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LeftSideCut (3778 KP) rated Angel Has Fallen (2019) in Movies
Jul 4, 2020
Honestly, if you put a gun to my head and asked me to recite what actually happens either Olympus Has Fallen or London Has Fallen, then I'd be shit out of luck. The recent third entry Angel Has Fallen will be no different in a week or two...
It's not awful (some of the action is fairly entertaining) but it's so by the numbers and boring. Jesus Christ, even Nick Nolte doing his by-now-expected-crazy-old-guy schtick is tiresome after roughly 5 seconds.
The plot revolves around Gerard Butler's Mike Banning, who is high up in the White Houses security detail, being framed for an assassination attempt on the President (Morgan Freeman). He is then chased down by the FBI, whilst he tries to figure out who is actually behind it, take them down, and clear his name.
I don't even need to spoil who the bad guys are because it's painfully obvious from the precise second we meet them.
I don't mind Gerard Butler by any means, but he seems to be phoning it in at this point, as he goes through the motions and runs through a gauntlet of action movie cliches - including but not limited to:
- a dramatic dimly lit and gun heavy opening scene that is blatantly a training excercise
- the hero throwing down an effective weapon to face of with the villain in hand to hand
- the hero walking away from an important family conversation at a pivotal moment to go and do hero stuff
- Danny Huston playing a smug arsehole
- A political sub plot involving Russia that doesn't actually go anywhere
Etc, etc.
I, like most people, love a good bit of Morgan Freeman, but unfortunately, they did a Leia on him and just had him in a coma for most of the film, yaaaaay. Jada Pinkett-Smith is in here somewhere as well, but I can't even remember what happens to her.
Just to top it all off, some of the effects work in this is terrible by any standard, but considering it's a big budget action film, it's pretty embarrassing.
I mean, I can be a miserable bastard sometimes, and I appreciate that maybe I'm railing too hard on a film that should just be a dumb popcorn film, but honestly, Angel Has Fallen feels like the result of someone forcing a bot to sit through the first two, and then produce a script for a sequel.
It's not awful (some of the action is fairly entertaining) but it's so by the numbers and boring. Jesus Christ, even Nick Nolte doing his by-now-expected-crazy-old-guy schtick is tiresome after roughly 5 seconds.
The plot revolves around Gerard Butler's Mike Banning, who is high up in the White Houses security detail, being framed for an assassination attempt on the President (Morgan Freeman). He is then chased down by the FBI, whilst he tries to figure out who is actually behind it, take them down, and clear his name.
I don't even need to spoil who the bad guys are because it's painfully obvious from the precise second we meet them.
I don't mind Gerard Butler by any means, but he seems to be phoning it in at this point, as he goes through the motions and runs through a gauntlet of action movie cliches - including but not limited to:
- a dramatic dimly lit and gun heavy opening scene that is blatantly a training excercise
- the hero throwing down an effective weapon to face of with the villain in hand to hand
- the hero walking away from an important family conversation at a pivotal moment to go and do hero stuff
- Danny Huston playing a smug arsehole
- A political sub plot involving Russia that doesn't actually go anywhere
Etc, etc.
I, like most people, love a good bit of Morgan Freeman, but unfortunately, they did a Leia on him and just had him in a coma for most of the film, yaaaaay. Jada Pinkett-Smith is in here somewhere as well, but I can't even remember what happens to her.
Just to top it all off, some of the effects work in this is terrible by any standard, but considering it's a big budget action film, it's pretty embarrassing.
I mean, I can be a miserable bastard sometimes, and I appreciate that maybe I'm railing too hard on a film that should just be a dumb popcorn film, but honestly, Angel Has Fallen feels like the result of someone forcing a bot to sit through the first two, and then produce a script for a sequel.
Bob Mann (459 KP) rated Independence Day: Resurgence (2016) in Movies
Sep 29, 2021
Why Will Smith is a wise, wise man.
I’m catching up on a few of the big films I missed during 2016. But Roland Emmerich has a lot to answer for with this one. Twenty years after Independence Day smashed the summer box office of 1996, the aliens are back: bigger and badder than ever. Steven Hiller (Will Smith) is no longer on the scene but, to give Emmerich a little credit, he has gathered an impressive array of the original stars to return led by Hiller’s wife Jasmine (Vivica Fox), President Whitmore (Bill Pullman), Dr Okun (Brent Spiner), David Levinson (Jeff Goldblum) and his dad (Judd Hirsch). The great Robert Loggia even turns up, who played the original General Grey, looking like he is about to expire (which unfortunately he did late last year, and the film is in memorial to him). All of them have weathered over the years apart from Judd Hirsch who must have a picture in his attic.
Playing the new generation (Hiller’s young son Dylan and the president’s daughter Patricia) are Jessie Usher and the comely Maika Monroe respectively, the latter having the pout of a young Jessica Alba and showing promise. Rounding off the young ‘uns, and playing an enormously irritating hunk/hero and his sidekick buddy are Jake (Liam Hemsworth – yes, younger brother of Chris) and Floyd (Nicolas Wright). And with the obvious needs of summer blockbusters to appeal to the ravenous Chinese market there is also Shanghai-born Angelababy as a young hotshot pilot and Chin Han as her uncle, moonbase commander Commander Jiang.
It’s hard to know where to start with criticism of this film. It’s like you’ve caught someone desecrating the grave of a dearly departed relative. The plot is ludicrous…. Uh oh…here comes another One Mann’s Movies Showcase Theatre….
The scene: onboard the alien craft high above central Asia
DRONE K’FAALL: “The use of the anti-gravity weapon worked a treat your Majesty. We have ripped up Shanghai and dumped in from a great height on London! Take that Queenie! All hail our weapons superiority! I take it we should just ‘rinse and repeat’ around the world to wipe them all out? ”
QUEEN ALIEN BEE: “No K’Fall. Let’s land in the Atlantic and then go fight them one-on-one with our little ships in the desert near Area 51.”
DRONE K’FALL: “B-b-b-but your Majesty, with our gravity weapon we could eliminate all threat, drill out the earth’s core and find what we came here for in perfect safety!”.
QUEEN ALIEN BEE: “No… that’s just what they’ll be expecting us to do…”
I thought the Oscar for the dumbest aliens of the year was a shoe-in for the ones who chose a similar tactic in “The 5th Wave” – but no… we have another contender for the crown. This ridiculous London-based CGI sequence – a virtual re-shoot of the ridiculous CGI sequence in Emmerich’s “2012” where John Cusack is fleeing by plane a collapsing Los Angeles – is mitigated only by Goldblum’s witty comment about them “Always going for the landmarks” – the best line in the film.
Elsewhere, the story and screenplay – by an army of writers (never a good sign) – is risible and an insult to intelligence, alien or otherwise. The ludicrous plot points go on and on…
Why on earth is the single landed alien craft from 1996 owned by an African warlord? If mankind have ‘benefited’ so much from the alien technology that must surely have been through the UN-dismantling of that ship?
There seems to be no logical connection between the “visions” (stolen from “Close Encounters”) and the alien craft. The visions might have well have been of the alien’s last shopping list (“six cans of Kraag beans; one bottle of Vollufi ale; … “);
The alien craft is big enough to span the WHOLE Atlantic when it lands, but – who would believe it? – comes to a stop with its edge in Washington JUST ENOUGH to dip the White House flag to a jaunty angle. #cringe;
The alien ship – apparently open to the elements – allows our heroic hunks to wander around without spacesuits;
Breathless… or not. Jessie T Usher and Liam Hemsworth (foreground) not dying of asphyxiation or cold.
At one point it looked like our curvaceous heroine was going to defeat the alien queen in good ol’ Wild West fashion armed only with a handgun (but no, my head could come out of my hands again);
And don’t even get me started on the opening “excitement” about propping up a collapsing supergun on the moon with a spaceship. Gerry Anderson would be spinning in his grave.
The dialogue is little better. The original “Independence Day” was probably most famous for two scenes: the impressive destruction of the White House and Bill Paxton’s ludicrously corny “We will not go quietly into the night” speech. Here trying to go one better we have not just one version of this but two with William Fichner’s General Adams chipping one in from the rough before Paxton delivers an impromptu hanger speech that is toe-curlingly excruciating.
Much of the acting is of the “I really don’t want to be here but it’s good for the pension” variety with Paxton and Goldblum going through the motions and Charlotte Gainsborough being horribly miscast as a French anthropologist running around the world on the trail of Pokemon Go characters… or symbols… or something. Only Brent Spiner and Judd Hirsch really get into their stride with likeably over-the-top performances.
Goldblum and Charlotte Gainsborough. A less likely historic romantic attachment its difficult to imagine.
If this was a standalone story it might scrape a double-Fad… but as it so horrendously sullies a classic movie experience it incurs my cinematic wrath. It might have made Roland Emmer-richer (sic)…. but my recommendation would be to get a big bag of popcorn, the original 1996 movie on DVD and enjoy. Avoid, avoid, avoid.
Playing the new generation (Hiller’s young son Dylan and the president’s daughter Patricia) are Jessie Usher and the comely Maika Monroe respectively, the latter having the pout of a young Jessica Alba and showing promise. Rounding off the young ‘uns, and playing an enormously irritating hunk/hero and his sidekick buddy are Jake (Liam Hemsworth – yes, younger brother of Chris) and Floyd (Nicolas Wright). And with the obvious needs of summer blockbusters to appeal to the ravenous Chinese market there is also Shanghai-born Angelababy as a young hotshot pilot and Chin Han as her uncle, moonbase commander Commander Jiang.
It’s hard to know where to start with criticism of this film. It’s like you’ve caught someone desecrating the grave of a dearly departed relative. The plot is ludicrous…. Uh oh…here comes another One Mann’s Movies Showcase Theatre….
The scene: onboard the alien craft high above central Asia
DRONE K’FAALL: “The use of the anti-gravity weapon worked a treat your Majesty. We have ripped up Shanghai and dumped in from a great height on London! Take that Queenie! All hail our weapons superiority! I take it we should just ‘rinse and repeat’ around the world to wipe them all out? ”
QUEEN ALIEN BEE: “No K’Fall. Let’s land in the Atlantic and then go fight them one-on-one with our little ships in the desert near Area 51.”
DRONE K’FALL: “B-b-b-but your Majesty, with our gravity weapon we could eliminate all threat, drill out the earth’s core and find what we came here for in perfect safety!”.
QUEEN ALIEN BEE: “No… that’s just what they’ll be expecting us to do…”
I thought the Oscar for the dumbest aliens of the year was a shoe-in for the ones who chose a similar tactic in “The 5th Wave” – but no… we have another contender for the crown. This ridiculous London-based CGI sequence – a virtual re-shoot of the ridiculous CGI sequence in Emmerich’s “2012” where John Cusack is fleeing by plane a collapsing Los Angeles – is mitigated only by Goldblum’s witty comment about them “Always going for the landmarks” – the best line in the film.
Elsewhere, the story and screenplay – by an army of writers (never a good sign) – is risible and an insult to intelligence, alien or otherwise. The ludicrous plot points go on and on…
Why on earth is the single landed alien craft from 1996 owned by an African warlord? If mankind have ‘benefited’ so much from the alien technology that must surely have been through the UN-dismantling of that ship?
There seems to be no logical connection between the “visions” (stolen from “Close Encounters”) and the alien craft. The visions might have well have been of the alien’s last shopping list (“six cans of Kraag beans; one bottle of Vollufi ale; … “);
The alien craft is big enough to span the WHOLE Atlantic when it lands, but – who would believe it? – comes to a stop with its edge in Washington JUST ENOUGH to dip the White House flag to a jaunty angle. #cringe;
The alien ship – apparently open to the elements – allows our heroic hunks to wander around without spacesuits;
Breathless… or not. Jessie T Usher and Liam Hemsworth (foreground) not dying of asphyxiation or cold.
At one point it looked like our curvaceous heroine was going to defeat the alien queen in good ol’ Wild West fashion armed only with a handgun (but no, my head could come out of my hands again);
And don’t even get me started on the opening “excitement” about propping up a collapsing supergun on the moon with a spaceship. Gerry Anderson would be spinning in his grave.
The dialogue is little better. The original “Independence Day” was probably most famous for two scenes: the impressive destruction of the White House and Bill Paxton’s ludicrously corny “We will not go quietly into the night” speech. Here trying to go one better we have not just one version of this but two with William Fichner’s General Adams chipping one in from the rough before Paxton delivers an impromptu hanger speech that is toe-curlingly excruciating.
Much of the acting is of the “I really don’t want to be here but it’s good for the pension” variety with Paxton and Goldblum going through the motions and Charlotte Gainsborough being horribly miscast as a French anthropologist running around the world on the trail of Pokemon Go characters… or symbols… or something. Only Brent Spiner and Judd Hirsch really get into their stride with likeably over-the-top performances.
Goldblum and Charlotte Gainsborough. A less likely historic romantic attachment its difficult to imagine.
If this was a standalone story it might scrape a double-Fad… but as it so horrendously sullies a classic movie experience it incurs my cinematic wrath. It might have made Roland Emmer-richer (sic)…. but my recommendation would be to get a big bag of popcorn, the original 1996 movie on DVD and enjoy. Avoid, avoid, avoid.
Emma @ The Movies (1786 KP) rated Aladdin (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Oh. My. This was always going to be a tough one for me, and I've been thinking long and hard about how on earth I was going to review this. I love the original, anyone who even remotely enjoys it would be able to sing you at least one of the songs, and therein lies one of the problems. Would I have had a different opinion about some of the elements had I not seen the original so many times? After a lot of contemplating I think the answer in most cases is no.
Note: I went to see this for a second time so I'm going to edit what I previously wrote up as I go because on second viewing it was better. Once the initial shock and annoyance had passed after seeing it the first time it was much easier to watch for the second time.
Remaking something that's peak Disney has so many issues, recasting roles, changing social views and cultural sensitivities, are probably the biggest ones.
Let's talk about the (blue) elephant in the room... although I guess that phrase isn't really accurate as we all want to talk about it. Oh Genie, my Genie. I don't think anyone would have been able to fill that lamp the way Robin Williams did, he was larger than life and brought such a sense of fun whenever he did roles like this. The man is a comedic legend. Recasting this was always going to be difficult, and honestly, I don't know if there's anyone I would have been happy with taking over the mantle.
When I found out that Will Smith was on board I wasn't completely put off. On paper he's got everything you'd need for this role. He had one of two choices, stick to the original faithfully or take it your own way. I just don't think Smith actually had a choice though, he was going to have to do a reinterpretation of the role, but how could you ever follow Williams?
The thing I'm most surprised about with Genie is just how bad the CGI is. It's not like this is something Disney are unfamiliar with. Why did some of it even need to be CGId? I obviously don't know the ins and outs of these techniques or options, but if people can make Robbie Coltrane look larger than life in Harry Potter without mucking it up then why aren't they smurfing Will Smith up and doing the same?
Casting across the rest of the film wasn't such an epic task, Mena Massoud as Aladdin and Navid Negahban as the Sultan hit exactly the right spot. I had issues with Jafar, that's nothing to do with Marwan Kenzari's acting which was very good, but it was the fact that in my head Jafar should have been older. (Dream casting: Ben Kingsley.) I'm sure I won't be popular saying this but I didn't really like Naomi Scott as Jasmine, I don't think she brought enough sass to the role, I also felt that some of the new inclusions into the film around Jasmine negatively affected my view of her.
By far and away my favourite from the live action cast was Nasim Pedrad as Dalia, Jasmine's lady in waiting. I don't know why they felt the need to bring this character in, but I'm really glad they did. She's funny and a welcome break in some scenes. She completely outshines Jasmine as almost every point in the film... actually, I retract the word "almost". While I might not be happy about part of her character's story (ask me for the spoilers) she was definitely the best added extra in the film.
Our group of sidekicks, Abu, Iago, Rajah and Carpet all come out with varying degrees of success. Abu wasn't entirely lucky with the CGI and didn't get such a fun part as before. Iago was much more bird-like than previously which meant less actual talking so I have to wonder why they hired Alan Tudyk if they weren't going to use him properly. Rajah while less quizzical than in the original was entertaining and luckily wasn't mutilated by the CGI. Carpet though, I loved Carpet. He was super cute and absolutely adorable with Abu.
I'm not going to go over every change they made to the original, but one tweak particularly bugged me. They change the way that Aladdin gets out of the cave of wonders. The verbal trickery that Aladdin uses in the original is gone and they switch it out for a much more deceitful moment. The idea isn't as clever as its predecessor and also means that later in the film when Aladdin tricks Jafar you don't get that same connection, watching Genie working out what was going on was painful viewing.
I can't really put off talking about the songs anymore.
As trailers and sneak peeks appeared online I became increasingly nervous about the songs. Prince Ali seemed to be less upbeat than before, and while the sequence looked like it had potential all of it together didn't feel as vibrant. I appreciate that they tried to keep all those little Genie added extra in but it felt like they went with a "safe" option.
I enjoy Will Smith's singing, but I'm not a fan of it in this. I don't think the change in style is suited to these songs. I've seen people saying about how he's rapping in it... but I wouldn't have identified it as rapping. If anything it felt like they went "you should get some rapping in there, but we're Disney so tone it down... a lot."
We get a new offering on the soundtrack in the shape of Speechless, Jasmine's empowering song. I like the song, it certainly has the Disney vibe, and Scott sings it beautifully... but it didn't give me those goosebumps that I expect from power songs. I probably would have given the song a pass had it not been for the way it was included in the film. The frozen scenes with Jasmine dramatically moving in and out of the cast and set... ugh... that just didn't work for me.
Massoud had originally given me so much hope for the music when I heard One Jump Ahead at the beginning. It was excellent, and throughout the film I loved his singing.
Here's where my opinion changed a bit after my second visit... the songs weren't all as bad as I'd felt after the first viewing. I still didn't enjoy Genie's offering, but Aladdin and Jasmine both felt like an excellent choice. The main thing that didn't change was the fact that I didn't feel the songs fit well into the scenes. Part of the draw of Disney is the toe-tapping singalong vibe you get from the music, and there was a lack of pizzaz in most of the sequences that left my toes untapped.
I could probably go on for a very long time about this film. (I already have.) Ultimately, I don't think it's an improvement on the original, I don't think these modern rehashes really add a lot when you have to adjust for the modern culture. I'm not saying that you shouldn't take the changing times into consideration, I just think you should do it in a way that doesn't just come across as trying to score points with the audience to prove how "with it" you are. I also don't think that coming up with 30 minutes of extra footage is ever a sensible idea. If that's what you want to do then perhaps you need to really mix things up and come up with a whole new concept for the story.
What you should do
You're either a Disney nut or you're not. Personally, I would recommend staying at home and having a binge of old Disney classics, starting with the one true Genie.
Movie thing you wish you could take home
Could I get Genie powers without the itty-bitty living space?
Note: I went to see this for a second time so I'm going to edit what I previously wrote up as I go because on second viewing it was better. Once the initial shock and annoyance had passed after seeing it the first time it was much easier to watch for the second time.
Remaking something that's peak Disney has so many issues, recasting roles, changing social views and cultural sensitivities, are probably the biggest ones.
Let's talk about the (blue) elephant in the room... although I guess that phrase isn't really accurate as we all want to talk about it. Oh Genie, my Genie. I don't think anyone would have been able to fill that lamp the way Robin Williams did, he was larger than life and brought such a sense of fun whenever he did roles like this. The man is a comedic legend. Recasting this was always going to be difficult, and honestly, I don't know if there's anyone I would have been happy with taking over the mantle.
When I found out that Will Smith was on board I wasn't completely put off. On paper he's got everything you'd need for this role. He had one of two choices, stick to the original faithfully or take it your own way. I just don't think Smith actually had a choice though, he was going to have to do a reinterpretation of the role, but how could you ever follow Williams?
The thing I'm most surprised about with Genie is just how bad the CGI is. It's not like this is something Disney are unfamiliar with. Why did some of it even need to be CGId? I obviously don't know the ins and outs of these techniques or options, but if people can make Robbie Coltrane look larger than life in Harry Potter without mucking it up then why aren't they smurfing Will Smith up and doing the same?
Casting across the rest of the film wasn't such an epic task, Mena Massoud as Aladdin and Navid Negahban as the Sultan hit exactly the right spot. I had issues with Jafar, that's nothing to do with Marwan Kenzari's acting which was very good, but it was the fact that in my head Jafar should have been older. (Dream casting: Ben Kingsley.) I'm sure I won't be popular saying this but I didn't really like Naomi Scott as Jasmine, I don't think she brought enough sass to the role, I also felt that some of the new inclusions into the film around Jasmine negatively affected my view of her.
By far and away my favourite from the live action cast was Nasim Pedrad as Dalia, Jasmine's lady in waiting. I don't know why they felt the need to bring this character in, but I'm really glad they did. She's funny and a welcome break in some scenes. She completely outshines Jasmine as almost every point in the film... actually, I retract the word "almost". While I might not be happy about part of her character's story (ask me for the spoilers) she was definitely the best added extra in the film.
Our group of sidekicks, Abu, Iago, Rajah and Carpet all come out with varying degrees of success. Abu wasn't entirely lucky with the CGI and didn't get such a fun part as before. Iago was much more bird-like than previously which meant less actual talking so I have to wonder why they hired Alan Tudyk if they weren't going to use him properly. Rajah while less quizzical than in the original was entertaining and luckily wasn't mutilated by the CGI. Carpet though, I loved Carpet. He was super cute and absolutely adorable with Abu.
I'm not going to go over every change they made to the original, but one tweak particularly bugged me. They change the way that Aladdin gets out of the cave of wonders. The verbal trickery that Aladdin uses in the original is gone and they switch it out for a much more deceitful moment. The idea isn't as clever as its predecessor and also means that later in the film when Aladdin tricks Jafar you don't get that same connection, watching Genie working out what was going on was painful viewing.
I can't really put off talking about the songs anymore.
As trailers and sneak peeks appeared online I became increasingly nervous about the songs. Prince Ali seemed to be less upbeat than before, and while the sequence looked like it had potential all of it together didn't feel as vibrant. I appreciate that they tried to keep all those little Genie added extra in but it felt like they went with a "safe" option.
I enjoy Will Smith's singing, but I'm not a fan of it in this. I don't think the change in style is suited to these songs. I've seen people saying about how he's rapping in it... but I wouldn't have identified it as rapping. If anything it felt like they went "you should get some rapping in there, but we're Disney so tone it down... a lot."
We get a new offering on the soundtrack in the shape of Speechless, Jasmine's empowering song. I like the song, it certainly has the Disney vibe, and Scott sings it beautifully... but it didn't give me those goosebumps that I expect from power songs. I probably would have given the song a pass had it not been for the way it was included in the film. The frozen scenes with Jasmine dramatically moving in and out of the cast and set... ugh... that just didn't work for me.
Massoud had originally given me so much hope for the music when I heard One Jump Ahead at the beginning. It was excellent, and throughout the film I loved his singing.
Here's where my opinion changed a bit after my second visit... the songs weren't all as bad as I'd felt after the first viewing. I still didn't enjoy Genie's offering, but Aladdin and Jasmine both felt like an excellent choice. The main thing that didn't change was the fact that I didn't feel the songs fit well into the scenes. Part of the draw of Disney is the toe-tapping singalong vibe you get from the music, and there was a lack of pizzaz in most of the sequences that left my toes untapped.
I could probably go on for a very long time about this film. (I already have.) Ultimately, I don't think it's an improvement on the original, I don't think these modern rehashes really add a lot when you have to adjust for the modern culture. I'm not saying that you shouldn't take the changing times into consideration, I just think you should do it in a way that doesn't just come across as trying to score points with the audience to prove how "with it" you are. I also don't think that coming up with 30 minutes of extra footage is ever a sensible idea. If that's what you want to do then perhaps you need to really mix things up and come up with a whole new concept for the story.
What you should do
You're either a Disney nut or you're not. Personally, I would recommend staying at home and having a binge of old Disney classics, starting with the one true Genie.
Movie thing you wish you could take home
Could I get Genie powers without the itty-bitty living space?
Emma @ The Movies (1786 KP) rated Gemini Man (2019) in Movies
Dec 8, 2019
I saw the trailers for this and thought it looked pretty good, the story sounded interesting and even though the effects in the clips looked a little dubious I was excited for one reason... Jerry Bruckheimer was involved, and I've never seen anything he's done that I didn't enjoy.
Henry Brogan is a master assassin, his whole life has been dedicated to perfecting his craft, but when he discovers he's been misled about a recent kill he decides it's time to hang up his gun. Such a high profile asset can't just retire from his life though and he soon finds himself being pursued. His would-be killer is agile and surprisingly capable, Henry is impressed by the improvising skills, and so he should be... they're his.
I've only just learnt that this film has been on the cards for 20 odd years. When it was first discussed technology wasn't up for the task the idea was pitching. Knowing that fact makes me wonder if they kept a 90's/00's script because the action does have that nostalgic quality. There have been lots of directors and actors attached to it and there's a fun thought experiment to have by exploring the possible outcomes it could have had.
Before I talk about my thoughts on the film I want to touch on the experience I had. Being out of town for the release meant that I was able to go to a cinema showing it in HFR 3D. This is the way it was filmed and intended to be seen but hardly any cinemas (in the world it seems) are able to show it that way. Cineworld Crawley were one of the cinemas that could, initially I wasn't bothered about seeing it in this format, but to be so close and have it snatched away was a real trauma.
I saw roughly the first 3 minutes of the film in HFR 3D and it seems this was the same fate of the screening before too. What I saw of it was mind-blowing, Will Smith was so crystal clear that he probably wouldn't have even looked that good if he was performing it in the room with me. But as I say, (several) 3-minute viewings were all we got before they had to give up and show us the 2D version. I'd be interested to know if anyone has a successful HFR screening. I would like to have seen it all the way through to see how it changed the visuals, sadly that's unlikely to happen now.
Let me put this out there straight away... this film is not good, and yet somehow good.
Gemini Man is a conventional idea with a twist and has an average script, but there's something engaging about the action. Oh, and while the script wasn't great it's entirely accurate when it states "Everyone hates cilantro." Yes, quite right.
De-aging technology has come a long way recently, but it has ups and downs depending on budget. In this respect Gemini Man had me stumped. The CGI in the trailer didn't look great and I assumed that was maybe early footage to get it out in front of audiences, but the film genuinely wasn't much better. There are moments where you don't notice it, you could almost pass Little Will off as the original, but the main problem is he's too familiar. On a lesser-known actor this might have played off better in more scenes. There are several moments where Little Will is lit with a flashlight and those moments caused me the most problems because that lighting looked wrong, particularly on his neck, and any quality work that may have been there was lost with the one bad piece. Most other effects are pretty reasonable until we get to the parkour ninja assassin towards the end... that sequence appears to be CG and everything is too fast and very cartoony.
I don't feel much of a need to talk about acting, it's all... fine. Without an epic script there's not much to work with but everyone makes it work as it needs to. It's a little sad that with 20 years to play with this wasn't a masterpiece on all fronts, or at least the script.
Gemini Man may have had a lot of issues for me but in the moment it's good to watch... even with the cheesy ending and the point where I thought it was directed by John Woo. I won't feel the need to buy this when it comes out but I'll definitely watch it again while hoping to see the HFR version in full.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/gemini-man-movie-review.html
Henry Brogan is a master assassin, his whole life has been dedicated to perfecting his craft, but when he discovers he's been misled about a recent kill he decides it's time to hang up his gun. Such a high profile asset can't just retire from his life though and he soon finds himself being pursued. His would-be killer is agile and surprisingly capable, Henry is impressed by the improvising skills, and so he should be... they're his.
I've only just learnt that this film has been on the cards for 20 odd years. When it was first discussed technology wasn't up for the task the idea was pitching. Knowing that fact makes me wonder if they kept a 90's/00's script because the action does have that nostalgic quality. There have been lots of directors and actors attached to it and there's a fun thought experiment to have by exploring the possible outcomes it could have had.
Before I talk about my thoughts on the film I want to touch on the experience I had. Being out of town for the release meant that I was able to go to a cinema showing it in HFR 3D. This is the way it was filmed and intended to be seen but hardly any cinemas (in the world it seems) are able to show it that way. Cineworld Crawley were one of the cinemas that could, initially I wasn't bothered about seeing it in this format, but to be so close and have it snatched away was a real trauma.
I saw roughly the first 3 minutes of the film in HFR 3D and it seems this was the same fate of the screening before too. What I saw of it was mind-blowing, Will Smith was so crystal clear that he probably wouldn't have even looked that good if he was performing it in the room with me. But as I say, (several) 3-minute viewings were all we got before they had to give up and show us the 2D version. I'd be interested to know if anyone has a successful HFR screening. I would like to have seen it all the way through to see how it changed the visuals, sadly that's unlikely to happen now.
Let me put this out there straight away... this film is not good, and yet somehow good.
Gemini Man is a conventional idea with a twist and has an average script, but there's something engaging about the action. Oh, and while the script wasn't great it's entirely accurate when it states "Everyone hates cilantro." Yes, quite right.
De-aging technology has come a long way recently, but it has ups and downs depending on budget. In this respect Gemini Man had me stumped. The CGI in the trailer didn't look great and I assumed that was maybe early footage to get it out in front of audiences, but the film genuinely wasn't much better. There are moments where you don't notice it, you could almost pass Little Will off as the original, but the main problem is he's too familiar. On a lesser-known actor this might have played off better in more scenes. There are several moments where Little Will is lit with a flashlight and those moments caused me the most problems because that lighting looked wrong, particularly on his neck, and any quality work that may have been there was lost with the one bad piece. Most other effects are pretty reasonable until we get to the parkour ninja assassin towards the end... that sequence appears to be CG and everything is too fast and very cartoony.
I don't feel much of a need to talk about acting, it's all... fine. Without an epic script there's not much to work with but everyone makes it work as it needs to. It's a little sad that with 20 years to play with this wasn't a masterpiece on all fronts, or at least the script.
Gemini Man may have had a lot of issues for me but in the moment it's good to watch... even with the cheesy ending and the point where I thought it was directed by John Woo. I won't feel the need to buy this when it comes out but I'll definitely watch it again while hoping to see the HFR version in full.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/gemini-man-movie-review.html
Lee (2222 KP) rated Queen & Slim (2019) in Movies
Dec 4, 2019
Usually when my local cinema chain hosts a secret screening, it's for a lesser known film that they're hoping to drum up interest and support for. They do occasionally show something a bit more mainstream though (the last one I went to was for an advance showing of Le Mans '66) and a lot of people in the run up to last nights secret screening were actually expecting it to be Little Women. It turned out to be Queen & Slim, a film that I knew very little about, and probably wouldn't have ventured to see at the cinema if I'm honest. Which is obviously the whole idea behind the secret screenings and why they urge you on social media beforehand to stick with it when you discover what it is!
Queen (Jodie Turner-Smith) and Slim (Daniel Kaluuya) are at a diner for their first Tinder date and they seem to be getting along, although a second date isn't exactly a definite just yet. As they drive home afterwards, they are pulled over by a white cop for driving erratically (Slim was quickly reaching to grab his phone back from Queen at the time) and for failure to execute a turn signal. There are clearly some racial motives behind the actions of the police officer though, not helped by Slim's impatience as the officer checks through the contents of his car, and the questioning coming from Queen, who works as a defense attorney and knows their rights. Following a heated exchange, a shot is fired and Queen is left with a flesh wound to her leg. An angered Slim then brawls with the cop and, in what is clearly self defense, shoots and kills the officer. Fearing what will happen to them next and the likelihood of further injustice, they decide to go on the run.
What follows is around 40 minutes of pretty tense drama, unexpectedly peppered with some moments of real humour when as the pair find themselves getting into even more difficult situations. As dash-cam footage from the vehicle of the deceased police officer goes viral, there's a real sense of urgency and intensity to their predicament, making for a really intense and gripping roller-coaster of a ride. They make it to New Orleans, and a brief stopover at the home of Queen's Uncle Earl (Bokeem Woodbine), and it's around this point in the movie that momentum gets lost somewhat, never really recovering until the finale.
Written by Lena Waithe (Master of None and Ready Player One), Queen & Slim is clearly a relevant and important movie, boasting a great look and style from director Melina Matsoukas. Daniel Kaluuya is a great choice for Slim too, no stranger to portraying strong emotions with his eyes and facial expressions, as he did so perfectly in his iconic Get Out role. While I wasn't so keen on Jodie Turner-Smith, the pair did work well together, despite making some questionable character choices at times. When a photo of the pair goes viral, they become a kind of modern day Bonnie & Clyde, hailed as heroes and legends by many as they make their way down towards Florida, where they hope to be able catch a flight to freedom in Cuba. Along the way, their relationship develops and they occasionally find support among the black community in each town they stop at.
But, following that stopover in New Orleans, Queen & Slim becomes much more of a slow meander towards the finish line, and it's a real noticeable tonal shift and change of pacing from those first 40 minutes or so. People in the cinema became fidgety (including me), some gave up on the movie completely and left the cinema (I've done that before, vowed never to do it again though) and all I could think about when they get help from some old friends of Queen's Uncle was "Is that Needles, from Back to the Future?" (it was).
All of this shouldn't detract from how important this movie is though, highlighting racial injustice and delving into real issues unashamedly. While Queen & Slim didn't quite work for me overall, it is certainly a story which deserves to be told and seen by many, getting people talking and hopefully instigating some real change. I'm glad I had the chance to see it, and glad I stuck with it right until the end.
Queen (Jodie Turner-Smith) and Slim (Daniel Kaluuya) are at a diner for their first Tinder date and they seem to be getting along, although a second date isn't exactly a definite just yet. As they drive home afterwards, they are pulled over by a white cop for driving erratically (Slim was quickly reaching to grab his phone back from Queen at the time) and for failure to execute a turn signal. There are clearly some racial motives behind the actions of the police officer though, not helped by Slim's impatience as the officer checks through the contents of his car, and the questioning coming from Queen, who works as a defense attorney and knows their rights. Following a heated exchange, a shot is fired and Queen is left with a flesh wound to her leg. An angered Slim then brawls with the cop and, in what is clearly self defense, shoots and kills the officer. Fearing what will happen to them next and the likelihood of further injustice, they decide to go on the run.
What follows is around 40 minutes of pretty tense drama, unexpectedly peppered with some moments of real humour when as the pair find themselves getting into even more difficult situations. As dash-cam footage from the vehicle of the deceased police officer goes viral, there's a real sense of urgency and intensity to their predicament, making for a really intense and gripping roller-coaster of a ride. They make it to New Orleans, and a brief stopover at the home of Queen's Uncle Earl (Bokeem Woodbine), and it's around this point in the movie that momentum gets lost somewhat, never really recovering until the finale.
Written by Lena Waithe (Master of None and Ready Player One), Queen & Slim is clearly a relevant and important movie, boasting a great look and style from director Melina Matsoukas. Daniel Kaluuya is a great choice for Slim too, no stranger to portraying strong emotions with his eyes and facial expressions, as he did so perfectly in his iconic Get Out role. While I wasn't so keen on Jodie Turner-Smith, the pair did work well together, despite making some questionable character choices at times. When a photo of the pair goes viral, they become a kind of modern day Bonnie & Clyde, hailed as heroes and legends by many as they make their way down towards Florida, where they hope to be able catch a flight to freedom in Cuba. Along the way, their relationship develops and they occasionally find support among the black community in each town they stop at.
But, following that stopover in New Orleans, Queen & Slim becomes much more of a slow meander towards the finish line, and it's a real noticeable tonal shift and change of pacing from those first 40 minutes or so. People in the cinema became fidgety (including me), some gave up on the movie completely and left the cinema (I've done that before, vowed never to do it again though) and all I could think about when they get help from some old friends of Queen's Uncle was "Is that Needles, from Back to the Future?" (it was).
All of this shouldn't detract from how important this movie is though, highlighting racial injustice and delving into real issues unashamedly. While Queen & Slim didn't quite work for me overall, it is certainly a story which deserves to be told and seen by many, getting people talking and hopefully instigating some real change. I'm glad I had the chance to see it, and glad I stuck with it right until the end.
Neon's Nerd Nexus (360 KP) rated Bad Boys for Life (2020) in Movies
Jan 18, 2020 (Updated Jan 18, 2020)
Fly Together Die Together
Bad Boys For Life doesnt suck. That sentence alone could be the review many of you were hoping for right there but its actually true and as a matter of fact I think this is also my favourite out of the 3 movies. A decision was made to pass this movie over to a diffrent director (watch out for a brilliant cameo almost giving blessing this) and while personally I love Micheal Bays explosive syle of directing every now and then for the franchise this was a great move. For Life is not only a tighter more mature outing but it also shows the franchise has evolved, learnt and adapted with the times something most sequels fail to acomplish. Ill start with the action this time it certainly feels tighter, better shot and grittier going for more of a John Wick approach which without a doubt leads to some very impressive visual flare, lovely cinematography, great choreograph and some fabulously unique and stylish camera angles too. Theres no quick cuts either (thank god) but there is however one scene that had green screen so bad I wondered why its inclusion was necessary at all. Its uber violent too with some scenes being shockingly grizzly to watch but these combine with villians which feel so evil/methodical really adds a lot of urgency, fear, threat and tension to the story making the film feel way more adult the previous outings. Story wise things are layed out nicely too however it does take a strange turn in the third act which I feel doesnt quite work or fit a character we know and love. Chemistry between Will Smith and Martin Lawrence is as flawless as ever and while the jokes may not be laugh out loud funny watching them bicker/fight is still so entertaining and Infact theres actually some really great acting too from both the Bad Boys too. As we are introduced to new members of the team we also see how times have changed, how roles have been reversed and how a gung-ho approach to situations just isnt viable anymore as it causes to much collateral damage and ends in to many casualties. Seeing Marcus and Mike forced to change thier approach, grow up and realise they are getting old works really well and helps keep the film feeling unpredictable too. While not groundbreaking I had a bloody good time with Bad Boys 3 and feel with this new aproach Id be happy to see the franchise continue on for a bit longer. Its a fast, violent, stylish, thrilling, funny and above all a highly enjoyable 'one last ride'.
LeftSideCut (3778 KP) rated Bad Boys for Life (2020) in Movies
Jan 28, 2020
It's says a lot about this third entry into the Bad Boys franchise, when there's been a 17 year gap between movies, and it still manages to be this good!
The Bad Boys films are known for being over the top, sweary, violent, funny, and action packed, and thankfully, this tried and tested formula sticks again.
It's silliness is hugely toned down from the overly gratuitous Bad Boys II, (it's still pretty silly mind), and we're presented with a host of characters that actually ground the franchise a little, and it's all the better for it.
Will Smith and Martin Lawrence are once again hugely likable as detectives Mike Lowrey and Marcus Burnett, the chemistry between the two is still hilariously beautiful and bro-tastic after all these years.
BBFL also introduces a group of new characters, a law enforcement response team known as AMMO, who are also all pretty likable. I feel that the writers are perhaps testing the waters for a potential spin off.
The movies bad guys are drug-queen Isabel Aretas and her son Armando (Kate del Castillo and Jacob Scipio respectively) who both do a pretty good job at playing imposing and dangerous villains.
We also get some back story regarding Mike Lowrey that has never been touched on before - a possible avenue for a prequel maybe?
The action set pieces are exciting and well choreographed (best motorbike chase since John Wick 3) and directors Adil El Arbi and Bilall Fallah - taking over from Michael Bay - do a solid job of delivering a well shot action packed adventure, with just enough nods to the original duology's style.
The only criticisms I have really stem from pacing. The movie feels very staggered for much of the first half and takes a while to really kick into gear, but once it does, it's hugely entertaining.
Also, the comedy is laid on pretty thick and fast from the get go, and there were quite a few moments that didn't land, (predictably, there was plenty of too-old-for-this-shit jokes) but by the same merit, there were plenty that did.
Bad Boys For Life is overall a fun time that is pretty hard to not enjoy, and it actually might just be the best of the series, if not, then it's certainly on par with the first.
The narrative makes a good effort to set up potential directions for the franchise going forward (I counted at least three obvious set ups) but based on the strength of this entry, it something that I would actually like to see, and considering I went to the cinema content in the apparent knowledge that this would be the last one, that can only be a good thing.
The Bad Boys films are known for being over the top, sweary, violent, funny, and action packed, and thankfully, this tried and tested formula sticks again.
It's silliness is hugely toned down from the overly gratuitous Bad Boys II, (it's still pretty silly mind), and we're presented with a host of characters that actually ground the franchise a little, and it's all the better for it.
Will Smith and Martin Lawrence are once again hugely likable as detectives Mike Lowrey and Marcus Burnett, the chemistry between the two is still hilariously beautiful and bro-tastic after all these years.
BBFL also introduces a group of new characters, a law enforcement response team known as AMMO, who are also all pretty likable. I feel that the writers are perhaps testing the waters for a potential spin off.
The movies bad guys are drug-queen Isabel Aretas and her son Armando (Kate del Castillo and Jacob Scipio respectively) who both do a pretty good job at playing imposing and dangerous villains.
We also get some back story regarding Mike Lowrey that has never been touched on before - a possible avenue for a prequel maybe?
The action set pieces are exciting and well choreographed (best motorbike chase since John Wick 3) and directors Adil El Arbi and Bilall Fallah - taking over from Michael Bay - do a solid job of delivering a well shot action packed adventure, with just enough nods to the original duology's style.
The only criticisms I have really stem from pacing. The movie feels very staggered for much of the first half and takes a while to really kick into gear, but once it does, it's hugely entertaining.
Also, the comedy is laid on pretty thick and fast from the get go, and there were quite a few moments that didn't land, (predictably, there was plenty of too-old-for-this-shit jokes) but by the same merit, there were plenty that did.
Bad Boys For Life is overall a fun time that is pretty hard to not enjoy, and it actually might just be the best of the series, if not, then it's certainly on par with the first.
The narrative makes a good effort to set up potential directions for the franchise going forward (I counted at least three obvious set ups) but based on the strength of this entry, it something that I would actually like to see, and considering I went to the cinema content in the apparent knowledge that this would be the last one, that can only be a good thing.
Caribou recommended In the Aeroplane Over the Sea by Neutral Milk Hotel in Music (curated)
Ti West recommended American Movie (1999) in Movies (curated)
Becs (244 KP) rated Silent Lee and the Adventure of the Side Door Key in Books
May 30, 2019
Story Development (2 more)
Character Development
Plot was amazing
Cute and simple read!
My rating: ☆☆☆☆☆
Review:
I received Silent Lee and the Adventure of the Side Door Key by Alex Hiam from Smith Publicity to read and review for my honest opinion. Since this novel has such a long title, I will be shortening it to just Silent Lee.
Silent Lee is about a young girl about the age of fourteen named Silent Lee, (she prefers Sie). Sie has been living in the Side Door world majority of her life.
A note on the Side Door world and the Front Door world:
Side Door world - the magical world that you can only enter through the side door of a house. You must have the special key in order to activate this world. Not all side doors are a part of the Side Door world. If there is a side door that doesn't have an exit, then you're in luck!
Front Door world - the modern world that you enter via the front door, back door, or windows. This is the world that Raahi lives in along with Sie's mother.
One day, Sie's mother takes Sie away from her Auntie Gen's. Then, before Sie realizes, Auntie Gen dies (or so we think). The story continues to follow Sie as she gets dropped off at her cousins house, who eventually leave her for summer vacation, and Raahi entering Sie's life. Sie gets a note from her Auntie Gen and she begins questioning what it could mean and whether her Aunt is actually dead. So, being the curious soul that she is, she follows the note as best as she can. Raahi is by her side throughout the entirety of the story and even to the very ending when they find and rescue Auntie Gen from being held captive by Sie's mother who is a CIA agent.
This was a fast-paced, middle grade novel that will keep your attention until the very end. I can't wait to read more of Sie's story!
Characters:
Silent Lee (Sie) - the protagonist, fourteen years old and a witch who travels from the Side Door world and the Front Door world. Mixed ethnicity - African American and European.
Raahi - a minor protagonist who befriends Sie because he has a crush on her. Same age as Sie and follows her throughout the story. Indian ethnicity.
Auntie Gen - Sie's aunt who is originally presumed dead, but was actually held captive by the CIA and Sie's mother. Also a witch and the holder of the Side Door key until she gives it to Sie.
Agent Lee - Sie's adoptive mother, may not actually be a part of the Side Door world at all. She tries to steal the power within the Side Door world to bring back into the Front Door world.
Mr. Vose - art gallery owner who helps Sie and Raahi.
The Custodian - balance keeper of the Front Door world, helps Sie and Raahi in a time of need.
Reasons why I rated it 5 stars:
1. The plot:
The plot was very driven and I did not find any plot holes. The story was written in a very high level for a middle grade novel and I truly enjoyed it.
2. My enjoyment:
I loved Silent Lee and the Adventure of the Side Door Key so much!
3. Character and story development:
Man oh man! There was a ton of background and development for both the characters and the story!! I was really blown away as there was more then the average young adult novel.
4. Grammar and spelling:
I did not find any grammatical or spelling errors and Silent Lee was very well-written.
5. The overall story:
This was such an adorable story! I really loved the modern and historical balance that the author created while also adding a bit of magic into the story.
"Bookworms ate books - they didn't read them. And what was wrong with reading, anyway?"
Review:
I received Silent Lee and the Adventure of the Side Door Key by Alex Hiam from Smith Publicity to read and review for my honest opinion. Since this novel has such a long title, I will be shortening it to just Silent Lee.
Silent Lee is about a young girl about the age of fourteen named Silent Lee, (she prefers Sie). Sie has been living in the Side Door world majority of her life.
A note on the Side Door world and the Front Door world:
Side Door world - the magical world that you can only enter through the side door of a house. You must have the special key in order to activate this world. Not all side doors are a part of the Side Door world. If there is a side door that doesn't have an exit, then you're in luck!
Front Door world - the modern world that you enter via the front door, back door, or windows. This is the world that Raahi lives in along with Sie's mother.
One day, Sie's mother takes Sie away from her Auntie Gen's. Then, before Sie realizes, Auntie Gen dies (or so we think). The story continues to follow Sie as she gets dropped off at her cousins house, who eventually leave her for summer vacation, and Raahi entering Sie's life. Sie gets a note from her Auntie Gen and she begins questioning what it could mean and whether her Aunt is actually dead. So, being the curious soul that she is, she follows the note as best as she can. Raahi is by her side throughout the entirety of the story and even to the very ending when they find and rescue Auntie Gen from being held captive by Sie's mother who is a CIA agent.
This was a fast-paced, middle grade novel that will keep your attention until the very end. I can't wait to read more of Sie's story!
Characters:
Silent Lee (Sie) - the protagonist, fourteen years old and a witch who travels from the Side Door world and the Front Door world. Mixed ethnicity - African American and European.
Raahi - a minor protagonist who befriends Sie because he has a crush on her. Same age as Sie and follows her throughout the story. Indian ethnicity.
Auntie Gen - Sie's aunt who is originally presumed dead, but was actually held captive by the CIA and Sie's mother. Also a witch and the holder of the Side Door key until she gives it to Sie.
Agent Lee - Sie's adoptive mother, may not actually be a part of the Side Door world at all. She tries to steal the power within the Side Door world to bring back into the Front Door world.
Mr. Vose - art gallery owner who helps Sie and Raahi.
The Custodian - balance keeper of the Front Door world, helps Sie and Raahi in a time of need.
Reasons why I rated it 5 stars:
1. The plot:
The plot was very driven and I did not find any plot holes. The story was written in a very high level for a middle grade novel and I truly enjoyed it.
2. My enjoyment:
I loved Silent Lee and the Adventure of the Side Door Key so much!
3. Character and story development:
Man oh man! There was a ton of background and development for both the characters and the story!! I was really blown away as there was more then the average young adult novel.
4. Grammar and spelling:
I did not find any grammatical or spelling errors and Silent Lee was very well-written.
5. The overall story:
This was such an adorable story! I really loved the modern and historical balance that the author created while also adding a bit of magic into the story.
"Bookworms ate books - they didn't read them. And what was wrong with reading, anyway?"