Ray Lopez is on the run from the cops and men that work with his cousin Billy Cisneros. Ray Lopez (Aka: Jimmy Ramirez), has a mental illness that he hears voices and also gets auditory hallucinations. He on runs and he convinced that cops are after him and his duffel bag of clothes and bags of money.
Ritz does a wonderful job of putting the story together. The plot is really rich filled with details and description. You learn about bus terminals and bus stations around that time. Ray makes friends with a bus passenger who suggest that go to Mexico which should mean safety. He must go to Nuevo Laredo to get to Mexico. He meets a street whiz kid named Joey. Ray so panic that he needs his pills and this prescription refilled. Will Ray know who to Trust or lean who will harm him? You will need to read to find out how Ray gets along in life and if he makes it or not.
The Roses of May
8.2
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Book
Four months after the explosion at the Garden, a place where young women known as the Butterflies...
Hostile Takeover (Vale Investigation #1)
9.0
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Book
Moonlighting as Death’s earth-bound envoy, P.I. Bellamy Vale specializes in the weird, wacky, and...
Paranormal Mystery
Blue Bloods
7.4
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TV Show
Tom Selleck stars as Frank Reagan, the New York Police Commissioner, and patriarch of the Reagan...
Ramie Fibre: Part II: Physical Fibre Properties. A Critical Appreciation of Recent Developments
S.N. Pandey and X.M. Tao
Book
This monograph critically reviews recent research work and developments in physical and related...
Strategy for a Networked World
Rafael Ramirez and Ulf Mannervik
Book
During the 1980s and 1990s, Richard Normann and his colleagues developed an original approach to...
Benjamin Franklin's Autobiography
Benjamin Franklin and Joyce E. Chaplin
Book
Written during the most eventful years of Benjamin Franklin's life (1771-90), the Autobiography is...
LeftSideCut (3778 KP) rated American Horror Story - Season 9 in TV
May 10, 2020
1984 is one big homage to 80s slasher films, in particular Friday the 13th. If you've read my any of my reviews before, you will know that I bloody love a slasher, even the shitty ones, so this premise was always going to be a winner for me.
A big change this time around is the absence of big AHS names. No Sarah Paulson, no Evan Peters, no Kathy Bates. Their presence is certainly missed in some sort of capacity, but the cast we have do a solid job at carrying the season. Emma Roberts and Billie Lourd take centre stage here, and are both great. We also see some familiar faces in Leslie Grossman, Cody Fern, John Carroll Lynch, Finn Wittrock, Leslie Jordan, Lily Rabe, and Dylan McDermott, so it still has that signature AHS feel. A couple of newcomers are introduced as well - Matthew Morrison and Gus Kenworthy are both hilarious. Zach Villa plays real life serial killer Richard Ramirez (who briefly appeared all the way back in Hotel) and the guy is genuinely menacing. If another season of Twin Peaks ever gets made - he's a dead ringer for Killer Bob.
One of the highlights is "villain" Mr. Jingles (John Carroll Lynch). He's such a finely crafted character, that he honestly deserves to stand next to the Jason and Freddy's of the slasher world.
The story is pretty fun. Mixing 80s campy horror with more familiar AHS elements (such as ghosts not being able to leave the place they died etc) and is pretty engaging for the most part. It gets a little convoluted near the end, and lacks the depth that seasons such as Asylum and Roanoke gave, but it's forgiveable considering the quality of everything else.
As a final thought - the synthwave version of the theme tune is fucking awesome.
Much Ado About Nauticaling
5.0
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The bubbly fun of a rom-com meets the irresistible quirkiness of a cozy mystery in this buoyant new...
JT (287 KP) rated Metro Manila (2013) in Movies
Mar 10, 2020
Sean Ellis does very similar with Oscar Ramirez (Jake Macapagal), a farmer looking for a better way of life for himself and his family. Their journey takes them from the quiet and panoramic rice fields of northern Philippines, where Oscar struggles to make ends meet, and moves them to the impoverished surroundings of Manila.
Entering the slums and criminal back streets Oscar learns the hard way that his friendly personality will be taken advantage of. With everyone desperate to survive he has to stand on his own two feet for the sake of himself and his family.
The film paints a desperate picture of a big city bathed in crime and poverty and desperate people will do desperate things, especially when they are pushed into a corner as Oscar explains to his friend Ong after taking a job as a security guard driving an armoured truck.
As Ong and Oscar become close Ong explains the job and then his ulterior motives. With the second half of the film playing out as a tense well organised heist, encompassing a twist that is shocking yet wholly satisfying. It can be hard to watch at times and it is emotionally sapping, particularly when Oscar’s wife Mai has to take matters into her own hands by getting a job working in a hostess bar in order to earn enough to feed her children.
The film screams out that having faith is a clear necessity when you’re down. All around them there are signs that God is with them willing them to succeed. Oscar’s story about how he lost his job in the silk mill is a running subplot that connects with the story on almost every level.
The scenes are well shot and Ellis captures the trauma and euphoria that the family experience at different times. One cross over scene sees Mai being degraded while at the same time Oscar drinks with his new buddies, only to break down in the toilet in tears.
It’s a slow churning thriller that is expertly pieced together, building strong characters and story all the way through to the pulsating climax.