halsey?
Even though I don’t drink wine, I decided to give this book a try after meeting the author. I wanted to like it since it is set in Southern California, and I got a kick out of seeing the characters going to places I’m familiar with. However, I found the book was just a bit too unfocused to really work well. I thought there were timeline issues early on until I began to realize that the book takes place over several months. This wasn’t obvious early on, so maybe it helped explain some of the timeline issues I thought I saw. While Halsey is developed as a main character, many of the rest are still fairly flat. They can certainly develop as the series progresses, so I’m not too concerned about that yet. The book has a couple of interesting sub-plots, but they take over at times, and too much happens in them over the course of the book. It would have been better to stretch them out over the course of several books. The mystery plot has a lot going on, but it worked to keep me guessing until the very end. However, one key piece of evidence made me shake my head. It would have made more sense if the book took place over a week instead of many months. There is quite a bit of foul language for a cozy, even compared to some of the cozies and traditional books I read that are pushing the boundaries. Overall, this reads more like an early draft that needed some polish to find the gem inside, because there is certainly a gem here. Since I already have the second book, I might find some time to read it to see if the issues resolve themselves as the series progresses.
Even though I don’t drink wine, I decided to give this book a try after meeting the author. I wanted to like it since it is set in Southern California, and I got a kick out of seeing the characters going to places I’m familiar with. However, I found the book was just a bit too unfocused to really work well. I thought there were timeline issues early on until I began to realize that the book takes place over several months. This wasn’t obvious early on, so maybe it helped explain some of the timeline issues I thought I saw. While Halsey is developed as a main character, many of the rest are still fairly flat. They can certainly develop as the series progresses, so I’m not too concerned about that yet. The book has a couple of interesting sub-plots, but they take over at times, and too much happens in them over the course of the book. It would have been better to stretch them out over the course of several books. The mystery plot has a lot going on, but it worked to keep me guessing until the very end. However, one key piece of evidence made me shake my head. It would have made more sense if the book took place over a week instead of many months. There is quite a bit of foul language for a cozy, even compared to some of the cozies and traditional books I read that are pushing the boundaries. Overall, this reads more like an early draft that needed some polish to find the gem inside, because there is certainly a gem here. Since I already have the second book, I might find some time to read it to see if the issues resolve themselves as the series progresses.
Kristy H (1252 KP) rated Her Every Fear in Books
Feb 13, 2018
Kate Priddy suffers from anxiety. Neurotic since childhood, her recent fears have good reason: in college, Kate was attacked in a horrific incident by her boyfriend. It's taken Kate years to recover from that day. So when her parents tell her that her distant cousin, Corbin Dell, is looking to move to London and wants someone to switch apartments with for six months, Kate jumps at the chance. Six months in Corbin's spacious apartment will give her a chance to start her life over on her own. But shortly after arriving in Boston, Kate receives some unsettling news: the woman who lived down the hall, Audrey, is missing. She soon discovers that Audrey was murdered. Even worse, she realizes that Corbin is a suspect in Audrey's death. As Kate tries to adjust to life in Boston, she meets another fellow apartment-dweller, Alan Cherney. Alan claims he didn't know Audrey, but he seems to know a lot about her. Kate suddenly regrets her temporary move to the States, and soon she finds herself wondering if she's even safe there.
This novel was the first Swanson I've ever read. It starts off from Kate's perspective, but switches over after a couple of chapters to Alan, and we hear from Corbin and others throughout the story as well. While doing this, the story sometimes double backs to get the same perspective from a different character. While it's effective in showing different sides to one plot element, it seems to drag the story on, and make things repeat unnecessarily. I enjoyed the character of Kate, though couldn't always find myself attached to her. She was probably my favorite of the group, though. For me, I found some bits of the plot a little over the top (the list of things that have happened to Kate seems extreme, for example).
I guessed a good part of the mystery plot early on, but was still confounded by other pieces, so I did find it interesting, and it certainly had creepy pieces. Still, I wasn't incredibly invested in this one -- either the plot or the characters. Things just seemed a little "too much" at times, and then by the time we did get to the dramatic ending, it tied up really quickly, which was a little anticlimactic. Overall, this was a good thriller, but not great.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available as of 1/10/2017.
This novel was the first Swanson I've ever read. It starts off from Kate's perspective, but switches over after a couple of chapters to Alan, and we hear from Corbin and others throughout the story as well. While doing this, the story sometimes double backs to get the same perspective from a different character. While it's effective in showing different sides to one plot element, it seems to drag the story on, and make things repeat unnecessarily. I enjoyed the character of Kate, though couldn't always find myself attached to her. She was probably my favorite of the group, though. For me, I found some bits of the plot a little over the top (the list of things that have happened to Kate seems extreme, for example).
I guessed a good part of the mystery plot early on, but was still confounded by other pieces, so I did find it interesting, and it certainly had creepy pieces. Still, I wasn't incredibly invested in this one -- either the plot or the characters. Things just seemed a little "too much" at times, and then by the time we did get to the dramatic ending, it tied up really quickly, which was a little anticlimactic. Overall, this was a good thriller, but not great.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available as of 1/10/2017.
BankofMarquis (1832 KP) rated The Prestige (2006) in Movies
Mar 22, 2018
Underrated and underseen gem
Along with INSOMNIA, the 2006 film that Nolan directed, THE PRESTIGE is probably one of his least known and least viewed films and that is too bad for it is a wonderful motion picture that proves he is a strong director with a strong vision.
Dubbed "The Warring Magicians" film, THE PRESTIGE stars Christian Bale and Hugh Jackman as two 19th Century Magicians who are...well...at war with each other. Of course, they started out as partners, but soon became enemies, each trying to out do each other and to discover the other magician's secrets.
Cleverly written by Nolan and his frequent collaborator, his brother Jonathan Nolan - and based on the novel by Christopher Priest, THE PRESTIGE will keep you guessing throughout, trying to figure out "how they did it" and are constantly being surprised by double turns, back stabbing and second guessing.
Bale, by this time in his career, has established himself as a powerful actor - and he shines here. Joining Bale is Nolan regular Michael Caine as the mentor of the two magicians, a young-ish Scarlett Johannsen as a a woman who falls in love with both of them (of course) and Rebecca Hall and Piper Perabo as Bale's and Jackman's wives, respectively. But...the surprise to me in this film when I first saw it - and again when I recently re-viewed it - is the performance of Hugh Jackman. This film shows that Jackman is more than just Wolverine - that dude can act. As a magician, he is showing glimpses of being "THE GREATEST SHOWMAN" (but that is another movie for another day) and more than holds his own against a fierce Bale. Finally...special notice needs to be made to the actor who portrays inventor Nikola Tesla - perfectly cast in this role is Ziggy Stardust himself, David Bowie. It's a shame that Bowie did not act in more films for he captures the screen in the brief appearances he makes in this film.
As for Nolan - he is now coming into his own as a Director. The action is fast paced, the twists and turns are "honestly" played, the composition of the pictures on the screen are interesting and beautiful to look at and I walked away satisfied.
If you haven't seen THE PRESTIGE (or if you haven't seen it in awhile) - check this one out. You'll be glad you did.
Letter Grade: A (and...that's a surprise to me, I figured it would be a B+/A- film)
9 (out of 10) stars and you can take that to the Bank (ofMarquis)
Dubbed "The Warring Magicians" film, THE PRESTIGE stars Christian Bale and Hugh Jackman as two 19th Century Magicians who are...well...at war with each other. Of course, they started out as partners, but soon became enemies, each trying to out do each other and to discover the other magician's secrets.
Cleverly written by Nolan and his frequent collaborator, his brother Jonathan Nolan - and based on the novel by Christopher Priest, THE PRESTIGE will keep you guessing throughout, trying to figure out "how they did it" and are constantly being surprised by double turns, back stabbing and second guessing.
Bale, by this time in his career, has established himself as a powerful actor - and he shines here. Joining Bale is Nolan regular Michael Caine as the mentor of the two magicians, a young-ish Scarlett Johannsen as a a woman who falls in love with both of them (of course) and Rebecca Hall and Piper Perabo as Bale's and Jackman's wives, respectively. But...the surprise to me in this film when I first saw it - and again when I recently re-viewed it - is the performance of Hugh Jackman. This film shows that Jackman is more than just Wolverine - that dude can act. As a magician, he is showing glimpses of being "THE GREATEST SHOWMAN" (but that is another movie for another day) and more than holds his own against a fierce Bale. Finally...special notice needs to be made to the actor who portrays inventor Nikola Tesla - perfectly cast in this role is Ziggy Stardust himself, David Bowie. It's a shame that Bowie did not act in more films for he captures the screen in the brief appearances he makes in this film.
As for Nolan - he is now coming into his own as a Director. The action is fast paced, the twists and turns are "honestly" played, the composition of the pictures on the screen are interesting and beautiful to look at and I walked away satisfied.
If you haven't seen THE PRESTIGE (or if you haven't seen it in awhile) - check this one out. You'll be glad you did.
Letter Grade: A (and...that's a surprise to me, I figured it would be a B+/A- film)
9 (out of 10) stars and you can take that to the Bank (ofMarquis)
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