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Cthulhu: Death may Die
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In Cthulhu: Death May Die, inspired by the writings of H.P. Lovecraft, you and your fellow players...
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TerraBlizzard (18 KP) rated Aladdin (2019) in Movies
May 24, 2019
The heritage to the orignal (5 more)
Sublime acting from a majority of unknowns in the industry.
"Spices" up and make it's own mark in the Disney world.
The addition and alterations.
One liners.
Disney parks hidden in the film.
True to the orignal but a stand alone.
A must watch for all ages and with that comes a range of open doors and closed comments.
If you have seen the orignal and loved it you might find it hard to get on with. But please if you do anything before watching this addition to the live action roster Disney are working hard on, go in with no expectations as if you thought this was the original.
If you haven't seen this before then prepare for bright colour, songs that make you tap your feet and a story driven hard by characters that develope through the film.
Guy Ritchie has done a great job with keeping the roots of this film in true disney essence with putting modern twist to make it a more enjoyable watch for adults who grew up with disney. Guy has a way of bringing darkness and edge to a film, like his work on Sherlock Holmes (Another must wacth) and with this edge comes gripping depth to the story. So much so I was desperate for a toilet break but could not leave my seat as I was worried I'd miss a key part.
With the addition of 2 relative unknown leads in a well loved story was a marvellous move on the casting department. Mena Mossuod and Naomi Scott play brilliant parts and fit right into characters with the addittion of Will Smith a strong and dependable actor who you know always does a good job makes the trio stand out.
With the addition of songs and changes of genre to songs. Everything works and works well. "Speechless" a welcomed addition to the set list that empowers girls and boys to stand up and speek out agiasnt those that push them down and genre swap of "Friend like me".
For instance my favourite Disney song is "Friend like me" sung by the genie or genie's if you "wish" the hard hitting jazz number that breaks the bollywood theme. In the orignal and west end the song is similar in both. Robbin Williams and Trevor Dion Nicholas make this song their own keeping to what the disney song writter wanted and to what their good at. HOWEVER this song I don't think could ever work for Will Smith as a jazz number but by god he pulled it off as a R&B. Agiasnt popular oppion Nicholas version Is the one I love follower by both Robbins and Smith versions.
If you have ever been to a disney park you know that they believe in the story's their telling, the work and detail of everything from sets, Background details, outfits and even the god dam smells of the sweets they sell or the rides they have and even the streets you walk on. They work hard and they do it well (their not perfect but they give it a heck of a running start to get close) The same goes for their movies.
This movie wasn't a disappointment or better film for me as I don't compare it to the original.
It is a film that is done well and played well and makes you believe in it. As what all good story telling needs to do to those who watch and listen.
If you have seen the orignal and loved it you might find it hard to get on with. But please if you do anything before watching this addition to the live action roster Disney are working hard on, go in with no expectations as if you thought this was the original.
If you haven't seen this before then prepare for bright colour, songs that make you tap your feet and a story driven hard by characters that develope through the film.
Guy Ritchie has done a great job with keeping the roots of this film in true disney essence with putting modern twist to make it a more enjoyable watch for adults who grew up with disney. Guy has a way of bringing darkness and edge to a film, like his work on Sherlock Holmes (Another must wacth) and with this edge comes gripping depth to the story. So much so I was desperate for a toilet break but could not leave my seat as I was worried I'd miss a key part.
With the addition of 2 relative unknown leads in a well loved story was a marvellous move on the casting department. Mena Mossuod and Naomi Scott play brilliant parts and fit right into characters with the addittion of Will Smith a strong and dependable actor who you know always does a good job makes the trio stand out.
With the addition of songs and changes of genre to songs. Everything works and works well. "Speechless" a welcomed addition to the set list that empowers girls and boys to stand up and speek out agiasnt those that push them down and genre swap of "Friend like me".
For instance my favourite Disney song is "Friend like me" sung by the genie or genie's if you "wish" the hard hitting jazz number that breaks the bollywood theme. In the orignal and west end the song is similar in both. Robbin Williams and Trevor Dion Nicholas make this song their own keeping to what the disney song writter wanted and to what their good at. HOWEVER this song I don't think could ever work for Will Smith as a jazz number but by god he pulled it off as a R&B. Agiasnt popular oppion Nicholas version Is the one I love follower by both Robbins and Smith versions.
If you have ever been to a disney park you know that they believe in the story's their telling, the work and detail of everything from sets, Background details, outfits and even the god dam smells of the sweets they sell or the rides they have and even the streets you walk on. They work hard and they do it well (their not perfect but they give it a heck of a running start to get close) The same goes for their movies.
This movie wasn't a disappointment or better film for me as I don't compare it to the original.
It is a film that is done well and played well and makes you believe in it. As what all good story telling needs to do to those who watch and listen.
Darren (1599 KP) rated 2:HRS (2018) in Movies
Jun 20, 2019
Verdict: Fun Family Film
Story: 2: Hrs starts as we meet teenage slacker Tim (Jarvis) who spends his time painting London with graffiti with his best friends Vic (Smith) and Alf (Fofana). While on the school trip to a museum, the three sneak off and interrupt a science conference being hosted by conman Groad (Allen) who has created a machine that can tell when the living object inside will die.
Tim goes in the machine only to learn that he only has 2 hours left to live, left shocked, Tim sets out a small bucket list of achievable targets and while the friends target these goals, they are being chased down by the people behind the experiment who want to research and make sure Tim dies on time.
Thoughts on 2: Hrs
Characters – Tim is a school slacker with a talent for graffiti, he has been acting out because of the death of his father, which has changed him, his friends see this and his rebellious ways puts his life in danger when he learns he only has 2 hours to leave from spending time in a machine which can perform a prediction of when someone will die. He must go through a life lesson as this film unfolds. Vic and Alf are the two supportive friends, that join him on the adventure, we don’t learn too much about them without giving away spoilers. Groad is the businessman/conman that is running the operation, he hides in his apartment with fake backdrops as he conducts meetings. He is always looking to create a good face story for any PR situation. We also have the younger sister Shona to Tim that wants to look up to him only to be left disappointed most of the time and the two bumbling idiots trying to catch the teenagers.
Performances – Harry Jarvis in the leading role does a very good job, we see how his character must change over the course of the film ad he shows us this in his performance. Ella-Rae Smith and Alhaji Fofana are both good in their supporting roles while Keith Allen gives us a good performance as the shady character we see behind the curtain about.
Story – The story follows three friends that decide to ditch a school trip and end up on there on adventure after being caught in the middle of an adventure when one of them learns they only have two hours to live. This does sound like a simple fun adventure family film, which it is, though it does have deeper meaning for Tim who must learn to life lessons in this time while dealing with his own personal tragedy after not doing so when it happened.
Family – This film keeps the films moments all around the family problems Tim is facing, it keeps everything PG even with jokes adults will understand.
Settings – The film is set around London, which is good because it shows how difficult losing a parent can be in the busy city and how easy it is to rebel.
Scene of the Movie – Poetry competition.
That Moment That Annoyed Me – That pet, what was that?
Final Thoughts – This is a family film that can be enjoyed by everyone, it has good laughs, a smart character development story and a nice adventure.
Overall: Family film for all to enjoy.
https://moviesreview101.com/2018/07/05/2-hrs-2018/
Story: 2: Hrs starts as we meet teenage slacker Tim (Jarvis) who spends his time painting London with graffiti with his best friends Vic (Smith) and Alf (Fofana). While on the school trip to a museum, the three sneak off and interrupt a science conference being hosted by conman Groad (Allen) who has created a machine that can tell when the living object inside will die.
Tim goes in the machine only to learn that he only has 2 hours left to live, left shocked, Tim sets out a small bucket list of achievable targets and while the friends target these goals, they are being chased down by the people behind the experiment who want to research and make sure Tim dies on time.
Thoughts on 2: Hrs
Characters – Tim is a school slacker with a talent for graffiti, he has been acting out because of the death of his father, which has changed him, his friends see this and his rebellious ways puts his life in danger when he learns he only has 2 hours to leave from spending time in a machine which can perform a prediction of when someone will die. He must go through a life lesson as this film unfolds. Vic and Alf are the two supportive friends, that join him on the adventure, we don’t learn too much about them without giving away spoilers. Groad is the businessman/conman that is running the operation, he hides in his apartment with fake backdrops as he conducts meetings. He is always looking to create a good face story for any PR situation. We also have the younger sister Shona to Tim that wants to look up to him only to be left disappointed most of the time and the two bumbling idiots trying to catch the teenagers.
Performances – Harry Jarvis in the leading role does a very good job, we see how his character must change over the course of the film ad he shows us this in his performance. Ella-Rae Smith and Alhaji Fofana are both good in their supporting roles while Keith Allen gives us a good performance as the shady character we see behind the curtain about.
Story – The story follows three friends that decide to ditch a school trip and end up on there on adventure after being caught in the middle of an adventure when one of them learns they only have two hours to live. This does sound like a simple fun adventure family film, which it is, though it does have deeper meaning for Tim who must learn to life lessons in this time while dealing with his own personal tragedy after not doing so when it happened.
Family – This film keeps the films moments all around the family problems Tim is facing, it keeps everything PG even with jokes adults will understand.
Settings – The film is set around London, which is good because it shows how difficult losing a parent can be in the busy city and how easy it is to rebel.
Scene of the Movie – Poetry competition.
That Moment That Annoyed Me – That pet, what was that?
Final Thoughts – This is a family film that can be enjoyed by everyone, it has good laughs, a smart character development story and a nice adventure.
Overall: Family film for all to enjoy.
https://moviesreview101.com/2018/07/05/2-hrs-2018/
Darren (1599 KP) rated See You Yesterday (2019) in Movies
Dec 27, 2019
Verdict: Messy Time Travel Film
Story: See You Yesterday starts as we meet the two teenagers Claudette ‘CJ’ Walker (Duncan-Smith) and Sebastian Thomas (Crichlow) who have been working on their science project to make time travel possible. After they prove they can go back just one day, CJ the brains behind the project, does something reckless, which changes the pass, while dealing with an ex-boyfriend.
The consequences of her actions create a domino effect which sees her brother Calvin (Astro) killed in a police shooting, wanting to make a different CJ works with Sebastian to try and create the ability to go further back, which only ends up creating more problems, the more she tries to fix.
Thoughts on See You Yesterday
Characters – Claudette ‘CJ’ Walker is the brains behind the time travel machine, she however has started to become difficult to be around, causing unnecessary trouble in an already combustible neighbourhood. When the pair get the machine to work, it is her mistake which causes the effects the pair must go through. She is always so desperate to fix the mistakes, she doesn’t even consider the consequences. Sebastian is the best friend that has always helped along the way, he is the one that will ask the questions about the consequences, seeing how reckless CJ has become. Calvin is the big brother of CJ’s, he will always make sure she is safe, whenever somebody in the neighbourhood causes her trouble.
Performances – While the two leading stars Eden Duncan-Smith and Dante Crichlow don’t do anything wrong through the film, they have annoying character traits to bring to life, which doesn’t help what they have to work with.
Story – The story here follows two high school friends that are trying to prove time travel is possible and soon learn the consequences of trying to change the past. This story does have an important reason for trying to create the time travel, we are placed into a Brooklyn neighbourhood that has been dealing with police shooting, overly aggressive gang mentality and will have signs of poverty. Outside of this side of the story, we are dealing with really bad time travel decisions, even though the characters seem clear of what not to do. We won’t go into the non-ending either, which leaves us with nothing after what has happened through the film, this does just feel like an unfinished script, that really wants deal with topical issues through the film.
Action/Sci-Fi – The action in the film does come from the panic involved once the first incident happens, it is more neighbourhood action, rather anything else, while the time travel might dive into basic science behind time travel, which does work well, it is the behaviour from people that believe they understand it that let everything down.
Settings – The film is set in Brooklyn which shows the environment the two friends are around, which brings the combustible elements.
Scene of the Movie – See You Yesterday.
That Moment That Annoyed Me – Most of CJ’s decisions.
Final Thoughts – Messy time travel film, which does deal with big topical issues the best it can, sadly, get caught in the middle of both worlds.
Overall: Missed the point.
Story: See You Yesterday starts as we meet the two teenagers Claudette ‘CJ’ Walker (Duncan-Smith) and Sebastian Thomas (Crichlow) who have been working on their science project to make time travel possible. After they prove they can go back just one day, CJ the brains behind the project, does something reckless, which changes the pass, while dealing with an ex-boyfriend.
The consequences of her actions create a domino effect which sees her brother Calvin (Astro) killed in a police shooting, wanting to make a different CJ works with Sebastian to try and create the ability to go further back, which only ends up creating more problems, the more she tries to fix.
Thoughts on See You Yesterday
Characters – Claudette ‘CJ’ Walker is the brains behind the time travel machine, she however has started to become difficult to be around, causing unnecessary trouble in an already combustible neighbourhood. When the pair get the machine to work, it is her mistake which causes the effects the pair must go through. She is always so desperate to fix the mistakes, she doesn’t even consider the consequences. Sebastian is the best friend that has always helped along the way, he is the one that will ask the questions about the consequences, seeing how reckless CJ has become. Calvin is the big brother of CJ’s, he will always make sure she is safe, whenever somebody in the neighbourhood causes her trouble.
Performances – While the two leading stars Eden Duncan-Smith and Dante Crichlow don’t do anything wrong through the film, they have annoying character traits to bring to life, which doesn’t help what they have to work with.
Story – The story here follows two high school friends that are trying to prove time travel is possible and soon learn the consequences of trying to change the past. This story does have an important reason for trying to create the time travel, we are placed into a Brooklyn neighbourhood that has been dealing with police shooting, overly aggressive gang mentality and will have signs of poverty. Outside of this side of the story, we are dealing with really bad time travel decisions, even though the characters seem clear of what not to do. We won’t go into the non-ending either, which leaves us with nothing after what has happened through the film, this does just feel like an unfinished script, that really wants deal with topical issues through the film.
Action/Sci-Fi – The action in the film does come from the panic involved once the first incident happens, it is more neighbourhood action, rather anything else, while the time travel might dive into basic science behind time travel, which does work well, it is the behaviour from people that believe they understand it that let everything down.
Settings – The film is set in Brooklyn which shows the environment the two friends are around, which brings the combustible elements.
Scene of the Movie – See You Yesterday.
That Moment That Annoyed Me – Most of CJ’s decisions.
Final Thoughts – Messy time travel film, which does deal with big topical issues the best it can, sadly, get caught in the middle of both worlds.
Overall: Missed the point.
Bob Mann (459 KP) rated Official Secrets (2019) in Movies
Mar 13, 2020
Cracking British all star cast (1 more)
Reminds you just how crazy politics was in 2003
The best little UK film you've never seen
A film about whistle-blowing against the backdrop of the Iraq War of 2003 doesn't sound like a very appealing watch, but "Official Secrets" defies all those fears. It's a cracking little UK movie.
Two years after 9/11, and the West has its sights set on Saddam Hussein's regime in Iraq. Tony Blair and George "Dubya" Bush (together with that behind-the-scenes pit-bull Don Cheney - as featured in "Vice") are determined to persuade the United Nations that WMD - Weapons of Mass Destruction - are in place, whether they are or not. London is threatened with being a nuclear wasteland within 45 minutes. Of course, while certain areas of the press (including the leadership of "The Guardian") support the war, the majority of the British people think this is total b*llocks! Two journalists - the irascible and volatile Ed Vulliamy (Rhys Ifans) and the head-down but relentless Martin Bright (Matt Smith) - are determined to uncover the truth behind the two government's machinations.
Enter Katharine Gun (Keira Knightley), an interpreter at GCHQ in Cheltenham who, when brought into a loop of the dirty government dealing, takes great exception to it. Unfortunately, she has signed the Official Secret's Act, a document incompatible with a conscience, and with a Kurdish husband Yasar (Adam Bakri) seeking British residence, she is in no position to throw stones.
Can Katharine's legal team, led by human rights lawyer Ben Emmerson (Ralph Fiennes), keep her away from a long prison sentence?
We've seen lots of fictional movies about the little guy up against the immovable mass and sunglass-wearing creepiness of the state: Will Smith's excellent "Enemy of the State" is a great example. Here the frisson in the script by Gregory Bernstein, Sara Bernstein and director Gavin Hood, based on the book by Marsha and Thomas Mitchell, is that it is all based on fact, brought brilliantly to life with interspersed news footage.
It's easy to forget, with nearly 20 years having passed, just how completely f****d up the world was after 9/11. Sabre-rattling became a US obsession, and the news-reel shots of Bush and Blair trying to justify their actions is really quite vomit-inducing.
Keira Knightley gives one of her best performances in years as the rather naive every-woman for appreciates she's digging a hole but has only dawning realisation as to how deep it goes.
But the supporting cast is also outstanding with Smith and Ifans being enormously entertaining as the journos, supported by their supportive boss - Downton's Matthew Goode. Ralph Fiennes delivers a typically underplayed and powerful performance as the legal beagle. Other well known faces popping up include Tamsin Greig and W1A's Monica Dolan.
How gripped you will be will depend on your memory! Mine is officially useless... so the denouement when it came was a surprise to me! But this is a little British film that really packs a punch. Extremely watchable and with a star cast, this ones a keeper. Highly recommended.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/12/one-manns-movies-dvd-review-official-secrets-2019/ Thanks).
Two years after 9/11, and the West has its sights set on Saddam Hussein's regime in Iraq. Tony Blair and George "Dubya" Bush (together with that behind-the-scenes pit-bull Don Cheney - as featured in "Vice") are determined to persuade the United Nations that WMD - Weapons of Mass Destruction - are in place, whether they are or not. London is threatened with being a nuclear wasteland within 45 minutes. Of course, while certain areas of the press (including the leadership of "The Guardian") support the war, the majority of the British people think this is total b*llocks! Two journalists - the irascible and volatile Ed Vulliamy (Rhys Ifans) and the head-down but relentless Martin Bright (Matt Smith) - are determined to uncover the truth behind the two government's machinations.
Enter Katharine Gun (Keira Knightley), an interpreter at GCHQ in Cheltenham who, when brought into a loop of the dirty government dealing, takes great exception to it. Unfortunately, she has signed the Official Secret's Act, a document incompatible with a conscience, and with a Kurdish husband Yasar (Adam Bakri) seeking British residence, she is in no position to throw stones.
Can Katharine's legal team, led by human rights lawyer Ben Emmerson (Ralph Fiennes), keep her away from a long prison sentence?
We've seen lots of fictional movies about the little guy up against the immovable mass and sunglass-wearing creepiness of the state: Will Smith's excellent "Enemy of the State" is a great example. Here the frisson in the script by Gregory Bernstein, Sara Bernstein and director Gavin Hood, based on the book by Marsha and Thomas Mitchell, is that it is all based on fact, brought brilliantly to life with interspersed news footage.
It's easy to forget, with nearly 20 years having passed, just how completely f****d up the world was after 9/11. Sabre-rattling became a US obsession, and the news-reel shots of Bush and Blair trying to justify their actions is really quite vomit-inducing.
Keira Knightley gives one of her best performances in years as the rather naive every-woman for appreciates she's digging a hole but has only dawning realisation as to how deep it goes.
But the supporting cast is also outstanding with Smith and Ifans being enormously entertaining as the journos, supported by their supportive boss - Downton's Matthew Goode. Ralph Fiennes delivers a typically underplayed and powerful performance as the legal beagle. Other well known faces popping up include Tamsin Greig and W1A's Monica Dolan.
How gripped you will be will depend on your memory! Mine is officially useless... so the denouement when it came was a surprise to me! But this is a little British film that really packs a punch. Extremely watchable and with a star cast, this ones a keeper. Highly recommended.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/12/one-manns-movies-dvd-review-official-secrets-2019/ Thanks).
Kirk Bage (1775 KP) rated Buster's Mal Heart (2016) in Movies
Jan 22, 2021
Remember before the digital revolution and on demand TV channels when you had to stay up late and watch the films shown after midnight to see anything outside of the mainstream? Quite often they were awful, cheap, rambling experiences that maybe had one or two memorable scenes, or something so weird that you had to find out if any of your friends had seen it. Well, this is one of those films, except it was made in 2017 and I saw it in 2020 on Netflix.
I had added it to my watchlist some time during my obsession with Rami Malek and Mr Robot, knowing he had popped up in several cameo roles in big films over the years, but keen to see him take a lead role before the Oscar train of Bohemian Rhapsody and A-list fame. It is also that kind of film that arthouse cinemas would show during indie festivals or on late night double bills; stepping stones, hopefully, for all concerned to bigger things.
Writer director Sarah Adina Smith hasn’t quite made it yet, so you probably haven’t heard of her. She directed 2 episodes of Hanna, which I liked a lot, and will be talking about on The Wasteland at some point, and a few other bits of TV, but that’s about it. Judged on this oddity there is a good deal of vision and talent going on – but not yet an eye for total coherence.
Buster doesn’t know what it is, and neither do the critics, listing it as a mystery, a drama, a thriller, a sci-fi and a crime film, which… ok, yes, it has elements of all those, but isn’t really any of them, also. The titular character played by Malek is an ethereal enigma trapped in his own weird existence, and through a series of out of time and out of sequence flashbacks we come to understand his journey and descent into madness, after encountering a down at heel salesman with a big conspiracy theory to pedal, called The Inversion.
It remains shrouded in ambiguity and strangeness for most of the modest, but not off-putting, 96 minute running time, as Malek grows a beard, loses a beard and grows a beard again. Even when all is said and done, it takes a minute to put it all together and figure out what the point of it was. As something curious to let wash over you, I have to say I kinda liked it. Malek was as committed and interesting to watch as he always is, and I was just happy that films like this can still get made.
Ultimately, possibly a short film idea stretched too thin into a feature, which is an all too familiar phenomenon for new directors. But, an idea interesting and original enough to earn the right to be thought of as “showing potential”. If Smith ever does make it as big as say Jim Jarmusch or Kelly Reichardt then the arthouse geeks like me will be looking back on this with great interest. You just wonder how many people will see it at all, now the days of post midnight movies on a set channel are pretty much over?
I had added it to my watchlist some time during my obsession with Rami Malek and Mr Robot, knowing he had popped up in several cameo roles in big films over the years, but keen to see him take a lead role before the Oscar train of Bohemian Rhapsody and A-list fame. It is also that kind of film that arthouse cinemas would show during indie festivals or on late night double bills; stepping stones, hopefully, for all concerned to bigger things.
Writer director Sarah Adina Smith hasn’t quite made it yet, so you probably haven’t heard of her. She directed 2 episodes of Hanna, which I liked a lot, and will be talking about on The Wasteland at some point, and a few other bits of TV, but that’s about it. Judged on this oddity there is a good deal of vision and talent going on – but not yet an eye for total coherence.
Buster doesn’t know what it is, and neither do the critics, listing it as a mystery, a drama, a thriller, a sci-fi and a crime film, which… ok, yes, it has elements of all those, but isn’t really any of them, also. The titular character played by Malek is an ethereal enigma trapped in his own weird existence, and through a series of out of time and out of sequence flashbacks we come to understand his journey and descent into madness, after encountering a down at heel salesman with a big conspiracy theory to pedal, called The Inversion.
It remains shrouded in ambiguity and strangeness for most of the modest, but not off-putting, 96 minute running time, as Malek grows a beard, loses a beard and grows a beard again. Even when all is said and done, it takes a minute to put it all together and figure out what the point of it was. As something curious to let wash over you, I have to say I kinda liked it. Malek was as committed and interesting to watch as he always is, and I was just happy that films like this can still get made.
Ultimately, possibly a short film idea stretched too thin into a feature, which is an all too familiar phenomenon for new directors. But, an idea interesting and original enough to earn the right to be thought of as “showing potential”. If Smith ever does make it as big as say Jim Jarmusch or Kelly Reichardt then the arthouse geeks like me will be looking back on this with great interest. You just wonder how many people will see it at all, now the days of post midnight movies on a set channel are pretty much over?
BankofMarquis (1832 KP) rated Lilies of the Field (1963) in Movies
Jan 31, 2022
Strong Performances by Poitier and Skala
The film that Sidney Poitier won his Best Actor In A Leading Role Oscar for (becoming the first Black Man to do so) is the type of film that is rarely made these days - a simple film of love, faith, friendship and inspiration.
Written by James Poe from the Novel by William E. Barrett, LILIES OF THE FIELD tells the tale of a drifter who is the answer to a Nun’s prayer. Praying to the God that she believes in, she asks for help in getting a Church built in the desert in Arizona.
Simply Directed by Ralph Nelson (fresh off his success with REQUIEM FOR A HEAVYWEIGHT), Lilies of the Field is a positive life (and faith) affirming film from start to finish that will touch your heart…and your soul.
Poitier stars as handyman Homer Smith who’s car breaks down where a group of Nuns are trying to start a parish (and get a church built). Following the machinations of Mother Maria (Lilia Skala - in an Oscar nominated turn of her own), Homer never leaves and ends up being inspired - and inspiring others - to get this church built.
But it is the journey - not the destination - of this film that matters. Homer is thwarted time and time again by Mother Maria in his attempts to leave and his protestations that this is the “final job, then I’m leaving” is met with steeled determination by Mother Maria who has an unflappable belief that Homer is the answer to her prayers.
This film hangs on the relationship between Homer and Mother Maria and these 2 fine actors deliver the goods. Poitier is a deserved winner of the Best Actor Oscar (though he would fret for years that his win was a “token” win - which it is not). His Homer Smith is charming and forceful with a “lost” look in his eyes when he first arrives in the desert. This, in turns, changes to fierce determination to get that church built.
The real hero of this film is the under-rated performance of Skala (who did a series of TV Guest star appearances in the 50’s, 60’s and 70’s but never really had a movie role - before or since - that would rival this one). It would have been tempting to make Mother Maria a one-note ice queen in her dogged determination - and belief - that Homer was sent by God, but in the hands of Skala there is a warmth in her eyes that serves as a counterbalance to her resolve.
It is the relationship of these 2 characters - and the ramifications of this relationship to the parish community - that is the soul of this film, and this soul runs deep. The relationship between Homer and Mother Maria is not, exactly, a friendship, but more of a strong work bond. 2 persons united in a common goal - for the common good.
Not the fastest moving of all films you will view, but the heart and soul that is at the center of this film - along with 2 very strong central performances - will warm your heart.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written by James Poe from the Novel by William E. Barrett, LILIES OF THE FIELD tells the tale of a drifter who is the answer to a Nun’s prayer. Praying to the God that she believes in, she asks for help in getting a Church built in the desert in Arizona.
Simply Directed by Ralph Nelson (fresh off his success with REQUIEM FOR A HEAVYWEIGHT), Lilies of the Field is a positive life (and faith) affirming film from start to finish that will touch your heart…and your soul.
Poitier stars as handyman Homer Smith who’s car breaks down where a group of Nuns are trying to start a parish (and get a church built). Following the machinations of Mother Maria (Lilia Skala - in an Oscar nominated turn of her own), Homer never leaves and ends up being inspired - and inspiring others - to get this church built.
But it is the journey - not the destination - of this film that matters. Homer is thwarted time and time again by Mother Maria in his attempts to leave and his protestations that this is the “final job, then I’m leaving” is met with steeled determination by Mother Maria who has an unflappable belief that Homer is the answer to her prayers.
This film hangs on the relationship between Homer and Mother Maria and these 2 fine actors deliver the goods. Poitier is a deserved winner of the Best Actor Oscar (though he would fret for years that his win was a “token” win - which it is not). His Homer Smith is charming and forceful with a “lost” look in his eyes when he first arrives in the desert. This, in turns, changes to fierce determination to get that church built.
The real hero of this film is the under-rated performance of Skala (who did a series of TV Guest star appearances in the 50’s, 60’s and 70’s but never really had a movie role - before or since - that would rival this one). It would have been tempting to make Mother Maria a one-note ice queen in her dogged determination - and belief - that Homer was sent by God, but in the hands of Skala there is a warmth in her eyes that serves as a counterbalance to her resolve.
It is the relationship of these 2 characters - and the ramifications of this relationship to the parish community - that is the soul of this film, and this soul runs deep. The relationship between Homer and Mother Maria is not, exactly, a friendship, but more of a strong work bond. 2 persons united in a common goal - for the common good.
Not the fastest moving of all films you will view, but the heart and soul that is at the center of this film - along with 2 very strong central performances - will warm your heart.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Gosford Park (2001) in Movies
Mar 24, 2020
Underneath it all...and Altman film
Do you like DOWNTON ABBEY? Do you like Agatha Christie Murder Mysteries? Do you like the 1970's British television series UPSTAIRS DOWNSTAIRS? If your answer to any of these questions is yes, then do I have a film for you.
GOSFORD PARK is an English Murder Mystery, set in the 1920's, featuring an All Star Cast, Directed by a 7 time Oscar nominee. It received critical acclaim in the year it was released (2001), earned 7 Oscar nominations (including Best Picture) and won the Oscar for Best Original Screenplay (Julian Fellowes...who would go on to create/write DOWNTON ABBEY).
Set in an English Country Manor, overseen by overbearing Lord William McCordle (Michael Gambon, the 2nd Albus Dumbledore in the Harry Potter films), GOSFORD PARK tells of the trials, tribulations, loves and death (yes, there's a murder) of a host of characters both Upstairs (the wealthy) and Downstairs (the servants).
And what a cast it is! Kristin Scott Thomas, Maggie Smith, Charles Dance, Jeremy Northam, Tom Hollander and Bob Balaban lead the group of the wealthy, while Helen Mirren, Alan Bates, Clive Owen, Kelly MacDonald, Eileen Atkins and Emily Watson head up the cast of servants below the stairs.
Both Maggie Smith and Helen Mirren were nominated for an Oscar for Best Supporting Actress for their work in this film (both losing to Jennifer Connelly for A BEAUTIFUL MIND).
Directed by Robert Altman (M*A*S*H, NASHVILLE), GOSFORD PARK is much of what you would expect from an Altman film...many, many people living their lives, sometimes intersecting with others, often times just going off on their own, tied together by the circumstances of being in this giant manor house on a weekend of a murder.
It is an ambitious, "Oscar bait" film that succeeds for the most part. And, if you are into the costumes, sets, Interior Design and intimate scenes of people talking, then you will be richly rewarded by this film.
I loved this film when it first came out and was anxiously looking forward to re-visiting it.
While I still liked it during this viewing, I did find the pacing to be languid and I started finding myself being frustrated by threads and character direction that just sort of petered out or ended all together with no real resolution. I know this was on purpose, for Altman would argue that this is what happens in real life, but I found this frustrating.
But this film has much, much going for it and if you haven't seen this - or haven't seen this in awhile - and are a fan of these types of films, then GOSFORD PARK will be a very rewarding 2 hours and 11 minutes of a movie going experience.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
GOSFORD PARK is an English Murder Mystery, set in the 1920's, featuring an All Star Cast, Directed by a 7 time Oscar nominee. It received critical acclaim in the year it was released (2001), earned 7 Oscar nominations (including Best Picture) and won the Oscar for Best Original Screenplay (Julian Fellowes...who would go on to create/write DOWNTON ABBEY).
Set in an English Country Manor, overseen by overbearing Lord William McCordle (Michael Gambon, the 2nd Albus Dumbledore in the Harry Potter films), GOSFORD PARK tells of the trials, tribulations, loves and death (yes, there's a murder) of a host of characters both Upstairs (the wealthy) and Downstairs (the servants).
And what a cast it is! Kristin Scott Thomas, Maggie Smith, Charles Dance, Jeremy Northam, Tom Hollander and Bob Balaban lead the group of the wealthy, while Helen Mirren, Alan Bates, Clive Owen, Kelly MacDonald, Eileen Atkins and Emily Watson head up the cast of servants below the stairs.
Both Maggie Smith and Helen Mirren were nominated for an Oscar for Best Supporting Actress for their work in this film (both losing to Jennifer Connelly for A BEAUTIFUL MIND).
Directed by Robert Altman (M*A*S*H, NASHVILLE), GOSFORD PARK is much of what you would expect from an Altman film...many, many people living their lives, sometimes intersecting with others, often times just going off on their own, tied together by the circumstances of being in this giant manor house on a weekend of a murder.
It is an ambitious, "Oscar bait" film that succeeds for the most part. And, if you are into the costumes, sets, Interior Design and intimate scenes of people talking, then you will be richly rewarded by this film.
I loved this film when it first came out and was anxiously looking forward to re-visiting it.
While I still liked it during this viewing, I did find the pacing to be languid and I started finding myself being frustrated by threads and character direction that just sort of petered out or ended all together with no real resolution. I know this was on purpose, for Altman would argue that this is what happens in real life, but I found this frustrating.
But this film has much, much going for it and if you haven't seen this - or haven't seen this in awhile - and are a fan of these types of films, then GOSFORD PARK will be a very rewarding 2 hours and 11 minutes of a movie going experience.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Merissa (11612 KP) rated Offered to the Cyborg (Cy-Con #2) in Books
May 25, 2018
Offered to the Cyborg (Cy-Con #2) by Jessica Coulter Smith
Offered to the Cyborg is the second book in the Cy-Con series, but can be read as a standalone. Shaylee was kidnapped from Earth, and has been used and passed around as a slave since then. Although she has had children, she has never found pleasure in the making of them, due to the pain and humiliation she has endured. So when Wrylack enters the medbay where she is being held, she really has no idea of what is going to happen next as he treats her in a way she is totally unused to.
This is a fast-paced story that will draw you in and leave you wanting that HEA for Shaylee, Wrylack, and Shaylee's babies. There were no editing or grammatical errors that disrupted my reading flow, and the scenes flowed from one to the next. The characters were enjoyable and complemented each other. This is the first book in this series I have read, but I am intrigued now about other stories featuring other characters that I haven't read yet. Norvak definitely needs his own story!
For a quick and enjoyable Sci-Fi steamy read, I can definitely recommend this one.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is a fast-paced story that will draw you in and leave you wanting that HEA for Shaylee, Wrylack, and Shaylee's babies. There were no editing or grammatical errors that disrupted my reading flow, and the scenes flowed from one to the next. The characters were enjoyable and complemented each other. This is the first book in this series I have read, but I am intrigued now about other stories featuring other characters that I haven't read yet. Norvak definitely needs his own story!
For a quick and enjoyable Sci-Fi steamy read, I can definitely recommend this one.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!