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Ti West recommended American Movie (1999) in Movies (curated)

 
American Movie (1999)
American Movie (1999)
1999 | Comedy, Documentary
(0 Ratings)
Movie Favorite

"Number four is the documentary American Movie. The reason I like this movie so much is I’m a big fan of sort of vérité documentaries and, while this is not exactly a vérité documentary, it’s a movie from the late ’90s and it’s sort of the end of the 16mm personal documentary era. I suppose there are some that exist after that, but for the most part, as someone who really likes movies like Grey Gardens and Seventeen and all these great sort of authentic… Filmmakers went and experienced their experiences with their subjects. American Movie is really like the pinnacle of that for me in that it’s a movie that took two years to make and two years to edit. It’s the kind of movie where when you hear Chris Smith, the director, ask a question, you almost get excited because it’s like, “Oh, the guy from behind the camera is a part of the story also?” Or the boom dips in. It’s charming because you know they’ve been there for two years living with these people. The movie’s amazing because it’s an incredible critique on filmmaking that’s both funny and also sort of sentimental and inspiring in that the Murphy’s Law of filmmaking is that anything that can go wrong will go wrong and, you know, in the case of [subject] Mark Borchardt, it really does. But you’ve never seen someone more impassioned and more determined to sort of accomplish… I don’t know if I want to say something as silly as “their dreams,” but he’s dedicated to doing this and that. To me as a filmmaker or as someone who’s trying to do any sort of artistic endeavor, it’s really amazing to watch, and the movie is very sincere and very honest and very charming and very funny. It gives you an idea of, like, what to avoid when making movies, but it also gives you an idea of what movies are going to be very hard — I would say that making movies is very traumatic — and you’ve just sort of got to stick with it, and this movie is a great example of that. And it’s a great example of getting to know the characters personally, or the subjects personally, and it’s the kind of movie that, when it’s over, you feel like you know everybody in that movie. It’s incredibly charming and it’s one of those movies that I think, as a filmmaker or just a film fan in general, it’s a very essential movie to see. I always try to watch it or show it to people right before we make a movie to say, like, hopefully it won’t go like this."

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Silent Lee and the Adventure of the Side Door Key
Silent Lee and the Adventure of the Side Door Key
Alex Hiam | 2019 | Children, Science Fiction/Fantasy, Young Adult (YA)
10
10.0 (1 Ratings)
Book Rating
Story Development (2 more)
Character Development
Plot was amazing
Cute and simple read!
My rating: ☆☆☆☆☆

Review:
I received Silent Lee and the Adventure of the Side Door Key by Alex Hiam from Smith Publicity to read and review for my honest opinion. Since this novel has such a long title, I will be shortening it to just Silent Lee.

Silent Lee is about a young girl about the age of fourteen named Silent Lee, (she prefers Sie). Sie has been living in the Side Door world majority of her life.

A note on the Side Door world and the Front Door world:
Side Door world - the magical world that you can only enter through the side door of a house. You must have the special key in order to activate this world. Not all side doors are a part of the Side Door world. If there is a side door that doesn't have an exit, then you're in luck!
Front Door world - the modern world that you enter via the front door, back door, or windows. This is the world that Raahi lives in along with Sie's mother.

One day, Sie's mother takes Sie away from her Auntie Gen's. Then, before Sie realizes, Auntie Gen dies (or so we think). The story continues to follow Sie as she gets dropped off at her cousins house, who eventually leave her for summer vacation, and Raahi entering Sie's life. Sie gets a note from her Auntie Gen and she begins questioning what it could mean and whether her Aunt is actually dead. So, being the curious soul that she is, she follows the note as best as she can. Raahi is by her side throughout the entirety of the story and even to the very ending when they find and rescue Auntie Gen from being held captive by Sie's mother who is a CIA agent.

This was a fast-paced, middle grade novel that will keep your attention until the very end. I can't wait to read more of Sie's story!

Characters:
Silent Lee (Sie) - the protagonist, fourteen years old and a witch who travels from the Side Door world and the Front Door world. Mixed ethnicity - African American and European.
Raahi - a minor protagonist who befriends Sie because he has a crush on her. Same age as Sie and follows her throughout the story. Indian ethnicity.
Auntie Gen - Sie's aunt who is originally presumed dead, but was actually held captive by the CIA and Sie's mother. Also a witch and the holder of the Side Door key until she gives it to Sie.
Agent Lee - Sie's adoptive mother, may not actually be a part of the Side Door world at all. She tries to steal the power within the Side Door world to bring back into the Front Door world.
Mr. Vose - art gallery owner who helps Sie and Raahi.
The Custodian - balance keeper of the Front Door world, helps Sie and Raahi in a time of need.

Reasons why I rated it 5 stars:
1. The plot:
The plot was very driven and I did not find any plot holes. The story was written in a very high level for a middle grade novel and I truly enjoyed it.

2. My enjoyment:
I loved Silent Lee and the Adventure of the Side Door Key so much!

3. Character and story development:
Man oh man! There was a ton of background and development for both the characters and the story!! I was really blown away as there was more then the average young adult novel.

4. Grammar and spelling:
I did not find any grammatical or spelling errors and Silent Lee was very well-written.

5. The overall story:
This was such an adorable story! I really loved the modern and historical balance that the author created while also adding a bit of magic into the story.

"Bookworms ate books - they didn't read them. And what was wrong with reading, anyway?"
  
Haunted (2013)
Haunted (2013)
2013 |
1
1.0 (1 Ratings)
Movie Rating
About As Scary As A Trip To Seaworld
Contains spoilers, click to show
Haunted, a film Directed by Steven M Smith is an unusual addition to anyone's 'film' collection, as instantly you question whether this is even a film to begin with, the content is very documentary based, opening with factual accounts and a history of an abandoned railway museum. All of the opening shots are filmed in documentary format and this continues throughout the film even when found footage elements are introduced.

A TV crew will film a paranormal investigation and obtain evidence that proves we are not alone. Something Evil awaits them! They will all discover the truth, that we are not alone.

The above quote is taken directly from the synopsis on the website, contestants are invited to visit a haunted railway as part of the show of which they are filming, they are all packed into a limousine and taken to the event. The whole scenes within the limo following the group around SHOULD of been filmed by a professional camera and a professional cinematographer but it looks as thou the entire film has been shot on someone's mobile phone.

Budget constraints aside, decent camera's should of been used to document the entire film from introduction to the actual paranormal investigations, rather than Sony handycam's that cost £120. The only time still camera's are used is to document an almost news style report at the start of the film and a few segments in between. Using handycams this instantly brings us into frustrating territory of moving shaky pictures, blurred images, and camera operators with shaky hands. Very poor quality recording even for a documentary style shooting as you're watching a black screen for the duration, has anyone ever heard of night vision? Next the acting, now the contestants themselves are not in on the game, they are not aware of what's going on or what they have signed up too, however Jon our 'medium' gives the game away at every opportunity. The strategically placed actor in the movie is Jon Paul Gates a supposed 'medium' who describes what he is feeling and how strong a presence is in a particular area. I personally would of caught on very easily to this poor display as not only was the acting questionable, but his descriptions of certain ghosts and characters were so detailed that it was obvious they had been memorised from a script or prior knowledge. There is one scene where the ghost is apparently on top of Jon as he is weighed to the ground, I found this scene hysterical, I was literally crying with laughter of how poor he not only acted it out but how a ghost was piggy backing a ride around the railway yard.

For the first 30 minutes of the movie, the group have arrived, walked around some railway tracks and picked up some weird force that only Jon can feel yet no one around the group has even felt or experienced anything out of this world. Now Most Haunted the popular paranormal TV show would of thrust the audience into some action by now but for the opening 30 minutes of Haunted, nothing of the sort has happened, as it stands the documentary as I refuse to call it a film has displayed more history about the railways than anything remotely paranormal. Maybe a title change would be for the best? I am neither scared, nor intrigued at this moment in time, quite frankly I'm hoping this heats up and soon.

I feel as thou if this film was cut shorter, much shorter, with a voice over documentary style about where each group is going and what they are doing it would be much more easier to watch. Cut the best bits in, jump scares, certain happenings, instead of mundane walking around a railway yard, because as it stands I could grab a camera, head off out tonight and shoot an identical piece of footage, its neither scary nor intriguing. It needs to have production value and Haunted is really suffering from a lack of it as a result.

There is one event throughout the whole movie which is the main talking point and then the film has the audacity to kill people off towards the end after a whole run time of nothingness, no build up, no real meaning or reason why. It was basically like watching the worst episode of Most Haunted to find one of your group dead on the floor at the end of it, planned, boring and drawn out far too long.

Shorten the run time, have a voice over, documentary coverage and film, DON'T kill anyone off at the end with some cheesy fake characters who no one now believes and have a genuine vigil, no pranks or set ups and this could of been a cool little paranormal programme.

Sadly none of the above happened. What a shame. A few sequels are in the works, shorten the duration, fix the countless problems and maybe, just maybe show some true paranormal / experiences and I guarantee it will be more of a success !
  
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Becs (244 KP) rated Restorations in Books

May 22, 2019  
Restorations
Restorations
Charles Strickler | 2019 | Crime, Fiction & Poetry, History & Politics
7
8.5 (2 Ratings)
Book Rating
Rather interesting and intriguing read
I received a copy of Restorations by Charles Strickler to read and review from Smith Publicity. Everything I say is one hundred percent my own opinions.

I'm generally not a fan of Historical Fictions but my attention was gripped by this intriguing novel. Charles Strickler's writing style is very informative and it doesn't have that "boring history" tone to it. It was rather light and flowed like water. You can also tell that Charles Strickler did a ton of research prior to writing Restorations and it honestly shows.

Restorations follows Miles' journey in recovering a 1928 Stutz Black Hawk Boat Tail Roadster he bought from an auction. There is a mysterious aura around the Black Hawk and Miles is set on getting answers. This journey he takes includes a pretty woman, a few near death experiences, the mafia, and surprisingly loads of action. You're not going to want to miss this!!

"Stop living in your father's shadow."

Characters:
Miles West - the main character who buys the Black Hawk. Nothing overall special that needs to be pointed out about him.
Bramley Ann Fairchild - the auctioneer who sold Miles the car. She ends up helping him figure out the mystery behind the Black Hawk.
Ms. Gardner - basically the mother figure for Miles and she is dead set on trying to get Miles and Bramley together.
Mr. Howe - the lawyer of Carlo Bello. He seems to be absolutely terrified of Bello.
Carlo Bello - a mob leader who will do anything to get what he wants. He's trying to get the Black Hawk from Miles.
Maximilian "Lefty" Webber - the original owner of the Black Hawk that Miles purchased, deceased.
Wil - the repair man.

Reasons why I rated it 4 stars:
1. The plot:
The plot flowed pretty smoothly, minus a few bumps and turns. I did notice a few spots where the plot jumped and there wasn't story/ character development. But overall, it wasn't the worst thing I've read.
2. My enjoyment:
I really enjoyed reading Restorations and would most defiantly reread. I actually sent the review copy I received to a good friend as she is a fan of the mafia and this style of books. (Fingers crossed she enjoys it as well)
3. Character and story development:
There were a few parts where the reader could have used a bit more character and story development/ background, as it lacked. But it really was a great debut novel, especially for it being in Historical Fiction!
4. Grammar and spelling:
Charles Strickler is a great writer and I did not notice any major grammatical or spelling errors. I did find a few that are usually overlooked but they didn't take away from the overall story.
5. The overall story:
I rather enjoyed reading Restorations and would reread. I just wish the parts that seemed to be lacking where able to be added too.

"Accidents happen all the time."
  
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Jimmy Ray Davis (0 KP) created a post

Mar 4, 2018  
My official review of...

HELLRAISER: JUDGMENT (2018)

HJ is not a good movie. It is a flimsy slapped together hodgepodge of crazy almost inane visuals and the notion that Pinhead, the Cenobites and the auditor lounge about in a crumbling house luring folks off the street to analyze and then swallow their souls. What the hell happened to Clive Barker's wild, extreme vision of hell and the broad layering of Pinhead and his cohorts? The movie begins almost laughable as a lumbering creep is lured to the house by, get this, a NOTE slipped under his door. What are we in third grade again? Like a moron, he heeds the written summons and winds up at the house. When he disappears in the door, we hear what sounds like him getting jumped and his ass kicked. I almost laughed out loud for real, is this what Pinhead is reduced to? Paul T. Taylor plays the second replacement Pinhead and while he is better than Stephen Smith Collins he pales compared to the original, Doug Bradley. Pinhead has very little screen time and has just as little to do with the film. Throw in a trio of detectives that could have been lifted from the Saw formula of Arrogant guy, smart chick, timid guy and a storyline that seems so brief and abrupt it makes one wonder why it was even made.

HJ is not a bad movie. Sure it strangles Barker's creation and bastardizes everything we love from the early franchise but man oh man is this a visual feast of bizarro over the top crazy Clive Barker goodness. You have the jury made up of three nearly naked women with skinned faces, the cleaners three more naked women who apply their cleaning skills in a very offputting way, The disgusting assessor who pores childrens tears over paper confessionals and devours them only to puke their contents into a pipe system, The Surgeon, a latex masked monstrosity and a hulking baby-masked butcher who seals the deal. While some of the proceedings repulsed, I could not look away and the balsy output was a welcomed if reckless change. Two noteworthy cameos include the 80's scream queen, Heather Langenkamp in a painfully short scene as a sleazy landlord and Horror director John Guluger as the giggling, gnarly assessor. I also loved the twist at the end which turns the series on its ear and begs for another sequel.

All in all there is little to like if you go into this thinking you are getting a film that does justice to Clive Barker but if you go in as I did without expectations that it would be a homage to Pinhead and some kind of really good commentary on the universe of the characters. Go in low and strap yourself in. So bad it's good? Maybe but either way you will watch in morbid fascination, guaranteed!

2.5 of 5 stars
     
The Revenant (2015)
The Revenant (2015)
2015 | Adventure, Drama, Thriller
The movie The Revenant is a new release starring Leonardo DiCaprio
(playing Hugh Glass), Tom Hardy (playing John Fitzgerald), Will Poulter
(playing Jim Bridger), and Forrest Goodluck (playing Glass’ half Indian
son Hawk). It is directed by Alejandro G. Inarritu and Mark L Smith.

Based on previews and ads I had seen for the film; I was really looking
forward to screening this movie.

I am a huge DiCaprio fan, and I have liked most of the recent roles I
have seen Tom Hardy in as well.

The story is based off of true events and follows a novel by Michael
Punke about an actual 19th-century incident in the days of the Western
fur trade. It involves Indian attacks, animal attacks, the struggle for
survival and vengeance.

The background and scenery in the move are breathtaking. The acting is
believable, mostly. The emotions of the characters definitely come
shining through.

Some of the camera shots that the director chooses to hone in on, are
not to my taste. There are only so many up close and personal tight
angle shots of snot running from someone’s nose in a movie that I really
care to see. One time is plenty. There are far more than one of those
types of shots though, and it sort of turned me off.

One of the major scenes involves a vicious bear attack. It was gruesome
and believable and horrifying… the entire audience gasped and squirmed
in their seats uncomfortably.

As much as I wanted to like the film, it just seemed like it dragged on
and on for me. I kept wondering when it was going to end. I’m not sure
if that was because I didn’t like some of the gorier close up shots, or
some of the bouncy camera footage (it makes me feel sick to my stomach)
or if each individual piece of the story itself was just a bit too long
which just added up throughout the movie, but I feel like I spent more
time wondering whether it was going to be over soon, than really truly
getting into the movie. In many longer movies, I am so into the story
that I don’t even notice the passage of time, but that was definitely
not the case for this film.

DiCaprio did a great job portraying a broken, beaten man trying to
survive and ultimately seeking vengeance upon the man who did him wrong,
and Tom Hardy did a great job portraying a man sucked in by greed, but
the performances couldn’t overcome the amount of time spent on getting
from one pint to the next in the film.

I would personally give this movie 2.5 out of 5 stars, but can see how
others would give it a higher rating. It just didn’t turn out to be my
cup of tea.
  
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
2017 | Action, Adventure, Fantasy
Hilarious (2 more)
Great Cast both old and new
New Pirate legend to give the plot a direction
Some of the comedy feels forced (0 more)
One of the better installments
The 5th film in the Pirates of the Caribbean franchise, certainly had a lot to live up to and some things to make up for after the previous two films didn’t do as well with the critics. With a few of the original cast returning, and some fresh new faces to join them, Salazar’s Revenge was always going to be intriguing, as the audience members such as myself, wanted to know what new fantastical story this new film would tell, what trouble had Captain Jack Sparrow gotten himself into this time, and what idiotic plan would he come up with to get himself out of it.

The new cast included the young and beautiful Kaya Scodelario (Maze Runner / Skins / Moon) as Carina Smith, alongside the also young Brenton Thwaites (Home and Away / Maleficent / Gods of Egypt) as Henry Turner, the son of Will Turner portrayed by Orlando Bloom, who returns to this instalment as only a minor character, but one that sets the film in motion. Both of these new young performers excel in their roles and deliver a performance that is reminiscent of their predecessors in the franchise. Watching these two was like watching Orlando Bloom and Kiera Knightly in The Curse of the Black Pearl, with moments that reminded more so of their evolved relationship in the Dead Man’s Chest. Though Carina and Henry are not (yet) together throughout the film, you can clearly see that their shared goal to reach a mysterious legend that may or may not be true, in honour of their father’s, brings them closer and closer and time goes by and events begin to unravel.

Our new villain, Captain Salazar, is portrayed by Javier Bardem (No Country For Old Men / Skyfall / The Sea Inside) and brilliantly portrayed at that. He’s menacing and ruthless, and very haunting. His goal is clear and he does not rest until he finds Jack Sparrow. This film franchise has seen plenty of cursed men chasing the drunken idiot Captain all over the world, but Salazar is one thing the others were not….he is not a pirate. In fact he is the exact opposite, he was a naval captain for the Spanish and hunted pirates. This was his life, and this was his curse. His hatred of Jack Sparrow runs deeper than any villain set before him and this is what makes the film an exciting experience.

My only issue that whilst it is hilarious and I continued to laugh, this film seemed to be bursting at the seems with jokes and gags which sometimes felt forced. Trying to live up to the humour of the first film, but instead of always being perfectly timed to the right moments now and then, it seems to be in almost every conversation. This doesn't ruin the film in any aspect, just something I picked up on.

The fifth film is, in my opinion, definitely one of the better of the franchise. It excels in being a hilarious, exciting, action packed fantasy film, which is great for an audience of almost any age. Being a Disney film, it is suitable for children under parental guidance and older audiences from the teenagers to the elderly.

The effects get better with each instalment in the franchise and this film proves it with some beautiful imagery of the seas and the events that take place. The films makeup and set design are also incredible and fantastic to witness, as we see new treasures and new ships that take you to a whole new world, right there in the cinema.

If you’re going to watch this film, which I highly recommend, then do so at the cinema because like most films, your experience with the film will not be the same if you don’t watch it on the big screen. I saw this film in IMAX and it was stunning and incredible and just an absolutely thrilling experience.

Salazar’s Revenge (or Dead Men Tell No Tales, as it’s known in America) is most certainly going to be one of my favourite films of the year.
  
Show all 3 comments.
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Connor Sheffield (293 KP) May 29, 2017

I was also cautious about it when it was advertised. I love the franchise but none of the previous 3 have managed to nail the charm of the first one.

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Christina Tsitlakidou (43 KP) May 30, 2017

I'll take your word for it :) going to watch it at some point during the week

Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020)
Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020)
2020 | Action, Adventure, Crime
Better than Suicide Squad
Did you catch the 2016 DCEU disappointment SUICIDE SQUAD with Will Smith as Deadshot and Jared Leto as the Joker? Many people (myself included) thought that that film was "just fine, nothing special" but were impressed with the way Margot Robbie handled the Harley Quinn character and wished for a standalone film that featured the Harley Quinn character.

Be careful what you wish for.

BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN) is the answer to that wish and while it is slightly better than SUICIDE SQUAD, it still isn't all that....well...Fantabulous... of a film.

BIRDS OF PREY (which I hear is now being relabeled HARLEY QUINN: BIRDS OF PREY) is produced by Margot Robbie's production company and features an all female lead cast (the villain is a male) and a female Writer and a female Director. Consequently, this is a "female empowerment" film where the self-described "tough chicks" band together to defeat the male villain.

I applaud the effort and the idea behind the movie, but as a film, this one didn't quite work for me.

I start with the main focus of this film - Harley Quinn. This is just not a character, I discovered, that I want to spend an entire film with. She is, at it turns out, a very good SUPPORTING character, but not one that is interesting enough (at least for me) to carry a whole movie. I will give Margot Robbie credit...her interpretation of the character is interesting and that performance kept me focused throughout.

The other Birds of Prey are just as interesting. For the first time in I can't tell you, Rosie Perez did not annoy me in her role. She played earnest, frustrated Police Officer Renee Montoya and I found myself rooting for her when she was on the screen. Same goes for Jurnee Smollett-Bell's interpretation of Black Canary a character I knew very little about and was intrigued (though her "Super Power" was suddenly sprung on the audience with very little foreshadowing - foreshadowing that could have helped). And, finally, Mary Elizabeth Winstead almost steals the film as the revenge-seeking Huntress, a character I really enjoyed and hope I see again (though, I'm learning my lesson - let it be as a supporting character in another film and not her own, standalone film).

So, this film has 4 interesting characters at the top, but the issue is that they don't come together as a team until VERY late in the film (in a finale showdown that was the highlight of the film for me), so I really couldn't tell if there was any chemistry between these characters/actresses. I think there MIGHT have been, but no real sample size to tell.

Fairing less well as a character was Ewan McGregor's one-note take on super-narcissistic Roman Sionis/Black Mask. The character was pretty much in front of you at the start of the film and was still the same one-note character at the end. Also not "doing it for me" was Ella Jay Basco as Cassandra Cain, the street kid that becomes the focal point of the bad guys in the film (and the character the Birds of Prey must band together to save). I didn't much care for this character - or the performance - so I had no real emotional investment in whether or not the Birds of Prey could save her.

The Direction by Cathy Yan is professional and competent and the final showdown does show signs of originality and brilliance. I'll give her credit, she caught my attention with the last 1/2 hour of this film - much more so than she did with the first 79 minutes.

A better effort at this type of anti-hero comic book adventure (certainly better than SUICIDE SQUAD) but the DCEU still has not stuck the landing on this.

I encourage them to keep trying.

Letter Grade: B

7 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
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LeftSideCut (3778 KP) Feb 13, 2020

I absolutely detested Suicide Squad and was pleasantly surprised by how this turned out. Shame that not many people have been to see it 😬

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Kevin Phillipson (9943 KP) Feb 14, 2020

I've seen it twice