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Bosworth Field and the Wars of the Roses
A.L. Rowse | 1998
2
2.0 (1 Ratings)
Book Rating
For starters, the book is entitled Bosworth Field & the Wars of the Roses. Discussion of Bosworth is pretty much restricted to one short chapter and about the first third of the book is taken up with an over-detailed account of the events leading up to the Wars of the Roses; if Rowse is concerned about 'Wars of the Roses' being a misnomer, perhaps he should look to his own title! Yes, the events from the disposition of Richard II in 1399 and the usurpation of his throne by Bolingbroke do have an impact on later events, but a third of the book? Do we really need to know the ins and outs of Sir John Oldcastle's Lollard leanings - I fail to see how this is relevant.

Rowse's chapter on Shakespeare must be at least as long, if not longer, than his chapter on Bosworth. The fact that he obviously sincerely believes that one can gain a credible understanding of history from Shakespeare cycle of plays was almost enough to make me drop the book in astonishment! How can one take him seriously?!

He is also ready to give every credit to the supposed work of More. Even here he falls down by claiming that the bodies of the 'princes in the tower' were discovered in the exact place More said! If you read this work you'll find that the opposite is true - they are in the exact place More said they were NOT! The fact that there isn't a shred of evidence that anyone killed the two princes is evidently a small matter to Rowse. He mentions the great turncoat, Sir William Stanley (at this point step-uncle to Henry Tudor) being executed s a result of the Perkin Warbeck debacle, but fails to mention that Sir William is imputed to have said that if Warbeck really was Richard of York, he would not fight against him. Of course he doesn't mention this - he has to keep reminding us that EVERYONE believed Richard III guilty! Really, a credible historian should not pick and choose their facts - something Alison Weir is also very fond of doing.

Another point is that he is quite happy to accept that Katherine of Valois really did marry Owen Tudor, but cannot countenance the much more credible suggestion that Edward IV was married to Eleanor Butler (nee Talbot), who is not even mentioned. He harps on about the morality and piety of the Lancastrians (despite the Beauforts being conceived in double adultery - further hypocrisy) but when Richard III founds a chantry or offers some concession to a religious house that Rowse concludes it much be down to his uneasy concience.

So, overall, not a book I can recommend in the least. He may try to convince us that his unbending traditionalist view is 'sensible' and 'common sense' but anyone with a little knowledge of the subject will see it as laughably absurd and highly prejudiced.
  
Rosemary's Baby (1968)
Rosemary's Baby (1968)
1968 | Classics, Horror, Mystery

"“What have you done to its eyes?” How does a movie become a classic? Is it timing? Was it the dream-team collaboration of Paramount, Polanski, and Robert Evans? Was it producer William Castle, the mastermind who purchased the Ira Levin novel with plans to make it himself? Was it Mia Farrow, who had been painted with the brush of scandal after marrying Frank Sinatra? Did the devil himself have a hand in it? Whatever the reasons, my fascination with this film has never waned. There’s an enjoyment in watching Rosemary’s Baby that is similar to another gothic horror film, The Shining. It’s like listening to an album you love. Seeing the repetition of familiar scenes and faces. Shaking your head at Rosemary’s innocence as she tries to convince people that her neighbors might just be in a cult with Satan! Another highlight is the production design and cinematography. Not a frame is out of place, and it’s beautiful to look at. It captures a kind of sixties avant-garde vibe. I get the feeling Warhol would have liked this film. There are all sorts of great exterior location shots of New York, and the Dakota building on Seventy-Second Street adds the right spookiness. Does anyone remember or talk about what an amazing actress Mia Farrow is? Watch Broadway Danny Rose, and then watch Rosemary’s Baby. There’s some range there! Farrow as Rosemary has a beautiful, waifish glamour, enhanced by short dresses that make her seem more fragile and doll-like. John Cassavetes playing the “actor.” I love that he’s an “actor.” I love that his name is Guy! He makes a great prince of darkness. With his dark eyes and leering smile, well, you know he’s guilty of something the minute you see him. Then we have Ruth Gordon, who almost steals the film. Her caftan-wearing, mousse-making devil worshipper is the perfect amount of comic relief. I also love Charles Grodin as the fink doctor who squeals on Rosemary. Ralph Bellamy: terrifying! Every woman’s nightmare! Maybe that’s why I love it: Rosemary’s Baby plays on every woman’s fears. The man I married is different. Oh wait—maybe he’s sold his soul to the devil!"

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