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Sophia (Bookwyrming Thoughts) (530 KP) rated Dreamstrider in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Every time the concept body invasion appears in a book, I regard it with absolute awe and creepiness (an odd combination, methinks).
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/supernatural_dudeyes.gif"; width="320" height="179" border="0" /></div>
Have I mentioned I feel really disturbed over the idea of someone a dreamstrider having the ability to take control of your body and access to your thoughts while unconscious, even for a short period of time?
The concept, however, is uber-cool. Smith brings us to a fantasy world where using dreams in the form of espionage is completely acceptable as a dreamstrider, Livia works for the ministry, and she inhabits another persons body while they are asleep.
If I placed Livia in a character category, she would be right next to Alina Starkov from Leigh Bardugos <i>Grisha</i> trilogy. Over the course of the book, shes on the downside; on the plus side, it fits so well with Livias character and past. Livia lived her entire life as a tunneler, trying to survive day by day until she meets Professor Hesse, where she is introduced to her potential as a dreamstrider and the good she can do for the empire for her citizenship and freedom.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/freedom.gif"; width="320" height="128" border="0" /></div>
Unlike Alina Starkov (Alina is too mopey over Mal, okay?), Livias mope is more realistic. She has big dreams and strives to achieve them, crushes over her best friend (its harder for males to be one of my best friends that circle is <em>elite</em>), secretly sweet, and insecure/cautious about many things.
But enough about Livia and how shes secretly awesome even though she will never <i>ever</i> admit it. I didnt feel very into <em>Dreamstrider</em> the passphrases in the Land of the Iron Winds are written in a very rhythmic style, but I didnt care too much aside from the fact it sounds poetic. But poetry and I dont get along, and this is why I will never read Ellen Hopkins. I have nothing against the author, though.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/I-Know-Nothing-Apparently-On-Game-Of-Thrones.gif"; width="320" height="179" border="0" /></div>
Ellen Hopkins aside, dreaming is a big deal it plays a part in almost everything in the Barstadt Empire, but it felt more like a cultural thing (like Greek myths are to Greeks). Im taking it all in, but the whole dreaming thing? Its just there, and the only big deal seemed to be using dreaming in detective work and finding out information. The whole point of the book is really just Livia becoming more confident in not just herself, but her abilities. By the end of the book, I felt satisfied, but I just wanted more from the book.
<a href="https://bookwyrmingthoughts.com/arc-review-dreamstrider-by-lindsay-smi/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Every time the concept body invasion appears in a book, I regard it with absolute awe and creepiness (an odd combination, methinks).
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/supernatural_dudeyes.gif"; width="320" height="179" border="0" /></div>
Have I mentioned I feel really disturbed over the idea of someone a dreamstrider having the ability to take control of your body and access to your thoughts while unconscious, even for a short period of time?
The concept, however, is uber-cool. Smith brings us to a fantasy world where using dreams in the form of espionage is completely acceptable as a dreamstrider, Livia works for the ministry, and she inhabits another persons body while they are asleep.
If I placed Livia in a character category, she would be right next to Alina Starkov from Leigh Bardugos <i>Grisha</i> trilogy. Over the course of the book, shes on the downside; on the plus side, it fits so well with Livias character and past. Livia lived her entire life as a tunneler, trying to survive day by day until she meets Professor Hesse, where she is introduced to her potential as a dreamstrider and the good she can do for the empire for her citizenship and freedom.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/freedom.gif"; width="320" height="128" border="0" /></div>
Unlike Alina Starkov (Alina is too mopey over Mal, okay?), Livias mope is more realistic. She has big dreams and strives to achieve them, crushes over her best friend (its harder for males to be one of my best friends that circle is <em>elite</em>), secretly sweet, and insecure/cautious about many things.
But enough about Livia and how shes secretly awesome even though she will never <i>ever</i> admit it. I didnt feel very into <em>Dreamstrider</em> the passphrases in the Land of the Iron Winds are written in a very rhythmic style, but I didnt care too much aside from the fact it sounds poetic. But poetry and I dont get along, and this is why I will never read Ellen Hopkins. I have nothing against the author, though.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/11/I-Know-Nothing-Apparently-On-Game-Of-Thrones.gif"; width="320" height="179" border="0" /></div>
Ellen Hopkins aside, dreaming is a big deal it plays a part in almost everything in the Barstadt Empire, but it felt more like a cultural thing (like Greek myths are to Greeks). Im taking it all in, but the whole dreaming thing? Its just there, and the only big deal seemed to be using dreaming in detective work and finding out information. The whole point of the book is really just Livia becoming more confident in not just herself, but her abilities. By the end of the book, I felt satisfied, but I just wanted more from the book.
<a href="https://bookwyrmingthoughts.com/arc-review-dreamstrider-by-lindsay-smi/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated Paranormal Activity 3 (2011) in Movies
Mar 10, 2020
If it’s not broke, then don’t fix it. Seems a pretty good mantra and one that new directors Henry Joost and Ariel Schulman have stuck to.
The pair are behind the camera for the third terrifying instalment of the ever-popular franchise that proves you don’t need a massive budget to make a shit load of money. The film had the biggest opening weekend of any other horror film grossing $54m, and at the same time satisfying those that love it when things go bump in the night.
We’re still with Katie and Kristi, the sisters who were on the wrong end of a pissed off entity for the original and the sequel, or should we say prequel in this case. This time, after a brief cameo from the older girls Katie Featherston and Sprague Grayden, we are transported back to 1988 and the home of VHS, with the siblings now much younger.
The plot follows a different path as we get closer to discovering why this entity has targeted this suburban family in the first place.
Things start to turn sinister from the outset after Dennis (Nicholas Smith), a wedding videographer discovers a figure silhouetted on camera. Desperate to discover what it is, and against the wishes of his partner Julie (Lauren Bittner), he sets up the good old handheld cameras in the bedrooms hoping for it to reappear, it doesn’t take long.
The focus on this is the relationship that Kristi has with the invisible entity who she has aptly named Toby and runs about playfully with until it is clear that Toby gets slightly annoyed when things don’t go his way. The film is full of jumps and jolts that will have you leaping out of your seat or ducking down behind it.
From the old fashioned white-sheeted ghost to making you never want to see a Teddy Ruxpin again as long as you live. Joost and Schulman find new and unique ways to scare the living daylights out of you. To reveal too much more would, of course, ruin it, but suffice to say they are all brilliantly executed.
Being 1988 CCTV was all but redundant for the most part and perhaps one of the biggest payoffs was Dennis’s makeshift camera that was set up in the living room downstairs. Made out of a desk fan the camera pans slowly from one end of the room to the other and is very much the main focus for several horrific scenes, including a homage to the exploding cupboards in PA2.
The film is also injected with a strong sense of light-heartedness and humour, used almost like a comforter that the audience will embrace, that is until Joost and Schulman smack them across the face with another scare. The plot follows a different path as we get closer to discovering why this entity has targeted this suburban family in the first place.
It’s a reveal that may or may not is appreciated, but one thing is for sure you’ll have a great time getting there.
One important thing to note is that the trailer below contains scenes that aren’t included in the film at all, I for one am happy with this as it means that cinema goers can still go in fresh. Although you do feel a little cheated that you missed something important.
The pair are behind the camera for the third terrifying instalment of the ever-popular franchise that proves you don’t need a massive budget to make a shit load of money. The film had the biggest opening weekend of any other horror film grossing $54m, and at the same time satisfying those that love it when things go bump in the night.
We’re still with Katie and Kristi, the sisters who were on the wrong end of a pissed off entity for the original and the sequel, or should we say prequel in this case. This time, after a brief cameo from the older girls Katie Featherston and Sprague Grayden, we are transported back to 1988 and the home of VHS, with the siblings now much younger.
The plot follows a different path as we get closer to discovering why this entity has targeted this suburban family in the first place.
Things start to turn sinister from the outset after Dennis (Nicholas Smith), a wedding videographer discovers a figure silhouetted on camera. Desperate to discover what it is, and against the wishes of his partner Julie (Lauren Bittner), he sets up the good old handheld cameras in the bedrooms hoping for it to reappear, it doesn’t take long.
The focus on this is the relationship that Kristi has with the invisible entity who she has aptly named Toby and runs about playfully with until it is clear that Toby gets slightly annoyed when things don’t go his way. The film is full of jumps and jolts that will have you leaping out of your seat or ducking down behind it.
From the old fashioned white-sheeted ghost to making you never want to see a Teddy Ruxpin again as long as you live. Joost and Schulman find new and unique ways to scare the living daylights out of you. To reveal too much more would, of course, ruin it, but suffice to say they are all brilliantly executed.
Being 1988 CCTV was all but redundant for the most part and perhaps one of the biggest payoffs was Dennis’s makeshift camera that was set up in the living room downstairs. Made out of a desk fan the camera pans slowly from one end of the room to the other and is very much the main focus for several horrific scenes, including a homage to the exploding cupboards in PA2.
The film is also injected with a strong sense of light-heartedness and humour, used almost like a comforter that the audience will embrace, that is until Joost and Schulman smack them across the face with another scare. The plot follows a different path as we get closer to discovering why this entity has targeted this suburban family in the first place.
It’s a reveal that may or may not is appreciated, but one thing is for sure you’ll have a great time getting there.
One important thing to note is that the trailer below contains scenes that aren’t included in the film at all, I for one am happy with this as it means that cinema goers can still go in fresh. Although you do feel a little cheated that you missed something important.
Gareth von Kallenbach (962 KP) rated Madagascar 3: Europe's Most Wanted (2012) in Movies
Aug 7, 2019
After being shipped from New York to Madagascar and then leaving Madagascar only to end up stranded in Africa, our four favorite zoo animals are back and causing a ruckus once again, but this time in Europe.
Madagascar 3: Europe’s Most Wanted starts off where Madagascar: Escape 2 Africa left off, with Alex the lion(Ben Stiller), Marty the zebra(Chris Rock), Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stranded in Africa longing to get back to their beloved zoo in New York City. They realize the only way they will be able to return home is by relying on their super competent penguin buddies who have made their way to Monte Carlo with their chimp powered plane and the loot of jewels and money they squandered upon in Africa during the second movie.
So the quartet of four legged lovable characters along with a few familiar lemurs, King Julien (Sacha Baron Cohen), the self proclaimed King of Madagascar and his assistants Maurice (Cedric the Entertainer) and Mort (Andy Richter), decide to make their way to Monte Carlo, find the penguins, the chimpanzees, and head to New York.
Once the gang arrives in Monte Carlo it doesn’t take long for them to incite panic. Enter Captain Chantal Dubois (Francis McDormand), an impassive, somewhat indestructible animal control officer, who wants nothing more than to add a lion to her already impressive collection of animal heads mounted on her office wall. Due to her relentless pursuit and unconventional hunting techniques the animals are forced to take refuge aboard a circus train where they are welcomed by a simple-minded sea lion named Stefano (Martin Short). Stefano introduces the group to the rest of the animal circus performers and they each demonstrate their amazing tricks. The train is on its way to London and the circus crew hopes their show will garner the attention of a big time U.S. circus promoter looking to bring a show to New York. This was Alex and company’s ticket home! But would they be up to the challenge of putting on the greatest show anyone has ever seen AND evade Dubois who is hot on their tails every step of the way?
The simple storyline of animals wanting to get home has been the common thread in all three Madagascar movies. Dreamworks Animation rarely reaches the emotional expertise of Pixar, but they always manage to create movies that are still very much engaging, humorous and visually stunning. Eric Darnell and Tom McGrath, who directed the first two movies, come together once again and steer clear from the choppy, thrown together sequence of events that have plagued some sequels and trilogies. I truly believe that keeping with the same directoral chemistry plays a big part in this movie’s well-paced and entertaining storyline.
This movie is definitely geared toward the kindergarten and preschool aged audience with much of the action in the movie involving the circus performance and its Cirque du Soleil-type entertainment. Let’s add the 3D component and voila! An amazing, kaleidoscope of lights and pyrotechnics along with wonderful performances of acrobats, seal shot from cannon, high wire dancing giraffe and hippo, and flying penguins. It’s like a box of animal crackers come to life!
Madagascar 3: Europe’s Most Wanted starts off where Madagascar: Escape 2 Africa left off, with Alex the lion(Ben Stiller), Marty the zebra(Chris Rock), Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stranded in Africa longing to get back to their beloved zoo in New York City. They realize the only way they will be able to return home is by relying on their super competent penguin buddies who have made their way to Monte Carlo with their chimp powered plane and the loot of jewels and money they squandered upon in Africa during the second movie.
So the quartet of four legged lovable characters along with a few familiar lemurs, King Julien (Sacha Baron Cohen), the self proclaimed King of Madagascar and his assistants Maurice (Cedric the Entertainer) and Mort (Andy Richter), decide to make their way to Monte Carlo, find the penguins, the chimpanzees, and head to New York.
Once the gang arrives in Monte Carlo it doesn’t take long for them to incite panic. Enter Captain Chantal Dubois (Francis McDormand), an impassive, somewhat indestructible animal control officer, who wants nothing more than to add a lion to her already impressive collection of animal heads mounted on her office wall. Due to her relentless pursuit and unconventional hunting techniques the animals are forced to take refuge aboard a circus train where they are welcomed by a simple-minded sea lion named Stefano (Martin Short). Stefano introduces the group to the rest of the animal circus performers and they each demonstrate their amazing tricks. The train is on its way to London and the circus crew hopes their show will garner the attention of a big time U.S. circus promoter looking to bring a show to New York. This was Alex and company’s ticket home! But would they be up to the challenge of putting on the greatest show anyone has ever seen AND evade Dubois who is hot on their tails every step of the way?
The simple storyline of animals wanting to get home has been the common thread in all three Madagascar movies. Dreamworks Animation rarely reaches the emotional expertise of Pixar, but they always manage to create movies that are still very much engaging, humorous and visually stunning. Eric Darnell and Tom McGrath, who directed the first two movies, come together once again and steer clear from the choppy, thrown together sequence of events that have plagued some sequels and trilogies. I truly believe that keeping with the same directoral chemistry plays a big part in this movie’s well-paced and entertaining storyline.
This movie is definitely geared toward the kindergarten and preschool aged audience with much of the action in the movie involving the circus performance and its Cirque du Soleil-type entertainment. Let’s add the 3D component and voila! An amazing, kaleidoscope of lights and pyrotechnics along with wonderful performances of acrobats, seal shot from cannon, high wire dancing giraffe and hippo, and flying penguins. It’s like a box of animal crackers come to life!
Phillip McSween (751 KP) rated Minority Report (2002) in Movies
Jul 19, 2020
I Knew I Would Love it Before I Watched it...See What I Did There?
In the future, “precogs” help predict a murder before it happens. When they predict that John Anderton, head of the precrime divison, will be the next killer, Anderton has to go on the run to prove his innocence.
Acting: 10
We give Tom Cruise shit for being crazy in real life. Say what you want about him on a personal level, the energy that he brings to the big screen is excellent. The way he taps into the emotions of a father that just lost his son hits you with a strong emotional tie to the movie.
Outside of a strong performance from Cruise as John Anderton, it’s also the lesser roles that drive this movie into classic status. Actors/actresses like Lois Smith as the matter-of-fact Dr. Hinneman and Colin Farrell sticking his nose into every single scene as Detective Danny Witwer bring fresh life to this movie throughout its duration. The female performances were particularly strong. This movie just doesn’t function the same without wonderful actresses Samantha Morton and Kathryn Morris helping to drive the story.
Beginning: 10
The first ten minutes really set the stage for the insanity to come. We see the precrime unit led by Anderton moving on their next target: A man who catches his wife in bed cheating, or at least he will. The act has yet to happen, but the unit is there to stop it before it does.
Characters: 10
Anderton is a troubled cop stuck between a terrible past and a troubling future. You can relate to his pain and why he has ended up the way he has. Like Anderton, each character has enough depth and backstory to make you care about them one way or the other. I was particularly drawn to Agatha, head of the precogs, and her story.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
Memorability: 10
There is a scene in this movie I consider one of the greatest in any film ever done. Anderton has captured the precog Agatha to try and get into her brain to unearth his innocence. With the police in hot pursuit, he has to escape through a mall using Agatha as a cognitive guide to help him escape danger. It is truly a brilliant layout of a scene and it really enhances this movie. This is a movie packed with a number of those same type of scenes that leave an impact in your brain.
Pace: 10
Plot: 10
A brilliant story from cover to cover. Steven Spielberg pulls out the heart and glitz of this movie with true wonder that only he can achieve. There is a reason I consider him the GOAT, because his stories wow you while making you think and feel at the same time. This story couldn’t have been put together more perfectly.
Resolution: 10
The ending couldn’t have been more perfect. It’s all about redemption and starting over. I won’t spoil it by going into further detail.
Overall: 100
Every now and then a movie comes along that manages to sit with me for a long time. It’s the primary reason I consider Minority Report to be the greatest sci-fi movie ever made and #3 on my all-time list. Quite frankly, it’s just plain dope.
Acting: 10
We give Tom Cruise shit for being crazy in real life. Say what you want about him on a personal level, the energy that he brings to the big screen is excellent. The way he taps into the emotions of a father that just lost his son hits you with a strong emotional tie to the movie.
Outside of a strong performance from Cruise as John Anderton, it’s also the lesser roles that drive this movie into classic status. Actors/actresses like Lois Smith as the matter-of-fact Dr. Hinneman and Colin Farrell sticking his nose into every single scene as Detective Danny Witwer bring fresh life to this movie throughout its duration. The female performances were particularly strong. This movie just doesn’t function the same without wonderful actresses Samantha Morton and Kathryn Morris helping to drive the story.
Beginning: 10
The first ten minutes really set the stage for the insanity to come. We see the precrime unit led by Anderton moving on their next target: A man who catches his wife in bed cheating, or at least he will. The act has yet to happen, but the unit is there to stop it before it does.
Characters: 10
Anderton is a troubled cop stuck between a terrible past and a troubling future. You can relate to his pain and why he has ended up the way he has. Like Anderton, each character has enough depth and backstory to make you care about them one way or the other. I was particularly drawn to Agatha, head of the precogs, and her story.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
Memorability: 10
There is a scene in this movie I consider one of the greatest in any film ever done. Anderton has captured the precog Agatha to try and get into her brain to unearth his innocence. With the police in hot pursuit, he has to escape through a mall using Agatha as a cognitive guide to help him escape danger. It is truly a brilliant layout of a scene and it really enhances this movie. This is a movie packed with a number of those same type of scenes that leave an impact in your brain.
Pace: 10
Plot: 10
A brilliant story from cover to cover. Steven Spielberg pulls out the heart and glitz of this movie with true wonder that only he can achieve. There is a reason I consider him the GOAT, because his stories wow you while making you think and feel at the same time. This story couldn’t have been put together more perfectly.
Resolution: 10
The ending couldn’t have been more perfect. It’s all about redemption and starting over. I won’t spoil it by going into further detail.
Overall: 100
Every now and then a movie comes along that manages to sit with me for a long time. It’s the primary reason I consider Minority Report to be the greatest sci-fi movie ever made and #3 on my all-time list. Quite frankly, it’s just plain dope.
Darren (1599 KP) rated Hook (1991) in Movies
Jul 7, 2019
Director: Steven Spielberg
Writer: James V Hart, Nick Castle, Malia Scotch Marmo (Screenplay) J.M. Barrie (Books)
Starring: Dustin Hoffman, Robin Williams, Julia Roberts, Bob Hoskins, Maggie Smith, Caroline Goodall, Charlie Korsmo, Amber Scott
Plot: When Captain Hook kidnaps his children, an adult Peter Pan must return to Neverland and reclaim his youthful spirit in order to challenge his old enemy.
Tagline – What if Peter Pan grew up?
Runtime: 2 Hours 22 Minutes
There may be spoilers in the rest of the review
Verdict: Fun-Filled Fantasy
Story: Hook starts as we meet businessman Peter Banning (Williams) who has started over working leading to his children become distant, his wife Moira (Goodall) forces him to visit his Granny Wendy (Smith) in London for Christmas, where she sees how much Peter has changed since his childhood of never wanting to grow up.
Captain Hook (Hoffman) takes Peter’s children, which sees Peter needing to be pushed into returning to Neverland, a place he has long forgotten about, with Tinkerbell (Roberts) taking him there only for Hook to be left disappointed by the man Peter has become, Tinkerbell has three days to restore Peter’s faith in Neverland to save his children.
Thoughts on Hook
Characters – Peter Banning is a lawyer that has been neglecting his family, his Grandmother sees him losing his young heart that made her take him in, in the first place, Peter must confront his past to save his children from his old nemesis Captain Hook in Neverland, a place he has long since forgotten about. Peter has become everything he once hated as a child and shows how at times parents can get buried in their work. Captain Hook has been waiting for the day Peter Pan returns, he is left disappointed when he does return a shell of the boy that left, giving him three days to prepare for a battle, while having his own plan to get revenge on Peter. Tinkerbell comes to Peter to bring him back to Neverland, she helps transform him back to his original self, while showing him what he is still fighting for.
Performances – Robin Williams was a great choice for this role, he gets to manages the serious adult side of everything as well as the playful side of Peter Pan with ease being able to swap between the two whenever he needs to. Dustin Hoffman as the villainous Hook has great enjoyment in this role where he does get to play along with his character. Julia Roberts does all she needs to do without being as involved as the lead too.
Story – The story follows an older Peter Pan that must return to Neverland to save his own children after his old nemesis Captain Hook takes them there. This spin on the Peter Pan story is a wonderful on because see Peter grown up becoming everything he promised he wouldn’t shows us just how difficult being an adult can be, you will turn your back on parts of your childhood become what you once feared. This was always the meaning behind Peter Pan in the first place, finding an escape from the busy lives, now an adult must use this to save his own relationship with his children and family, which is what is important in life.
Adventure/Comedy/Fantasy – The adventure side of the film takes Peter to Neverland to relive moments of his childhood in a fantasy battle against pirates with fairies on their side. We do get elements of comedy, but even Robin Williams is held back from going into his full routine like we saw in Aladdin.
Settings – The film uses the same settings that we know from Peter Pan, the London setting might well be a more modern one, but Neverland hasn’t aged a day since Peter has left.
Scene of the Movie – The battle.
That Moment That Annoyed Me – Pop culture references.
Final Thoughts – This is a magical version of Peter Pan’s adventures showing how life can change for adults who never thought they would be when they were children.
Overall: Magical adventure.
Rating
Writer: James V Hart, Nick Castle, Malia Scotch Marmo (Screenplay) J.M. Barrie (Books)
Starring: Dustin Hoffman, Robin Williams, Julia Roberts, Bob Hoskins, Maggie Smith, Caroline Goodall, Charlie Korsmo, Amber Scott
Plot: When Captain Hook kidnaps his children, an adult Peter Pan must return to Neverland and reclaim his youthful spirit in order to challenge his old enemy.
Tagline – What if Peter Pan grew up?
Runtime: 2 Hours 22 Minutes
There may be spoilers in the rest of the review
Verdict: Fun-Filled Fantasy
Story: Hook starts as we meet businessman Peter Banning (Williams) who has started over working leading to his children become distant, his wife Moira (Goodall) forces him to visit his Granny Wendy (Smith) in London for Christmas, where she sees how much Peter has changed since his childhood of never wanting to grow up.
Captain Hook (Hoffman) takes Peter’s children, which sees Peter needing to be pushed into returning to Neverland, a place he has long forgotten about, with Tinkerbell (Roberts) taking him there only for Hook to be left disappointed by the man Peter has become, Tinkerbell has three days to restore Peter’s faith in Neverland to save his children.
Thoughts on Hook
Characters – Peter Banning is a lawyer that has been neglecting his family, his Grandmother sees him losing his young heart that made her take him in, in the first place, Peter must confront his past to save his children from his old nemesis Captain Hook in Neverland, a place he has long since forgotten about. Peter has become everything he once hated as a child and shows how at times parents can get buried in their work. Captain Hook has been waiting for the day Peter Pan returns, he is left disappointed when he does return a shell of the boy that left, giving him three days to prepare for a battle, while having his own plan to get revenge on Peter. Tinkerbell comes to Peter to bring him back to Neverland, she helps transform him back to his original self, while showing him what he is still fighting for.
Performances – Robin Williams was a great choice for this role, he gets to manages the serious adult side of everything as well as the playful side of Peter Pan with ease being able to swap between the two whenever he needs to. Dustin Hoffman as the villainous Hook has great enjoyment in this role where he does get to play along with his character. Julia Roberts does all she needs to do without being as involved as the lead too.
Story – The story follows an older Peter Pan that must return to Neverland to save his own children after his old nemesis Captain Hook takes them there. This spin on the Peter Pan story is a wonderful on because see Peter grown up becoming everything he promised he wouldn’t shows us just how difficult being an adult can be, you will turn your back on parts of your childhood become what you once feared. This was always the meaning behind Peter Pan in the first place, finding an escape from the busy lives, now an adult must use this to save his own relationship with his children and family, which is what is important in life.
Adventure/Comedy/Fantasy – The adventure side of the film takes Peter to Neverland to relive moments of his childhood in a fantasy battle against pirates with fairies on their side. We do get elements of comedy, but even Robin Williams is held back from going into his full routine like we saw in Aladdin.
Settings – The film uses the same settings that we know from Peter Pan, the London setting might well be a more modern one, but Neverland hasn’t aged a day since Peter has left.
Scene of the Movie – The battle.
That Moment That Annoyed Me – Pop culture references.
Final Thoughts – This is a magical version of Peter Pan’s adventures showing how life can change for adults who never thought they would be when they were children.
Overall: Magical adventure.
Rating
Debbiereadsbook (1050 KP) rated To Touch You (Mates #4) in Books
Jan 21, 2018
a fitting end
I purchased both the ebook, AND audio copy of this book (November 2017)
This is book 4 in The Mates Series, and the last one. You don't need to have read the other three, but there is some overlap with books one, Wake Me Up Inside and book 3, In Your Eyes, so there may be spoilers, sorta, kinda.
Yoram Smith is 7 years old when he first meets Salvatore Rossi, and he knows nothing but the pull of his scent. Sal is, in Yoram's eyes, his friend. It takes a turning of Sal to vampire and over 20 years before Sal finally admits that Yoram is his mate.
I LOVED this final installment in the Mates series! I really did. But I can't split the narration from the book, so the lines might be a bit blurred on this one.
I read this book, in December 2017, and I was going through a rough patch, so didn't actually write a review for it, then the audio came through the blog for review, and I had credits available, so I grabbed it. SO glad I did!
I loved Charlie David's narration, his voices especially. Yoram is 7 when we first meet him, and I was curious how David would change his voice as he grew. Nailed that one, I tell ya! At7, at 14 and as a full groan Yoram, his voice is the same but different, if that makes any sense? I could tell it was Yoram at every step of the way.
And trust me, it's a very long way these two took to finally get together! Sal doesn't fully understand the workings of being a vampire, he finds no joy in feeding and certainly not socialising with them, but he HAS to feed. Until the blood turns up on his doorstep, and THAT blood is different. Takes him a while to figure out where it's coming from!
I loved that Zev and Jonah ( book 1) and Samuel and Korban (book 3) play a part here, but I especially loved that Ethan and Miguel are a HUGE part of this book. When I read this, I could hear the voices of these guys but they weren't right, not at all. So it was great to be able to catch up with them here.
I loved that, once Sal finally dug his head out the sand and returned to Yoram, he was all in, totally and utterly.
Like I said, I can't really split the narration from the book, so
5 stars all round!
**same worded review will appear elsewhere**
This is book 4 in The Mates Series, and the last one. You don't need to have read the other three, but there is some overlap with books one, Wake Me Up Inside and book 3, In Your Eyes, so there may be spoilers, sorta, kinda.
Yoram Smith is 7 years old when he first meets Salvatore Rossi, and he knows nothing but the pull of his scent. Sal is, in Yoram's eyes, his friend. It takes a turning of Sal to vampire and over 20 years before Sal finally admits that Yoram is his mate.
I LOVED this final installment in the Mates series! I really did. But I can't split the narration from the book, so the lines might be a bit blurred on this one.
I read this book, in December 2017, and I was going through a rough patch, so didn't actually write a review for it, then the audio came through the blog for review, and I had credits available, so I grabbed it. SO glad I did!
I loved Charlie David's narration, his voices especially. Yoram is 7 when we first meet him, and I was curious how David would change his voice as he grew. Nailed that one, I tell ya! At7, at 14 and as a full groan Yoram, his voice is the same but different, if that makes any sense? I could tell it was Yoram at every step of the way.
And trust me, it's a very long way these two took to finally get together! Sal doesn't fully understand the workings of being a vampire, he finds no joy in feeding and certainly not socialising with them, but he HAS to feed. Until the blood turns up on his doorstep, and THAT blood is different. Takes him a while to figure out where it's coming from!
I loved that Zev and Jonah ( book 1) and Samuel and Korban (book 3) play a part here, but I especially loved that Ethan and Miguel are a HUGE part of this book. When I read this, I could hear the voices of these guys but they weren't right, not at all. So it was great to be able to catch up with them here.
I loved that, once Sal finally dug his head out the sand and returned to Yoram, he was all in, totally and utterly.
Like I said, I can't really split the narration from the book, so
5 stars all round!
**same worded review will appear elsewhere**
Lilyn G - Sci-Fi & Scary (91 KP) rated Winchester: The House That Ghosts Built (2018) in Movies
Feb 2, 2018
It was okay. Nothing more, nothing less.
So, when I saw the trailer for Winchester, I was a little intrigued. Not a lot, but a little. A bit more so when I realized that Helen Mirren was in it. Though I can’t say I could name anything else she’s been in off-hand, I did recognize that she had a bit of weight behind her name. Her presence, combined with Jason Clarke (who I recognize more as a “Hey, it’s that guy” than actually recognize) gave me some hope for the movie. Hence stealing away on a Friday afternoon, paying entirely too much money for a ticket and popcorn to get the big-screen experience.
Winchester could have been good, if it didn’t feel like they were scared to go outside the realm of jump-scares. (Though, I will give the directors credit for surprising me and putting a different spin on the typical mirror scare.) Most of the acting was decent-to-solid, but the actors were sorely limited by a distinctly yawn-worthy script.
In regards to the Winchester cast: Clarke has an undeniable charisma. The way Mirren portrayed Sara Winchester, she had that haughty, truth-speaking old lady thing going on that I appreciated and thought I was in for a treat. I was wrong, unfortunately. I felt very much like Mirren’s heart wasn’t in her role at all, and hiding her behind a veil was sometimes the only way to disguise the blue cardboard of her eyes. Sarah Snook reminded me a bit of Maggie Smith, and she had a way of keeping your attention on her. However, Henry, played by Finn Scicluna-O’Prey was barely worth noticing. Scicluna-O’Prey’s ability to command attention on the screen was pretty much solely limited to the well-light scenes featuring his brilliant red hair. (I feel really mean saying that about a younger actor, but it’s the truth.)
The pacing was middling. I definitely got the fidgets a few times during the movie. The dialogue had it’s moments. (There’s a scene between Mirren and Clarke that’ll have you snickering.) The action, such as it was, was bland and cliched. The ending scene had me rolling my eyes.
Overall, Winchester wasn’t god-awful, but it wasn’t something your average horror-movie watcher hasn’t seen 999 times before. It’s one to rent at your local Redbox, or when it his Amazon, but not worth paying movie theatre prices for right now.
Winchester could have been good, if it didn’t feel like they were scared to go outside the realm of jump-scares. (Though, I will give the directors credit for surprising me and putting a different spin on the typical mirror scare.) Most of the acting was decent-to-solid, but the actors were sorely limited by a distinctly yawn-worthy script.
In regards to the Winchester cast: Clarke has an undeniable charisma. The way Mirren portrayed Sara Winchester, she had that haughty, truth-speaking old lady thing going on that I appreciated and thought I was in for a treat. I was wrong, unfortunately. I felt very much like Mirren’s heart wasn’t in her role at all, and hiding her behind a veil was sometimes the only way to disguise the blue cardboard of her eyes. Sarah Snook reminded me a bit of Maggie Smith, and she had a way of keeping your attention on her. However, Henry, played by Finn Scicluna-O’Prey was barely worth noticing. Scicluna-O’Prey’s ability to command attention on the screen was pretty much solely limited to the well-light scenes featuring his brilliant red hair. (I feel really mean saying that about a younger actor, but it’s the truth.)
The pacing was middling. I definitely got the fidgets a few times during the movie. The dialogue had it’s moments. (There’s a scene between Mirren and Clarke that’ll have you snickering.) The action, such as it was, was bland and cliched. The ending scene had me rolling my eyes.
Overall, Winchester wasn’t god-awful, but it wasn’t something your average horror-movie watcher hasn’t seen 999 times before. It’s one to rent at your local Redbox, or when it his Amazon, but not worth paying movie theatre prices for right now.
Gareth von Kallenbach (962 KP) rated Aladdin (2019) in Movies
Jul 2, 2019
Guy Ritchie’s live action remake really was a hit for me. Not much of the story has changed which is fine. I went into this film excited but with a few weary doubts. I was for sure that nothing could compare to the 1992 two dimensional Genie I grew to adore. I then however convinced myself to treat the film as its own entity and not as a comparison. I mean come on, nothing can compare to a cartoon version of anything. You can animate just about anything but trying to flip the story to live-action and expecting the same results can be risky. In the remake it worked out well for the most part. Anytime Genie was his big blue self that’s when the CG that was used was extremely noticeable. I just have never been a fan of CG use on actors, it used to freak me out as a kid. I know it sounds strange but I quickly got over it and was able to really enjoy the film.
When the film was being discussed and or planned the stipulation at least for the two leads (Mena Massaud and Naomi Scott) was, they of course had to be of Indian or Middle Eastern descent, they had to be able to sing and dance and they had to be newcomers. I thought they were perfectly cast and had great chemistry. They also were both able to stand their ground and their performances certainly didn’t get lost playing along side Will Smith. Though he is incomparable to Robin Williams he did do an outstanding job at Genie and I think Williams would be proud of his rendition.
One of my favorite things Disney films have always delivered in any of their films has been the atmosphere and sets. The colors of Agraba are vibrant and inviting. You can almost smell the spices and feel the warm breeze flowing through the city. I am also pleased that Alan Mankin has returned to compose the music for the film. All songs have been kept the same with the addition of a few new songs so be sure to at least sing along with them.
In my honest opinion this live-action remake of Disney’s Aladdin has been my favorite of the live-action Disney remade films so far. It is a two hour nostalgic film filled wth laughs, action, lots of parkour and good life lessons. Money or power can’t always buy happiness.
When the film was being discussed and or planned the stipulation at least for the two leads (Mena Massaud and Naomi Scott) was, they of course had to be of Indian or Middle Eastern descent, they had to be able to sing and dance and they had to be newcomers. I thought they were perfectly cast and had great chemistry. They also were both able to stand their ground and their performances certainly didn’t get lost playing along side Will Smith. Though he is incomparable to Robin Williams he did do an outstanding job at Genie and I think Williams would be proud of his rendition.
One of my favorite things Disney films have always delivered in any of their films has been the atmosphere and sets. The colors of Agraba are vibrant and inviting. You can almost smell the spices and feel the warm breeze flowing through the city. I am also pleased that Alan Mankin has returned to compose the music for the film. All songs have been kept the same with the addition of a few new songs so be sure to at least sing along with them.
In my honest opinion this live-action remake of Disney’s Aladdin has been my favorite of the live-action Disney remade films so far. It is a two hour nostalgic film filled wth laughs, action, lots of parkour and good life lessons. Money or power can’t always buy happiness.
365Flicks (235 KP) rated Pitching Tents (2017) in Movies
Nov 20, 2019
If you have ever taken the time to listen to our Podcast you will have figured out that I am a big fan of Kevin Smith, John Hughes, Cameron Crowe dialogue heavy story driven movies. Throw one of those coming of age end of summer type movies and ill eat them up like a bowl of Shreddies (Other cereals are available I just happen to be eating a bowl as I write this).
Pitching Tents is exactly this type of movie. Its 1984 its the end of the school year and Danny (Micheal Grant) has very little clue what he is going to do with his life past High School, before he has to really worry about any of that he is having one last weekend at Trout Camp with his buddies. However before his weekend can really begin he is cornered by over zealous guidance counselor Mr. Mulligan (Jim Norton) who has pretty much guaranteed Danny a place at a good college. Obviously though things are never that simple because Danny’s dad (Eric Allan Kramer) has gone to the liberty of securing him a job at the local factory.
Torn between his passion for Art and his desire to please his father, Danny has a tough life choice ahead of him. Of course that can wait because a weekend of smoking weed, contemplating life, trying to get laid lies ahead of Danny and his closest friends. You know standard Dazed and Confused territory.
You could argue that there is not really anything original here and you would right, we have seen these movies before and often done better. However I personally felt the Tug of War between Danny, his father and the Counselor is an interesting spin of the teen coming of age drama. Add to this the supporting cast of friends all hugely believable and relate-able with good turns from Disney alumni BooBoo Stewart (Descendants) as Todd and everyone’s favorite child star Jonathan Lipnicki (who is all growed up nowadays) as Scott. Then there is the final third of the movie in which Danny is to make his choice and the movie shows a level of maturity rarely seen in this type of Flick. Props to director Jacob Cooney on this count.
This is a recommend if these movies take your fancy, I know they are not for everyone but personally it ticked a lot of my boxes, and its always good to see what Lipnicki is doing these days. Oh then theres the soundtrack, typical 80s movie soundtrack, but hey who doesnt love that.
Pitching Tents is exactly this type of movie. Its 1984 its the end of the school year and Danny (Micheal Grant) has very little clue what he is going to do with his life past High School, before he has to really worry about any of that he is having one last weekend at Trout Camp with his buddies. However before his weekend can really begin he is cornered by over zealous guidance counselor Mr. Mulligan (Jim Norton) who has pretty much guaranteed Danny a place at a good college. Obviously though things are never that simple because Danny’s dad (Eric Allan Kramer) has gone to the liberty of securing him a job at the local factory.
Torn between his passion for Art and his desire to please his father, Danny has a tough life choice ahead of him. Of course that can wait because a weekend of smoking weed, contemplating life, trying to get laid lies ahead of Danny and his closest friends. You know standard Dazed and Confused territory.
You could argue that there is not really anything original here and you would right, we have seen these movies before and often done better. However I personally felt the Tug of War between Danny, his father and the Counselor is an interesting spin of the teen coming of age drama. Add to this the supporting cast of friends all hugely believable and relate-able with good turns from Disney alumni BooBoo Stewart (Descendants) as Todd and everyone’s favorite child star Jonathan Lipnicki (who is all growed up nowadays) as Scott. Then there is the final third of the movie in which Danny is to make his choice and the movie shows a level of maturity rarely seen in this type of Flick. Props to director Jacob Cooney on this count.
This is a recommend if these movies take your fancy, I know they are not for everyone but personally it ticked a lot of my boxes, and its always good to see what Lipnicki is doing these days. Oh then theres the soundtrack, typical 80s movie soundtrack, but hey who doesnt love that.
Gareth von Kallenbach (962 KP) rated Bad Boys for Life (2020) in Movies
Jan 18, 2020
Bad Boys, Bad Boys, Whatchu gonna do? Whatchu gonna do when they come for you? Bad Boys premiered in 1995, the sequel way back in 2003. Bad Boys for Life, the third movie in the franchise takes us back to Miami, where Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) have been partners in the force for over 25 years.
Marcus certainly is feeling his age, having been married with grown kids, and Mike is still ready to go and take down criminals with his own style. Marcus is eyeing retirement and his partner Lowrey, does not want any part of it. They are going by the motto of “Bad Boys for Life”. Captain Howard (Joe Pantoliano) is still running the precinct and a new tactical team has been established to carry out quick responses. This small team is led by Rita (Paola Nunez) who has had some history with Mike Lowrey.
Rita’s team is comprised by Kelly (Vanessa Hudgens) the team badass. Rafe (Charles Melton) the resident smart ass who immediately chafes Mike’s hide and Dorn (Alexander Ludwig), the IT specialist and gentle giant. It is as if the recruiter got Rafe and Dorn from an Abercrombie catalogue. They are AMMO, the rapid response team assigned to take on immediate issues that affect Miami.
The current problem is an assassin taking out members of Miami’s law enforcement community. We learn that there is a Mexican drug cartel looking for retribution and it is led by Isabel Aretas, the widow of the Kingpin (Kate de Castillo, playing the character with such seething hatred) and her son Armando (Jacob Scipio)
Bad Boys 3 is co-directed by the team of Adil and Bilall, who have worked together on film for the past ten years. Taking over the franchise from Michael Bay. There are plenty of chases and gunfights in the movie. The action is fantastic, the rapport between Marcus and Lowrey is just plain hilarious. The chemistry of their partnership is still there, and their timing is on point. I did not expect to laugh so hard or so much.
The movie took a minute to find it’s pacing at the beginning. Once the story was set, the timing was quick, but steady and the humor came on one after another. I thoroughly enjoyed the movie, it had all the elements that I would have expected from a Bad Boys sequel: a logical story line, action, humor, eye candy and car chases. I would recommend this movie for anyone who wants to lose themselves in an action film with a large side order of humor.
Marcus certainly is feeling his age, having been married with grown kids, and Mike is still ready to go and take down criminals with his own style. Marcus is eyeing retirement and his partner Lowrey, does not want any part of it. They are going by the motto of “Bad Boys for Life”. Captain Howard (Joe Pantoliano) is still running the precinct and a new tactical team has been established to carry out quick responses. This small team is led by Rita (Paola Nunez) who has had some history with Mike Lowrey.
Rita’s team is comprised by Kelly (Vanessa Hudgens) the team badass. Rafe (Charles Melton) the resident smart ass who immediately chafes Mike’s hide and Dorn (Alexander Ludwig), the IT specialist and gentle giant. It is as if the recruiter got Rafe and Dorn from an Abercrombie catalogue. They are AMMO, the rapid response team assigned to take on immediate issues that affect Miami.
The current problem is an assassin taking out members of Miami’s law enforcement community. We learn that there is a Mexican drug cartel looking for retribution and it is led by Isabel Aretas, the widow of the Kingpin (Kate de Castillo, playing the character with such seething hatred) and her son Armando (Jacob Scipio)
Bad Boys 3 is co-directed by the team of Adil and Bilall, who have worked together on film for the past ten years. Taking over the franchise from Michael Bay. There are plenty of chases and gunfights in the movie. The action is fantastic, the rapport between Marcus and Lowrey is just plain hilarious. The chemistry of their partnership is still there, and their timing is on point. I did not expect to laugh so hard or so much.
The movie took a minute to find it’s pacing at the beginning. Once the story was set, the timing was quick, but steady and the humor came on one after another. I thoroughly enjoyed the movie, it had all the elements that I would have expected from a Bad Boys sequel: a logical story line, action, humor, eye candy and car chases. I would recommend this movie for anyone who wants to lose themselves in an action film with a large side order of humor.