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Halloween (1978)
Halloween (1978)
1978 | Horror
I'm not one for horror films, but classic movies at the cinema are something to behold so I snapped up a ticket for what turned out to be a packed screening. It was a nice surprise to be treated to a little documentary before the film too.

I had always assumed that Halloween was going to be scary, and it was, sort of. It was scary in a very different way to modern horrors though. The reason I tend to ignore the genre is that the story lines don't make up for the amount of "jump out of your skin" moments they put in. Something can be scary without having to make you jump.

On the modern scale of films Halloween isn't very good on several levels. That being said though, it's still an excellent film and the fact that it's so simple and plays on the basic human feeling of unease is great.

It's good to see that the horror movie staples were at their peak in the 70s: not turning the lights on when searching a dark house; only stabbing your attacker once, even though you thought he was dead when you stabbed him once the first time... AND the second time; and my personal favourite... I've stabbed my attacker and he's down, he looks dead so I won't bother checking, instead I'll just turn my back and take a breather for a moment.

One things that I couldn't help doing while watching this film was laughing. Come on, it's funny. But it's only that way to me because I've seen so many films now that I know what's going to happen. The bad guy is always going to have vanished when you try and point him out to someone, there will always be a creaking window or door, and 4 times out of 5 there will be a body behind/inside whatever you open. I still got those chilling feelings while watching it but I was also drawn in by the fact I was sitting there willing things to happen that I knew were coming.

What should you do?

It's definitely a classic and well worth seeing. Just remember it isn't the big budget movies you're used to seeing if you only watch modern things.

Movie thing you wish you could take home

Normally I would say it's difficult to want something from a horror film, but in this instance I'd quite like some of the immense luck that's going around. Michael and Laurie both have an amazing ability to survive life threatening situations. That's something I would definitely want.
  
Smallfoot (2018)
Smallfoot (2018)
2018 | Animation, Comedy, Family
I'm not one for horror films, but classic movies at the cinema are something to behold so I snapped up a ticket for what turned out to be a packed screening. It was a nice surprise to be treated to a little documentary before the film too.

I had always assumed that Halloween was going to be scary, and it was, sort of. It was scary in a very different way to modern horrors though. The reason I tend to ignore the genre is that the story lines don't make up for the amount of "jump out of your skin" moments they put in. Something can be scary without having to make you jump.

On the modern scale of films Halloween isn't very good on several levels. That being said though, it's still an excellent film and the fact that it's so simple and plays on the basic human feeling of unease is great.

It's good to see that the horror movie staples were at their peak in the 70s: not turning the lights on when searching a dark house; only stabbing your attacker once, even though you thought he was dead when you stabbed him once the first time... AND the second time; and my personal favourite... I've stabbed my attacker and he's down, he looks dead so I won't bother checking, instead I'll just turn my back and take a breather for a moment.

One things that I couldn't help doing while watching this film was laughing. Come on, it's funny. But it's only that way to me because I've seen so many films now that I know what's going to happen. The bad guy is always going to have vanished when you try and point him out to someone, there will always be a creaking window or door, and 4 times out of 5 there will be a body behind/inside whatever you open. I still got those chilling feelings while watching it but I was also drawn in by the fact I was sitting there willing things to happen that I knew were coming.

What should you do?

It's definitely a classic and well worth seeing. Just remember it isn't the big budget movies you're used to seeing if you only watch modern things.

Movie thing you wish you could take home

Normally I would say it's difficult to want something from a horror film, but in this instance I'd quite like some of the immense luck that's going around. Michael and Laurie both have an amazing ability to survive life threatening situations. That's something I would definitely want.
  
40x40

Lee (2222 KP) Sep 25, 2019

I think you've posted the wrong review here. I'm reading it thinking.... Smallfoot? Horror?! šŸ˜‚

Unrest (2006)
Unrest (2006)
2006 | Horror
9
8.5 (2 Ratings)
Movie Rating
For many medical school students the most daunting class they face early in their studies is that of Gross Anatomy. The class which introduces aspiring doctors to their first bodies, as well as the reality and complexity of the human anatomy is often seen as a make or break moment for the challenging studies that lay ahead.

In the film Unrest Writer/Director/Producer Jason Todd Ipson follows a group of new students in a Gross Anatomy class. At first the students are shocked by the disfigured cadaver in front of them, but soon begin the dissection they are required to do.

The appearance of the corpse they are working on becomes a source of fixation for one of the students named Allison (Corri English), who becomes convinced that something is not right with the body they are working on, as something tells her that things are not as they seem.

Allisonā€™s concerns are dismissed as her being overwhelmed by her first encounter with a body, and she is told that her concerns will soon pass. Soon after, one of the dissection group is affected by a freak accident, and Allison becomes convinced that there are evil forces at work, and that nobody will be safe until the mystery behind the corpse is settled.

As the body count rises, Allison and her friend Brian (Scot Davis), face a race against the clock and the supernatural to find the cause of the unrest and make things right, before they end up the next victims of a vengeful specter.

Unrest is a very impressive debut for Ipson, who himself was a promising surgeon before turning his talents to directing. The film is well paced and has plenty of tension and suspense without resorting to the clichƩd horror staples that have become all too common.

The plot is refreshingly original and deeper than most films in this genre attempt to achieve, as its complexity is deceiving simply. The film can be taken as a simple scare fest, but for those willing to look beneath the surface, there are deeper layers to the film that tackle areas such as the afterlife, intuition, possession, second sight, and the supernatural. While all of those have been covered before in various films, few have ever combined them in such an intelligent fashion that allows the audience to reach their own conclusions on the topics the film introduces.

The cast is solid especially Davis and English who take what could easily be stock characters and infuse a sense of purpose which helps the audience relate to them and their situation.

While the film might have what appears to some to be plot holes, the film is actually a clever examination of the spirit and afterlife, and delivers the goods. While much has been made about the alleged use of real body parts in the film, Ipson is careful not to let his film become a gratuitous gore fest and uses blood and carnage only in the amounts necessary to propel the story.

Unrest is a very solid effort that marks the emergence of a talent to be watched and will delight fans of the genre who want some intelligence with their horror.
  
Transformers (2007)
Transformers (2007)
2007 | Action, Sci-Fi
Based on the popular line of toys and animated television series from the 80ā€™s. Steven Spielberg and Michael Bay have teamed up to create a mega million FX extravaganza that will delight fans both old and new.

The story involves a group of sentient machines who have battled for centuries in an effort to locate and possess an all powerful object. The kind Autobots led by Optimus Prime, wish to locate and destroy the artifact to keep it from the evil Decepticons who would use the artificat for their own evil purposes, and the deaths of billions.

The film opens with a spectacular battle at a U.S. military installation in the middle east, where one of the Decepticons is attempting to access sensative information from the computer network. Overwhelmed by the attack and subsequent assault on Air Force One, the U.S. government has called in the best and brightest in effort to get to the bottom of the mysterious attacks and the mysterious assailants.

Meanwhile, mild mannered high school student Sam Witicky (Shia LaBeouf), is trying to raise money for a car, and uses his class presentation to hawk his Ebay auctions, unaware that the fate of the universe will soon rest in his hands. After purchasing a used Camaro and giving a ride to the hottest girl in school Mikaela (Megan Fox), Sam thinks his luck is about to change. Little does Sam know that his car is actually one of the advanced scouts for the Autobots, who are attempting to locate one of the items in Samā€™s online auction, as it actually contains clues as to the location of the lost artifact.

In short order, the two sides are facing off in several shape changing battles with Sam, Mikaela, and the rest of humanity caught in the balance. Bay and Spielberg have done a great job of combining jaw-dropping FX and action with the humor, charm, and fun that made the original series such a huge success. The audience at my press screening reacted very positively to the film, and there were numerous cheers and rounds of enthusiastic applause throughout the film.

If I had to find fault with the film, it would be that at roughly the 3/4 point, a plot line involving John Turturro as an agent in a secret organization seems forced and unnecessary, as it greatly detracts from the pacing and action of the film. Until this point, the film was very engrossing and moved along at a brisk clip. When the film gets back to the action, it delivers with a solid finale, that while using some of the action film staples, still manages to keep it exciting.

LaBeof works well with Fox and there are numerous supporting roles and cameos that make ā€œTransformersā€ a pleasant, if silly treat.
  
Call of Duty: Advanced Warfare
Call of Duty: Advanced Warfare
Shooter
Sledgehammer Games have crafted a gem in the latest chapter in the mega-selling Cal of Duty series. Call of Duty: Advanced Warfare blends old and new to create the most enjoyable and versatile entry into the series in recent years.
The game is set in the near future where Exo Skeletons, drones, and target seeking grenades have become commonplace on the battlefield.
Players are cast as a young Marine who after a successful but costly battle finds himself at a crossroads. He is given a new chance when the head of a large and powerful private defense contractor offers to make him part of the team.
At this point players will take on a deadly terror threat all over the globe and will have an arsenal of weapons at their disposal including hover bikes for a thrilling chase through Detroit.
Of course there is a darker side to the story and a bigger plot is discovered where the player must stand up for what he knows is right even if it means turning his back on others.
The graphics of the game are first rate and the facial animations have to be seen to be believed. I enjoyed the new weapons and storylines, but much of the gameplay while exciting does follow the series staples of run and gun, stealth missions, and vehicle chases.
The addition of the Exo Suit is a huge plus as it allows for jet powered jumps and moves as well as the ability to cling to metallic surfaces.
This feature enhances the storylines greatly as I enjoyed jumping to and from moving vehicles, climbing up vast buildings, and making tall jumps in combat.
What really makes this game shine is the amazing multiplay which not only combines multiple modes such as Kill Confirmed, Deathmatch, Team Deathmatch, and countless other modes, it also has co-op missions as well.
The ease of customization in the multiplay modes is great as everything from energy weapons to machine guns is available to players as is the ability to customize your perks, kill streak rewards, and accessories.
The game offers bonus items that can be accessed in menu and in game which really enhances the appeal of the game. I remember turning a solar lense on some enemies and frying them down as well as getting a giant combat suit and cutting players down to size.
I had issues with the multiplayer in Ghosts and had to force myself to play to make max level, but thankfully Advanced has not had those issues as I happily play the online modes as often as I can. I have enjoyed the maps and the variety of weapons and combat styles immensely.
The inclusion of Kevin Spacey was a nice addition as far as I was concerned as it brought a new level of menace and complexity to what could have otherwise been a stock video bad guy. You can almost understand his motivations.
I was able to complete the single player campaign in a bit over 6 hours but I enjoyed the thrill ride it contained and being able to use the abilities of the suit as well as the grapple were well featured throughout the highly detailed levels of the game.
In the end if you like Call of Duty then you will likely love this game and if you are not a fan, then no matter what the publisher and designers do will likely not appease you. For me, this was a nice mix of the old and familiar with some new directions that shows there is still plenty of life in the franchise.

http://sknr.net/2015/01/08/call-dutyadvanced-warfare/
  
The Mummy (2017)
The Mummy (2017)
2017 | Action, Adventure
A new franchise is reborn
It seems that the Marvel Cinematic Universe has kicked off a trend over in tinseltown. Shared franchises are all the rage at the moment, and why not. Marvel has taken over $10billion. DC has finally found its footing with Wonder Woman and Legendary are fusing Godzilla with Kong: Skull Island to create their own monster universe.

But for every success story there is a failed series that didnā€™t quite grab the cinema-going public with The Golden Compass and The Last Airbender immediately springing to mind. Nevertheless, Universal Pictures has pushed ahead with creating its own ā€˜Dark Universeā€™. Proceedings kick off with The Mummy. But how does this reboot fare?

Nick Morton (Tom Cruise) is a soldier of fortune who plunders ancient sites for timeless artefacts and sells them to the highest bidder. When Nick and his partner (Jake Johnson) come under attack in the Middle East, the ensuing battle accidentally unearths Ahmanet, a betrayed Egyptian princess (Sofia Boutella) who was entombed under the desert for thousands of years. With her powers constantly evolving, Morton must now stop the resurrected monster as she embarks on a furious rampage through the streets of London.

First-time director and long-time screenwriter Alex Kurtzman crafts a film that moves at breakneck speed, features a lot of nifty set-pieces and is an intriguing precursor to the next instalment of the franchise. Itā€™s pretty good fun to be honest.

Tom Cruise is as reliable as ever, and does all the Tom Cruise staples; running, heavy breathing, shirtless preening, but the stand-out performance here is Russell Croweā€™s Dr. Henry Jekyll (yes, thatā€™s right). Despite being slightly underused, Crowe is a fantastic choice to play this multi-layered character. Elsewhere, Sofia Boutella is very good as Ahmanet.

Unfortunately, Jake Johnson (Jurassic World) and Cruiseā€™s love interest Annabelle Wallis (King Arthur: Legend of the Sword) feel miscast with Wallis in particular having no believable chemistry with her co-star.

To look at The Mummy is first-rate. Gone are the campy special effects of the Brendan Fraser-era films, instead replaced with crisp CGI ā€“ though the dark and gloomy filming style hampers the obviously great effects. Nevertheless, the aircraft and subsequent crash sequences that have been marketed in the trailers are gripping and produced very well indeed.

Unfortunately, The Mummy relies heavily on jump scares, of which there are far too many, and the trade-off for that rollercoaster pace is a film that feels disjointed, relying on visually stunning action sequences to cover over cracks in the story. Some of the humour also falls flat.

Ultimately though, these are small gripes in a vastly entertaining popcorn flick that is a very solid starting point to a series that will include films like The Invisible Man, Bride of Frankenstein and The Wolfman.

Whilst not the most original film you will see this year, The Mummy opens up some intriguing doors and whilst Iā€™m in no rush to see it again, despite its competence, Iā€™m excited to see how Universal will bring all of their iconic monsters back to the big screen in one unified franchise.

https://moviemetropolis.net/2017/06/10/a-new-franchise-is-reborn-the-mummy-review/
  
The Mortal Instruments 1: City of Bones
The Mortal Instruments 1: City of Bones
Cassandra Clare | 2007 | Children
8
8.2 (111 Ratings)
Book Rating
Iā€™ve seen several blog posts recommending this book ā€“ it seemed to me to be one of the ā€˜staplesā€™ of YA fiction. Enough so that it has been made into a film, which will be released on 23rd August.

Iā€™d say this book was a bit of a slow-burner. I was enjoying it, but I wasnā€™t whipping through the pages as much as I would usually ā€“ until the end, anyway. At the moment, Iā€™m hating how much YA stuff depends on a romance, and I think I was a little wary that this is what City of Bones would be all about. Clary (short for Clarissa ā€“ knowing that helped me pronounce her name) has two love interests ā€“ her best friend, Simon, who is in love with her; and Jace, the new boy she meets. As this blogger here writes (which I agree with), the love interests are fairly stereotypical and underdeveloped. With this much ā€˜choiceā€™, I thought it was fairly inevitable that the book would sink into romantic fantasy, which would not have impressed me. It was about two-thirds in, then, when the ā€˜twistā€™ starts to unfold (no spoilers!), that I was able to start properly enjoying it and let myself be taken along for the ride.

Not all the characters were developed fully (as I mentioned before), so I did find myself not caring when certain people were hurt (namely, Alec). Then there were some elements that werenā€™t fully explained. A good example is when Jace mysteriously knows itā€™s Claryā€™s birthday, although Iā€™m pretty sure she never told him and nobody else, even Simon, refers to it.

However, the plot moved at a good pace and I was blown away by the numerous twists at the end, only one or two of which I was expecting. I was fully immersed into the world the characters moved in, and had great fun reading about their adventures along the way. Iā€™ll definitely be reading the next books in the series, and may even treat myself to see the film, considering itā€™s out a few days before my birthday!

Speaking of the film, Iā€™ve just watched the trailer for the first time, and Iā€™m not sure. While I can see that sheā€™s supposed to be seeing unusual things, Claryā€™s mouth seems to be wide open for the whole time! It does look action-packed though ā€“ what do you think?