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Gareth von Kallenbach (968 KP) created a video about Stuber (2019) in Movies
Jun 21, 2019 (Updated Jun 21, 2019)
Goddess in the Stacks (553 KP) created a video about This Common Secret in Books
Sep 6, 2017
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Jun 2, 2019 (Updated Jun 2, 2019)
Andy K (10821 KP) created a video about The Fisher King (1991) in Movies
Jun 9, 2019 (Updated Jun 10, 2019)
Rickey A. Mossow Jr. (689 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
May 21, 2019
Great movie, even to a Spiderman purist.
I've always been a purist. I enjoy the classic comics and their stories the most. Just how I was raised and what I grew up with. I know of the Morales storyline, just never gave it much credence. So, I was a little hesitant heading into this movie to say the least. That all aside, this little flick was a lot of fun. A fun, though not original, story leads all the various Spider characters together in a fun ride through Marvel lore. Was also very pleased with the adult overtones to the story while keeping it an animation movie for kids, which so many new cartoon movies do so well these days. In the end, while I may still believe that Peter Parker is the Spiderman, I now have a better understanding and appreciation of Morales and the other variations of Spiderman and their place in the Marvel Universe. Well done, Sony. And, of course, RIP Stan Lee. You will be missed.
Gareth von Kallenbach (968 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Jul 2, 2019
This is the Spider-Man movie that we deserved.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
JT (287 KP) rated Triple Frontier (2019) in Movies
Mar 10, 2020
Triple Frontier is the latest straight-to-Netflix blockbuster that manages to hit the right notes at the right times. More often than not Netflix originals aren’t anything to get excited about, although occasionally there is a diamond in the rough.
Triple Frontier turns from taught heist thriller to survivalistic drama all in the space of a few acts, and if you stick with it then you’ll be pleasantly surprised. Tracking down South American drug lord Gabriel Martin Lorea (Reynaldo Gallegos) has been an obsession for Santiago “Pope” Garcia (Oscar Isaac), but at last the intel has paid off.
Garcia has not only discovered where Lorea is located but where he is hiding his huge fortune. Rather than turn the intel over to the authorities he keeps the information for himself, sharing it with a group of ex-Special Forces buddies. The plan is simple, undergo surveillance of the compound and then pull off a daring heist where they will all walk away with a life changing amount of cash.
There is a lot of unrest initially, as all come to understand the complications as well as severity of what could happen if it all goes tits up, which of course, there is every chance it will do.
Garcia is joined by Tom “Redfly” Davis (Ben Affleck), brothers William “Ironhead” Miller (Charlie Hunnam) and Ben Miller (Garrett Hedlund), and Francisco “Catfish” Morales (Pedro Pascal).
The is a solid amount of brotherly love as well as chemistry which works incredibly well on screen. Back stories are to be believed and there is an air of intensity that hangs over the group, never quite knowing which way it is all going to go. The action is tight and well executed and the suspense is pretty much kept up all the way through the run time. If you’re a fan of the heist genre which avoids the slick, humorous elements of an Ocean’s Eleven, then this one is for you.
Triple Frontier turns from taught heist thriller to survivalistic drama all in the space of a few acts, and if you stick with it then you’ll be pleasantly surprised. Tracking down South American drug lord Gabriel Martin Lorea (Reynaldo Gallegos) has been an obsession for Santiago “Pope” Garcia (Oscar Isaac), but at last the intel has paid off.
Garcia has not only discovered where Lorea is located but where he is hiding his huge fortune. Rather than turn the intel over to the authorities he keeps the information for himself, sharing it with a group of ex-Special Forces buddies. The plan is simple, undergo surveillance of the compound and then pull off a daring heist where they will all walk away with a life changing amount of cash.
There is a lot of unrest initially, as all come to understand the complications as well as severity of what could happen if it all goes tits up, which of course, there is every chance it will do.
Garcia is joined by Tom “Redfly” Davis (Ben Affleck), brothers William “Ironhead” Miller (Charlie Hunnam) and Ben Miller (Garrett Hedlund), and Francisco “Catfish” Morales (Pedro Pascal).
The is a solid amount of brotherly love as well as chemistry which works incredibly well on screen. Back stories are to be believed and there is an air of intensity that hangs over the group, never quite knowing which way it is all going to go. The action is tight and well executed and the suspense is pretty much kept up all the way through the run time. If you’re a fan of the heist genre which avoids the slick, humorous elements of an Ocean’s Eleven, then this one is for you.
Darren (1599 KP) rated Aliens vs. Predator: Requiem (AVP 2) (2007) in Movies
Jun 20, 2019
Story: Aliens vs. Predator: Requiem starts by picking up where the last film ended with the alien causing havoc on the predator ship, forcing it into crashing into small town America. With the alien causing havoc killing everybody or anything that gets in its way, we get to meet the town’s people who we must care about, bad boy just returned to town Dallas (Pasquale), returning solider Kelly (Aylesworth), her family Tim (Trammell) daughter Molly (Gade) sheriff Morales (Ortiz), troubled teenager Ricky (Lewis) and his crush Jesse (Hager).
As the people of the town go about their daily lives, the predators are preparing to clean up the mess left in this small town but will they make it before the aliens cause too much damage or can they face a new threat in a predator-alien hybrid.
Thoughts on Aliens vs. Predator: Requiem
Characters/Performance – Dallas is the bad boy rebel who just happens to return to town the same day the crash happens. Kelly is the returning solider who is dealing with the idea that her young daughter has lost her connection with her while she was away but now must use her skills to save her daughter. Morales is the sheriff and old running buddy of Dallas who has put his bad boy ways behind him. Ricky gives us the high school dynamics with his crush on the beautiful Jesse who has an arsehole boyfriend.
Performance wise, well this is one of the negatives, Pasquale does struggle in the leading role, while it is partly down to writing and performance because Reiko doesn’t reach the levels of an alien trend setting strong leading ladies. The rest of the performances are largely forgettable with Hager clearly hired for her look.
Story – The pure story is in parts very interesting, we know how deadly the aliens are and after last time we know the predators place in the battle. We know aliens will kill anybody which this film isn’t afraid to play on and we also see the swarm mentality which is caused with the aliens spreading. With these parts all in place this film does still end up coming off messy in places though because the humans are written so badly with the final pay off feeling flat.
Action/Horror/Sci-Fi – The action is mindless and a lot is in too darker location so you can’t see what is happening with the horror side working in places but not in all scenes it needs to, with the sci-fi elements coming from building for the next part of the franchise which never happened.
Settings – Moving the action to a small town ups the stakes in the film, which also gives us a chance to see how deadly the aliens can be spreading through a population. This gives us a chance to get a large body count but also characters we don’t know anything about.
Special Effects – Most of the effects are good it is the lighting which hinders this film in places.
Final Thoughts – This is a great idea for a sequel but it has problems all over it, mostly coming from badly executed action sequences that have large jump cuts, no lighting for those scenes and horribly written human character.
https://moviesreview101.com/2017/11/19/aliens-vs-predator-requiem-2007/
As the people of the town go about their daily lives, the predators are preparing to clean up the mess left in this small town but will they make it before the aliens cause too much damage or can they face a new threat in a predator-alien hybrid.
Thoughts on Aliens vs. Predator: Requiem
Characters/Performance – Dallas is the bad boy rebel who just happens to return to town the same day the crash happens. Kelly is the returning solider who is dealing with the idea that her young daughter has lost her connection with her while she was away but now must use her skills to save her daughter. Morales is the sheriff and old running buddy of Dallas who has put his bad boy ways behind him. Ricky gives us the high school dynamics with his crush on the beautiful Jesse who has an arsehole boyfriend.
Performance wise, well this is one of the negatives, Pasquale does struggle in the leading role, while it is partly down to writing and performance because Reiko doesn’t reach the levels of an alien trend setting strong leading ladies. The rest of the performances are largely forgettable with Hager clearly hired for her look.
Story – The pure story is in parts very interesting, we know how deadly the aliens are and after last time we know the predators place in the battle. We know aliens will kill anybody which this film isn’t afraid to play on and we also see the swarm mentality which is caused with the aliens spreading. With these parts all in place this film does still end up coming off messy in places though because the humans are written so badly with the final pay off feeling flat.
Action/Horror/Sci-Fi – The action is mindless and a lot is in too darker location so you can’t see what is happening with the horror side working in places but not in all scenes it needs to, with the sci-fi elements coming from building for the next part of the franchise which never happened.
Settings – Moving the action to a small town ups the stakes in the film, which also gives us a chance to see how deadly the aliens can be spreading through a population. This gives us a chance to get a large body count but also characters we don’t know anything about.
Special Effects – Most of the effects are good it is the lighting which hinders this film in places.
Final Thoughts – This is a great idea for a sequel but it has problems all over it, mostly coming from badly executed action sequences that have large jump cuts, no lighting for those scenes and horribly written human character.
https://moviesreview101.com/2017/11/19/aliens-vs-predator-requiem-2007/
BankofMarquis (1832 KP) rated Spider-Man: Across the Spider-Verse (2023) in Movies
Jun 8, 2023
A Feast for the Eyes and the Heart
In 2018, Producer/Writers Phil Lord and Christopher Miller (THE LEGO MOVIE) presented the animated film SPIDER-MAN INTO THE SPIDERVERSE to unsuspecting audiences and this film burst onto the scene - and into our senses - with a visual cornucopia of comic-book styles that ushered in a new way to present a comic-book movie. In this film, multiple Spider-Mans from different “SpiderVerses” came to the home universe of the lead Spiderman (in this Universe, Spiderman is NOT Peter Parker, but rather Miles Morales), and they kept the comic book styles of their own universes while in the home universe of Miles.
Get it? If not, hang onto your hats, for these two just took it to a whole new level.
In SPIDER-MAN ACROSS THE SPIDER-VERSE, our hero, Miles Morales (voiced again by Shameik Moore) leaves his home universe and travels TO multiple other Spider-verses with multiple other animated styles - as well as meeting a plethora of other Spider-folk.
The result of this is a visual feast that should be seen on the big screen. The artistry at work here is “next level” as the differing styles blend seamlessly with each other without becoming head-ache inducing. It is a master class of “Going for it” but wisely knowing how to “not go too far” and the filmmakers of this animated gem thread that the needle expertly.
But…that isn’t the best part of this film.
There is an underlying storyline that sets Miles off on his adventure and this part of the film is built upon relationships, love, duty and devotion. This film delves deeper into Miles’ relationship with his parents (voiced by Brian Tyree Henry, off of his Oscar Nominated role in CAUSEWAY and Luna Lauren Velez best known as Lt. LaGuerta on DEXTER) and this gives the film some heart.
But…that isn’t the best part of the film.
The best part of this film is Miles’ relationship with another Spider-person, Spider Gwen (Stacy) - voiced by Hailee Steinfeld (THE EDGE OF SEVENTEEN), this film wisely (there’s that word again) decide to have 1/2 of this film shown from her perspective and the depth of performance of love, loss and longing from Steinfeld is surprisingly deep and moving for an animated film and it is THIS relationship that really cements this film as something special.
Oh…and did I fail to mention the wonderful voice work by Jake Johnson, Jason Schwartzman, Issa Rae, Daniel Kaluuya and Oscar Isaac (amongst many, many others)? They all brought their “A” game to what is a tremendous movie going experience.
One does not need to see the first SPIDERVERSE film to enjoy this one - but it does help and one very much will need to see this film to enjoy the NEXT one (the 3rd film of the trilogy, SPIDER-MAN BEYOND THE SPIDERVERSE is set to be released next year), so if one is going to invest in these films, one should probably go “all-in”.
The filmmakers certainly did that - and the audience is the winner for their efforts.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Get it? If not, hang onto your hats, for these two just took it to a whole new level.
In SPIDER-MAN ACROSS THE SPIDER-VERSE, our hero, Miles Morales (voiced again by Shameik Moore) leaves his home universe and travels TO multiple other Spider-verses with multiple other animated styles - as well as meeting a plethora of other Spider-folk.
The result of this is a visual feast that should be seen on the big screen. The artistry at work here is “next level” as the differing styles blend seamlessly with each other without becoming head-ache inducing. It is a master class of “Going for it” but wisely knowing how to “not go too far” and the filmmakers of this animated gem thread that the needle expertly.
But…that isn’t the best part of this film.
There is an underlying storyline that sets Miles off on his adventure and this part of the film is built upon relationships, love, duty and devotion. This film delves deeper into Miles’ relationship with his parents (voiced by Brian Tyree Henry, off of his Oscar Nominated role in CAUSEWAY and Luna Lauren Velez best known as Lt. LaGuerta on DEXTER) and this gives the film some heart.
But…that isn’t the best part of the film.
The best part of this film is Miles’ relationship with another Spider-person, Spider Gwen (Stacy) - voiced by Hailee Steinfeld (THE EDGE OF SEVENTEEN), this film wisely (there’s that word again) decide to have 1/2 of this film shown from her perspective and the depth of performance of love, loss and longing from Steinfeld is surprisingly deep and moving for an animated film and it is THIS relationship that really cements this film as something special.
Oh…and did I fail to mention the wonderful voice work by Jake Johnson, Jason Schwartzman, Issa Rae, Daniel Kaluuya and Oscar Isaac (amongst many, many others)? They all brought their “A” game to what is a tremendous movie going experience.
One does not need to see the first SPIDERVERSE film to enjoy this one - but it does help and one very much will need to see this film to enjoy the NEXT one (the 3rd film of the trilogy, SPIDER-MAN BEYOND THE SPIDERVERSE is set to be released next year), so if one is going to invest in these films, one should probably go “all-in”.
The filmmakers certainly did that - and the audience is the winner for their efforts.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Fred (860 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Mar 15, 2019
Spider-Ham (3 more)
Fantastic design
Good music
Good voice acting
The choppy animation is headache inducing (2 more)
Story is bland
Some of the characters are wasted
Good. Not great.
Here we go again. Another over-rated superhero movie. Yes, it's good, but it's not great. Basically, what we got here is Miles Morales' origin story. I do love the characters & they are all acted well. I love the new Doc Oc & all of the Spider-people. The design of the characters & settings are a sight to see. The main problem is the movement of them. Every other frame is cut out, so the characters have a jerky movement to them. Supposedly, this is meant to encapsulate a comic book. Since a comic book does not move, this is a stupid reason given for lack-luster animation. There are quite a few anime out there today that use CGI-drawn animation. It looks choppy, cheap & crappy. And that's what we got here. Instead of smooth, graceful, Spider-Man like movement, we got what looks like low bitrate video. I truly feel this is why the movie, although it did well, did not do stupendous numbers at the box office compared to other recent animated movies.
Anyway, tossing that aside & taking account the design of the movie, I also found that the story was lackluster. I didn't find it too interesting or original. It just didn't grab me. I felt myself many times saying to myself that nothing special was going on. When they introduced the others from the Spider-Verse, I felt that some of them were a waste of space. Spider-Man Noir, played by Nicholas Cage, was funny but didn't do anything special. The Japanese girl with the robot, was utterly useless. If she wasn't in the film, it would be no different, except maybe to sell some toys. Now, I will say, I loved Spider-Ham, but I've been a fan of his since the 80s & still have all the original comic books. So, I am biased towards him. I would love to see him get his own movie, but I doubt he will.
Anyway, here's my bottom line. The movie was good. The style was great. Music was great. Characters were great. Story was meh. Animation was bad. After I watched the movie, I said, well that was pretty much a waste of time, but I'm not mad I watched. I just probably would never watch it again.
Anyway, tossing that aside & taking account the design of the movie, I also found that the story was lackluster. I didn't find it too interesting or original. It just didn't grab me. I felt myself many times saying to myself that nothing special was going on. When they introduced the others from the Spider-Verse, I felt that some of them were a waste of space. Spider-Man Noir, played by Nicholas Cage, was funny but didn't do anything special. The Japanese girl with the robot, was utterly useless. If she wasn't in the film, it would be no different, except maybe to sell some toys. Now, I will say, I loved Spider-Ham, but I've been a fan of his since the 80s & still have all the original comic books. So, I am biased towards him. I would love to see him get his own movie, but I doubt he will.
Anyway, here's my bottom line. The movie was good. The style was great. Music was great. Characters were great. Story was meh. Animation was bad. After I watched the movie, I said, well that was pretty much a waste of time, but I'm not mad I watched. I just probably would never watch it again.