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David McK (3232 KP) rated Sharpe's Tiger (Sharpe, #1) in Books
Aug 27, 2021
Chronologically the first Sharpe book (or, at least, it is at the moment!), this was publishes as the 16th novel in the series, after the success of the 1990 Sean Bean starring TV series, which followed the original, Napoleonic-set, stories.
As such, this is actually set prior to the Napoleonic Wars, with Sharpe - as the novel starts - a young private in the regiments of Arthur Wellesley's battalion of the 33rd regiment of foot, who are on campaign in India against the Tippoo Sultan of Mysore.
For plot reasons, Sharpe - in the company of William Lawford (who was a character mentioned in the 'original series' as having taught Sharpe how to read, thus making the jump to Sergeant easier) - have to go undercover in Seringapatam, just as that city is about to be besieged by the Allied forces.
It helps that, by doing so - or so Sharpe thinks - he'll be able to escape from the tyrannical Sergeant Obadiah Hakeswill: one of those creations that you just love to hate!
As such, this is actually set prior to the Napoleonic Wars, with Sharpe - as the novel starts - a young private in the regiments of Arthur Wellesley's battalion of the 33rd regiment of foot, who are on campaign in India against the Tippoo Sultan of Mysore.
For plot reasons, Sharpe - in the company of William Lawford (who was a character mentioned in the 'original series' as having taught Sharpe how to read, thus making the jump to Sergeant easier) - have to go undercover in Seringapatam, just as that city is about to be besieged by the Allied forces.
It helps that, by doing so - or so Sharpe thinks - he'll be able to escape from the tyrannical Sergeant Obadiah Hakeswill: one of those creations that you just love to hate!
LeftSideCut (3778 KP) rated X2: X-Men United (2003) in Movies
Jun 20, 2019 (Updated Jun 20, 2019)
A strong follow up
X-Men 2 builds upon the first in pretty much every way possible - were introduced to new characters (Brian Cox as William Stryker being a stand out here) and some really thrilling set pieces.
Notable amongst them - the opening scene of Nightcrawler attacking The White House (set to Mozart's Requiem in D Minor) is honestly one of my top scenes in a comic book film ever.
The scene where the mansion is attacked at night - we see Wolverine a lot more feral here than in the first film, and we're introduced to Colossus.
And the almost everything on Alkali Lake - the glimpses into the Weapon X project, the hints at Dark Phoenix - are all comic book ticks (until they were a bit shat on in future sequels)
There are still faults - the biggest one here for me is Lady Deathstroke - second X-Men movie in a row that backbenches a classic Wolverine villain in favour of a fairly useless mute version.
I remember and appreciate X-Men 2 for what it was at the time - a movie for a young franchise brimming with future possibilities. It still stands strong as far as Marvel adaptions go.
Notable amongst them - the opening scene of Nightcrawler attacking The White House (set to Mozart's Requiem in D Minor) is honestly one of my top scenes in a comic book film ever.
The scene where the mansion is attacked at night - we see Wolverine a lot more feral here than in the first film, and we're introduced to Colossus.
And the almost everything on Alkali Lake - the glimpses into the Weapon X project, the hints at Dark Phoenix - are all comic book ticks (until they were a bit shat on in future sequels)
There are still faults - the biggest one here for me is Lady Deathstroke - second X-Men movie in a row that backbenches a classic Wolverine villain in favour of a fairly useless mute version.
I remember and appreciate X-Men 2 for what it was at the time - a movie for a young franchise brimming with future possibilities. It still stands strong as far as Marvel adaptions go.
David McK (3232 KP) rated Blood's Revolution in Books
Feb 8, 2020
Second entry in Angus Donald's Holcroft Blood series (that started with Blood's Game) and, in many respects, you could be forgiven for thinking that this had a different central character.
Since the events covered in that novel, the young Holcroft Blood has grown up, and is no longer quite as naïve, perhaps, as he was before. The 'Merry Monarch' (Charles II) has also passed on, with his crown passing to his Catholic brother James II, as his Holcroft's father Colonel Thomas Blood (who attempted to steal the Crown Jewels in the previous novel).
The majority of this novel thus concerns itself with Holcroft being caught up in the events surrounding James II increasing alienation of Britain's Protestant political elite, while being hunted by a brutal French spy for his time doing the similar for Charles II in France.
I'm interested in seeing where this goes, and how Holcroft gets caught up in the later events, especially since The Battle of the Boyne (in which William, the Prince of Orange, defeats King James II) is still remembered every July 12th here in my homeland of Northern Ireland!
Since the events covered in that novel, the young Holcroft Blood has grown up, and is no longer quite as naïve, perhaps, as he was before. The 'Merry Monarch' (Charles II) has also passed on, with his crown passing to his Catholic brother James II, as his Holcroft's father Colonel Thomas Blood (who attempted to steal the Crown Jewels in the previous novel).
The majority of this novel thus concerns itself with Holcroft being caught up in the events surrounding James II increasing alienation of Britain's Protestant political elite, while being hunted by a brutal French spy for his time doing the similar for Charles II in France.
I'm interested in seeing where this goes, and how Holcroft gets caught up in the later events, especially since The Battle of the Boyne (in which William, the Prince of Orange, defeats King James II) is still remembered every July 12th here in my homeland of Northern Ireland!
Joel Schumacher recommended Blade Runner (1982) in Movies (curated)
Phillip McSween (751 KP) rated Braveheart (1995) in Movies
Jul 28, 2018
Epic
The Story of Scottish Patriot William Wallace (Mel Gibson) and his quest to unite the clans and rise up against their English oppressors.
Acting: 10
Beginning: 10
The film gets off to a hot start by immediately drawing you into the story. Once the camera pans into the hut with all of the hanging bodies, they had my attention right away. The sheer intrigue was enough to make me want to see more.
Characters: 10
The Scots are a crazy bunch and I LOVE them. Whether old or young, they're all tough guys in their own right. One crazy person is enough to make a film interesting, but you put a bunch of them together and now you're really cooking with fire. William Wallace, of course, takes the cake of all the crazies. His character is easily one of my all-time favorite protagonists from his demeanor to the strong message he carries.
Cinematography/Visuals: 10
You kind of cheat when you shoot a film in Scotland, let's be honest. Beautiful landscapes abound, filled with mountains and lush valleys. I got lost watching William Wallace ride through the countryside on horseback. Made me think, "Damn, am I taking enough vacations?"
It's not the landscapes, however, as the battles are epic and sprawling. You get a taste of a bit of blood or something gory right before it cuts to a new fight. Seeing a fight that probably took hours abbreviated into a couple minutes is jarring and effective. These are some of the best battles captured on film.
Conflict: 10
Genre: 7
Memorability: 8
Braveheart is a film that easily stands the test of time. The brotherhood of the clans alone is memorable in and of itself. These are guys that lay down their lives for each other to advance their nation. The battles that ensue as a result of the stand that these men take are sheer inspiration. "They can take our lives, but they'll never take our freedom!"
Pace: 10
While the film slows down just slightly after the opening scenes, once the fighting starts, things move forward at a breakneck pace. It drives you from one scene to the next with intensity and passion. Just when you think you've had enough action, you're graced with more! Very solid pace.
Plot: 10
Resolution: 5
The ending was a bit deflating, at least for my taste. I respected the realism, but it felt counterintuitive to what the rest of the film was accomplishing. Not horrible, but perhaps a different approach would warrant a better score.
Overall: 90
I never had any interest whatsoever to watch this film and, after finally seeing it, I can't believe I waited this long. Such an inspirational, all-time classic. Loved it.
Acting: 10
Beginning: 10
The film gets off to a hot start by immediately drawing you into the story. Once the camera pans into the hut with all of the hanging bodies, they had my attention right away. The sheer intrigue was enough to make me want to see more.
Characters: 10
The Scots are a crazy bunch and I LOVE them. Whether old or young, they're all tough guys in their own right. One crazy person is enough to make a film interesting, but you put a bunch of them together and now you're really cooking with fire. William Wallace, of course, takes the cake of all the crazies. His character is easily one of my all-time favorite protagonists from his demeanor to the strong message he carries.
Cinematography/Visuals: 10
You kind of cheat when you shoot a film in Scotland, let's be honest. Beautiful landscapes abound, filled with mountains and lush valleys. I got lost watching William Wallace ride through the countryside on horseback. Made me think, "Damn, am I taking enough vacations?"
It's not the landscapes, however, as the battles are epic and sprawling. You get a taste of a bit of blood or something gory right before it cuts to a new fight. Seeing a fight that probably took hours abbreviated into a couple minutes is jarring and effective. These are some of the best battles captured on film.
Conflict: 10
Genre: 7
Memorability: 8
Braveheart is a film that easily stands the test of time. The brotherhood of the clans alone is memorable in and of itself. These are guys that lay down their lives for each other to advance their nation. The battles that ensue as a result of the stand that these men take are sheer inspiration. "They can take our lives, but they'll never take our freedom!"
Pace: 10
While the film slows down just slightly after the opening scenes, once the fighting starts, things move forward at a breakneck pace. It drives you from one scene to the next with intensity and passion. Just when you think you've had enough action, you're graced with more! Very solid pace.
Plot: 10
Resolution: 5
The ending was a bit deflating, at least for my taste. I respected the realism, but it felt counterintuitive to what the rest of the film was accomplishing. Not horrible, but perhaps a different approach would warrant a better score.
Overall: 90
I never had any interest whatsoever to watch this film and, after finally seeing it, I can't believe I waited this long. Such an inspirational, all-time classic. Loved it.
Night Reader Reviews (683 KP) rated Timothy Mean and the Time Machine in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Contains spoilers, click to show
Timothy Mean and the Time Machine by William A. E. Ford was a wonderful little children's book. Marcelo Simonetti also created some amazing artwork for the book. The rhymes on just about every line would hold a child's attention and the interesting locations would inspire their imagination. The book is very short, with only about ten pages with text on them. This makes it great to prevent young readers from being intimidated by the size of the book. The book also goes through the days of the week, helping to teach children the names of the days in a fun way.
Being bored one day, a young boy by the name of Timothy Mean decides to build a time machine. He visits Vikings and Pirates on their ships, causing them trouble. He visits his parents while they are children and in school themselves. At one point he even pulls the pants down on am astronaut. No trip in time would be complete without a trip into the future so that is exactly what he does. Timothy also likes playing pranks and being a trouble-maker at each location he visits.
The locations visited and Timothy's pranks open up chances for discussion with parents and slightly older children. Parents could ask their children all kinds of things about the book. They could ask about if their child would want to walk on the moon, or what they think the future will be like. Parents could ask about what their child would do if they were a pirate or maybe what they think life was like in mid-evil times. Almost any children's book that encourages children to think and use their imagination is a good one.
I loved the book. What I liked most were the fun rhymes and locations. If I absolutely had to pick something I did not like it would have to be the few lines that did not rhyme as they almost upset the flow of the passage. Though in all honesty, it is not a big issue and for a children's book writers are somewhat limited on their options to ensure a child would understand.
Target readers for this book are anyone. As a mother, I would feel comfortable reading this book to my children no matter how young. I also feel like this would be a good book for a beginning reader, maybe a page a dag. For even more fun and value, parents could have their new readers read the page that goes with the current weekday. Slightly older children and more experienced readers could sit down and read the entire book on their own.
I rate this book 4 out of 4 and plan on getting a physical copy for my own children (I reviewed a digital copy of the book). The book was wonderful and I hope it gains enough popularly that William A. E. Ford creates an entire line of rhyming Timothy Mean books
https://facebook.com/nightreaderreviews
Being bored one day, a young boy by the name of Timothy Mean decides to build a time machine. He visits Vikings and Pirates on their ships, causing them trouble. He visits his parents while they are children and in school themselves. At one point he even pulls the pants down on am astronaut. No trip in time would be complete without a trip into the future so that is exactly what he does. Timothy also likes playing pranks and being a trouble-maker at each location he visits.
The locations visited and Timothy's pranks open up chances for discussion with parents and slightly older children. Parents could ask their children all kinds of things about the book. They could ask about if their child would want to walk on the moon, or what they think the future will be like. Parents could ask about what their child would do if they were a pirate or maybe what they think life was like in mid-evil times. Almost any children's book that encourages children to think and use their imagination is a good one.
I loved the book. What I liked most were the fun rhymes and locations. If I absolutely had to pick something I did not like it would have to be the few lines that did not rhyme as they almost upset the flow of the passage. Though in all honesty, it is not a big issue and for a children's book writers are somewhat limited on their options to ensure a child would understand.
Target readers for this book are anyone. As a mother, I would feel comfortable reading this book to my children no matter how young. I also feel like this would be a good book for a beginning reader, maybe a page a dag. For even more fun and value, parents could have their new readers read the page that goes with the current weekday. Slightly older children and more experienced readers could sit down and read the entire book on their own.
I rate this book 4 out of 4 and plan on getting a physical copy for my own children (I reviewed a digital copy of the book). The book was wonderful and I hope it gains enough popularly that William A. E. Ford creates an entire line of rhyming Timothy Mean books
https://facebook.com/nightreaderreviews
ClareR (5589 KP) rated Dead to Her in Books
Oct 26, 2021
Dead to Her is a thriller set in Savannah, Georgia, amongst its rich inhabitants.
When William Redford, close to retirement and on a year long holiday, comes back early with a very young, beautiful, black wife from London on his arm, the tongues are immediately set wagging.
Marcie, also a second wife, notices that her husband seems a little too interested in William’s new wife, Keisha, and the two women are encouraged to become friends. Marcie is at first very reluctant to do so.
The first half of the book lulls you in to a false sense of security - I thought that I knew what was going to happen. How wrong could I have been?! The second half doesn’t let up - and what surprises Keisha and Marcie had in store for the reader! This book was so cleverly written, that when Voodoo was introduced in to the storyline, I found myself believing in its power along with the characters!
I think the takeaway from this would be that you should never underestimate people, no matter how they appear on the surface (especially if they’re in a Sarah Pinborough book!). This book had me gasping out loud in sheer astonishment more than once!
If you enjoy revenge, murder and high society, then this may very well be the book for you - it was most definitely a hard book to put down!
When William Redford, close to retirement and on a year long holiday, comes back early with a very young, beautiful, black wife from London on his arm, the tongues are immediately set wagging.
Marcie, also a second wife, notices that her husband seems a little too interested in William’s new wife, Keisha, and the two women are encouraged to become friends. Marcie is at first very reluctant to do so.
The first half of the book lulls you in to a false sense of security - I thought that I knew what was going to happen. How wrong could I have been?! The second half doesn’t let up - and what surprises Keisha and Marcie had in store for the reader! This book was so cleverly written, that when Voodoo was introduced in to the storyline, I found myself believing in its power along with the characters!
I think the takeaway from this would be that you should never underestimate people, no matter how they appear on the surface (especially if they’re in a Sarah Pinborough book!). This book had me gasping out loud in sheer astonishment more than once!
If you enjoy revenge, murder and high society, then this may very well be the book for you - it was most definitely a hard book to put down!
I received a digital copy from the author in exchange for an honest review.
Contemporary, young adult, romance, fantasy, steampunk, action... is there any category this book does not fit in to?! Jordan Elizabeth takes readers on a journey from New York to a fantasy world that very few knows exist in her recent novel Lock. Sarah Lockwood, the protagonist, thought the Realm was a story her late father used to tell her, however, when she discovers it is real, she jumps at the chance to visit, not realising the dangers that lie ahead.
Sarah is a self-sufficient young woman who has been living with her belly-dancing aunt since the death of her parents. Invited to stay with her Uncle William, she feels obliged to accept, however, almost regrets the decision after the cold welcome she receives. The gardener's son Archer, however, soon takes her mind off her troubles, particularly when he suggests travelling to a parallel world.
Archer comes from a family of Record Writers and it is his job to record the daily goings-on in the Realm. Sarah soon learns the Realm no longer lives up to the descriptions in the fairytales. A usurper has murdered the royal family and the inhabitants live in constant fear and poverty. Whilst this is shocking, Sarah unveils another revelation: the usurper is someone from her world, someone very close to home.
Although Lock has similarities with fantasy lands such as Narnia, it is written for a slightly older generation of readers. Sarah is 19 years old and some scenes are markedly "adult". There is also a lot of bloodshed and the occasional expletive. Nonetheless, it is a fast-paced, exciting story.
Once again, Jordan Elizabeth has written a book that is unlike the others she has written before. It is difficult to categorise the author and her novels since they are so diverse, however, one thing is for sure: Jordan Elizabeth knows how to tell a good story.
Contemporary, young adult, romance, fantasy, steampunk, action... is there any category this book does not fit in to?! Jordan Elizabeth takes readers on a journey from New York to a fantasy world that very few knows exist in her recent novel Lock. Sarah Lockwood, the protagonist, thought the Realm was a story her late father used to tell her, however, when she discovers it is real, she jumps at the chance to visit, not realising the dangers that lie ahead.
Sarah is a self-sufficient young woman who has been living with her belly-dancing aunt since the death of her parents. Invited to stay with her Uncle William, she feels obliged to accept, however, almost regrets the decision after the cold welcome she receives. The gardener's son Archer, however, soon takes her mind off her troubles, particularly when he suggests travelling to a parallel world.
Archer comes from a family of Record Writers and it is his job to record the daily goings-on in the Realm. Sarah soon learns the Realm no longer lives up to the descriptions in the fairytales. A usurper has murdered the royal family and the inhabitants live in constant fear and poverty. Whilst this is shocking, Sarah unveils another revelation: the usurper is someone from her world, someone very close to home.
Although Lock has similarities with fantasy lands such as Narnia, it is written for a slightly older generation of readers. Sarah is 19 years old and some scenes are markedly "adult". There is also a lot of bloodshed and the occasional expletive. Nonetheless, it is a fast-paced, exciting story.
Once again, Jordan Elizabeth has written a book that is unlike the others she has written before. It is difficult to categorise the author and her novels since they are so diverse, however, one thing is for sure: Jordan Elizabeth knows how to tell a good story.
Kristy H (1252 KP) rated Cruel Beautiful World in Books
Feb 13, 2018
As young girls, Lucy and Caroline come into the care of the older Iris. The girls' parents had died, and they wind up living with Iris, who becomes a sort of adopted mother to the two sisters. Both Lucy and Charlotte are extremely close until high school, when they find themselves drifting apart. Studious Charlotte is focused on getting into college, where she hopes to study to become a vet. Lucy, however, can never quite seem to live up to her sister's academic shadow. That is until she meets a vibrant teacher, William, at her high school. Lucy falls fast for her older English teacher and suddenly finds herself running away to a remote area of Pennsylvania to start over with her new love. Iris and Charlotte, however, are devastated, and cannot give up their search for Lucy. Even worse, Lucy's life of promise and happiness with William may be falling short.
This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after [b:The Girls|26893819|The Girls|Emma Cline|https://d2arxad8u2l0g7.cloudfront.net/books/1464528839s/26893819.jpg|42856015], with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.
Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.
I received a copy of this novel from the publisher and LibraryThing (thank you!).
This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after [b:The Girls|26893819|The Girls|Emma Cline|https://d2arxad8u2l0g7.cloudfront.net/books/1464528839s/26893819.jpg|42856015], with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.
Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.
I received a copy of this novel from the publisher and LibraryThing (thank you!).
Lucy Buglass (45 KP) rated Dead In A Week (Or Your Money Back) (2018) in Movies
Jun 20, 2019
Dark comedy at its finest
This review discusses dark topics such as death and suicide. Reader discretion advised.
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/