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Rope (1948)
Rope (1948)
1948 | Crime, Mystery, Thriller
Master Director working some Masterful Camerawork
For my next deep dive into a film of the "Master of Suspense", Alfred Hitchock, I thought I'd pull out a "one-trick pony" film of his, 1948's ROPE. Based on a stage play, HItchock decided to film this movie as it were a play - keeping the entire film in one location (an apartment) and to film it in (what appears to be) one long take.

And, darn it all, if he doesn't pull it off.

The film starts off with a murder, we see two young men (John Dall and Farley Granger) strangling their "inferior" friend. They then decide to hold a dinner party to see if anyone can tell that they have committed murder. Included in this party is the dead friend's girlfriend (Joan Chandler), his father (Sir Cedrick Hardwicke) and their old school teacher (James Stewart).

The fun of this film isn't "will they get caught", it's "how will they get caught - and by who". The cast is wonderful (especially Hardwicke) but they all take a back seat to the absolute stellar performance of Stewart who begins to piece together that something is amiss and turns the tide on the two murderers.

The real star of this film is Director HItchock and his camera. Since he decided to make this in one long take, it took a master of organization and logistics to pull this off, having stagehands move furniture and walls out of the way (and back in again) as the camera moved around. In 1948, a camera could only hold 10 minutes worth of film, so the "one long take" aspect of this is a trick, as it is really 8 takes with strategic timing of camera movements behind walls and backs to give the illusion of seamlessness.

The interesting thing of this "trick" is that you are totally at the control of what Hitchock wants you to see (and not see). There is a scene about 1/2 way through the film that completely ignores the action and the people in the scene and focuses on the trunk the body is in. It is a masterwork, and the tension of keeping your focus there throughout the course of this part of the film is scary, tense and mesmerizing.

One last thing, Hitchock makes a cameo in every one of his films. Try to tell where Hitch is in this film (and, no, it is not as someone walking by the apartment at the beginning of the movie).

Not one of Hitchock's best, plotwise, but one of his best, camera-wise. Well worth checking out.

Letter Grade A-

8 (out of 10) stars and you can take that to the Bank (ofMarquis)
  
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The Twilight Saga: Eclipse (2010)
The Twilight Saga: Eclipse (2010)
2010 | Drama, Romance, Sci-Fi
The beautiful people of Forks, Washington, are back in the latest installment of the Twilight saga. This time around there’s a little bit more story and a lot more action. Still, not nearly enough of either to make this movie compelling for anyone but diehard fans. Oh, I’m sorry..Twi-hard fans.

Edward Cullen (Robert Pattinson) and Bella Swann (Kirsten Stewart) are reunited and still very much in love, to the brokenhearted dismay of Jacob Black (Tayor Lautner). As Edward and Bella prepare for graduation and contemplate marriage, Victoria, a vengeful vampire now played by Brice Howard, is creating an army to destroy Bella and the Cullen family. Because of this, the Cullen and the werewolves form an uneasy alliance to keep Bella from harm. Bella finds herself struggling with her desire to be with Edward and have him “change” her and her feelings for Jacob. Not your typical teenage angst, but in Bella’s world of vampires and werewolves, these are actually the least of her worries.

Directed by David Slade, of Hard Candy and 30 Days of Night, Eclipse at least makes attempts to flesh out the supporting characters, which helped keep the movie interesting because, honestly, if it just focused on the love triangle of Edward, Bella and Jacob, it would have felt interminably slower. While Pattinson, Stewart and Lautner play tortured, awkward and earnest well, they play it too much. Thank goodness for Chief Swan, portrayed with perfect unease by Billy Burke and the stories of Jasper (Jackson Rathbone) and Rosalie (Nikki Reed) and the first Quileute werewolves.

When there was action, it was fast and furious and and when there was humor it was usually when Jacob was around, but I’m sure there were a couple of funny lines that were missed because of the collective sighs and moans the predominantly female audience emitted every time Jacob graced the screen in all his shirtless splendor. A slowly paced tale that picks up speed towards the end, Eclipse is definitely easier to watch than the previous two movies. While no true Twi-hard will care what critics say about the movie, if you’re on the fence about watching this movie, stay on it, especially if you haven’t read the series or watched the previoius two.